1860s Paintings

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco de la época de la pintura en madera dorada (el marco presenta algunas pequeñas faltas) El esta...

Mid 19th Century Original Oil Painting of Fishing on Scottish Loch in the Style of Alexander Nasmyth Gorgeous 19th Century landscape painting of a Scottish loch with fisherman and castle ruins in the style of Alexander Nasmyth (Scottish, 1758 - 1840). This painting features the rough-hewned nature of Scotland's landscape while juxtaposing the peacefulness of a fisherman casting his line into the loch. Adding interest is the castle ruins on the cliff's edge with a sailboat beneath. There is something new to see with each viewing of this picture. Signed: Illegible monogram lower left corner. (See image) Framed: Presented in rustic giltwood frame of the period. Condition: Good Canvas size: 18"H x 24"W. Framed Size: 22"H x 28"W x 3"D Alexander Nasmyth was a painter, illustrator, landscape gardener and engineer. Alexander Nasmyth's style appears to have been molded principally on that of Claude Lorrain in arrangement, color and mood, and on Jacob van Ruysdael...

LESLIE E.B. SMYTHE 19th century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active paintings in both Scotland and England. He ...

A pair of still lifes: Sarah Miriam Peale Cherries, circa 1860 Oil on canvas 12 x 10 inches Provenance: Kennedy Galleries, New York Private Collection (acquired from the above in 1966) Exhibited: Baltimore, Maryland, Peale Museum, Miss Sarah Miriam Peale: 1800-1885, Portraits and Still Life, 1967, no. 42, p. 17, illustrated. Philadelphia, Philadelphia Museum of Art, The Peale Family: Creation of an American Legacy, 1770-1870, 1996-97, pl. 61, p. 97, illustrated; this exhibition later traveled to Washington, D.C., National Portrait Gallery; Washington, D.C., Corcoran Gallery of Art; San Francisco, M.H. de Young Memorial Memorial Museum. Sarah Miriam Peale Basket with Berries, circa 1860 Oil on canvas 12 x 10 inches Provenance: Kennedy Galleries, New York Private Collection (acquired from the above in 1966) Exhibited: Baltimore, Maryland, Miss Sarah Miriam Peale: 1800-1885, Portraits and Still Life, 1967, no. 43, p. 34, illustrated. Philadelphia, Philadelphia Museum of Art, The Peale Family: Creation of an American Legacy, 1770-1870, 1996-97, pl. 125, pp. 245-46, illustrated; this exhibition later traveled to Washington, D.C., National Portrait Gallery; Washington, D.C., Corcoran Gallery of Art; San Francisco, M.H. de Young Memorial Memorial Museum. One of the many artist descendants of Charles Willson...

Russian Icon, oil on wood, with beautiful cloisonné enamel around. Icon is surrounded with floral motifs decorative insert that is placed into the thick carved wooden frame. Icon is signed verso with dedication to the church that it was made for. c. 1860s 23.5”h x 20.5”w, overall size is 47.5” x 34” Writing on the back of the icon says: "Painted family icon was donated to the church of the name of Pokrova of Virgin Mary with additions of flora and laurel and with 3 saints: Vasiliy the Great, Gregory the Theologian and John Chrysostom by people born at the village of Gubino and later by the merchant Vasiliy Miheev from Saint Petersburg with his wife Tatiana Yakovleva-Miheeva. Done in the memory of completion of this church with stone fence...

Up for sale is an original antique 1864 oil painting on canvas by Famous American Artist John O'Brien Inman (1828-1896), depicting a portrait of a seated baby. Signature on verso "Painted by Jho. O'B Inman Portlana Jan 18th 64" The painting is in good/antique condition, minor stable craquelures. Presented in an ornate vintage gilded frame. Please see the photos, the photos are part of the description. Measures with the frame 41" X 34.5", painting 30" x 25". Free insured shipping. Free delivery in 200 miles from Boston. Please read some interesting information about Artist...

