1980s Landscape Paintings

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Beautiful seascape of the rocky California coast by Carmel plein air painter Muriel Emily Goodfield (American, 20th century). Presented in a wooden frame. Signed "MEO" lower right an...

Signed lower left, 'Th. Butler' and painted circa 1985. A substantial Pointillist oil showing a view of the Seine with the Pont Neuf and the Île de la Cité. In the foreground, two y...

Textured abstract landscape achieved through layered materials by Annis Allen (American, 1922-2018). Signed by the artist, lower left: "Annis Allen." Presented in a dark mauve paint...

Oil on masonite realized by Alberto Gallerati in 1980s. Hand signed. Titled on rear. Very good condition.

Artist: Ian Hornak (1944-2002) Title: Marcia’s Meadow (Vermont) Year: 1983 Medium: Acrylic on Canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signed, date...

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower left “Guy Nochet. Dated in pencil on fra...

Vintage Post-Impressionist Painting of a Tree-Lined River in the Irish Countryside by 20th Century Irish Artist, Ray Cochrane. Art measures...

"On The Beach" By Greg Harris is a perfect example of his most sought after paintings. Measuring 36x48 in., this painting is timeless with woman and children at the beach...

Pascual Fresquet Almurin (1930) - View of Barcelona Spain - Oil on canvas Oil measures 46x55 cm. Frame measures 65x74 cm. Painter born in Hospitalet del Llobregat in 1930. Self-tau...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed, dated, and titled verso. 59 x 62.75 in. 60.75 x 64.5 in. (framed) Custom framed in a matte white hardwood floater, with gilded metallic front. Roger Mühl was born on December 20, 1929 in Strausbourg, France, where he attended the National School of Decorative Arts. He spent most of his life living and working in Provence, while regularly exhibiting in London, Paris, Geneva, Tokyo, and New York. Mühl is best known for his brightly colored, heavily textured landscape renderings of the south of France. His bucolic paintings...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

View from the forest to the river. Oil on cardboard, 35x50 cm Vitolds Svirskis (1919–1991) Painter, graphic designer. Born on April 27, 1919 in Daugavpils in a family of railway wo...

Oil on canvas painting by the well known American artist, Larry Horowitz. This painting exemplifies his early apprenticeship with Wolf Kahn. Executed in 1983. Signed lower left. Titled and dated verso. Housed in a contemporary rock maple frame. Overall 24.25 by 44.25 inches. LARRY HOROWITZ Born in 1956 in New York City, Horowitz is an American landscape paper with a focus on vanishing landscapes. After graduating from SUNY Purchase, he served as apprentice to Wolf Kahn. He has been selected to participate in the Arts-In-Embassies in Finland and Russia. He strives to capture the beauty of the American landscape with an expert use of texture and color that invites imagination and discovery. EDUCATION: 1971-76 Private study with Maxim Bugzester, New York, NY 1974 Art Students League, New York, NY 1974-78 B.F.A., State University of New York, Purchase, NY ONE-PERSON EXHIBITIONS: 2013 Franklin Bowles Galleries, San Francisco, CA 2013 Cove Gallery, Wellfleet, MA 2013 Meredith Long & Co., Houston, TX 2012 Franklin Bowles Galleries, New York, NY 2012 Cove Gallery, Wellfleet, MA 2011 Cove Gallery, Wellfleet, MA 2011 Munson Gallery, Chatham, MA 2011 Franklin Bowles Galleries, New York, NY 2010 Franklin Bowles Galleries, San Francisco, CA 2010 Cove Gallery, Wellfleet, MA 2010 Aerie Art Gallery, Rehoboth Beach...

"Spring Storm" is a powerful original painting by acclaimed American modernist Doel Reed (1894–1985), celebrated for his dramatic Southwestern landscapes and mastery of tone and text...

Bruno Côté, Canadian, 1940-2010 Quebec , 1984 Oil on masonite 9 x 12 in Signed and dated ’ lower right; Signed and titled verso framed For our US customers: 1) The artwork is shipp...

