20th Century Nude Paintings

Kevin McAlpin (American, 20th Century) Untitled, c. mid-20th century Mixed media on canvas 24 x 19 7/8 in. Framed: 30 x 26 x 1 1/4 in. Signed lower right: Kevin McAlpin

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 i...

Nude Model is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Good conditions. Not signed. Antonio Feltrinelli (Milan, 1...

The Artists Model, female nude reclining in chair by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 29 inches Provenance: all the pai...

Fisherman Watercolor Comes Framed (see photo) About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fr...

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but they give the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist employed a method known as "sanguine" (red chalk paint) which is red crayon or chalk. The drawing has a blood-red, reddish, or flesh coloration. For centuries, painters from the 15th and 16th centuries, including famous masters like Michelangelo, Raphael, and Leonardo da Vinci, have used it for drawing. The drawing has an elaborate off-white matte with acrylic glass protection and a modern wood frame with a deep-textured pattern in red and yellow. Measurements: With Frame: 20.87 in wide (53 cm) x 28.35 in high (72 cm) x 1 in deep (2.5 cm). View alone: 11.44 in wide (29 cm) x 18.94 in high (48 cm). Biography: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...

Painted by Sara Wells Page this is a large stunning half-length Pre-Raphaelite portrait oil painting of a semi clad young woman. It was painted circa 1900 by Page who worked and exhi...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24 x 18.5 inches Beautifully decorative, mid 20th century French orig...

Victor Gilbert 1847 - 1933, French Oil on Panel A magnificent work by Victor Gilbert and one for all collectors. This is a rare and important example on a grand scale that is scarcely seen. Artist's very rarely painted on beautiful mahogany panels as large as this as they were too expensive and very hard to buy. The fact that Gilbert did this highlights the significance of this work. Panel Size: 45 x 26" (114 x 66cm) Outside Frame Size: 52 x 33" (132 x 84cm) Free Shipping Victor Gilbert’s natural ability as an artist was recognized early, but his family lacked the financial resources to send the young man to the École des Beaux-Arts. Rather than enrolling in the École, Gilbert was apprenticed to Eugene Adam as an artisan painter and decorator. His only formal education was evening classes with Pierre Levasseur at the École de la Ville de Paris. Perhaps it was his early immersion into la vie quotidienne that formed the basis for his later choices of subject matter for his art, that of the markets and streets of Paris. Despite his lack of formal training, Gilbert’s admissions to the Paris Salons of 1873 and 1874 were very well received by audiences and critics alike; at this time he was supported by the dealer Paul Martin, who was an important proponent of the Impressionist movement. Gilbert emerged in the early 1880s as the primary Realist painter to record the French marketplace...

'Nude Viewed from the Back', oil on canvas, by Charles Kvapil (1937). The world of art has for centuries depicted nudes in one form or another. Kvapil's wonderfully alluring versions may likely be inspired by Courbet and Cézanne. This nude appears on a chair with her back to the artist and viewer. There are plush reds, sensuous pinks and darker, patterned curtains...

The Nude Model French Post-Impressionist artist, circa 1900's oil painting on canvas, laid on recent board, unframed board: 14.5 x 11 inches provenance: private collection, France co...

Nude Lady Posing for artist on green throw by Josine Vignon (French 1922-2022) ...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 18 x 21.5 inches Provenance: private collection, France Condition: The painting is in overa...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24 inches condition: overall very good, a very few light markings to ...

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

This striking oil study depicts a nude female figure against a dark, muted background. The artist's bold brushstrokes and use of light and shadow create a sense of depth and dimensio...

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Antique impressionist nude woman portrait oil painting. Oil on canvas. Framed.

Alfejs Bromults (1913.3.IV – 1991.11.I) Alfej Bromults received his first professional education at Tautas University under R. Suta, J. Bīne and G. Šķilters. From 1938 he studied in...

Work on canvas Molded frame Diensions with frame : 87 x 73.5 x 4.5 cm This captivating work depicts a female nude in a dynamic pose, combining softness and tension. Every curve of t...

Outstanding painting by the italian artist Donato Frisia, dated 1930. Signed lower left in red. A sensual nude of woman reclined on a sofa is depicted with, at the same time, appeal...

The Artists Model, Nude Lady posing for the artist circa 1930's Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 22 x 18.5 inches Provenanc...

A delightful modernist life study by the artist Georges Eugene Delhomme (1904-1989). Signed and dated to the upper right. Inscribed verso. On card.

