Pastel Landscape Paintings

Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...

"Couple on Bench at the Beach" is an original pastel drawing on paperboard by Francesco Spicuzza. The artist signed the piece in the lower left. This drawing depicts two figures sitting on a bench in front of a body of water. The artist used mostly pastel colors for this piece. 6 7/8" x 9 7/8" art 18 1/2" x 21 3/8" frame Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

Landscape is a unique original painting by Italian contemporary artist Marilina Marchica, created in 2026. The work presents a minimal and contemplative landscape, reduced to a singl...

Vintage Southwest Adobe Landscape Original Pastel Painting c.1985 Outstanding late 20th century pastel painting by mystery artist. The painting is s...

Frank Reaugh (1860-1945) Dallas Artist Image Size: 3 3/4 x 5 1/2 Frame Size: 15 x 18 Medium: Pastel on paperboard Circa 1881 "Residence At Terrell" From the collection of Lucretia Coke. Signed F.R. Lower Left & S7 On Verso 1881 or 2, 2 or 3 miles from next house. Frank Reaugh (1860-1945) Charles Franklin Reaugh. THE FRANK REAUGH GALLERY AT THE PANHANDLE-PLAINS HISTORICAL MUSEUM by Michael R. Grauer, Curator of Art, Panhandle-Plains Historical Museum Called the pejorative "Rembrandt of the Longhorn" and "Longhorn Leonardo," and the gentler "Painter to the Longhorns," Charles Franklin "Frank" Reaugh was a master pastellist unparalleled in Texas and the greater Southwest. While he advertised himself as a "landscape and cattle painter" and insisted he was the historian of the Texas longhorn, he has effectively, and unfortunately, pigeonholed his art. More appropriately, Frank Reaugh is often called the "Dean of Texas Painters." His name is synonymous with the "old guard" of Texas art history, along with Robert Onderdonk, Hermann Lungkwitz, William Henry Huddle, Henry McArdle, and others. Reaugh's paintings focused on the landscape of the American West generally, and the American Southwest, specifically. He captured subtleties in a land of high contrast where others only saw the rawness. He painted the overwhelmingly blue sky, the illimitable plains, and the great gashes in the land that are called canyons, arroyos, or breaks in the West. And he painted the Texas longhorn, or Texas cattle, as he referred to them. Usually no more important than the mesquite, yucca, sagebrush, and cholla that also populate his compositions of the Western landscape, the Texas longhorn became his recognized symbol. Today, some commercial galleries even insist that one of his works is more valuable if it has a cow in it! These commercial zealots in their search for a longhorn often overlook the beauty of his landscapes; they cannot see the landscape for the longhorns. Born near Jacksonville, Illinois in 1860, Reaugh first came to Texas in a wagon in 1876 at the age of fifteen. He moved with his parents to a farm near Terrell, Texas, until 1890 when they moved to Dallas and settled in what is now the Oak Cliff area. Reaugh had no formal education but fared well without it for his mother, Clarinda Reaugh, was his teacher in all things. The daughter of a Presbyterian minister, his mother instilled in her only child an appreciation of nature, grounded in her own readings in zoology, botany, and natural history. Her teachings were infused with the philosophies of the famed Swiss zoologist Louis Agassiz and John Burroughs, supporter and contemporary of Walt Whitman, who wrote extensively on his symbiotic relationship with nature. Clarinda Reaugh also encouraged her son's interest in drawing through her own interest in the fine arts. Reaugh's father, George Washington Reaugh, was a mechanic, carpenter, cabinetmaker, and farmer, who had participated in the Gold Rush of 1849. It was from his father that Reaugh learned to be extremely adept with his hands, and later made his own picture frames and patented several inventions. George Reaugh's sense of adventure may have spurred his son's annual trips to West Texas and beyond, which began in the early 1880s. Reaugh's first exposure to art came through reproductions in popular magazines such as Harper's, Scribner's, and Century Illustrated. Rosa Bonheur's Horsefair, the Dutch painter Paulus Potter's Young Bull, and the landscapes of Frederic Edwin Church and J. M. W. Turner were favorites of his. (In fact, his late works are often especially reminiscent of Church and Turner.) From these early reproductions in black and white, Reaugh learned well the lessons of value and composition. While he studied and copied magazine reproductions, Reaugh also became interested in bovine anatomy. Using a "two-bit" book on cattle and sheep anatomy as his text, the young artist collected bones near the Reaugh farm and made measurements from family livestock. He supplemented his scientific studies with sketches made from longhorn cattle brought up from South Texas to fatten on grass nearby. In the early 1880s, Reaugh met two cattlemen, Frank and Romeo Houston, who had interests throughout North Texas, and accompanied them on cattle drives and roundups near present-day Wichita Falls and in Indian Territory (now Oklahoma). His first documented trip to Western Texas came in 1883; probably near present day Wichita Falls and Henrietta, Texas. Reaugh made numerous sketches during these trips, often from the saddle, and later enlarged and composed them in the studio. His field sketches resulted in his first two pastel masterpieces, Watering the Herd (1889) and The One-O Roundup (1894). and his oil The Approaching Herd (1902). These trips with the Houstons, begun as early as 1883, spurred a wanderlust for West Texas that lured Reaugh until he was nearly eighty. Reaugh took his first formal art training at the Saint Louis Museum and School of Fine Arts during the winter of 1884-85. He spent most of his time there drawing from plaster casts of Greek, Roman, and Italian sculpture and possibly live models. Reaugh also met Halsey C. Ives, director of the school, who lectured on avant-garde art trends in Europe, particularly French Impressionism. Later, Ives was instrumental in the acceptance of Reaugh's work for display at the Louisiana Purchase Exposition, held in Saint Louis in 1904. Following his studies at Saint Louis, Reaugh returned to Terrell and began teaching art to young ladies in the area. He supplemented his art classes with a stint at teaching public school, and by November 1888 had saved enough money for a trip to Europe. Upon arriving at Paris, Reaugh enrolled at the Academie Julian, a school very popular with international students, especially Americans. He drew and painted from the figure while at the Academie under Jules Lefebvre, John-Joseph Benjamin Constant, and Henri-Lucien Douciet, all members of the "juste milieu" in France. Reaugh studied at the Academie for half of each day then supplemented his formal instruction by making copies of or studying paintings in the Louvre and the Luxembourg Palace. Logically he was especially drawn to the pastels in what he later called the 'pastel room' in the Louvre. In his 1927 pamphlet, Pastel, Reaugh wrote of the pastel painters he saw in the gallery: "[John] Russell, of England, and [Maurice-Quentin de] La Tour, [Jean Etienne] Liotard, [Jean Simeon] Chardin, and [Madame Vigee] Le [sic] Brun. These were great painters. . .the work of all of them may be seen in the pastel room of the Louvre, as fresh and bright, apparently, as on the day it was done." In addition to the pastellists he mentioned, Reaugh also saw pastels in the Louvre by Rosalba Carriera, Francois Boucher, and Pierre Paul Prudhon. At the end of March 1889, Reaugh traveled through Belgium and Holland, studying paintings of the Flemish and Dutch schools, and particularly those of The Hague School, of which Anton Mauve was a part. He returned to Paris in time to see the Exposition Universelle, at which paintings by French Impressionists Cezanne, Manet, Monet, and Pissarro were exhibited. This may have been Reaugh's initial exposure to Impressionism. Reaugh returned to Texas at the end of May 1889. Between 1890 and 1915, Frank Reaugh enjoyed his greatest success as an artist. He exhibited works at two world's fairs: the World's Columbian Exposition at Chicago in 1893 and the Louisiana Purchase Exposition in 1904. He also exhibited at the prestigious National Academy of Design at New York, the Pennsylvania Academy of the Fine Arts at Philadelphia, and the Art Institute of Chicago. Moreover, Reaugh became a member of the Society of Western Artists and exhibited with that group all over the United States. Finally, Reaugh toured his pastels with much success, especially in the upper Midwest. Simultaneously, Reaugh continued his trips to the West and, beginning in the 1890s, he started using a camera as a sketching tool. He photographed the landscape as well as cattle, and in 1893 photographed in Palo Duro Canyon; perhaps his first trip to the 'Grand Canyon of Texas'. After 1900, Reaugh turned his genius to inventing and patented several devices including a folding lap easel, a water pump, and a cooling mechanism for internal combustion engines, among other things. He also patented Reaugh Pastels, using a formula he developed and shaped into an octagonal-shape stick for easier gripping. Allegedly, either John Singer Sargent or William Merritt Chase used Reaugh Pastels. Reaugh also became more active in Dallas art and civic circles. After first offering private art lessons, he organized the Dallas School of Fine Arts in 1899. He urged Dallas to build the city's first art gallery in 1900, to which he donated a painting, and helped found the Dallas Art Association in 1903. Furthermore, Reaugh arranged the loan of paintings from then-contemporary American artists in the East and Midwest for the State Fair of Texas. An vocational naturalist, Reaugh also organized a popular nature study club in Dallas, members of which were young ladies who grew to be influential Dallas civic leaders. Nevertheless, despite his ground-level work to bring art to Dallas, as the Dallas Art Association grew Reaugh was pushed aside by socialites and his contributions forgotten. Around 1910 and possibly earlier, he began taking students with him on his trips West. Among them were Texas artists Edward G. Eisenlohr, Florence McClung, Lloyd Goff...

