Paper Landscape Paintings

'Brume Sur La Seine (Mist On The Seine)' Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thibesart was born into an affluent family on May 2nd, 1874. As a small child, Thibesart’s family moved to a suburb of Paris where the very young artist found a wealth of teachers and inspiration to pull from. Thibesart showed such proclivity for drawing at an early age, and had enough talent that famed impressionist Emile Boggio began giving him lessons when he was just 11 years old. Eventually, Thibesart began formal training at the Lycee Rollin in Paris, followed by studies at L’Ecole des Beaux-Arts and the Academie Julian. While working in Symbolism, Thibesart became a student of the Impressionist and Post-Impressionist art movements of his native France and began winning numerous medals in France, including the gold medal from the Societe des Artistes Francais in 1897. Thibesart then began his studies with the famed Impressionist Henri Martin for much of his early life. From Martin, he learned the technique of “plein air" painting who as a master of the discipline. Proficiency of this technique and its aesthetic, freed up the young artist, allowing him the ability to create amazingly beautiful light and shadow splayed across his trademark subjects which frequently included the landscapes of Italy...

Blue Marine Flora is a dynamic, nature-inspired painting that evokes the lush complexity of coral ecosystems. With bold strokes in vivid blue, red and charcoal, the composition mimic...

Late 20th century impressionist gouache landscape of "Les Baux de Provence" on paper by French artist Désiré Villain, signed bottom left and to the reverse...

Orange and Turquoise Corals by Romina Milano is a vibrant diptych that captures the rhythm and complexity of underwater life. Created with gouache crayon on paper, the work layers or...

A Charming 1940s Watercolor of Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 after rec...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Marius Schmidt (American, 1863-1938). Presented in a giltwood frame. Signed "Marius Schmit" lower l...

Vibrating Corals captures the rich diversity and texture of underwater coral life. The artist uses confident lines and bold, layered colors—reds, blues, yellows, purples, and earthy ...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

John Singer Sargent paints a rocky New England beach abutting a cliff face in his watercolor painting, “Maine, 1922.”

Inez McCombs (1895-1975). Virgin Islands, ca. 1950. Alkyd on paper mounted to masonite panel. Measuring 13 x 16 inches; 18 x 21 inches framed. Signed lower right. Philadelphia-...

The temptations of humanity have always existed! In the 21st century, experiencing the temptation of power has become easier than ever! When one person has the power to erase the ent...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Summer seascape at sunset. The bright colors of the day are replaced by gentle ones. The damp smell of the sea mixes with the smell of plants and flowers. The work is done with acrylic on paper. 11x16 inches (30x42 cm.) The product will be well-packaged and protected from moisture and damage when sent by mail. I appreciate your interest in my painting. Artist Liudmila Shabazova.

This piece titled "First Bloom From the Ashes" is an original piece by Graham Franciose, and is made from watercolor on panel mounted Rives BFK cotton rag, wax sealed, custom Douglas...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Artist 17th Century French School Circa 1660 'Diana, Goddess of the Chase' Signature: not signed Medium: tempera on paper applied to oak panel Dimensions: image size 23.5 x 18.5 cm...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Boats at Sausalito Harbor - Watercolor on Paper Harbor scene by Bay Area artist Ralsten (American, 20th Century). Many boats are docked in the harbor. One of them is being cleaned b...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Mu I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink on rice paper mounted on paper, dimensions are 38 × 70 cm (15 × 27.6 in). The artw...

Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

James MacMaster Gray Morning Signed and titled lower left Watercolor on paper 10 1/4 x 14 inches Provenance: Private Collection, New Jersey

"Tzadik" A Surrealist oil painting of old mystical Jerusalem with Hebrew calligraphy Sight 13.25" x 19.5" ; frame: 21" x 27.25" David Rakia (1928-2012) was born in Vienna, Austria...

Anna Kauz born and raised in Hemberg, Toggenburg (CH). Lives and works in Will, St Gallen. Artistic training at the Basel School of Design, various day and evening courses in object...

French Impressionist watercolour on paper view of children in an idyllic country scene by Henri Clamen. Signed bottom right. Acquired from the atelier of the artist with other signed works. Pencil annotation top right and to the back of the paper. A charming view of two children waiting in the shade of a beautiful summers day by the side of a country lane. An archway through to a farmyard and a farmhouse beyond. Dappled light through the overhead leaves and branches. In the lane to the left a hay wain...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Lot of 2 original works by TUSET (A Coruña, 1997) made with ink and seawater on paper. The works can be framed on request or sent to you in a protected envelope for you to place, onc...