Oil on canvas Property from a Southampton Estate Sotheby's, June 13, 1985 Measurements image size: 38 by 49 1/2 inches; overall: 49 by 60 1/2 inches Painting has been restore...

Artist: George Clarkson Stanfield, English (1828 - 1878) Title: View of the Campo di Marte, Venice Year: circa 1864 Medium: Oil on Canvas, signed l.r. Size: 14.5 in. x 23.5 in. (36.8...

Francois (Frans) Van Severdonck (1809-1889) Belgian Sheep Resting in a Meadow signed Franc..? Van Severdonck and dated 1861 oil on panel panel size 16 x 23 cm frame 25.5 x 32 cm ...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Fine 19th century still life painting by an important French female painter Jenny Villebesseyx (1847 - 1924). The painting is oil on canvas measuring 23" x 29 1/2". Framed dimension...

Oil on panel " Scene Galante " Attribution Diaz De La Pena 19th century It can certainly be closely compared stylistically and compositionally with other k...

This absolutely lovely British Victorian oil painting is by noted Birmingham born artist James John Hill and has some excellent provenance below. The painting actually stayed in Birmingham for many years, hanging in Heathfield Hall, the former residence of inventor and engineer James Watt, but owned at that time by Thomas Pemberton. It then moved to Berwick House in Shropshire. Entitled The Gleaner and painted in1863, it is a charming half length portrait of a young woman with a sheaf of wheat under her arm. She is stood beneath trees and the wheat field is beyond. She is dressed in a lovely pink garment and wearing a brown felt hat, to shade her face from the sun, her dark hair cascading down her shoulder, The hat is decorated with a poppy. The soft tones and sympathetic rendering of the young woman make this a stunning 19th century oil painting with excellent provenance. The painting is housed in its original gilt frame with a beautiful oak leaf motif. Signed and dated 1863 lower left. Provenance. Thomas Pemberton, Heathfield Hall, Handsworth, Birmingham. (Heathfield Hall was the former residence of the inventor and engineer James Watt. Following his death the house had several occupiers including local luminaries Thomas Pemberton and George Tangye). His sale, Christie's, 30 April 1874, lot 95 (69gns to James Watson) Berwick House, Shropshire. (James Watson (1817-1895) was an English merchant, dairy herdsman and Conservative politician who sat in the House of Commons from 1885 to 1892) Condition. Oil on canvas, 34 inches by 28 inches unframed, in good condition. Frame. Housed in its original gilt frame with oak leaf motif, 42 inches by 36 inches and in good condition. James John Hill RBA (1811 – 27 January 1882), known also by his alias J. J. Hill, was an English landscape and portrait painter, known for his many rustic paintings and portraits of Lady Burdett-Coutts. James John Hill was born sometime in 1811 in Broad Street, Birmingham to Daniel Hill, plater, and Elizabeth Rowlinson, the daughter of a brass founder. He was educated at Hazelwood School, a school founded by the educational reformer Rowland Hill...

An able sailor guides a fine sloop through the choppy waters of a busy American port in this work by Dutch-American artist Maurtiz DeHaas. Given the sailor's hat, what appears to be ...

Important framed 19th century Hudson River School landscape. Possibly estate stamped. Housed in an impressive period frame. Oil on canvas.

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

In this atmospheric and luminous work by E.T. Baker, the busy port of New York hosts a huge number of ships coming and going near the Battery and the famous landmark of Castle Garden...

Antique American Hudson River School artist working in Italy. Oil on canvas. Framed nicely. No signature found.

Oil on panel, realized around 1860s. Signed lower right "Reati". A charming and atmospheric Venetian view by Italian painter Alessandro Reati, known for his lively depictions of th...

Gustave de Jonghe An Afternoon Visit Oil on panel Image Size: 32.8 x 25 inches Framed Dimensions: 41.7 x 33.5 Hand signed in lower left corner

Edward Niemann Junior A superb example of Edward Niemann's work. The piece is housed in its original detail and is of a quality that would be more akin...

