1930s Paintings

This striking coastal landscape by Bertel Bertel-Nordström captures the solemn beauty of a moonlit night along the Nordic shoreline. The composition is dominated by a dramatic interp...

Large Oil on Canvas by André Morisset (1876–1954), France, 1931 Title: Seaside at Sunset With frame: 91 x 120 cm – 35.8 x 47.2 inches Without frame: 75 x 103 cm – 29.5 x 40.6 inches...

➡️ Landscape with cows at dusk⬅️ ➡️Vivid Landscape⬅️ ⏩It is signed R Hesse⏪ René Jean Hesse (1910-2000) René Hesse was a French painter whose art captured the essence of rural Lor...

August Frederick Biehle (1885-1979) Farm in Berlin Heights, c. 1930 Oil on masonite Signed lower right 22 x 30 inches 27.75 x 36 inches, framed A versatile painter who worked in a v...

A captivating, Modern 1930s portrait painting of a young woman in a black sweater by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and expressive portrait of a you...

Vintage Post Impressionist framed oil painting on stretched canvas, signed in the bottom right, Abel Villard (1871-1969). A stunning, calm and moody depiction of a village boarderi...

Raoul Millais (1901–1999) Fox Hunters with Hounds in a Landscape, circa 1931 Oil on canvas Signed lower right: Raoul Millais and dated 1931 Presented in an ornate period gilt frame DESCRIPTION (Dibs-style long format) A fine early 20th-century sporting composition by Raoul Millais, painted in 1931 and depicting the timeless ritual of the English fox hunt...

A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...

Author: Joan Gil i Gil (Barcelona, 1900 – 1984) Title: Autumn Morning Date: 1934 Technique: Oil on canvas Dimensions: 81 × 100 cm (31.9 × 39.4 in) Signature: Signed lower left: Joan ...

May Lydia Ames (American, 1863-1943) Near Carmel, Calif., 1932 Oil on board Signed and dated lower left, signed and titled verso 14 x 20 inches 18.5 x 24.5 inches, framed May Ames w...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 28 x 36 Frame Size: 38 x 46 Medium: Oil on Canvas Signed Front Signed Titled on Verso Newcomb Macklin Frame Circa Late 1930s "Blue Heaven" Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet street in the historic, picturesque city of Gua...

Beautiful American School impressionist piece, unsigned, oil on board. Likely 1920-1940. Painted by a talented artist with wonderful composition and brushwork. 10" x 14" sight, 16.2...

Whimsical Kate A. Williams arts and crafts impressionist painting circa 1930. Perfect for the holiday season. 20"x 16" oil on board, signed lower left. Frame is about 25x21. Painter...

4066 Art Deco Lady in blue pastel painting Set in a white frame

5154 Antique Italian oil painting of a reclining nude woman Framed Image size 24x36"

Titled by the artist “Where the West Ends”, this colorful and bright California landscape is likely the coast near San Diego. The painting is oil on board and measures 20” x 24”. Wit...

Oil on isorel panel by Charles PICART LE DOUX (1881-1959), France, 1949. Model on green background. With frame: 97.5x76.5 cm - 38.4x30.1 inches ; without frame: 81x60cm - 31.9x23.6 i...

Interior Still Life by Harry Bloomfield (British, 1883-1940) *see notes below signed verso oil on canvas, framed framed: 28 x 24 inches canvas: 22 x 18 inches Provenance: private co...

Antique American impressionist winter landscape oil painting. Oil on board. Framed. Signed. Measuring: 25 by 21 inches overall, and 16 by 13 painting alone. Handsomely framed in wi...

Maurice Asselin (1882-1947) A Bouquet of Tulips Signed lower left Oil on canvas 64.5 x 49.5 cm In good condition, the canvas is slightly wavy on the right side In a vintage frame (s...

Clarence Holbrook Carter (American, 1904-2000) Woman with FUCHSIA, 1935 Oil on canvas Signed and dated lower right 31.75 x 27 inches 37 x 32.25 inches, framed Untitled Still Life ver...

Dutch Landscape "Country Farmhouse" Piet Lippens (Belgian, 1890-1981) Circa 1930s Oil on canvas, signed lower left 19 1/2 x 23 1/4 (25 1/4 x 29 frame) inches Piet Lippens was a Pos...

Johannes Petrus Franciskus 'Piet' Kraus (1909 - 1974) Dutch winter landscape with icescaters and church Signed lower right, but difficult to read, attributed to Piet Kraus by a Dutch...

A striking 1930's French post-impressionist oil on board portrait of a gentleman smoking a pipe by Antonin Guéton. Excellent quality and condition post-impressionist portrait. Sign...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

Title: Landscape with Farmhouse and Figure Author: Vicente Rincón Garrido (Fuentes de Ebro, 1892 – Barcelona, 1958) Technique: Oil on canvas Dimensions: 60 x 73 cm (23.6 x 28.7 in) S...

5154 Antique Italian oil painting of a reclining nude woman Framed Image size 24x36"

'The Olive Tree Behind the Stone Wall', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a...

A colorful , blustery painting of a summer harbor in Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin. Dating circa 1935, oil on Masonite, the painting depicts a v...

