Cardboard Landscape Paintings

Serene mid-century winter landscape with a cabin near a lake covered in snow and tall mountains in the distance by William Dunn (American b. 1953.) Signed "W. Dunn" lower left. Di...

Wave. 1961., cardboard, oil, 51x74 cm A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by ...

Bold and vibrant depiction of a suburban street by an unknown artist ("Ryan"). Saturated fall foliage dominates the foreground of this piece, framing the houses in the midground. The...

Landscape with Trees is an original modern artwork realized by the Italian painter Alberto Zardo in the first decades of the XX Century. Original oil on cardboard. Hand-signed by ...

Beautiful mid century California landscape of a creek running through the woods near an old barn by San Francisco artist Bonita Salvater Van Craeynest (American, 1907-1992). Signed "...

Vivid mid-century painting of desert in bloom by Gail Pace (American, 20th Century), 1961. Signed "G. Pace" and dated '61 lower right corner. Unframed....

Boats at the Chusovaya River. Kyn. Urals. In crafting this panorama, I sought to capture the serene beauty of a timeless riverscape merged with a breath of fresh, Ural air. My brushs...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2020 Title: Odessa. Monument to Count Voronts...

Beautiful California mountain scene by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Circa 1950. Unframed. Image, 12"H x 16"W. Gleiforst was born in Crete, Nebraska but moved to Oregon where she studied at the University of Oregon. She then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin...

Gorgeous vivid mid-century landscape painting of a house attributed to Texas artist Vivian Love (American, 1908-1982). Circa 1950s. Signed "Vivian" lower right. Presented in a blue wood frame. Image size, 20"L x 16"H. Vivian Rogers Love began exhibiting in San Antonio in the 1940s. She was a member of the San Antonio Art League, River Art Group, Coppini Academy of Fine Arts and the Highland Art...

Christmas. 1997, cardboard, mixed media, 18.5x25 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the ti...

In creating this piece, I immersed myself in the visceral emotions that follow a tempest's passing—relief, contemplation, and a sense of renewal. I chose a blend of acrylics and oils...

Spring sunny day. Cardboard, oil, 29.5 x 36 cm Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1...

Early autumn mood. 1990. Cardboard, oil, 24x32 cm This painting depicts an early autumn landscape with lively, textured brushstrokes that capture the transition between summer and f...

"Kitty Matisse" collage by Volsky Lily. The painting is made on 350 g cardboard, the cat is hand-painted with acrylic paints in the style of everyone's favorite artist Matisse. The p...

This early plain air painting by the master, painted during his first year at the Academy of Painting, masterfully captures a quiet rural scene in the village of Karmanovo, Tver regi...

The last ray. 2023. Canvas, cardboard, oil, 17x23 cm Warm summer evening landscape with stork in small town in Latvia, Erberge. Small size plein air painting Alyona Prokofyeva (198...

The evening painting with the Moon over the water is an unordinary wall decor of any interior. The artwork is full of different difficult colors. The artist masterfully captured the ...

Boulders near the field. 1983, cardboard, oil, 68x94 cm

In this life study I painted the vibrant tranquility of a serene port scene in the fishing village of Kato Achaia in Greece. My artistic language is tinged with impressionism, I used...

Outskirts of town. 1959, oil on cardboard, 44x54 cm Realistic sunny landscape Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was a...

March 24x32 cm, oil/cardboard, 1990

Egypt plein air

Ship repair. 1956, oil on canvas, cardboard, 43,5x61,5 cm landscape with boats Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

In this oil painting, I harnessed the vibrant spirit of Impressionism mixed with the depth of Realism to bring forth the serene, yet lively essence of a blooming water lily. The brus...

Shipped in roll This original landscape wall artwork by Marina Fisher Vlasko features the Chillon Castle in Switzerland, showcasing a unique blend of contemporary and figurative art...

Shipped in roll The product is an original landscape painting titled "Mountain River Landscape" by artist Marina Fisher Vlasko. It is a contemporary piece featuring elements of figu...

Landscape. 1942. Oil on cardboard, 36.5x47.5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University a...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Oil on cardboard realized by Paolo La Motta (1972) in the early 2000s. It includes a contemporary wooden frame cm. 38.5x33.5. Very good condition.

Shipped in roll This original wall art by artist Marina Fisher Vlasko depicts a unique mountain landscape with sheep. Hand-painted with acrylic paints on canvas, this contemporary w...

Port. 1975. Oil on cardboard, 48,5x67,5 cm Nikolaj Petraskevics (1909 - 1976) Born in a working class family. Wife Ejzhenija Henisha - graphic artist, sons Juris Petrashkevich - gr...

Roses. 2008, cardboard, oil, 87x67 cm

This charming painting, painted by the artist from nature, captures a dynamic rural landscape with a winding dirt path running through lush meadows near the village of Karmanovo in t...

"By The Sea" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's pa...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Lielupe. 1980. Cardboard, oil. 51x66 cm

Under a wash of golden sunlight, the landscape unfolds into a sweeping field alive with blooming sunflowers. Their luminous heads, held high on sturdy stems, reach upward as if inten...

Windy day. 1981, oil on cardboard, 40x62 cm

River in autumn. 1984, cardboard, oil, 40x50 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different se...

This plain air painting perfectly conveys a quiet rural landscape, immersing viewers in its calm atmosphere of a rural garden in the Tver region. He was prompted to write by an incid...

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

This plain air painting captures a serene coastal Crimean landscape bathed in the warm hues of a setting sun. The painting presents a harmonious blend of colors, with the sky radiati...

City landscape. Talsi. Cardboard, oil, 52.5x74 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of...

Pine trees on the seashore. 1981, cardboard, oil, 46x65 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Lakeside. 1959, oil on cardboard, 36x49,5 cm Summer landscape by the lake Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints ...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

This plain air painting captures a quiet landscape at dusk painted near the village of Zhitkovo in the Tver region, which is characterized by a harmonious combination of colors. The ...

Spring landscape with house and trees A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by y...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Romantic sunset 1995. Cardboard, oil, 90x83 cm The painting portrays a romantic scene featuring a captivating red sunset. The artist skillfully utilizes oil paints to capture the v...

Village. 1975, oil on cardboard, 54.5x70 cm Konstantin Andreyev (1914-1981) - painter. He had a distinctive flair for painting and already in the 1930ies cooperated in Leningrad pu...

Arlberg brücke. 1930, оil on cardboard, 30x36,5 cm

Mountain landscape with a village. 1980. Cardboard, oil. 49,5x70cm In this work artist paid attention to infinite landscape depiction of mountains in summertime. Mountains are thought to contain divine inspiration in many forms, and are the focus of pilgrimages of transcendence and spiritual elevation. Mountains surpass ordinary humanity and extend towards the heavens. They symbolize constancy and permanence and at their peak signify the state of absolute consciousness. The visual components of color, form, line, shape, space, texture, and value in this painting works together as one story of peaceful moment next to nature. The village at the foot of the mountains is depicted in light brush strokes. Information about artist: Janis Lauva...