An antique German animal painting by Clara Von Wille which features Wild Turkeys and chickens in a whimsical setting. Original period frame.

Charles Blauvelt The Doubtful Bill, 1868 Signed and dated lower left Oil on canvas 12 1/4 x 9 1/2 inches Provenance: Private Collection, Connecticut...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

Joseph Weidner Austrian 1801 - 1870 Self Portrait Oil on canvas, signed lower left Image size: 23 x 19 inches (58.5 x 48.5 cm) Original gilt swept fra...

Signed and dated oil on canvas landscape by Hudson School River painter Winkworth Allan Gay. The work depicts a view of the boats of the Boston Yacht Club in Massachusetts Bay. We be...

This beautiful Victorian oil painting titled "Roadside Inn in Hampshire" is attributed to the renowned British artist Henry Charles Woollett (c.1826-1893), and depicts a picturesque ...

Jean Philippe George-Julliard (1818 – 1888) A landscape with a traveler Oil on paper Signed HG lower right 19.5 x 29 cm The four corners are cut Framed under glass 27 x 47 cm Jean Philippe George-Julliard (1818–1888) or Henri Philippe Julliard was born on 1 january 1818 in Geneva (Switzerland) from french parents. He first studied art in Nantes in France, but later he came back to Geneva where he became pupil of Alexandre Calame...

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

Edward Charles Barnes, a distinguished London painter active during the Victorian era, is celebrated for his evocative domestic scenes and interiors, particularly those featuring wom...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

In his oil painting, “A Path in the Mountains,” Sanford Robinson Gifford paints a figure walking down a mountain trail lined with tall evergreens towards a forested bluff.

Oil on canvas attributed Rousseau-Decelle, French painter of the XIXth century. Student of Bouguereau and Ferrier In 1903, the artist whose studio is located at 235 rue du Faubourg ...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

Louis-Camille d'Olivier, A painter of history and portraits, he returned to the Ecole des Beaux-Arts in 1850 and appeared at the Salon de Paris between ...

Alfred Vickers Senior (1786–1868) Shipping off the Coast, oil on canvas, circa 1860, signed lower left This lively coastal scene by Alfred Vickers Senior, painted circa 1860, reveal...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

Sebbene atteggiato in una delle pose convenzionali adottate in Accademia per l’esercitazione della copia dal nudo, il modello anziano qui ritratto è indagato con tale sensibilità ana...

Ferdinand Fagerlin (1825-1907) Sweden Kärleksförklaring (“Declaration of Love”) 1866 oil on canvas unframed 80 x 99 cm (31½ x 39 in) framed 96 x 114 cm (37¾ x 44¾ in) signed and da...

Late 19th century French School, Unsigned and painted circa 1860. Oil on artist prepared panel. Bearing artist supplier label of 'F.W. Devo...

A beautiful oval landscape painting with two young girls reading near Niagara Falls by German American artist Louis Lang (1814-1893). Lang was born in Waldsee, Wurtemberg, Germany, and came from an artistic family, his father being a history painter. Combining this heritage with his own native talents, he was producing successful pastels at age sixteen. Lang studied in Stuttgart, Germany and Paris, France, before coming to the United States in 1838. He first settled in Philadelphia, then lived in Italy from 1841-1845, before returning to America (1847) and living the majority of his life in New York City, with frequent visits to Europe. During the Civil War, Lang was working in the well-known artistic landmark, the Tenth Street Studio Building, in New York City. John F. Kensett and Emanuel Leutze...

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

A classic scene of a large mid-Nineteenth Century schooner at rest in the Mediterranean port painted by the Italian countryman Tomaso De Simone. The complete narrative scene around the schooner's broadside is complemented with a British merchant steam/sail ship, local boats and the colorful sky and headland architecture of the ancient city. The vast serenity and unspoiled life of cruising the Mediterranean Ocean...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant...

