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Medium: Sumi Ink
M. Saffell Gardner "Mt. Vernon Haiku", Sumi Ink on Watercolor Paper
By M. Saffell Gardner
Located in Detroit, MI
This monochrome abstract work by M. Saffell Gardner is a sumi ink on watercolor paper piece that evokes the feelings of a dark American poem. Sumi ink, also c...
Category
2010s Sumi Ink Paintings
Materials
Sumi Ink, Watercolor
Koi Pond Conclave - Japanese Style Gyotaku Painting on Archival Kraft Paper
By Jeff Conroy
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Archival Paper
Plum Crooked Carp - Japanese Style Gyotaku Painting of Fish on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
This is a Gyotaku method painting of a fish on a textured mulberry paper background. This fish impression using minimal color is akin to a fossil. The fish is then hand painted in ...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Figure A7
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Rag Paper
Goldilocks - Flaming Hot - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Goldilocks - Flaming Hot
sumi ink and colored pencil on mulberry paper
14.50h x 19.75w in
36.83h x 50.16w cm
JEC161
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Cincuenta 1: framed sumi ink painting on handmade paper from India: gray, black
By Antonio Puri
Located in Bryn Mawr, PA
This is a framed sumi ink, acrylic, and mixed media painting on paper in gray, black, and white. It is a highly textured work on heavy, handmade khadi paper from India, hand torn for...
Category
2010s Abstract Sumi Ink Paintings
Materials
Paper, Sumi Ink, Mixed Media, Acrylic
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Fallen Angels Always Rise No. 2 a monotone fractured contemporary painting
Located in Hollister, CA
"Fallen Angels Always Rise No. 2" (2021) is part of Katherine Filice’s evocative mixed-media series that explores the tensions between collapse and renewal, absence and reformation. ...
Category
2010s Abstract Sumi Ink Paintings
Materials
Sumi Ink, Archival Paper
Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
"Playing the Zither" Chinese Ink Painting with Text "The Whole World is Happy"
Located in Austin, TX
A handmade copy after 范曾 Fan Zeng (Chinese, born 1938) painting titled "Playing the Zither", by 謝 Xie 天成 Tiancheng of 寥天閣 Chamber of Boundless Sky.
The Calligraphic Text "天下都樂" tra...
Category
1990s Sumi Ink Paintings
Materials
Silk, Sumi Ink
Assembly - Gyotaku Style Sumi Ink Painting of an Koi Pond on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. W...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Juniper - Gyotaku Style Sumi Ink Painting of an Octopus on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Invisible Transformation - 21stC, Contemp., Japan, Fantasy, Natural Materials
By Mari Ito
Located in Barcelona, Catalonia
Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Glue, Sumi Ink, Wood Panel, Washi Paper, Pigment
Berry Cobbler - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Vector Group No. 53
Located in New York, NY
Vector Group No. 53 (2014)
oil enamel, Japanese Sumi ink and gouache on artist's hand-made cotton paper
30 x 23 inches (unframed)
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Enamel
Illusion, acrylic, resin, and sumi ink on canvas over panel, 48 x 32 inches.
Located in New York, NY
Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Canvas, Resin, Sumi Ink, Acrylic, Wood Panel
$14,400 Sale Price
20% Off
Rhythm Hut #17: framed abstract ink painting on art paper in red
black w/ moon
By Antonio Puri
Located in Bryn Mawr, PA
This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...
Category
2010s Abstract Sumi Ink Paintings
Materials
Walnut, Paper, Sumi Ink, India Ink
Swipe 3 (Abstract painting)
Located in London, GB
Swipe 3 (Abstract painting)
Sumi ink and paint on paper. Unframed.
For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks. T...
Category
2010s Abstract Sumi Ink Paintings
Materials
Paper, Sumi Ink, Acrylic
Cheetahpus - Gyotaku Style Japanese Sumi Ink Painting, Cheetah Patterned Octopus
By Jeff Conroy
Located in Chicago, IL
A newly discovered sea creature?? No, just an imaginative artist creating a Gyo-Tako print of large octopus by Jeff Conroy entitled "Cheetahpus". To achieve this remarkable painting, the artist inks the octopus using traditional sumi ink then "prints" it onto Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. Framed as shown.