Seated Female Nude Figure in Oil on Canvas Beautiful modern impressionist figure painting of a seated nude woman by George Wishon (American, 1937-2005). The two-toned light blue and...

Count Albert de BELLEROCHE 1864–1944 Painter of portraits and genre, and lithographer; influenced by Impressionism. Born 22 October 1864 in Swansea, of Huguenot descent. Brought up b...

Oil painting on Canvas, a reclining odalisque Nude 20Th Additional Info: Title: reclining odalisque nude Medium: original oil on canvas Signature: Signed lower right Provenance: pr...

Act. Oil on canvas, 58x69 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Latvia...

French Bohemian painter (early 20th century) - Female nude. 100 x 70 cm without frame, 109 x 79 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (some cracks...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

Vibrant and dynamic abstracted nude figure drawing, depicted with expressive line and color by Stewart Goldman (American, b. 1936). Signed "S. Goldman" and dated "82" lower right. "Steward Goldman," dated "1982" and titled "Figure Drawing #2" on verso. Presented in a metal frame. Image size, 29.5"H x 22"W. Exhibited:Chamber Paintings and Other New Work - Toni Birckhead Gallery - Cincinnati, Ohio EDUCATION Philadelphia College of Art - 1955-58, 1960-62, BFA in Painting TEACHING EXPERIENCE Art Academy of Cincinnati –September 1968-August 2001 –Retired PROFESSIONAL SERVICE Cincinnati Art Museum Board of Trustees Member– 2013-2016 Advisory Committee- Weston Art Gallery Previous Service Center for Holocaust and Humanity Education, Board of Trustees Member Gamble-Nippert YMCA - Committee of Management Member GRANTS and AWARDS Ohio Arts Council Grant-Exhibition support-“Working Spaces” Munich, Germany -2001 Ohio Arts Council Grant-Exhibition support-“Tales of Slavery and Deliverance”, Munich, Germany-1999 Kulturreferat, Munich, Germany Grant-Residency, Villa Waldberta-Feldafing, Germany-1997 Cincinnati Arts Allocation Grant-To create installation-“The Cherubs of Theresienstadt”-1994 Ohio Arts Council Grant-To curate exhibition and travel “Cincinnati Artists Works on Paper” Kharkiv Art Museum, 1993 Cincinnati Bell Mural Commission-1990 Cincinnati Summerfair Fellowship-1988 Cincinnati Post-Corbett Award, Outstanding Individual Artist-1988 RECENT PROFESSIONAL ACTIVITIES 2013 Curator- “Seeing Opera” Weston Art Gallery, Aronoff Center for the Arts, Cincinnati, Ohio 2013 Book publication, My Mother’s Eyes, Italian translated edition 2011 Curator - exhibition for Constella Festival of Music and Fine Arts, Cincinnati, Ohio 2010 Created print at invitation for Cincinnati Art Museum portfolio commemorating Jim Dine 2007 Book Publication, My Mother’s Eyes, German Translated edition 2005 Commencement Address, New Hampshire Institute of Art, Manchester, NH Colloquia, College of Applied Science, Cincinnati, Ohio Portfolio Presentation, 92 Street Y, New York, NY 2004 Book Publication, My Mother’s Eyes. Holocaust Memories of a Young Girl SELECTED SOLO EXHIBITIONS 2017 Mythic Macrocosm - Tarble Art Center, Eastern Illinois University, Charleston, ILL 2015 Stewart Goldman: Nuances - Philip M. Meyers, Jr., Memorial Gallery, University of Cincinnati - Cincinnati, Ohio 2009 Stewart Goldman Presence through Absence - Cincinnati Art Museum – Cincinnati, Ohio 2008 Then and Now- Paintings and Tape drawings – Springfield Museum of Art- 2006 Old Square/New Square: Paintings and Wall Drawings-Weston Art Gallery, Aronoff Center for the Arts 2005 Paintings-Cincinnati Art Galleries...

Henri Montassier was born at Courlon near the River Yonne on July 27th 1880. As a young man he studied under Luc -Oliver Merson and began his career painting primarily landscapes, ma...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 34 inches overall and 20 by 28 painting alone. In excellent condition. Handsomely framed in a period ar...

A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24.5 inches condition: overall very good, a very few light markings t...

An intimate and lyrical study by Robert Roujas (France, 1908-2000), this evocative oil on marouflé canvas painting captures a reclining nude seen from behind—serene, weary, and imbue...