This vibrant and evocative artwork "My sweet summer Provence " presents a picturesque seaside landscape, painted with bold strokes and a vivid color palette that instantly captivate...

This artwork, titled "Fort on the Hill," is a mesmerizing exploration of light, color, and form. The painting captures a historic stone fort nestled amidst a lush landscape of robust...

Contemporary Impressionist pastel of an autumnal woodland scene by Belgian artist Francis Besson. Signed to the very bottom right and presented in a simple gold contemporary frame un...

This framed 40"x 32" oil and prismacolor on paper landscape painting, ' I Might Have Been Mistaken,' by Mark Gilmore, depicts dark storm clouds hovering ...

Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...

One of my best works in this series is "Art from Money." It's a painting with a philosophical meaning: it reflects the philosophy of human impact on the planet. This prophetic painti...

Original Watercolour for the iconic Churchman's Cigarette Card of The Taj Mahal Watercolour on Paper c 1910 Image size: 7 x 14 cm Provenance: Private UK Collection A beautifully d...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Mountains 1989. Paper, watercolor, 10x14 cm Landscape with orange mountains. "Mountains" is a captivating watercolor painting that showcases the artist's skill in capturing the c...

A pair of French Impressionist landscape views by Georges Planes. (Dimensions given are for each painting.) The first painting: is an early 20th Century drawing and watercolour view...

In this contemporary landscape painting on paper, luminous green ferns line the forest floor in this rich, highly detailed Virginia landscape set in springtime. The many shades of ve...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

In this impressionistic oil painting, I've embraced the quiet solitude of winter. Through textured brushstrokes, I capture the stillness of snow-l...

My abstract paintings are also glimpses of nature. Some of these paintings read as landscapes of a different world, a wondrous space. Others are about the more intimate aspects of na...

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

Venetian painter (early 19th century) - Venice, view of the gardens with the Coffee House towards the Basilica of Santa Maria della Salute. 15 x 23 cm unframed, 22 x 30 cm with fram...

Judd Mercer's (US based) "056 - Plein Air-Apex Trail, CO" is a gouache painting depicting a mountainscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

Gouache of a Shipwreck in a Storm with Gothic Ruins, Early 19th Century Technique: Gouache on paper Period: Early 19th century Description: This romantic painting depicts a dramatic ...

This vibrant artwork vividly captures a bustling harbor scene with an array of colorful fishing boats gently bobbing on the reflective water. Each vessel, painted with meticulous det...

Beautiful mid century double-sided watercolor landscape painting of boats docked in the Gloucester harbor by C. Campbell (American, 20th Century). Unframed. Acquired with a collectio...

Description im Solliday's pastel painting, "Moonlit Arroyo Pathway," invites the viewer to a moonlight hike along a meandering trail that gently vanishes into the undulating landscape of hills. The rolling clouds above accentuate the fullness of the landscape while a radiant moon bathes the scene in a celestial glow, casting its luminous enchantment upon the scene. Solliday's meticulous attention to delineated edges skillfully captures the rich textures and authentic essence of the natural world, transporting the observer into a mesmerizing nocturnal dreamscape. Provenance Acquired by the gallery directly from the artist Signed " T. Solliday" on lower right corner Exhibitions 20th Anniversary Exhibition: Celebrating a Legacy of Excellence, American Legacy Fine Arts, Pasadena, California, November 10 – December 16, 2023 Theodore N. Lukits (1897-1992): An Aesthetic Realist and Peter Adams and Tim Solliday: Continuing the Lukits Legacy at Palos Verdes Art...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

Summer II is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments and gold leaves on Japanese paper mounted on wood, dimensions are 50 × ...

PaperLandscape Oil Paint and collage on Cotton Canvas 50x50 cm 2020 Ready to hang certificate of authenticity included One of a kind, non-reproducible Marilina Marchica was born i...

Green Garden by Janet Keith [2020] original acrylic paint on heavy watercolour paper Image size: H:100 cm x W:70 cm Complete Size of Unframed Work: H:100 cm x W:70 cm x D:0.10cm Sol...

Fauvist Landscape with Lake and Mountains in Oil on Paper Bright and textured landscape by unknown artist Bry Schmidt (20th Century). This piece sh...

Maples is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, India ink, gold leaf on panel mounted on Japanese paper, diameter is 22.7 cm (8....