Women Landscape Paintings

Pinckney Marcius-Simons, (American, French, 1867-1909) Signed: Marcius-Simons, (lower, right) " Lost in Her Thoughts ", circa 1890-1892 Oil on mahogany panel bearing the stamp on verso of " H. Vieille e. Troisgros Sueei, 55 Rue de Laval...

Title: French Market Scene with Woman in Red Dress Vibrant Figurative Street Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W...

Title: Paris Place de la Concorde Night Street Scene with Obelisk and Dome Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card unframed Size (H x W): 7.25 x 5...

Antique oil painting on stretched canvas of lacemakers by the sea, most likely to be Brittany in France. This very unusual and totally charming painting of three lacemakers in a coa...

Drawing of a Decorative Interior Scene Josine Vignon (French 1922-2022) ink painting on artist paper artist paper: 14 x 10 inches good condition Provenance: from the artists estate, France Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impressionist and Post Impressionist techniques, but adding her own distinctive style and technique to each painting. Vignon''s works carry tremendous energy and enthusiasm, often painted with very thick impasto oil creating a rich and diverse texture, as well as painting with a tremendous palette range of vibrant and joyful colours. She captured her home city of Paris, as well as Provence and the beauty of the surrounding countryside. We consider her one of the most talented and significant ''undiscovered'' artists of her time. Description: This striking ink drawing captures an eclectic mid-century interior, featuring intricate patterns and bold textures that evoke a sense of dynamism and style. Central to the composition is a sculptural table held aloft by two stylized human figures, topped with a decorative pitcher. Surrounding the centerpiece are textured furnishings, including leopard-print fabrics, striped curtains...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Subject: Harbor, Size: 29.5" x 55.5" x 1....

A whimsical oil painting depicting a Parisian Flower Market scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in t...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts two women in a garden in Gisors - a commune in the French depar...

Title: Historic Miniature Watercolor of St Peters Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inches ...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Ippolito Scarsella, known as Lo Scarsellino (Ferrara, around 1550 - 1620) workshop Altarpiece depicting the Madonna and Child, St. James the Greater and the donor in armour Technique: oil on panel Measurements: 93 x 72 cm./with frame 109 x 86 cm. Provenance: Prato, Farsetti, auction of 28.10.2016, lot 261 (link) A majestic Madonna in Glory occupies the upper register of the canvas, seated on a blanket of iridescent clouds surrounded by angels, flanked by a cherub who scatters flowers contained in a cornucopia towards the infant Christ as a sign of abundance, naked and supported with both hands from the mother. In the lower part of the composition stands the figure of San Giacomo Maggiore, one of the twelve apostles, standing on the right side of the altarpiece, represented dressed in a humble tunic; one arm holds the open Gospel book, while the other holds a cross pilgrimage staff. A particular aspect of the table is the presence in the central part, to indicate its importance, of the figure of the donor, kneeling on a cushion, with his hands joined in prayer and his face observing the Virgin in an attitude of devotion, while on the opposite lectern is placed a prayer book; depicted with the features of a young leader in armor, with a sword and a rich iridescent red cloak, elements which, combined with his authoritarian composure, enhance his ennoblement. Unlike the medieval altarpieces, the knight is here included in the space of the painting and has proportionate dimensions to those of the other characters, returning to all intents and purposes in the sacred scene, with a pose that cannot but evoke the detail of the 'Montefeltro altarpiece' made by Piero della Francesca for Federico da Montefeltro, kneeling in front of the sacred group in the guise of a leader. On the right, the view recedes into depth highlighting the background of an urban landscape set on a hill behind which a mountain range stands out, with the peculiarity of the arched aqueduct that runs along the entire landscape. Presumably among these expanses were the donor's own possessions and his hometown. It is a quality table, imbued with the late Mannerist style still resistant in the second half of the 16th century, characterized by a 'sweet and affable religiosity, rendered through a manner of studied simplicity and grace', which highlights the unmistakable stylistic and chromatic connotations of the produced...

Louis Bosa (American, 1905-1981) Viveros Oil on masonite Signed lower left and verso 17.75 x 35.5 inches 25.75 x 43.75 inches, framed Born in Codroipo, a small village only a few mi...

Spanish Vision by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 28.5 x 36 inches Colors: Red colors, yellow, orange, white and blue Very good co...

