Masonite Landscape Paintings

Translated title: "Tropical flight" Acrylic on masonite.

Charles Blum (New York, 1925-1998), "Drum and Flute Player", Oil on Masonite, 1957-63, poem to right side, depicting red, white, and blue building facade with cross above window, sig...

20th Century School, Steam Locomotive Train, Oil on Arch Form Masonite, unsigned, unframed. 29.5" H x 25.25" W. Provenance: From the Collection of Laura and Lewis Kruger.

Hand signed on front by the artist. Original oil on masonite painting. Framed. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...

Emilio Trad (Argentinian, b. 1953) Untitled, 1978 Oil on Masonite 18 x 14 inches Signed and dated on the reverse Emilio Trad was born in 1953, in Buenos A...

Olin Dows Surrealist Subject Painting. Signed lower left and dated 1965. The work is in excellent condition and is unframed tempera on masonite. It measures 10 1/4"h x 13 1/2"w. This...

Idyllic farm landscape with a palm tree by an unknown artist (Amercan, 20th Century). There is a tower that is the main focus of the piece, with a palm tree next to it. Behind the pa...

Nocturnal seascape by Vasil (Victor) Papkov (20th Century). A dark storm hangs over the ocean, with mixed hues of black, blue, purple and red. At the ho...

Mid-Century Modern oil painting, 1940s cityscape, "Bedford at Lafayette, Brooklyn". Oil on masonite. Signed King Rich. In vintage modernist frame...

This is an important, large tempera painting of the sand dunes that line Michigan's coast. Zolton Sepeshy, who lived and painted in Michigan, also wrote a book on tempera painting. ...

Isola della Pescheria is an original artwork realized in late XX Century. Mixed colored oil on masonite. Hand-signed by the artist on the lower right margin. The state of preservation of the artwork is good. Title on the back. The artwork represents a view of Isola della Pescheria a river island...

Italian painting from the second half of the 20th century. Artwork oil on masonite depicting a view with small houses in the green of good pictorial quality. Painting adorned with an...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that captures the great lighting and shadows of ...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another outstanding painting by Charles Ford that focuses on the High Line in New York City ...

This painting on Masonite measures 17.5 x 25.5 and was painted in 2011. Mr Ford was so impressed by The High Line in New York City that in 2011 he created a series of realistic pai...

A bustling street scene of everyday life in front of the famed Marché in Cap-Haïtien is rendered in Sénèque This is a relatively early work by Obin's signature brightly colored and flat naive style. Signed lower right. Provenance: Galerie Issa - Port-Au-Prince, Haiti - Owned by Issa El Saieh of later named El Saieh Gallery Sénèque Obin...

A nude white woman gazes out and over a Giorgio de Chirico like surrealist landscape to an overly dramatic sunset with stylized orange rays. In the center of the composition is a cut-out of a mountain with a moat. In the extreme foreground is a silhouetted orange plane with a spiral of leaves. Along with the empty landscapes of de Chirico, it's possible that Frederick Haucke was influenced by Salvador Dalí " The Persistence of Memory" in 1931, and Dali's painting was shown at the Museum of Modern Art in 1934. In that painting, Dali, paints a vacant landscape doted with symbols from the unconscious. This painting by Frederick Haucke owes a debt to giants of the Surrealist movement but still, Haucke carves out his style. The shape of the nude's hair echoes the shape of the sunset. What the symbolism to the mountain is and the flower in the foreground we will leave to the viewer to speculate. It was shown at the very prestigious Pearls Gallery in New York City. Artists in the famous Perls' stable included Derain, Dufy, Rouault, Matisse, Picasso, Modigliani, Pascin, Soutine, Chagall and Vlaminck. With a 1971 retrospective of Alexander Calder's work. This Haucke from the Perls Gallery...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another outstanding painting by Charles Ford that focuses on the High Line in New York City ...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. This painting depicts S&S nail salon in New York City. From the g...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

Italian painting from the second half of the 20th century. Artwork oil on masonite depicting a view with a small house of good pictorial quality. Painting adorned with an octagonal w...

Heidi Barrett grew up in the Napa Valley with an artist mother -(Diane Peterson)- and a scientific winemaker father -(Dr. Richard Peterson). While she has worked as a professional wi...

Frederick Haucke creates his own brand of surrealism in the 1941 stunner that was with the famous Perls gallery. The painting is signed lower right Signed and dated verso Verso with Perls Gallery, New York label. work is in original framed Provenance: Millicent Rogers...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley...

Jim’s of Lambertville is proud to offer this artwork by: Peter Sculthorpe (born 1948) Peter Sculthorpe was born in Ontario, Canada, in 1948. His talent was evident even as a chi...

A nice impressionist oil on masonite city scene with a young crowd in Rome, Italy, probably the Fontana del Prigione, illegibly signed lower right, title inscribed on verso “Trastev...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

Delightful estate aerial rendering by society artist, Stuart Hinrichs of Greenwich, CT Signed "Stuart" & dated July 7, '84 Art Sz: 13 1/2"H x 17 1/2"W Frame Sz 15"H x 19"W

A Fiery Hell is depicted as a volcano that spews flames and lava dust into the air. According to the Peter and Harrison Ellenshaw Family Archive, this work was shown to Stanly Kubrick for a Paradise Lost, movie concept. Peter had created matte paintings for Kubrick's Spartacus in 1960 and they continued their professional friendship for years to come. Peter did some collaboration with TRON in 1982. Unfortunately, the movie concept for John Miltons, Paradise Lost, was not brought into production. An erupting volcano is also an powerful metaphor for many human conditions. Ellenshaw (1913–2007) was a highly regarded matte painter and special-effects creator whose filmography includes Old Yeller (1957), Swiss Family Robinson...