Tree Study & Field in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Proven...

Original Post-War Oil Painting of Stormy Day in Kerry Ireland by Irish Artist Denis Thornton (1937-1999) Art measures 24 x 18 inches Frame measures 30 ...

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

Paris, rue des Solitaires, oil painting by Pierre Coquet Reference number F489 The painting is framed with a natural oak floated frame. 65 x 50 cm (70 x 55 cm frame included) This work is painted with oil on a paper that is laid on a board and placed in a made to measure wood strectcher. It is signed in the low right Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. The composition here is a little atypical, as there is a certain symmetry between the top and bottom of the painting. You could almost turn it upside down, there's a kind of mirror effect. The support for the painting is a cardboard box salvaged from the art school where he taught (Corvisart-Paris). The students used it to protect their tables. Pierre kept them and painted on them, and we can see little drawings or annotations made by students who had fun scribbling on them. Provenance : Workshop of the artist (stamped and numbered on the back) About Pierre : Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Seascape Painting of Waves Crashing against the Rocks at Pacific Grove, Monterey in California by 20th Century Post War Irish Artist, Tobias Everet Spence A...

Winter landscape with snow covered fields & farmhouse in the English Countryside by British Artist Art measures 30 x 20 inches Frame measures 35 x 25 inches Richard Wood was born i...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

Original oil on canvas painting of a seaside vista by the American artist, Robert Waltsak. Signed lower left. Condition is excellent. Overall framed in a new custom gold leaf frame....

Biagio Civale, Italian/American (1936 - ) - Along the Arno River, Medium: Mixed Media on Canvas, Signed Lower Right, Size: 24 x 36 in. (60.96 x 91.44 cm)

Herb Booth (1942 - 2014) Texas Artist Image Size: 29 x 41 Frame Size: 39 x 51 Medium: Watercolor "Waterfowl" Geese, ducks, more Herb Booth (1942 - 2014) Wat...

Expressive and bold landscape of flowers blooming in a marsh by George Petridis (Greek, 1940-2016). Extensive use of impasto creates an enhanced sense of depth. Signed "G PETRIDIS" i...

Gorgeous landscape oil painting of snow-capped Grand Teton mountains winter scene by B. Silva (American, 20th century). Signed "B. Silva" and dat...

Vineyard Estate Winery Landscape with Grape Vines in Oil on Canvas-Wrapped Board Beautiful landscape of a vineyard estate in California wine country with grape vines in the foregrou...

The roofs of Paris, oil painting by Pierre Coquet Reference number F205 Framed with a natural oak floated frame painted in black 70 x 55 cm frame included (65 x 50 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Garden with Peacock) Year: 1986 Medium: Oil on canvas Size: 81 x 104 inches Inscription: Signed, dated by the artist, ver...

Ronnie Landfield (1947- American) "Untitled" 1982 Acrylic on Paper Dimensions: Sheet 30" X 42" Frame 32 X 44 Hand signed and dated lower right Provenance: Denman Associates, Seattle gallery Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

Bruno Côté, Canadian, 1940-2010 L'île-aux-Coudres Quebec , 1984 Oil on masonite 12 x 16 in Signed and dated ’ lower right; Signed and titled verso framed For our US customers: 1) T...

Abandoned Village by Andre Guillou (French 1925-2017) signed oil on canvas, framed dated 1982 framed: 23 x 30.5 inches canvas: 21.5 x 29 inches provenanc...

