Realist Nude Paintings

Shana Wilson (Canadian, born 1966) "Young Woman on Blue Chair" 2012 Oil Paint, Wood Board The artist signed the back of the painting. Shana Wilson's "Young Woman on Blue Chair" is a...

Shana Wilson (Canadian, born 1966) "The Look in Her Eye" 2016 Oil paint on canvas, stretcher bars The artist signed the top left of the painting. About the Artist: Shana Wilson, bor...

An exquisite nude by Kittie O'Meallie, an artist out of the famous Newcomb arts program at Newcomb College in New Orleans which beginning in the early 20th century led the Southern "...

"The Sauna" is an original oil painting on canvas signed by the artist Alicia Czechowski. It depicts six nude female figures lounging in a sauna. These figures have a wide variety of...

Striking realistic portrait painting of a semi-nude woman with arrows titled "Marks" by Aaron Nagel. Oil on canvas. Size 46 x 30 inches. Unframed. Aaron Nagel is inspired by the co...

Nathan Brad Hall Haven , 2023 charcoal on paper 18h x 24w 45.72h x 60.96w cm FRAMED DIMENSIONS 23.50h x 29.50w in 59.69h x 74.93w cm NBH002 Framing Options Available Nathan Brad Ha...

Shana Wilson (Canadian, born 1966) "A Soft Touch" 2011 Oil paint on wood panel The artist signed the back of the painting. About the Artist: Shana Wilson, born in Edmonton in 1966, ...

This painting captures a moment of reckoning—the body collapsing toward the earth, fists clenched in a visceral acknowledgment of defeat. The figure’s surrender is both physical and ...

Oil painting on Canvas, Bathing Nude By Maria Szantho Nice and large painting " portrait of a nude Gipsy girl " painted by the female artist Maria Szantho (1897 - 1998) Hungarian sc...

Girls and vine. 2021. Oil on canvas, 82x79 cm Normunds Braslinsh (1962) Born 1962 in Riga, Latvia 1980–1986 Latvian Academy of Art, Painting Department 1973–1980 Janis Rozentāls Riga Secondary School of Art Has participated in photo exhibitions since 2002 A professional photographer for art editions since 1989 Has participated in exhibitions since 1980 Pedagogical Experience Since 2004 Professor at the Latvian Academy of Art 1998 Associate Professor at the Latvian Academy of Art Since 1997 a teacher at the Master Studio of Figurative Painting, Latvian Academy of Art Since 1988 a teacher at the Drawing Department, Latvian Academy of Art Solo exhibitions 2008 Normunds Brasliņš...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

"Nymph Of Rila Lakes" oil on canvas 21x49 cm unframed 44x72 cm with frame Among the favorite places of the artist, the Rila lakes are located very high up in the mountains. Considering the ambiance of the place this is how the painter has depicted the nymph that inhabits them. The nymph is turning the teal water into drapery of the same color. The Painting’s Qualities Lyubena Fox...

This oil on canvas art work by Jan De Laura was inspired by a passage from Dostoyevsky's Crime and Punishment: …[Where was that, Raskolnikov thought, as he walked along, where did I...

Oil On Canvas Portrait Of A nude Gipsy Girl By Maria Szantho Nice and large painting " portrait of a nude Gipsy girl " painted by the female artist Maria Szantho (1897 - 1998) Hunga...

JAN WYSOCKI (Polish 1873-1960) Reclining Nude Woman with Mirror and Roses Oil on canvas 39 x 48 inches Signed lower right In a period gold leaf frame Jan Wysocki was born on Februar...

Artist: Sandu Liberman Title: Nude in the Window Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 24 in. x 24 in. (60.96 cm x 60.96 cm) Frame: 31 x 31 inches

Stunning monochromatic realistic contemporary figurative nude portrait painting by Sullivan Giles. Size 40 x 30 inches. Oil on canvas. The figures Giles depicts are often self-port...

Sebbene atteggiato in una delle pose convenzionali adottate in Accademia per l’esercitazione della copia dal nudo, il modello anziano qui ritratto è indagato con tale sensibilità ana...

Oil measures 46x55 cm. Frameless.

"Light Waves" by Kirsten Savage is an elegant, original oil painting featuring a nude female model with her hands raised above in a graceful pose. This handmade masterpiece is framed...

The work was created during a plein air session in Odessa in 2025. # At the Sea. Odessa Alexander Khrapachov 2025 Canvas, oil 50×70 cm --- # The breath of the Black Sea, captured...

"Esme" by Primary Hughes (United States) is a handmade nude portrait of a woman, made with charcoal and pastel on paper. This piece of artwork is framed and ready to hang.

figuratif "Sitting" acrylic on linen canvas 60x60cm nude 2010 the beauty of the body in opposition to violence.

Diego Glazer’s “Reclining Nude in Green” (2022) is an original, handmade oil painting on canvas panel that presents a seated nude woman in a classical pos...

The painting depicts a naked woman lying on her back, covered with a light veil. The main object is a naked girl. Her body is depicted with realistic anatomical accuracy. The figure ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

"Amber" by Primary Hughes (United States) is a handmade nude portrait of a woman, made with charcoal and pastel on paper. This piece of artwork is framed and ready to hang.

Dave Seeley's "Audrey #1" is an original, handmade oil painting that depicts a nude female model reclining on blue velvet fabric as she turns her face away from the viewer. Dave S...

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Marshall Jones is a realist painter born in Atlanta Georgia, and presently working and living in New York City. From 2008 to 2015 Marshall was the recip...