Alfred Crowdy Lovett C.B.E (British, 1862-1919) Palm Tree & Coconut of Palm (in pencil on verso), single palm signed top right. Descriptions in pencil verso Watercolours on paper,...

This compelling 19th-century Mexican ex-voto retablo, titled Giving Thanks for Surviving Terrible Fevers, is a poignant example of devotional folk art created circa 1878. Painted in ...

This evocative 19th-century Mexican ex-voto retablo, titled Giving Thanks for Saving Her Son, is a powerful example of devotional folk art created circa 1866. Painted in oil on tin b...

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

Two hinds on the run in the snow This 1861 painting illustrates a hunting scene of great dramatic and naturalistic intensity, typical of 19th-century animal painting. In the heart o...

Olof Arborelius (1842–1915) Sweden Farmstead in Dalarna, 1864 signed with monogram OA and dated “Arb-s 64” inscribed into the wet paint, with the estate’s stamp "OA" on the back. o...

Oil on panel, realized in 1860s. A luminous and atmospheric Venetian veduta by Alessandro Reati, this elegant composition captures a gondola gliding across a tranquil canal, framed ...

Ferdinand Alexander Wust 1837-1876, was a Dutch born American painter. Wust learnt to paint from his father Christoffel Wust 1801 -1853, he emigrated to America in the 1850's but ret...

The oldest European buildings in China are along the once curved crescent shore of the Praya Grande, where the Portuguese explorers established and fortified their trading foothold with an entire continent. When they arrived in 1553, this small fishing village overlooked by a temple to an ocean goddess immediately became an important cultural center of the world and the stage for initial interactions between the East and West. Ever since, this port has played a role in the cosmopolitan course of world trade. (The harbor is extensively filled in and built upon today.) In this view, more than 300 years after the Dutch established contact in the early 17th Century and western ships first sailed in the harbor, a British Sidewheel Steamer is in the port of Macao, surrounded by more than 20 Chinese vessels. The artist's perspective, looking northwest towards the Praya Grande's center, brings Praha Hill and its stone stairway in view, with the church on top. The inlaid stone walkway of the port city is full of human figures, one wearing a special red jacket while the rest wear blue or white. One westerner in a top hat at the stern post of the closest Chinese ship directs its crew outward bound...

Antique Floral Still Life with Tulips and Irises in Gouache on Paper Finely detailed still life by Charlotte Siemers (19th Century). Several flowers are shown in a lush bouquet. Flo...

Sunrise Landscape with Boats is an original painting probably realized by an artist of the Russian School in 1861. Mixed colored oil painting on can...

IRVING GEORGE LEHMAN "CUBIST FIURES' OIL ON PANEL, SIGNED RUSSIAN-AMERICAN, C.1960 23.5 X 25.5 INCHES FRAMED 29.5 X 32.5 INCHES Irving George Lehman 1900-1983 Born in Kiev, R...

A refined French painting from the second half of the 19th century. Oil on canvas, first canvas, artwork depicting a captivating biblical scene: Hagar with the young Ishmael in a des...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

An charming 19th century dog painting depicting a mother dogue and her exuberant topsy turvy pups by the farmhouse barns or cowsheds , with a young child given them a fuss! Dating from ca 1860-70, the oil on canvas is unsigned, but bears on the verso a rather special stamp from colour and artists supplies merchant Paul Durand-Ruel (1831-1922). Paul Durand-Ruel is known as the legendary art dealer who launched, almost single handedly, the Impressionist movement. He represented Monet, Pissarro, Sisley, Renoir in his Paris, London and New York Galleries. Like his father Jean Marie Durand, Durand Ruel had started as both a merchant of art supplies, and dealer. Often, these two activities overlapped, as he would supply cash strapped artists who left paintings as security. Paul Durand Ruel was one of the first to discover Barbizon artist...