Artist: Cornelius van Fulpen– American (1905 - 1987) Title: Silence Year: 1984 Medium: Oil on Canvas Size: 19.5 x 23.75 inches Framed size: 25.5 x 29.75 inches Signature: Signed, da...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Vintage San Francisco Watercolor Landscape -- Lombard Street in Springtime Wonderful vintage watercolor of San Francisco's famous "Crookedest Street in the world" Lombard Street during springtime with cable car in background by listed artist Chinese/American artist Sun Ying, (Chinese/American, 1919-2016) circa 1970. Signed lower right corner with artist's chop. Presented with new mat. Condition: Good. Unframed. Image size: 15"H x 14.88"W. Sun Ying 孙瑛 ( 1919-2016 ) known as (Sun Dashi 大石) was born on November 8 into a poor family, in Gaotang Xian, Shandong Province, in China. In 1949, based in Taipei, he devoted himself entirely to painting and influenced the world of art by creating several painting societies as the Chinese Association of Ink Painting . Taiwan awarded him the Golden Cup Award. In the 1960s and 1970s He exhibited his works in Australia, Brazil, Germany, Malaysia and United States. He went to live in the United States in 1974. After visiting his family in 1984, he returned to China. In 1988, along with Qi Baishi...

Oil Painting of Tree Lined River in a Forest in Ireland by Irish Artist, Denis Thornton (1937-1999) Art measures 14 x 10 inches Frame measures 18 x 13 inches This stunning origina...

Urban Landscape "Hamms Brewery Blue" Building in San Francisco Oil on Canvas 1981 Bold Urban landscape featuring the TMG redesigned of the former Hamm's Brewery building by William (Bill) Jefferson (American, B-1956). Currently a New York artist. Image, 55"H x 42.5"W x 2.5"D After graduating from college ( BA in history), I moved to San Francisco to pursue a career in the arts. Again, I never stopped. San Francisco in the ‘70’s was a magical place, and was the perfect canvas for me. I began drawing, all of the time, everywhere. By 1980 I had begun translating my drawings into paintings. By the time I moved to New York in 2007, my art had matured and my purpose was clear: I mean for my paintings to give the viewer a sense of calm, and wonder at the beauty of the world around us, and to serve as an antidote to the pain and suffering we all experience in life. William Jefferson...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 30 Frame Size: 34 x 39 Medium: Oil Applied by Palette Knife Dated 1981 "Houses on the Hills" , Catalonia, Spain Biog...

Beautiful oil painting of a crumbling farmhouse. By J.B. Holmes, British artist 20th Century Oil painting on board, unframed Board size : 14 x 10 inches The autumnal colours of pl...

Très belle vue de Venise. Huile sur toile par Serge Mendjisky daté 1980. Dimensions avec le cadre: 72x122 cm. Serge Mendjisky est ne en 1929 et mort e...

Nicely painted impressionist seascape painting. Oil on canvas. Framed.

Gaston Rebry, Canadian, 1933-2007 Oil on canvas 12 x 16 in (image) Signed on the lower left: G. Rebry Signed, dated and titled on the reverse: 1982 framed For our US customers: 1) T...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 24 x 36 Frame Size: 31 x 43 Medium: Oil "Cenizo" San Carlos Mexico area Burros Mts. in the Distance Biography Biography Dwight Holmes (1900-1986) Dwight C. Holmes, known for ornamental architectural sculpting as well as painting and etching, was born in Albany, Oregon, 1900. He began formal art training in Galveston high school; studied five years in Texas Christian University, serving also as student assistant and art editor for College annual. He received his Certificate of Art and Bachelor of Arts Degree and became a faculty member in the Art Department. He left teaching to serve a five-year apprenticeship to achieve membership in Modelers and Sculptors of America. He studied with George Franz of Germany and Michael Lengyl of Austria. He has done ornamental architectural sculpturing over forty years and enjoys a broad art horizon that includes sculpting, painting, designing, ceramics, carving, gold-leafing, restoration, etc. He paints in any medium and any subject matter, but prefers oils and landscapes. He studied at Texas Christian University with Mary Sue Darter Coleman, Mrs. R. E. Cockerell, Sam P. Ziegler, and others. In California, he studied with George Flowers, at the Pasadena Art Institute, and in workshops with Lee McCarthy, Leonard Boreman, and etching with Bernard Wall. He has held membership in Painters' Club and Fort Worth Art Association; American Federation of Art; River Art Group and Coppini Academy of Fine Arts in San Antonio; Southwest Ceramic Society; San Angelo Art Club and Arts Council, and others. Dwight Holmes began winning art awards at age 13, and has continued receiving numerous honors and awards over the years. He has held art exhibits all over the Southwest, from Florida to California. His works have been shown in Boston, Cleveland, New York, Kansas City, Columbia, Mo. and elsewhere. He has painted along the Gulf, East and West Coasts; throughout Texas; in Mexico, New Mexico, Arizona, Utah, Colorado, California, Tennessee, Georgia, in the Great Smokies, Yellowstone, Grand Tetons, Red Rock Country, Hawaii, etc. He maintains a studio at 2401 Sherwood Way, San Angelo, Texas, but enjoys doing much of his painting out on locations, His interests include: juror for shows; giving criticisms and appraisals, and conducting art workshops and art colonies. In addition to museums works by Dwight C. Holmes may be seen in many private collections including: Mr. Levi Cole, banker, Canyon, Texas; Dr. A. McChesney, M.D., Columbia, Mo.; S. Herbert Hare, former President Nat'l Association Landscapes Architects; Mr. Scott, Quaker Oats...