Jeff Conroy
Cheetahpus
sumi ink and watercolor on mulberry paper
25h x 36.50w in
63.50h x 92.71w cm
JEC080
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Cincuenta 2: sumi ink painting on handmade paper from India w/ circle medallion
By Antonio Puri
Located in Bryn Mawr, PA
This is a sumi ink, acrylic, and mixed media painting on paper in gray, black, and white with a central white medallion. It is a highly textured work on heavy, handmade khadi paper from India, hand torn for irregular edges. This painting can be displayed in any orientation - horizontally or vertically. This piece works especially in a series -- six pieces available, each listed separately. I will combine shipping for your savings on multiple purchases within this series.
Antonio Puri...
Category
2010s Abstract Sumi Ink Paintings
Materials
Paper, Sumi Ink, Mixed Media, Acrylic
Spirit, mixed media, 57 x 49 inches. Atmospheric painting
Located in New York, NY
Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Canvas, Sumi Ink, Acrylic, Wood Panel, Resin
Absinthe Makes The Heart Grow Fonder - Octopus, Gyotaku Style Sumi Ink Painting
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyotaku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extrao...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Ammonite Fall - Gyotaku Style Sumi Ink Painting on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Lemmon Twist Ammonite - Gyotaku Style Sumi Ink Painting on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
The Great Australian Bight Trio - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopi, the artist then embellishes them with colored pencil to convey an extraordinary dimensionality. By printing them on an antique nautical chart...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Color Pencil
Gucci Ray - Sumi Ink on Mulberry Paper, Original Artwork, Gyotaku Style
By Jeff Conroy
Located in Chicago, IL
Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Gucci Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Gucci Ray
sumi ink and watercolor on mulberry paper
37h x 25w in
93.98h x 63.50w cm
JEC088
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Anim
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
Matt Kinney...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Rag Paper
$1,200
Lavender Ammonite - Gyotaku Style Sumi Ink Painting on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Quicksilver - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Alga Aligata No. 4- seaweed kelp oceanic abstracted work on paper
Located in Burlingame, CA
Mixed-media: Sumi Ink, graphite, metallic pigment and acrylic on Moulin de Larroque paper, made by hand in a mill in France. The mixed media work is inspired by seaweed / kelp at a E...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Metal, Gold Leaf
Neapolitan - Gyotaku Style Sumi Ink Painting of an Octopus on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Super Elastic Bubble Plastic - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Apples and Oranges - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Apples and Oranges
sumi ink and colored pencil on mulberry paper
12.50h x 18.50w in
31.75h x 46.99w cm
JEC135
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Studio 54 - Grape - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Red Rum - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Mr. Bubbles - Plum Bob - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Mr. Bubbles - Plum Bob
sumi ink and colored pencil on mulberry paper
14.25h x 19.75w in
36.20h x 50.16w cm
JEC152
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Purple Nurple - Gyotaku Style Sumi Ink Painting of a Purple-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Tako print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Autumn Cotilion - Japanese Style Gyotaku Painting on Marbled Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman dating back the mid 1800's. I then tint the images using watercolor. In each piece I hope to translate a sense of movement to give the viewer a sense of calm one might experience watching the living versions lazily meandering around a serene pond. —Jeff Conroy
Several koi swim in a circle while autumn leaves fall on the surface of the water in this Gyo-tako method of painting by artist Jeff Conroy. After inking and taking impressions of the koi, the artist then uses watercolors to enhance their beauty. By using marbled mulberry paper to print on, he has created the illusion of water with the swirls of the mulberry paper. The paper itself has a soft hue and slightly wavy texture adding the overall feel of the artwork. This artwork is unframed. Contact gallery for framing options.
Jeff Conroy
Autumn Cotillion
sumi ink and colored pencil on mulberry paper
25h x 37w in
63.50h x 93.98w cm
JEC103
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Red Moon Rising - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Stay Golden Pony Boy - Gyotaku Style Sumi Ink Painting of an Octopus, Framed
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches.