The Market Sellers French School, mid/ last quarter 20th century signed oil on canvas, unframed canvas: 7 x 9 inches provenance: private collection, F...

A beautiful mid 20th century French post-impressionist oil on panel depicting a busy summer evening in Paris. Lovely quality atmospheric work which is indistinctly signed lower rig...

Mother & Child by Irina Hale (British 1932-2022) oil painting on board, unframed size: 6.75 x 5.5 inches provenance: private collection, Cotswolds condition: very good Irina Hale (1...

Allison Chambers — Cotton Candy Oil on Paper, 10 x 10 inches Contemporary impressionist Allison Chambers brings her signature palette knife technique to this floral still life, Cott...

Title: Mid Century French Original Pastel Painting of Sunlit Orchard Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height) x 13.75 (widt...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

Monogrammed to the lower right. Presented in a wooden frame with a painted cove. On board.

Artist: Vahe Yeremyan Title: Village Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 11" x 16" x 0.8" inch (28 x 41 x 2cm) Presentation: Unframed, Gallery Wrapped o...

Paul Wadsworth captures the hot, spicy colours and warm pastel shades of Kerala in this beautiful Expressionist painting. Fishing from small boats launched from the beach has been tr...

Huile sur toile XIXe siècle Dim sans cadre 61/48 Dim avec cadre 75/61 Ecole française Signé Theodore Levigne en bas droite. Théodore Levigne est un peintre français, né le 17 novembr...

Afternoon Stroll Louis Faille (French 1878-1964) signed oil on board, unframed board : 27.5 x 20.5 inches Provenance: private collection, Paris Condition: very good condition Descri...

Elisée Maclet (1881-1962) Houses by the River, c. 1960 Oil on panel Signed lower right Countersigned and dated on the back On panel: 46 x 38 cm (c. 18 x 18 in) Presented with the wo...

Looking at Jaques Sorolla an impressionist painter from Spain- he painted figures of everyday life scenes. The figures in this painting are resting in the heat of the afternoon Imag...

Title: Venice Grand Canal Waterfront Study Signed Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on paper Size: 11.75 inches (height) x 9.5 inches (width) Condit...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

Signed oil on board figures in landscape by popular French post impressionist painter Victor Charreton. The work depicts a mother holding her small child's hand as they walk towards ...

The Old Town English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 11.25 x 7.75 inches From a large private collection of English ...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

"Paris" Josine Vignon (French 1922-2022) ...

Antique American impressionist nude landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a silver carved molding. Excelle...

"The Fresco" Oil on canvas Large original, one-of-a-kind, painting - 33.5x63in / 85x160cm Nude in a Italian Baroque interior, with blue marine painted fresco. Picture from the sol...

Framed size: 26" x 30" - Signed bottom left La Plage de Cannes is a striking example of Lebasque’s mature Post‑Impressionist style: serene yet subtly vibrant, intimate yet expansive...

Nautical, Contemporary art, Original oil Painting, Ready to Hang Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 202...

This is the garden in front of my studio, which has been sown with wildflower seeds. The flowering plants and grasses are indigenous to the locality in the Cotswolds, along with some...

French painter (18th century) - Flute player and dog. 43.5 x 35 cm without frame, 54 x 45 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame (not si...

Bon Boullogne (Paris, 1649 - Paris, 1717) workshop of Episodes from the myth of Diana oil painting on canvas Dimensions: 84 x 114 cm. with antique frame 100 x 132 cm. The beautiful painting proposed shows a series of episodes taken from the myth of the divinity Diana, the Roman divinity of hunting, forests and wild animals, masterfully captured in this valuable painting, which shows a luxuriant wood, a favorite place of the divinity, as a theater of his adventures. The composition opens, on the left, with a sort of presentation of the divinity, portrayed as an attractive young girl, surrounded by her faithful Nymphs, one of whom holds her quiver with arrows, and by one of her beloved dogs. hunting her. The 'story' continues in the central part where we can see the divinity during a wild boar hunt...

Outdoor Cafe Scene by Fanch Lel (French b. 1930) size: 13 x 16.5 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been stor...