This striking artwork captures the essence of a shirtless young man in a moment of profound contemplation. His gaze, both pained and optimistic, fixated upon an unseen horizon, offers a captivating entry point into the complex emotional narrative that underlies the piece. Salaudeen's use of color is masterful, drawing viewers' eyes immediately to the central figure. The young man's skin is rendered in a palette of subtle, earthy tones, emphasizing his vulnerability and humanity. The absence of a shirt lays bare his raw emotions and exposes the vulnerability we all share when facing adversity. However, it is the juxtaposition of the man's countenance that truly captivates the viewer. The artist has masterfully crafted an expression that is simultaneously heavy with the weight of the world and imbued with an undeniable glimmer of hope. The furrowed brow and furrowed lips are etched with the lines of a thousand struggles, yet his eyes betray a flicker of optimism. This duality is what makes "Help is Coming" so compelling; it encapsulates the human experience of confronting adversity, where pain and hope often intermingle in the most profound ways. The title, "Help is Coming," adds depth to the narrative woven into the piece. It suggests that, despite the pain etched onto the young man's face, there is a belief in a brighter future, a conviction that support and relief are on the horizon. This message resonates with viewers on a universal level, serving as a reminder that even in the darkest moments, there is the potential for change and improvement. Salaudeen's technique also deserves special mention. His meticulous attention to detail is evident in the fine lines and textures that make the young man's skin seem almost tangible. The background, although abstract and dreamlike, subtly hints at the broader context of the man's struggles, inviting viewers to interpret the piece through their own experiences and perspectives. "Help is Coming" is more than just a static image; it is a visual poem that speaks to the shared human experience of pain, resilience, and hope. It encourages us to reflect on our own journeys, reminding us that, no matter how daunting the challenges we face, there is always the potential for relief and redemption. In a world often filled with chaos and uncertainty, art has the power to provide solace and inspiration. Abdulateef Salaudeen...

Pamela Wilson's (US based) "Metempsychosis: Ginger Snapped" is an original, handmade oil painting that depicts a topless female model with a Baboon head. This is a secondary market...

An oil painting of a mermaid resting on the beach. Her expression gives the composition an ominous air. Is a storm coming? Ackrill excels at toeing the line between surrealism and cl...

Suzy Smith's "Regal" is an original, handmade oil painting that depicts a nude woman in a white Victorian era collar as bright pink and red flowers bloom al...

Nude woman at washbasin oil painting on canvas by Frank H.Mason American artist Frank Herbert Mason was born on February 20, 1921 in Cleveland, Oh...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

The painting reflects the philosophy of human impact on the planet. Gladiators, the first fighters for democracy, freedom, and justice. Sports. This is a new global art movement....

John Cobb knew he wanted to be an artist since he was 9. In 1976, he entered Rhode Island School of Design where his realist tendencies were ostracized. Using the money intended for ...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...

"Ajala Travel" by Abdullateef Salaudeen is a captivating artwork that invites viewers into a world of wanderlust and exploration. The piece centers around a young man, adorned with a...

"A Black and White Girl in a Technicolor World" by Linda Delahaye (France based) is an original oil on panel depicting a somber moment of a woman adorned in 1930s attire, collecting ...

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"Anthesis," is an original oil painting by Tenaya Sims. It is framed and ready-to-hang. "Anthesis" has nested mini-figures within the little droplets, comi...

The morning hour. Act. 1959. Oil on cardboard, 95x71 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J....

Elena Burykina's "Transition #9" is an original, handmade oil painting that depicts a woman running her fingers through and gathering her dark hair to reveal her back as she is turne...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Art 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia 199...

Joshua Lawyer's (US based) "Siren" is an original, handmade oil painting that depicts a nude red-headed female figure, with freckles, closing her eyes as...

Provenance On consignment with the gallery from a private collector. Signed "Lipking" on lower left Description American contemporary artist, Jeremy Lipking, is recognized for his ...

Jodie Herrera's (US based) "Hope" is an original, handmade oil painting that depicts a Native American woman with a blanket wrapped around her shoulders with traditional symbols in t...

This work captures the essence of female intimacy. Intimo II presents a fragment of a woman, seated and wrapped in a shawl that delicately covers her torso. The piece maintains a fro...

Evgeniy Monahov still like to work on the edge between sketch and finished painting - when artist are not playing by the rules of one particular style,...

Gouache on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of Cali...

An oil painting of an Eve-like figure in the classical reclining pose with one toe dipped in a lily pond. Her arm is intertwined with an auburn snake as they make eye-contact with ea...

Striking nocturnal nude figurative fine art painting by California artist John Bowler (American, 20/21st Century), 2001. Signed and dated Bowler 2001 lower right corner (photo image enhanced). Presented in pewter-toned wood frame under glass. Image size: 22"H x 15"W. Framed size: 33"H x 23.50"W. A Granite Bay...

Act. 1979. Oil on cardboard, 96x70 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skilt...

Shana Wilson (Canadian, born 1966) "Morning Light" 2012 Oil paint on wood panel The artist signed the back of the painting. About the Artist: Shana Wilson, born in Edmonton in 1966,...

Tranquil figurative portrait of a seated nude woman with brown hair and brown eyes by an unknown San Francisco bay area artist (American, 20th Century). Unsigned. Unframed.

Artist Zack Zdrale takes a traditional approach to his work although his subjects and compositions place his work in the present. His paintings are imbued with stillness and silence ...

French Academic Study of a Hand Circa 1900 Oil on Cardboard 13 3/8 x 8 3/8 (19 1/8 x 14 1/8 frame) inches Signed lower left "M. Granet" A very finely...