1950s Paintings

Le jardin de Daubigny Style of Vincent Van Gogh by Stephen Goosson The painting depicts the enclosed garden of Charles-François Daubigny, a French landscape painter whom Van Gogh ad...

6007 Antique Poppies Still Life,an antique oil painting on artist board displayed in a hand painted newer wood frame, signed lower right by Alb.Mayer 1...

Vintage Italian impressionist coastal seascape oil painting by Nicola Simbari (1927 - 2012) . Oil on canvas. Framed. Signed. Measuring: 22 by 26 inches overall. In excellent origi...

Delicate mid century still-life of white and pink roses in crystal vase with a soft, lime green background by listed California artist Helen Mae Enoch Gleiforst (American, 1903-1997)...

4085 Stylish and well painted 1950's Italian harbor scene Italian Seascape, oil on canvas applied to board, displayed in a gilt wood frame, signed by De Angelis. Image size 10.5 H x ...

French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and...

Northern California Coastal Santa Cruz County Ocean Waves 1950 Plein Air Santa Cruz Sandstone Cliffs and crashing waves near Natural Bridges circa 1950 by an unknown California artis...

The Demagogue or Tale in a Tub, 1952, oil on canvas, 24 x 20 inches, signed, titled, and dated verso, presented in a newer frame The Demagogue is an iconic Bendor Mark painting fro...

Idyllic landscape of a scenic lake view with an evergreen forest and picturesque purple mountains in the background by an unknown artist. Unsigned. Displayed in a period rustic wood ...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

'Mountain Landscape', oil on canvas, by Louise-Jeanne Cottard-Fossey (circa 1950s). A very idyllic, verdant scene depicted by this renown French fem...

Byron Browne (American, 1907 - 1961) was a painter, muralist, and teacher who played a central role in the development of abstract and modernist art in the United States. Born in Yon...

6011 Oil on canvas the streets of Paris set in a vintage wood frame Image size 9.5x8"

This is an interesting abstract work done with handmade Japanese Kozo or Washi type fiber paper mounted on board. Hand signed and dated in wonderful muted earth tones of fall foliage. Taro Yamamoto (1919 – 1994) belonged to the New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline and others became a leading art movement of the post World War II era. He was also associated with Action painting Yamamoto was born in Hollywood, California. He lived in Japan from age six to age nineteen. In 1936 he returned to the USA and began studies in cubism at Los Angeles City College. In 1941 he joined the U.S. Army and served during WWII. After being discharged from the service he returned to California where he studied at the Santa Monica City College. 1950-1952 at The Art Students League of New York, under Yasuo Kuniyoshi, Morris Kantor, Reginald Marsh, Byron Browne and Vaclav Vytlacil; 1951-1953 at the Hans Hofmann School of Fine Arts in New York City. In 1952 he won a John Sloan Fellowship from the Art Students League. The next year he traveled to Europe under a Edward G. MacDowell Traveling Fellowship where he studies in Stuttgart, Germany with Willi Baumeister. He also exhibited at Galerie Huit in Paris. In 1954 Yamamoto was invited to a residency at the MacDowell Colony in Peterborough, New Hampshire. There he worked alongside Stuart Davis, Milton Avery, Willem de Kooning, Jackson Pollock and Mark Rothko developing his unique abstract expressionist style. Later in his life he devoted himself to a more hard-edge geometric style of painting. He married Gwyneth Cotton, a naturalized English woman, in 1955, and they lived in Wellfleet, Massachusetts. They were active at the Universalist Church of Provincetown. (He descended from a long line of Shinto priests) Yamamoto died in Provincetown in 1994. Selected Solo Exhibitions 1953: Galerie Huit, Paris; 1955: The Art Students League of New York, NYC; 1960-1962: Krasner Gallery, NYC; 1963-1964: 371 Gallery, Provincetown, MA; Selected Group Exhibitions 1951: Pennsylvania Academy of Fine Arts; 1952: NY Contemporary Gallery, NYC; 1952, 1955, 1956, 1962: Provincetown Art...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. Image size, 24L x 18H.

