Cubist Landscape Paintings

"Dusk" is an acrylic, charcoal, and oil stick painting on canvas measuring 40" tall by 30" wide. Note the slippage between foreground and background...

Vibrant and textured depiction of colorful buildings on the coast by an unknown artist (20th Century). The sky has heavy impasto, adding depth to the composition. The buildings are r...

Cubist Forest (34) John F. Leonard American (1921–1987) Date: 1960 Oil on Board, signed Size: 19.5 in. x 25 in. (49.53 cm x 63.5 cm) Frame Size: 24 x 29 inches

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

This is a beautiful painting by Alberto de Blobs (Barcleona, 1982). Alberto is a talented painter whose elaborate mixture of figurative and free form ...

beautiful painting by the french painter Malaussena representing a landscape in autumn. Signed and dated 1951. Exposed in Italy according to a label on the back. It comes framed.

Nicely painted mid century impressionist cityscape oil painting. Great color and composition. Framed. Signed.

Eclatante Venise Acrylic on Canvas 70 x 50 cm Éclatante Venise by Grégoire Mathias captures the vibrant essence of Venice through the structured yet dynamic lens of Diachronic Cubi...

Finely painted bright and brilliant cubist winter landscape. Framed nicely and signed lower right. Excellent mid century example.

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Superb original abstract painting by the contemporary British abstract artist Robert Somerton, born 1972. Bold and vivid brushwork shapes all make up this highly unique and appeali...

From Celtic Sea by Josephine Clouting [2021] Signed by the artist Acrylic paint on plywood with aluminium sides Size: H:90 cm x W:90 cm x D:4.4cm Sold Unframed Please note that insit...

Maggie LaPorte Banks. A Sense of Place 2. Acrylic, collage and pure pigment on canvas. W. 75 cm x H. 75 cm x D. 2 cm. Unframed. Please note insitu images are purely an inidcation of ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Jon Rowland Chaumont #1 Original Abstract Painting Acrylic Paint, Collage and Mixed Media on Canvas Canvas Size: H 100cm x W 100cm x D 3cm Sold Unframed Please note that in situ imag...

New England Landscape, 1925, by Jan Matulka (1890-1972) Oil on canvas, mounted to masonite 29 ¼ x 21 ¾ inches unframed (74.295 x 55.245 cm) 30 x...

Masri Hayssam (Lebanese, Italian, born 1965) "The Colorful Florence" 2005 Oil paint on canvas, stretcher bars The artist signed in the bottom left corner of the painting. "The Color...

Signed and titled cubist oil on canvas circa 1980 by French painter Camille Hilaire. This wonderful and colourful piece depicts a gondola on the Grand Canal, Venice with old palace behind. Signature: Signed lower right and titled verso Dimensions: Framed size: 21"x24" (53.3cm x 61.0cm) Size: 15"x18" (38.1cm x 45.7cm) Provenance: Private French collection Camille Hilaire was a pupil at the École des Beaux-Arts in Paris. He also worked in the free academies, including that of André Lhote, whose teaching had a major influence on his work. He executed numerous mural decorations...

Après Midi en Grèce II Acrylic on Canvas 56 x 46 cm Après Midi en Grèce II is an exploration of classical inspiration through the lens of Diachronic Cubism. This 56 x 46 cm acrylic...

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones

This oil painting is signed by the artist "A.Lhote." in the upper left corner. The work was painted in 1928. Note; The village is perhaps La Laupie. Provenance: This work is ac...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Rider and Two Horses in front of a House Technique: Original Hand Signed Tempera Painting on paper Image size: 58 x 83 cm / 22.8 x 32.6 in Additional Information: The work is hand signed "Kadar Bela...

Exhibited: The North Carolina Museum of Art , October, 1967 Exhibited: November 5th to December 4, 1977 Titled: Study for Gomorrah, 1944 His work is in the collections of: Philli...

Provenance: Illustration House, New York, Framed in a simple and modest metal frame. This is a brillant post-Cubist work by Dutch-American illustrator Charles Verschuuren...