A charming painting of a sunny day at an old farmstead with cows by California artist Ralph Edward Joosten (American, 1928-2009). Signed "R. Joosten" lower left. Presented in a rusti...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

Charles DuBack Clear Reflections Signed upper right and titled on verso Oil on canvas 26 1/2 x 33 1/2 inches Charles Steven DuBack was born in Fairfield, Connecticut in 1926, the fi...

Artist: Jerry Schurr, American (1940 - ) Title: Great Valley Year: 1987 Medium: Acrylic on Canvas, signed and dated l.r. Size: 43 in. x 88 in. (109.22 cm ...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Oil on table realize by Michele Ricciuti in 1980s. Hand signed. In good condition, includes a contemporary wooden frame.

Signed figures in a landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside - bathers r...

Salt Ponds 1, Large Scale Modern Geometric Abstract Landscape with Pink A bright and colorful monumental scale abstract interpretation of the Bay Area salt...

Joseph Giunta, 1911-2001, Canadian Paysage Laurentides Oil on board 10 x 12 in (picture) Signed lower right ; titled, signed and inscribed on the artist label verso framed For our ...

Title: Grotto Dated: 1981 Size: 72 X 96 inches Technique: Oil paint on canvas Provenance: Robert Miller Gallery New York Hand signed and dated lower right. This is a large magnific...

Modernist abstract landscape painting by Abraham Pariente. Oil on canvas, circa 1990. Signed. Displayed in a giltwood impressionist frame.

Françoise Juvin - View of Paris with buildings Reference number FJ74 Framed with a natural oak floated frame. 32,5 x 41 cm frame included (28x 37 cm without frame) This work is paint...

"Sycamores" Abstract Expressionist Composition in Acrylic on Paper Bold and expressive composition by Ellen Marie Jones (American, b. 1961). Several botanical shapes resembling tree...

Françoise Juvin - Venice, Piazza San Marco Reference number FJ142 Framed with a black wood floated frame. 24 x 30 cm frame included (19 x 23 cm without...

Franklin Arbuckle, Canadian, 1909 - 2001 BARN IN WINTER, 1981 Oil on canvas, mounted to board 12 x 16 in 30.5 x 40.6 cm INSCRIPTIONS signed lower left; also signed, titled and dated 1981 on the revers Roberts Gallery, Toronto label verso PROVENANCE: Roberts Gallery, Toronto framed For our US customers: 1) The artwork is shipped from Montreal, Canada; 2) Please note that the Canadian artwork is duty free under the current USMCA (NAFTA) agreement; 3) We can ship via USPS which should be zero import and clearance fees for the receiver; Franklin Arbuckle Biography (1909 - 2001) RCA Arbuckle studied at the Ontario College of Art under J.W. Beatty and J.E.H. MacDonald. He attended summer classes at Franz Johnston's Georgian Bay art...