Jean Pierre Serrier (French, 1934-1989) Oil on canvas painting depicting four figures Hand signed lower right. Measures (frame) 26.5" x 30" wide, and (sight) 18.25." x 22.25" wide. Jean Pierre Serrier (1934 – 1989) was a French painter known for surrealism and absurdist art. Jean-Pierre Serrier was born in Montparnasse, Paris and attended the Académie des Beaux-Arts in Paris. the son of Louis and Solange Serrier. His father fought in World War II and became a prisoner of war. In 1940, as a six-year-old, he and his mother fled Paris for Corrèze in southwest France. Childhood memories of close escapes from German bombardments would later influence his absurdist philosophy of life. Passionate about drawing, in 1951 he applied and was admitted to the École nationale supérieure des arts appliqués et des métiers d'art in Paris. He shared an attic apartment in the 16th arrondissement with fellow student Jean-Baptiste Valadié. For income, he decorated shop windows. A trip to Spain provided motifs for early works. His student work might be characterized as art naïf (Naive art). While still a student, he sold a ceramic artwork to the poet and publisher Pierre Seghers, who would later commission drawings from him. He frequented jazz clubs in Saint-Germain des Près, and while listening to Sidney Bechet at the Vieux Colombier, he met his wife, Yvette.One of the last French Surrealist and follower of Nietzsche. His art conveyed the message to all of mankind that we are only human. The other Surrealist to center his art in philosophy was Rene Magritte whose paintings reflect his understanding of Sigmund Freud. He had his first exhibition in 1955, before being sent to Algeria to complete his military service. After graduating in 1955, he was drafted for military service, spent time in Germany and Morocco, and was sent to the front lines of the Algerian War. In 1959 he exhibited works at two Parisian galleries and at Juan-les-Pins on the Côte d'Azur. From 1961, he exhibited annually at the Salon des Artistes Français. In 1962, the City of Paris purchased his painting Un dimanche In 1961, Serrier made his first visit to the United States to exhibit at a New York gallery. In 1975 and 1979, he had successful exhibitions in New Orleans, and his work was included in art and news magazines, including Time and Newsweek. Beginning in the 1950s, his works included stylized portraits similar in some ways to the "big eyes" art of Margaret Keane, though it is uncertain that either artist influenced the other. Keane painted children, and so did Serrier, sometimes from life, but Serrier’s models are usually somewhat older, though uniformly slender and with androgynous features. A gallery owner introduced Serrier to American collectors Edgar Garbisch and his wife, Bernice Chrysler (daughter of Chrysler founder Walter P. Chrysler), who had a particular interest in naïve art; they commissioned a series of portraits from Serrier. At the same time, he met Reine Ausset in Paris, who in 1961 invited him to New York to take part in an exhibition at Galerie Norval on 57th Street. The show also included work by Moïse Kisling, and the exhibition program explicitly linked the two artists, saying that Serrier, who considered Moise Kisling "the Master," had found his own technique, but "the same vision joins the grand Kisling to the young Serrier: plenitude of shapes, sureness of palette, precision in outlines." In the 1960s he began painting slender, young, androgynous figures in groups, set in sparse landscapes with suggestions of the surreal and sometimes wearing costumes of the Commedia dell'arte. In some of these paintings the eyes of the figures are completely black, a motif that would continue in his later work. In 1965, he exhibited at Forest and Reed Gallery in London. Also in 1965, he discovered the small town of Martel, and with his old roommate Jean-Baptiste Valadié purchased a house that they opened as the gallery La Licorne (The Unicorn) in 1967. Responding to the political upheavals of May 1968 in France, and following the advice of Geneva gallery owner Roger Ferrero, Serrier's work became increasingly complex, idiosyncratic, and surreal. Imagery included the Tower of Babel, bodies suspended in space, and crowds of people all dressed alike, with identical features and entirely black eyes. Mannequins, playing cards, nudes, and levitating orbs also figured in the work. In a nod to Magritte, his men sometimes wear bowler hats. Another influence may have been the works of the Franco-Belgian surrealist Gaston Bogaert (1918-2008). Serrier's first major exhibit of these works, in Geneva in 1971, was titled Le Réalisme Fantastique. (Magic Realism) In 1972, he was made a member of the Société du Salon d'Automne, under whose auspices he was invited by the Polish government to exhibit in Warsaw in 1973, as part of a cultural exchange across the Iron Curtain. In 1976, he served on the jury of the Salon d'Automne. In 1975, New Orleans gallery owner Kurt E. Schon brought his work to several cities in the United States. A copiously illustrated monograph in English, Surrealism and the Absurd: Jean Pierre Serrier, was published in 1977. Author Thomas M. Bayer wrote: Serrier's world is one where—to use Friedrich Nietzche's term—the "human herd animal" is being confronted with the overwhelming task of coping with the world, his solitude, and at times, his resignation in the face of its monstrous size and duration. It is a world where the characterless, "blind" man faces the institutions, rules and symbols that made him into the being he now is…But Serrier does not lose himself in this world he portrays. He never forgets the old French tradition, the "black" humor, à la Molière. This classical humor at times is more felt than seen, in a manner that can be terribly funny, because it is horrifying, laughable, poignant and always true. Serrier told a friend, "In each of my paintings there's a message of hope amid the crowd of stereotypical figures. It could be an escaping dirigible, or a nymphet who flees like a deer under the red and blue trees of paradise...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. Measuring 20 by 27 inches painting alone. In excellent original condition. Handsomely framed in a gold g...