Nude in the Studio, in Front of the Mirror - Portrait in Oil on Artist's Board Elegant seated nude woman by Pau Milosevich (American, b. 1936). A woman is seated in a studio, in fro...

Lovers - Nude Couple in Bed - Figurative Composition in Acrylic on Paper Expressive depiction of a nude couple by Byron Richard Rodarmel (American, 1932-2007). A couple is intertwin...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19 inches Beautifully decorative, mid 20th century French origin...

Large oil on paper by this well collected British artist. Signed and dated 1980 lower left. Superb example of this artists work. Behind glass in excellent condition, new mount origin...

Figurative Portrait of a Nude Male Model Handsome example of a vibrant figurative of a nude male model by Katherine Kallick (American, b. 1952). Med...

Raymond Moritz. French ( b.1891 - d.1950 ). A Liberated Lady On The Cliffs, 1927. Oil On Canvas. Signed Lower Left. Image size 25 inches x 20.7 inches ( 63.5cm x 52.5cm ). Frame size 29.3 inches x 24.8 inches ( 74.5cm x 63cm ). Available for sale; this original oil painting is by the French artist Raymond Moritz and dates from 1927. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas and the painted surface have benefitted from cleaning and conservation, which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. A later dedication to “Louise” dated April 1942 in the artist’s hand is set around the earlier signing. Raymond Moritz was a French impressionist artist and illustrator. He was born in Paris on 8 July 1891. His family came from the Alsace region and were poor and Catholic. On his mother’s side, the Staubs were from Wihr-au-Val where they had been coopers for several generations. His uncle, Marie Clement Staub, was the founder in Canada of the Sisters of Saint Joan of Arc. Moritz fought during the Great War in the Picardy region of the Somme with the 2nd machine gunner company. He won the French 1914-1918 War medal with bronze palm attachment, which signifies that the awardee was mentioned in dispatches at army level. Moritz obviously created some art during the war because during the inauguration of the new town hall in the town of Albert he was congratulated by the French President, Albert Lebrun, and the British press for the paintings he had produced. Albert was the main town behind the lines for the Allies on the Somme battle fields...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 25 x 18 inches condition: overall very good,...

Abstract Reclining Nude by Raymond Letellier (French 1921-2009) signed oil on canvas, unframed canvas : 24 x 29 inches Provenance: private collection, Paris Condition: very good cond...

Oil on canvas by Yves Dieÿ (1892-1984), France – The Nude. A striking oil on canvas by the renowned French artist Yves Dieÿ (1892-1984), depicting a sensual and elegant nude. This wo...

A very striking and stylishly painted oil of a shapely nude reclining on a draped sofa, dating from the early to mid 20th century . This large scale oil is presented in an attractive...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed oil on board, unframed Size : 16 x 13 inches Provenance: private collection, France Condition: The painting is in ...

Artist/ School: French School, mid 20th century, indistinctly signed lower corner Title: Portrait of a Nude Lady Medium: signed oil painting on canvas, unframed canvas: 18 x 21.75...

Unique expressionist nude figure by Michael Eggleston (American, 20th Century). From a collection of his works. Unframed. Measures 40"H x 30"W. Eggleston is a San Francisco Abstract...

Odilon Roche was born in Chateauneuf-sur-Loire in 1868. He was a professional wine taster who traveled around Europe attending wine fairs. In 1902 he opened a shop selling artists'...

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 18 x 26 inches condition: overall very good,...

If you have an association with dance, yoga or working out, this unusual modernist painting might be an interesting addition to your space. Artist Albert Michini used several models ...

A fine mid-century still life of a seated male nude in an artist's studio. Unsigned. On canvas on stretchers.

Striking female nude in reclined back seated position on red blanket in ink and watercolor by English artist Esther Meyer, circa 1950. Original artwork on paper displayed on a whit...

Painted by Victor di Gesu (American, 1914-1988) circa 1955, and with Di Gesu estate stamp verso. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art C...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1939. The Beautiful Girl. With frame: 85.5x72.5 cm - 33.7x28.5 inches ; without frame: 73x60cm - 28.75x23.6 inches. 20F f...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Posed Nude Model by Helen Greenfield (British 20th century) oil painting on board, un framed board: 20 x 13 inches condition: overall very good provenance: all the paintings we have ...

Nude on the River Bank Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 24 x 29 inches Provenance: private collection, France Condition: Th...

Portrait of a Cubist Figure in Grey.Black and Blue colors by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 25.5 x 19.5 inches Provenance:...