Baby Nude Paintings

18th Century French Maestro Title: Bacchanal Medium: Oil on canvas Dimensions: without frame 24 x 30 cm - with frame 33.5 x 39 cm Antique shaped wooden frame lacquered in mustard col...

Louis Buisseret (Belgian) Exhibited at the Pittsburgh International (Carnegie Institute) show of 1928 "Composition" This surrealist painting depicts nude women having a picnic in a S...

A thwarted lover cannot conceal her shame so she jumps into the lake to become a fish but her beauty cannot be hidden - thus the legend of the mermaid is born. Here, Bruno Surdo bri...

Luis Miguel Valdes (Cuban, 1949) "Ella también fue" (She also went), 2016 Mixed media on Canvas 46.25 × 70.25 in Signed and framed Luis Miguel Valdés, Biography Luis Miguel Valdés...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Sunil Das - Confrontation Series - 57.5 x 65 inches (unframed size) Oil on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artis...

Happiness has been Hiding in-between your Heartbeats Oil Painting on Canvas Nikolas Antoniou was born in Larnaca, Cyprus. In 2012 he graduated in fine arts at the University of West...

Henri Ottmann Nu Étendu dans L’Herbe (Nude Lying on the Grass) 1877-1927 Oil on canvas on cardboard, signed lower right Image size: 8 1/2 x 21 inches (21.8 x 53.5 cm) Hand-carved gil...

Paul Graf (1866–1903), Swedish Children Bathing by a Rocky Shore, 1892 signed Graf and indistinctly dated 1892 oil on canvas mounted on panel unframed 139 × 175 cm (54.7 × 68.9 in)...

#2209F is an original meditative life drawing by David Jones. A technique the artist has developed to create these beautifully composed and minimal figurative drawings. David Jones, ...

In this work I present a woman lying down as a study of the female body, the figure is cut on a brownish background, with a very marked texture intentionally based on glazes to highl...

Dazzling reclining nude figurative in a dreamy, twilight setting with desert tones by Scottsdale, Arizona artist Thomas (Tom) P. Darro (American, b. 1946), circa 1990. Signed "T.P. Darro" lower right corner. Displayed in a carved wood frame, with linen liner and wood fillet. Image, 18"H x 36"W. Raised in an artistically rich atmosphere, Tom Darro has spent his entire life in the world of the arts. His father, Peter Darro, is a renowned painter and sculptor. His mother, Ann Darro, was an opera singer with the Chicago Civic Opera. In addition, three of Tom's uncles served as art directors for various organizations. Born in Chicago, Tom opted not to take an offered scholarship to the Chicago Art Institute and instead headed for New York City. While there, he began his education in the intricacies of the art world. Later, Tom took the opportunity to move to Los Angeles to concentrate on his art studies. For over two years he took private lessons from European trained painter Theodore Lukits at his studio and workshop. He then studied color theory under artist Christian Title...

The piece is based in the narrative poem Paradise Lost, written by John Milton in 1667. The author does a self-interpretation of Adam and Eve’s original sin and their later exile fro...

Peter Klasen is a German artist who settled in Paris in 1959. He joined the international Avant-Garde in Paris, fleeing post-war defeated and divided Germany. He is among the artists...

"Les deux moitiés" is a contemporary ethereal nude figures in green and blue water. Astone brought professional dancers into her studio and let them improvise as she painted them. Sh...

If one tries to describe Heinrich Krause’s almost one-century work in a few words, one recognizes an artist who, despite continuously changing artistic trends, remains faithful to ce...

Edwin Brent (American, 1921-2004), Reclining Female Nude Figure, Oil on Canvas, 1952-53, signed, marked "Brackman A.M." and with Art Students League of New York label verso, wood fra...

A gorgeous nude from 1969 by James Wallace, showing masterful foreshortening (very difficult to pull off this convincingly) and beautifully sensual. One tiny repair visible on back c...

Nude with Silks by Andre Belichenko ( Russian) Andrei Belichenko was born in 1974 in Karaganda, Kazakhstan. He is a graduate of the Republican Art Schoo (1990). Andrei studied in t...

"Untitled (Censor Painting Pink)" is a nude figurative acrylic on inkjet board painting by Richard Prince in 2009. The artwork is 35 1/2 x 30 inches and 37 1/2 x 32 x 1 1/2 inches wi...

Sleeping Nude Work Size: 14.75 x 17.5 in with frame 21.75 X 24.75 X 2.25 in. Artist signed lower right corner, also titled and dated signed verso. Rosendo González Carbonell (1910...

Pietro Mengarini (Roma 1869 – 1924), Nel vapore dell’acqua (1905 /1906) Dipinto ad olio su tela di cm 155 x 133 firmato Mengarini Roma in basso a sinistra. Esposizioni: 1906, Milan...

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Gino Piccioni 1873-1941 Italian Wind on the Beach Signed "G. Piccioni" (lower right) Oil on canvas One of Italy's most significant Post-Impressionist figures, Gino Piccioni devel...