Jeff Conroy
Stay Golden Pony Boy
sumi ink and colored pencil on mulberry paper
12.50h x 18.25w in
31.75h x 46.35w cm
JEC123
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Malaga Sunset - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Malaga Sunset
sumi ink and colored pencil on mulberry paper
12.50h x 18.50w in
31.75h x 46.99w cm
JEC137
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Mr. Bubbles - Blue Agave - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Mr. Bubbles - Blue Agave...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Studio 54 - Cherry Blossom - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Studio 54 - Cherry Blossom
sumi ink and colored pencil on mulberry paper
14.50h x 19.75w in
36.83h x 50.16w cm
JEC146
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Dippin
Dotopus - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Sleestak Ray - Gyotaku Style Print of a Sting Ray, Enhanced with Bright Greens
By Jeff Conroy
Located in Chicago, IL
From the mind of the artist comes "Sleestak Ray", taken from the extra-dimensional race of reptilian bipedal humanoid species native to the "Land of the Lost". He has combined a childhood favorite television show with a current favorite - fishing. The artist has master the Japanese art of Gyo-Taku printing using sumi ink and then highlights the piece with watercolors. The artist uses Mulberry...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Paper, Sumi Ink, Color Pencil
Chanel Quilted Black Caviar Ray - Sumi Ink on Mulberry Paper, Gyotaku Original
By Jeff Conroy
Located in Chicago, IL
Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Channel Quilted Black Caviar Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is framed as shown.
Jeff Conroy
Chanel Quilted Black Caviar Ray
sumi ink and watercolor on mulberry paper
37h x 25w in
93.98h x 63.50w cm
FRAMED DIMENSIONS
42.50h x 30.75w x 1d in
107.95h x 78.11w x 2.54d cm
JEC083
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Figure A3, Beacon, NY, 2002
By Matt Kinney
Located in Hudson, NY
ABOUT
Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...
Category
Early 2000s Contemporary Sumi Ink Paintings
Materials
Watercolor, Sumi Ink
Figure A15, Beacon, NY, 2002
By Matt Kinney
Located in Hudson, NY
ABOUT
Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...
Category
Early 2000s Contemporary Sumi Ink Paintings
Materials
Watercolor, Sumi Ink
Spirit Animal, Elephant, Beacon, NY, 2019
By Matt Kinney
Located in Hudson, NY
ABOUT
Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After ...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Watercolor, Sumi Ink
What I Think I Know No. 15 – Abstract Black and Magenta Ink Work (2021)
Located in Hollister, CA
What I Think I Know No. 15 is a dynamic black and magenta ink abstraction on paper by Katherine Filice. The composition features gorgeous sweeping gestures and interwoven lines that ...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Archival Paper
What I Think I Know No. 14 – Black and Fuchsia Ink Abstract by Filice (2021)
Located in Hollister, CA
What I Think I Know No. 14 is part of Katherine Filice’s ongoing series exploring intuition and the architecture of thought. Here, sweeping black forms loop and converge around satur...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Archival Paper
Title: What I Think I Know No. 12 – Black and Pink Ink Drawing by Filice (2021)
Located in Hollister, CA
In What I Think I Know No. 12, Katherine Filice continues her inquiry into perception, connection, and the thresholds between inner and outer worlds. Executed in ink on paper, the pi...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Archival Paper
Written All Over Your Face: Arugula - Gyotaku Style Sumi Ink Octopus Painting
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making over an illustrated diagram of the human brain. Using sumi ink to "print" the octopus, the artist then embell...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Japanese Contemporary Drawing by Tomo Sakurai - Inner Space
Located in Paris, IDF
Gesso, medium, acrylic, sumi-ink, glass on canvas
Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil draw...
Category
2010s Contemporary Sumi Ink Paintings
Materials
Gesso, Canvas, Glass, Sumi Ink, Acrylic
Embodied II
Located in New Orleans, LA
Pelias expounds on her new works . . .
In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Paper, Charcoal, Sumi Ink
Embodied IV
Located in New Orleans, LA
Pelias expounds on her new works . . .
In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Paper, Charcoal, Sumi Ink
Embodied XIV
Located in New Orleans, LA
Pelias expounds on her new works . . .
In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Paper, Charcoal, Sumi Ink
Fallen Angels Always Rise
Located in Hollister, CA
Fallen Angels Always Rise is a layered meditation on resilience, transformation, and the quiet persistence of spirit. Katherine Filice’s composition unfolds in a textured field of su...
Category
2010s Abstract Sumi Ink Paintings
Materials
Sumi Ink, Archival Paper
Embodied III
Located in New Orleans, LA
Pelias expounds on her new works . . .
In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...
Category
21st Century and Contemporary Contemporary Sumi Ink Paintings
Materials
Paper, Charcoal, Sumi Ink
Sumi Ink paintings for sale on 1stDibs.
Find a wide variety of authentic Sumi Ink paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Jeff Conroy, Ryan Rivadeneyra, Anastasia Pelias, and Katherine Filice. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Sumi Ink paintings, so small editions measuring 0.1 inches across are also available
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