Revelry in a Classical Landscape Italian School, early 18th century (circa 1700) oil painting on canvas, laid on board, unframed board: 20 x 36 inches provenan...

Impressionist Still Life Apples and Flowers, Oil Painting by Pamela Cawley, British 20th century oil painting on canvas, unframed board: 20 x 16 inches Stunning original Impression...

Don Hatfield (American, born 1947) "Mother and Child on the Beach" Unknown Oil paint, canvas, stretcher bars Signed on the bottom right of the painting. Don Hatfield’s 'Mother and C...

This energetic coastal painting by Charles Movalli depicts the working harbor of Pigeon Cove in Rockport, Massachusetts. Using acrylic paint and bold, expressive brushwork, Movalli c...

Dusk 3 [2022] original Acrylic on Canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:3cm Frame Size: H:33.5 cm x W:33.5 cm x D:5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look An impressionistic painting...

The Country Lane by Les Parsons (British b. 1945) * see below signed oil on canvas, framed in swept gilt frame. framed: 15.5 x 19.5 inches canvas: 12 x 16...

Very finely painted early 1900s American impressionist portrait painting by Alexander Oscar Levy (1881 - 1947). Oil on canvas, lain to board. In excellent original condition. Hand...

Signed lower right: A. Cingria Inscribed lower left: Geneva 1814 This striking oil painting by Swiss artist Alexandre Cingria depicts a fishmonger standing with a basket of fish, ren...

Angelo Solimena (Canale di Serino 1629 - Barra, 1716) Multiplication of the Loaves and Fishes Oil on canvas 60 x 102 cm Framed 76 x 116 cm Work accompanied by an expert repo...

2 Owls by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 16 x 20 inches provenance: private collection of this artists work, UK The paintin...

Strolling Through the Rain signed by Fanch Lel (French b. 1930) size: 15 x 18 inches dated 91 gouache painting on board, unframed condition: the painting is in very good condition. I...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Antique oil painting of soldiers and woman on the street. Oil on board. Framed.

Christ surrounded by angels in the desert Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669) Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.) The ...

Cornelis Cornelisz. van Haarlem (Haarlem 1562–1638)Workshop Apollo tending the flocks of Admetus Oil on canvas 93 x 69 cm In frame 92 x 116 cm The foreground is dominated by the powerful figure of the Greek god Apollo, dressed in a single drape that leaves most of his athletic body uncovered: the god of the arts and music holds his lyre, one of his most iconic attributes, in his hands; with the same arm, he holds a shepherd's crook: an unusual tool for this deity, but one that allows us to understand the particular episode in which he is involved. The subject refers, in particular, to the mythical episode in which Apollo was punished by Zeus for exterminating the Cyclopes and forced to serve a mortal for nine years: his sentence was to protect, as a shepherd, the flocks of King Admetus (king of Pherae, in Thessaly). This particular episode is very interesting because it also tells us about the origin of the lyre as an instrument sacred to the god: in the Homeric hymns, it is said that Hermes...

In this atmospheric landscape at sunset, Fredrik Lagerström captures a fleeting twilight moment with vivid intensity. The sky is aglow with brilliant gold and amber hues, which are m...

Village Path with Figures signed by Fanch Lel (French b. 1930) Size: 13 x 9 inches Oil painting on cardboard, unframed Inscribed verso Condition: The painting is in good condition, w...

Loys Joseph PRAT Signed Antique oil on canvas Canvas size: 31.5" x 23.5 (80 x 60cm) Outside frame size: 38 x 30" (96 x 76cm) Born 1879 He was born at Donzere in France on the 5th o...