6087 Eastern European village landscape Set in a gilt wood frame Image size 13x8.5"

Untitled (Highrise), 1954, oil on canvas, signed and dated lower right, 20 x 20 inches, presented in its original frame Karl Benjamin was a California-based artist who is best known...

6042 Vintage Cubic green landscape signed Jacobs Modern strip artist Frame

3909 Oil on board set in a gilt wood frame Image size 14.5x10.5

Wonderful and dynamic western painting of two wild fighting stallions by listed artist Bernard Preston Thomas (American, 1918-1992), dated 1951. Signed and dated lower left corner and on verso. Image size: 28"H x 36"W. Presented in rustic painted frame size: 34"H x 41"W x 3"D. Originally from Sheridan, Wyoming, he loved football and art, giving up the sport to concentrate on a career in art. Thomas graduated from Woodbury College in Los Angeles with a Bachelor of Science degree, earning the Leo Youngsworth Award for outstanding senior art student at Woodbury. He became a camouflage technician at the outbreak of WWII and caught the attention of General Patton...

Stephen Pace Untitled, 59-A12, 1959 Signed and dated lower left Oil on canvas 29 x 24 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operat...

Vintage American school signed modernist cubist still life oil painting and collage. Oil and mixed media on board. Signed. Framed. I...

Title: Palma de Mallorca from the Sea Artist: Josep Coll Bardolet (1912–2007) Technique: Oil on linen canvas Dimensions: 81 x 100 cm (approx. 31.9 x 39.4 in) Condition: Unframed Sign...

Painted by Victor di Gesu (American, 1914-1988) circa 1955, and with Di Gesu estate stamp verso. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art C...

San Francisco Bay Area Seascape with Ships in Oil on Cardboard Seascape with large ships by Honora Berg (American, 1897-1985). The ocean is shown in...

Large and expressive, this contemporary mid-century post-impressionistic Belgian oil painting is titled 'Moulin Flanders', signed and dated 1956. Painted with thick brushstrokes in shades of tan, brown, beige, conch, warm white, russet and sage green. The nearly impasto paint outlines the windmill, traditional house, sailboat and figures. Painted in trending brown and cinnamon tones in a perfect size over the sofa, living room focal point or entry. A true designer choice, mid century contemporary in an post impressionist expressive style of a classic landscape. Signed Alfred Van Neste...

3823 English country landscape painting Image size 15.5x19.5"

Antique impressionist painting. Watercolor and gouache on paper, circa 1950. Housed in a vintage frame. Image size, 11L x 9H.

Very nicely painted American modernist harbor oil painting. Framed. Oil on board. Signed. Image size, 16H by 20L.

Mid-century French oil pastel of blonde in pleasing tones of blues and yellows, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Archival plastic ...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Signed lower left, 'Clifford Holmes' (American, 1876-1963) and created circa 1955. Titled, verso, 'Mixed Bouquet' and inscribed with artist's Hayward, California address. The desce...

Signed lower right, 'Paula Melcher' (American, 20th century) and dated 1956.

Paul Ayshford Methuen, 4th Baron Methuen of Corsham (1886 -1974) Corsham Court Oil on board Signed and dated 1957 9×11 inches A view of Corsham Court, Methuen's own house - where he invited the Bath School of Art after their premises were bombed during the war. Painter, zoologist and landowner, he was the first child of Field Marshal Paul Sandford Methuen, 3rd Baron. After Eton and reading Engineering and Zoology at New College, Oxford, he worked in the Transvaal Museum in Pretoria collecting and describing southern African species. He served with the Royal Wiltshire Yeomanry in both the First and Second World Wars, moving to the Procurement and Fine Art branch...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

Rare and finely painted French modernist abstract painting by Jacques Doucet (1924 - 1994) . Framed. Oil on canvas. Signed. Artist Bio: Jacques Doucet's work is inextricably bo...

Antique American modernist abstract oil painting. Oil on canvas. No signature found. Framing is available.

It's 1951. Who was doing painting like this? Franz Kline, Arshile Gorky, Jackson Pollock, Mark Rothko, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Lee Kra...

Vibrant mid century modern abstracted figurative in orange, red and black by Bay Area artist Paul Sheppard. Dated 1959 and signed "Sheppard." Presented i...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 30L x 24H.