Charles Joshua Chaplin (French, 1825-1891) A Very Fine and Charming Pair of 19th Century French Whimsical Oils on Canvas of Cherubs and Putti, after François Boucher (French, 1703–17...

Prokash Karmakar – Nude – 30 x 22 inches (unframed size) Acrylic on Paper, 2006 Inclusive of shipment in ready to hang form. Style : Legendary master artist Lt. Prokash ...

In my series "Gardens of Resilience," I explore the theme of the human connection to nature and its internal relationship with the world. Each painting in this series is an attempt t...

Nude Woman seated on Chair by Jacqueline Boisselot, French late 20th century 13 x 9.5 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a privat...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Beautiful Rare Art Nouveau painting by Joseph Tomanek (1889-1974), depicting a child prancing around for several semi-nude woman in field. Highly Decor...

This painting, Holy Trinity, symbolizes the Holy Spirit of the universe, the earth, the moon, and a black hole. It evokes reflection on life and death. This painting offers a prophet...

Angels. Oil on wood 60X80 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was five...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

Narrative, colorful and surreal fantasy of a room interior. The image incorporates many of the recurring symbols in the artist's work such as hearts fe...

This is a version of the Renaissance motif known as "Death and the Maiden". I think the motif generally was meant to condemn Voluptus (born of the...

"In the studio" is an cubist and abstract painting by the Armenian-Bulgarian artist Maestro Arshak Nersisyan. This painting is dedicated in 2013 to his beloved woman Nadya. About th...

Baes Emile Brussels 1879 – 1953 Paris Belgian Painter Female Nude Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 65 x 54 cm Biography: Baes Emile was b...

Natalia Pashukova (Russian, born 1950) Graduated from the Moscow Surikov Art Inst. A member of the Russian Artists' Union Lives in Moscow Natalia graduated from the Moscow Art Scho...

A striking study depicting a reclining male model with his hands behind his head. The artist captures the scene in warm tones with soft reds and pinks making up the man's lean body. ...

Natalia Pashukova (Russian, born 1950) Graduated from the Moscow Surikov Art Inst. A member of the Russian Artists' Union Lives in Moscow Natalia graduated from the Moscow Art Scho...

Surreal Dreamscape with Nudes French artist, mid 20th century signed oil on canvas, unframed dated 1958? Canvas : 30 x 37.5 inches Provenance: private collection, France Condition: v...

Portrait sketch original drawing by Jean-Paul LE VERRIER (1922-1996) studio stamped ink on paper, unframed Double sided 10.5 x 8.25 inches provenance: private collection of the arti...

Joseph Glasco (American, 1925-1996) Seated Male, 1969 Ink on paper Signed and dated lower right 25 x 19.5 inches 27.5 x 22 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

Linda Stein, Artist and Model 362.020 - Signed, Watercolor, Pen, and Ink on Paper, Colorful, Figurative, Nude Painting Linda Stein's Artist and Model series are early paintings sh...

English Graphite Sketch of a Female Nude, Standing by Henry George Moon (British 1857-1905) on off-white artists paper, unframed measurements: sheet 14.5 x 11 inches provenance: f...

John Buckland-Wright, "Baigneuses" – Elegant Lithograph Print This stunning lithograph print by acclaimed British artist John Buckland-Wright (1897–1954) showcases his remarkable com...

"They Say Every Little Gesture Has a Meaning", Playboy cartoon illustration, August 1968 Pen and watercolor on board 12.5 x 9.5 in. (image) Signed...

Bagnante Addirmentata Bathing Nude Woman Oil Painting Rome In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

"Snow White" Oil Painting 39" x 35" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic known for h...

Calvin Lai's (US based) "Approaching Equilibrium" is an original, handmade oil painting that depicts a nude female figure, standing, with her face in profile and dappled in light. ...

Oil measures 46x55 cm. Frameless.

Reclining Nude, early 20th Century by Harry Barr (1896-1987) Large Early 20th Century reclining nude, oil on canvas Harry Barr. Good qua...

"The Red Boots" by Jean Marc (French 1949-2019) gouache paint painting: 15.5 x 15.5 inches provenance: private collection, South of France Superb original ...

Striking acrylic abstract of two nude female figures seated by a winged statue by Spanish artist, Lilian Coket, 2000. Signed lower margin. Original artwo...

Walkowitz creates a powerful composition with the tightly cropped nude figure pushed up-close to the viewer and occupying half of the picture plane. Smaller figures lead the eye back...

A vibrant 20th-century life study depicting a nude model reclining on a bed. Rendered with confident brushstrokes and a keen eye for colour. Signed to the stretchers verso. On canvas...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Nafir Boaba (Romanian, b.1929) Concubines Oil on canvas Signed, indistinctly inscribed and dated ‘BOABA NAFIR 83’ (lower left) 19.3/4 x 25.5/8 in. (50.3 x 65 cm.) Provenance: From th...