Transcendent Beauty 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love a blank canvas. But I also enjoy taking older paintings ...

Wolf Kahn Ocean Cove, 1996 Pastel on paper painting Hand signed and dated by Wolf Kahn on the lower right Frame included: elegantly matted and framed in a wood frame with UV plexigla...

C.Dimitri has received fellowships in painting from the Vermont Studio Center and the RI State Council on the Arts. He is represented by Tabla Rasa gall...

"Evening at Harvey Bear Park" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created during Colibri Gallery's 2nd An...

Carte Blanche 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I like to paint in series and I usually also take a break, both durin...

Crescendo 24.0 x 12.0 x 1.0, 4.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Chasing light is what artists do. Sometimes Mother Nature cooperates a...

Glory Days 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Sunsets are tricky!!!! Too bright and they’re garish, not bright enough ...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Johann Berthelsen and one of New York city’s best known artists along with Guy Wiggins, depicting the streets, parks and skyline of New York. This is a romantic and atmospheric work ...

Savoir Vivre 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This wave looked so elegant as it came in to shore. The left side of i...

Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.1950 Original pastel, watercolor and charcoal on paper. Housed in a simple f...

Poppies for Miles 10.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "The photo reference was actually a field of daisies but I wanted ...

Above The Fray, Original Contemporary Impressionist Seascape Painting, 2022 8" x 10" (HxW) Pastel on Paper Hand-signed by the artist. ...

Incoming, Original Impressionist Painting, 2021 8" x 10" (HxW) Pastel on Board Please note this piece is framed A contemporary pastel work depicting the ocean's water crashing onto...

Weekend Warrior, Original Impressionist Seascape Painting, 2021 9" x 12" (HxW) Pastel on Board The ocean water's blues and greens are bright in this seascape of waves dancing along the Massachusetts shore. The sky glows a beautiful periwinkle over the landscape as the salty sea spray splashes into the air. Artist Commentary: Inspired by a recent trip to Nantucket where I took over 600 photos of the...

Belle of the Ball 24.0 x 6.0 x 2.0, 4.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Waves have a rhythm to them and the longer you watch them the qui...

Ocean's Jewels 24.0 x 12.0 x 1.0, 15.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "**This painting is professionally framed in a 2" warm silver fram...

"Morgan Hill Morning" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created at Harvey Bear Park in Morgan Hill, CA, known for its lush scenery and excellent hiking trails. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. Framed: 13.5" x 15.5" Unframed: 8" x 10" Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery’s 2nd Annual Morgan Hill Plein Air Paint Out, where he won third place for his painting, Roses Among the Vines. In 2021, Mancuso achieved Master Circle Status with The International Association of Pastel Societies and is a Signature Member of the Pastel Society of America. Mancuso holds membership with The California Art Club, Laguna Beach Plein Air...

Pastel on arches paper

La Place Carnot Sous la Neige (Lyon) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanie...

Audience of One, Original Impressionist Seascape Painting, 2021 9" x 12" (HxW) Pastel on Board There is something incredibly serene and sublime about standing upon the ocean's shore, watching the waves slowly roll in, and to be the only human in sight. The reality of Dina Gardner...

Field of Dreams 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Continuing to explore homemade, textured boards and really enjoying...

Early 20th Century Tonalist Pastel Landscape Beautiful tonal landscape, c.1915, by pastel artist William Henry Chandler (American, 1854-1928). The viewer looks out over a serene riv...

This late work by Rockwell Kent exemplifies his mature approach to landscape as a space of contemplation rather than topographical description. Built on a calm horizontal structure, ...

Fluidity 8.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting is a study for a larger painting I'm planning to do soon. As...

September Seas, Original Seascape Painting in Pastel on Board, 2021 Sunlight reflects off of the waves crashing onto the beach. Artist Commentary: I’m mesmerized by waves of all sh...

Windswept 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: “'Windswept' is the fourth painting in my wave series. I love finding the ...

Autumn's Magic 8.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I just love the magic of the fall season. This year happened to have...

Sailing Boat at Bay by Akos Biro (Hungarian 1911-2002) pastel drawing on artist paper, unframed painting: 6.5 x 9.75 inches provenance: the artists estate, France conditio...

"The Water is Warm 24.0 x 12.0 x 1.0, 3.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: ""When it's cold and dreary outside I like to paint the colors o...