Hildegard Rath, (1909-1994) painter, author, teacher, and lecturer, Born in Wurttemberg, Germany, in the Black Forest region of Germany. Hildegard Rath became a painter of landscape, portraits, still lifes, and marine subjects and also a muralist. Her father was a bank president, her mother a sculptor, writer, and illustrator of children's books. At the age of 15, Miss Rath painted her first portrait in oil as a birthday present for her father and thereafter every opportunity for study was given to her. She went to art school at the Atelier House in Stuttgart, Germany and at the Akademie der Bildenden Kunste in Berlin. She studied with Lotte Laserstein...

John Knox Dillon (American, 1903-1974), Portrait of a Semi-Nude Male Figure, Oil on Canvas, 1958, signed lower right, signed, dated, and inscribed "Brackman" to verso, giltwood frame...

5-3509 Acrylic an artist board Set in a natural wood frame Image size 13.5x10.5"

Beautiful view of the hill of the italian region of Marche, where the artist was born and lived. Autenthication on photograph by the Artist dated november 11th 1996. Very good condit...

Oil on Canvas by Fortunato Pirazzini (1907-2003), School of Paris, c. 1950 - "Sleeping Woman, Nude". This captivating oil painting, titled "Sleeping Woman, Nude", was created by Fort...

5-3170a Rare and finely painted American Colorful Pointillist landscape oil painting of a woman with an umbrella.Signedn Baxter Set in a vintage wood frame

Antique American abstract oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang and en...

A small, vibrant 1950s Mid-Century Modern mountain landscape painting depicting Aspen, Colorado by famed Chicago artist Harold Haydon. Titled "Western Vi...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

This monochromatic, black-and-white abstract painting plays a constant game between forms and shadows. For the painter, his artworks are a pure contrast between the visible and the invisible. Dark gestural lines decorate the background and contrast against a disappearing white background with subtle details of grey. Organic patterns appear in the black line work, creating an ethereal use of depth and space. The foreground contains multiple uncanny shapes feeding an overall fantasy yet gloomy atmosphere. The title of the artwork is "Phase 2...

Outskirts of town. 1959, oil on cardboard, 44x54 cm Realistic sunny landscape Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was a...

Antoni Llobet Aracil Mediterranean Coastal Landscape Artist: Antoni Llobet Aracil Date: c. 1950–1965 Medium: Oil on canvas Artwork dimensions: 61 × 46 cm (24.0 × 18.1 in) Dimensio...

'Dusk on Schoelcher Lagoon Martinique', oil on canvas, by Robert Humblot (1959). The third in a series of artworks completed in 1959 when the artist vis...

Pyrenean: "Kop de Cariel" by Dorothy Alexandra Johnson (1902-1988) signed lower left oil painting on canvas, unstretched - affixed to stiff backing card 5.5 x 7.5 inches (backing card 8.25 x 10 inches) Delightful painting by the highly regarded English dog artist Dorothy Alexandra Johnson. It depicts "Kop de Cariel", a Pyrenean Mountain Dog...

'Venice, Santa Maria della Salute from the Cannaregio Canal' by Peter Götz Pallmann. Large Venetian Oil ----- Signed lower right, 'P. G. Pallmann'...

Mid Century Seascape and Figural Original oil painting on Linen 1956 Solitary figure on wharf by California artist Robert Watson, painted 1956 (1923 - 2004)The following, is from To...

A beautiful 1950's Modern British oil on board depicting yelllow flowers in a glass jar. Very close to the work of Diana Armfield RA (b. 1920) who painted similar still lifes in th...

Gorgeous mid-century Belgian landscape by Gustav Pynaert (Belgium, 1900-1968), c.1950. Signed lower right. Unframed. Image size: 16"H x 20"L. Gustave Pynaert was born in Menen in West Flanders...

A large tonal, Mid-Century harbor scene with boats by French artist Georges Rocher. Artwork size: 24" x 30". Framed size: 31" x 36". Georges Rocher was born in Casablanca, Moroc...

Vintage American impressionist landscape with dog portrait oil painting. Oil on canvas. