Board Landscape Paintings

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 33x41 cm. Frame measures 47x55 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Artist: Carol Sideman– American (1925-2021) Title: Blue Sea #57 Year: circa 1975 Medium: Acrylic paint, gouache, chine colle on heavy watercolor paper Si...

Technical Details Artist: Rosendo González Carbonell Title: River Year: c.1980 Technique: Oil on board Dimensions (without frame): 10.6 x 1...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

Rooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...

The evening painting with the Moon over the river is an unordinary wall decoration of any interior. The artwork is full of different difficult colours. The artist masterfully capture...

Signed oil on board seascape by French fauvist painter Albert Marquet. The piece depicts a view of the Mediterranean sea from the city of Algiers, the capital city of Algeria. In the...

A substantial mid-century Baltic figurative courtyard genre painting by an unknown Eastern European artist (latvia or Lithuania possible) (20t...

Jordi Curos - View of Barcelona - Oil on cardboard Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trained at the O...

I love this garden in the park. Walking there, you forget about the flow of time, and in the spring, at the time of flowering, when the apple trees try on a white wedding dress, your...

Title: Landscape with Figures Artist: Sebastià Congost i Pla (1919-2009) Technique: Oil on panel Dimensions: 13 x 16 in (without frame) / 17.7 x 20.9 in (with frame) Signature: Signe...

Oil on board Board size: 8.5 x 6.5 inches Framed size: 20 x 18 inches Signed lower right

Landscape, skiing, black and white, mountain, snow, france. Sam Gare is available online and in our gallery at Wychwood Art. Samantha Gare Chamonix, France Alps Pen, Marker and Pastel on Mountboard Framed (gray box...

COTTAGES BY THE SEA Size: 44.5 x 52 cm (including frame) Oil on board A serene mid-century coastal landscape composition, painted in oil onto board by the established Swedish artist...

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Rafael Duran Benet (1931-2015) - Dordogne - Oil on canvas panel Oil measurements 33x41 cm. Frame size 42x50 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan pa...

Highly detailed mid century landscape depicting a glorious autumn scene, of a tranquil stream running through a forest full of tress with golden fall foliage, by Harriet Yule (Americ...

Vintage flower landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang an...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

This original, handmade oil on panel painting, Washington Park (2009), is by the late Ken Valastro (1954–2014). Measuring 8 x 10 inches (20.32 x 25.40 cm) and framed to approximately...

Arthur Vidal Diehl British, 1870-1929 Venetian Harbor Oil on board 14 by 17 in, w/ frame 25 by 28 ¼ in Signed lower right Inventory Number: 01854 Best known for his sand dune and ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 35 by 47 inches overall and 27 by 39 painting alone. In excellent original condition. Hands...

In this piece, I poured my emotions into the swirling colors of the pond, capturing the graceful dance of fish beneath rippling water. Using oil, I merged expressionism's boldness wi...

Small Square Abstract Landscape Canvas Art Study of Sunflower Field by Contemporary Artist, Angela Wakefield Art measures 6 x 6 inches Frame measures 11 x 11 inches Angela Wakefiel...

Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2014 Title: On the land of the ancestors Si...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Signed lower right, 'Emerson' for William C. Emerson (American, 1865-1937) and dated 1910. Original card board, verso, was additionally signed 'W. C. Emerson' and titled, 'The Dance'...

A finely rendered oil by the nautical artist Brian Coole. The scene shows various vessels entering and leaving the Boston harbor with an iconic display of an American flag, including...

An Artist sitting by the stream, Mid-19th Century Tonalist Landscape Gorgeous landscape painting by unknown artist, 1900+-. This impressive Tonalist landscape, untitled, depicts a s...

Vintage Oil Painting of the Cullin Hills - the iconic Mountain Range on Isle of Skye in the Scottish Highlands, by 20th Century Artist, Roger Gallaher Art measures 20 x 16 inches ...

Amber Glow - Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Amber Glow Artist: Angel...

No. 4 The Birk And The Bracken, dated 1913 by Sir David Murray (1849-1933) - HUGE LANDSCAPE Fine huge 19th century extensive autumnal landscape titled...

Original oil painting on cardboard by the artist Simon Kozhin. Framed. Plein air painting with snow made in Impressionist style. "Not without a special fe...

Warrior and Pegasus Fight the Kraken - Original Surrealist On Board Dramatic and dynamic fantasy scene by Russell R. Tripp (American, 1942-2025). This piece depicts a warrior atop a...

Wonderful mid century landscape titled "Late Afternoon in Novato" by Ted Lewy (American, 1912-1963). Presented in a rustic wooden frame. Signed "Ted Lewy" and dated "1962" lower righ...

Title: Stone House in Salardú Artist: Joan Vila‑Puig (1890–1963) Technique: Oil on canvas board Dimensions: 33 x 41 cm (12.99 x 16.14 in) Support: Canvas board Signature: Signed in t...

Trees Fields in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Prove...

Painting from the series Landscape of the future. The artist is looking forward to meeting his family in a peace and prosperity reign.

​Helen Taylor (Contemporary) A Short Walk to Europe Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

Early autumn mood. 1990. Cardboard, oil, 24x32 cm This painting depicts an early autumn landscape with lively, textured brushstrokes that capture the transition between summer and f...

In this vivid painting, I unleashed a symphony of color through expressive brushstrokes, merging acrylic and oil to capture the ephemeral beauty of a dramatic sunset. It dances betwe...

A radiant Impressionist-style landscape, this oil painting captures the vibrant warmth of a summer meadow scattered with white daisies and blush-pink wildflowers. Loose, expressive b...

River in the Desert - Western Plein Aire Landscape in Acrylic on Board Lush Western landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer stands at ...

Though born and raised in Cleveland, Ohio, artist Ralph Von Lehmden (1908-1970) was the grandson of a German count. He became a noted painter and designer. Lehmden attended the Cleve...

Vintage post impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

A fabulous evening maritime oil painting on board by the well known contemporary artist, Joseph McGurl. Nixes Mate in Boston harbor is the location. Signed by the artist lower right...

Frame size 73x81 cm. Oil on canvas laid on cardboard. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a di...

Signed lower right, 'Krause' for Franz Emil Krause (German, 1836-1900) and painted circa 1865. Displayed in an exceptionally fine, hand-carved, gilt-wood and gesso frame. Framed Dime...

Mountain Shore (53) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)

This piece is a pertinent example of Jacques Weismann's most sought after works, depicting a Garden view with flowers by an elegant building in the background. As an American Impres...

Spring Picnic in the Vineyard, Contemporary Impressionist Landscape Beautiful oil painting of a variety of fruits with cups in a field of grass by Alexander Rapoport (Russian-Ameri...

Vintage American modernist winter mountain landscape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 14 by 17 inches overall. Han...

Gabriel Casarrubios Martín (1953) - Maternity - Oil on panel Oil size 22x27 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

Mid 20th Century view of a French village, oil on board, by Ghislaine de Fiquelmont. The painting, though not signed, is annotated as from the atelier to the back of the board. Prese...

Beautiful signed oil on board landscape circa 1920 by sought after post impressionist painter Victor Charreton. The piece depicts a figure walking through green rolling fields with h...

The painting captures a stunning sunset over a calm lake. The water perfectly mirrors the vibrant colors and soft clouds above. Сlouds catch the last light of day, adding depth to th...

Vintage abstract oil painting. Oil on board. Signed verso. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and ...

In this vibrant acrylic painting, I've captured the essence of a serene, bustling canal scene, infused with the vivacious spirit of impressionism. I painted with emotion to evoke the...