Plastic Landscape Paintings

Mixed-media wall sculpture in modeling clay and acrylic on wood, a textural seascape in intense blue tones where layered bas-relief waves open a perceptual passage across a circular ...

Foam clay, acrylic and enamel on fir wood circular relief that combines lunar bas-relief with a measured, stitched yellow band; a mixed-media wall sculpture engaging lunar topography...

Mixed-media circular wall sculpture in foam clay and acrylic on wood exploring a blue palette, bas-relief texture and miniature figures. This circular mixed-media wall sculpture comb...

SUNSET is a summer-inspired wall sculpture by Vera Vizzi that fuses foam clay, acrylic paint and enamel on a 45 × 45 × 7 cm fir wood panel. The composition depicts an aerial tennis c...

Varco is a mixed media wall sculpture by Vera Vizzi that explores the emotional depth of the sea through a vivid interplay of texture, gesture and color. Composed in foam clay, plast...

Untitled 02, 2015 - 2016 Mixed technique: black silicone, oil, whir on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Zsolt Berszán’s work speaks of repulsion and fa...

Untitled 01, 2015 - 2016 Mixed technique: black silicone, oil painting, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Signed on reverse Zsolt Ber...

Thorpeness Sun by Rosie Shorrock [2022] original Acrylic on panel Image size: H:50 cm x W:70 cm Complete Size of Unframed Work: H:50 cm x W:70 cm x D:4cm Frame Size: H:55 cm x W:75 ...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From Sea to Shining Sea" Peña takes a traditional approach to representing a house with modern architecture in what is seemingly the suburbs and contrasts the image with a more abstracted and chaotic foreground consisting of Sintra or PVC. The image is framed with a 1 inch white border. Nick Peña...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

Napoleon is a striking 36 x 24 inch acrylic painting on plexiglass by contemporary artist Kyle Ringquist, celebrated for his bold reverse painting technique. Executed entirely in rev...

Walking Shadow 9, 2013 Oil on drafting film 30 x 36 inches

This abstract composition in blue and brown black earthtones is created with a unique perspective which gives a feeling of looking up at a sky or looking down into merging paths of w...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From the Bottom Up", Peña takes a more traditional approach to representing a landscape with bold and vivid colors and contrasts the image with a more abstracted and chaotic foreground consisting of arrows and cut Sintra board to act simultaneously as an obstruction and window into the image. The work is framed with a 1 inch white border. Nick...