Large post impressionist landscape oil painting by French artist Lucienne Capdevielle (1885-1961) entitled, 'Le Petit Port'. This substancial, unusual and captivating landscape oil painting on canvas is quite eye catching. The colourful town houses painted in pastel hues shine jewel like over a busy port on a large canvas that is textured to the touch. MORE ABOUT THIS PAINTING: Medium: Oil on stretched canvas Overall size: 26ins x 30ins or 66cms x 76cms (approx) Date: 1930's Condition: The painting is in overall good condition, note that at some time it would have been pinned at the corners and still carries the scars. The frame is the original and has imperfections throughout including flaking paint and indentations. Signed: Lucienne Capdevielle (1885-1961) Lucienne was born in Algiers in 1885, she died in a Parisien hospital in 1961, she was a French painter and pastelist. She was a student of Georges-Antoine Rochegrosse, Jean-Paul Laurens, Paul Albert Laurens and Léon Cauvy...

Lewis Teel (1883-1960) El Paso Artist Image Size: 27 x 36 Frame Size: 33 x 43 Medium: Oil on Board Circa Late 1930s Signed Lower left and on original price tag on verso. "Ocotillos"...

Beautiful New Hampshire impressionist painting of Penacook Mill, the Conticook River, and the village of Penacook NH by American Impressionist painter Margaret Masson. Oil on board,...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

Painted by Anne Margrethe Grosell (Danish, 1909- 1999), circa 1935, and stamped, verso, with certification of authenticity. Unsigned. An accomplished Post-Impressionist self-portra...

'The Garden in Summer' by Olga Alexandrovna. Tsar Nicholas II, Queen Elizabeth II, Russian Imperial ---- Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Gr...

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitively the Rockport, Mass. fishing pier. Excellent condition with a few very minor areas of paint flaking. The darker areas in the sky is a result of unpainted areas. The canvas is sized with glue but not primed white: observable areas of natural linen color results. Signed wet into wet and dated lower left. No restoration or overpaint. Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

This charming and exuberant posy of peonies immediately made me think of similar works by Marcel Dyf - but it is actually a work by the ultimate master of art deco...

'Potted Flowers', oil on canvas, by Charles Kvapil (1933). Potted red geraniums symbolise happiness, good health, good wishes, and friendship. They are ...

1930 Car, Racing Car, Futurism, Red Study of the work exhibited at the MART Museum in Rovereto The work has more than 70 years of experience. For export, documents from the Italian ...

5169 Antique American Large Impressionist seascape oil painting .Oil on canvas circa 1930 Framed Image size 15.5x19.5"

Abram Tromka (1895-1964) City at Night, ca. 1940. Oil on canvas, 16 x 20 inches; 20 x 24 inches in antique oak frame. Signed lower right. Frame is of the period, but probably not ...

Antique American abstract expressionist painting. Oil on canvas. Framed. Signed. Measuring: 37 by 43 inches overall, and 36 by 42 painting alone. In excellent original condition. ...

Fun art deco still life by Yaddo Art Colony member Penina Kishore c. 1936. Very little is know about the artist. She illustrated several books including one about the Yaddo colony an...

Vintage portrait of a man oil painting by French artist Yves Diey. This is a 1939 oil on board, signed in the bottom left of a man in a suit and tie. Here, the artist has sculpture...

'Abstract, Turquoise and Gray' by Dora Maar. Paris, Picasso, Andre L'Hote, Guernica, Benezit ----- Signed verso with artist monogram 'DM' for Dora Maar (Argentine-French, 1907-1997)...

Charles Sutton, “April Afternoon,” Oil on Board, Framed Landscape Painting Warmly toned impressionist oil painting by Charles Sutton, titled April Afternoon. The work captures a tra...

Ornate Still Life of Classical Flowers by Frank Lonsdale, British early 20th century signed oil on board, unframed dated 1936 or 8 board : 28 x 25 inches Provenance: private collecti...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...

Oil on Canvas by B. Robert, France, circa 1930. This exquisite oil painting by B. Robert, created in France around 1930, captures the serene beauty of a young nude woman reclining. T...

Oil on plywood realized by Armando Cermignani (1888-1957) in 1930s. Hand signed and dated. Excellent condition. Armando Cermignani was an Italian painter, engraver, ceramist and p...

A captivating, 1950s Mid-Century Modern portrait painting of a young black man by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young Afri...

A Vibrant, 1930s Chicago City Street Scene of the Historic Old Town Neighborhood by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). Depicting a colorful, blustery, au...

Antique French impressionist portrait landscape oil painting. Oil on canvas, lain to board. Signed. Framed. Measuring: 12 by 15 inches overall, and 6 by 9 painting alone.. In excell...

countryside scene from Rohlfs ⭐Signed:⭐ ROHLFS ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with brushwork ⭐Size:⭐19x24cm / 7.48x9.44inch ⭐Date:⭐18/06/1936 ⭐Condition ...

Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inc...

Maurice UTRILLO Paris : Winter Day at Montmartre Original gouache painting Signed bottom right 40 x 32 cm at view (c. 16 x 13") Painted c. 1934-36 Presented in a golden wood frame ...

Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...