The Sun Went Down Like Honey, Original Impressionist Landscape Painting 8" x 10" Pastel on Board A gorgeous turquoise-blue water gleams with hints of green and purple beneath a glowing orange sky. The sunset gives clouds on the horizon line a radiant color, which slowly fades into pink, then purple and blue, beckoning in the night. Artist Commentary: The ocean is my happy place...

Taller Than Your Dreams 10.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "'Taller Than Your Dreams' was created with the goal of bri...

Saturday in the park 6.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This sweet little 6x6 has some great detail in it! Zoom in on t...

Renewal, Original Impressionist Landscape Painting, 2021 8" x 8" Pastel on Board A peaceful energy emits from this contemporary pastel painting by artist Dina Gardner. The modern impressionist work focuses on the play of light upon the landscape, with undulating tones of greens, browns, and blues across the waterscape...

Only A River's (Gonna Make Things Right), Original Impressionist Landscape Painting 9" x 12" (HxW) Pastel on Paper Hand-signed by the artist. A combination of an impressionist and expressionist landscape, Dina Gardner's interpretation of the light in this gesturally painted artwork gives an energy and vitality to the work, with the use of rich reds and purples to depict the mountain's rock face. The cool blue waters then re-center the work, grounding the composition and giving it a serene feel that calms the viewer. Images with frames are examples only; this work comes unframed. Artist Commentary: I love music. I have it playing in my house and my studio all day long and I sing all day long. While traveling through the national parks in our RV this year, we were constantly listening to music and my head got stuck on an album from Bob Weir...

Provenance Acquired by the gallery directly from the artist Signed "T. Solliday" on lower right corner Description Created en plein air using the pastel medium, Solliday's fresh and immediate approach exemplifies a sense of spontaneous joy. The location is Abalone Cove in Palos Verdes, a favorite spot along Southern California's Highway 1 scenic drive famous for its magnificent views of the Pacific Coast. Exhibited Painting California: Seascapes and Beach Towns, USC Pacific Asia Museum, Pasadena, California, June 28 - July, 2018 Theodore N. Lukits (1897-1992): An Aesthetic Realist and Peter Adams and Tim Solliday: Continuing the Lukits Legacy, Palos Verdes Art...

Savoring the Day 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "We’ve all had those days that we just didn’t want to end. This par...

The Feature Presentation 40.0 x 20.0 x 1.0, 7.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting was so much fun to paint! I had a literal ...

Title: Mid-20th Century Post-Impressionist Pastel Drawing of Colourful Marina Scene by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 10.5 inches...

The Evening Chorus 16.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This diptych was so much fun to paint! I love how the compleme...

Postcard from the Shore 9.0 x 12.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: “'Postcard From The Shore' is a painting done as a demo for...

Title: Mid-20th Century Post-Impressionist Beach Scene with Women and Parasol by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 10.5 ...

David Sanders (1933-2013) Austin Artist Image Size: 21 x 17 Frame Size: 29 x 25 Medium: Pastel 1984 "Rest Stop" Longhorn & Windmill David Sanders (1933-2013) Known for his oil pastel...

Original Pastel Landscape Painting on Board 12" x 9" (HxW) This moody landscape painting features a set of tropical palm trees glowing under the moonlight of a deep blue desert sky. Artist Commentary: I think the moon is pretty magical and I love watching...

Golden Harvest Fields by Regine David (female French artist, 1910-2018) dated 1949 pastel painting on artists paper stuck on artist paper painting: 13 x 17 inches condition: This pa...

Monochrome Landscape – Original Mixed Media Painting on Canvas (2025) Description: Monochrome Landscape is an original, one-of-a-kind painting by Italian artist Marilina Marchica. C...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

This fine pastel depicts a serene landscape featuring a flowing river, a bridge, and a building on the right side. The details in the painting, such as the texture of the foliage, th...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

"On an overcast day there was light where the Sacred laid" by Sharon Pomales Tousey is an original, handmade soft pastel painting on board that measures 23 x 30 inches framed and is ...

Hugues Claude Pissarro b.1935 French La plage à Pornichet (The beach at Pornichet) Signed “H. Claude Pissarro” (lower right) Pastel on card French artist H. Claude Pissarro utili...

Title: Soft Pastel Colour Harbour Scene with Boats and Church Tower France by Fanch Lel (French b. 1930) Size: 15 inches (height) x 9.75 inches (width) Gouache painting on card, unfr...

Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...

PaperLandscape – Abstract Landscape Mixed Media Painting on Canvas by Marilina Marchica, 2025 PaperLandscape is a large original abstract painting (81x61 cm) by contemporary Italian...