Clay Nude Paintings

This contemporary expressionist portrait, infused with elements of Fauvism, Post-Impressionism, and Modern Naïve Art, was created by French artist Natalya Mougenot and forms part of ...

Acrylic, dye, pencil on canvas.

Nude on the River Bank Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 24 x 29 inches Provenance: private collection, France Condition: Th...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

This contemporary abstract expressionist woman’s portrait was created by French artist Natalya Mougenot and forms part of her ongoing Women series—a deeply personal body of work dedi...

Work on canvas Beige wooden frame 63 x 72.5 x 5.5 cm

A surreal underwater portrait by Sula Repani, this painting captures the striking presence of a female swimmer gliding in silence through deep blue waters. Her face, calm yet intense...

"Lady Lee" and "My Neighbors" are two original oil paintings executed on either side of a wood panel by Wisconsin artist Robert Richter. This fun and playful ...

It's just a little embarassing. Our young bather went for a skinny dip in the river and now needs to snatch her clothes without being spotted by the elderly artist on the river bank ...

A stunning, large scale, oil painting by British artist Harry Watson of bathers at a rockpool. HARRY WATSON RWS ROI (BRITISH, 1871-1936) BATHERS AT A ROCKPOOL oil on canvas signed ...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

Richard E. Miller 1875-1943 American Bathers Oil on canvas on board Emanating the radiant beauty that defines American Impressionism, Bathers captures Richard Edward Miller at hi...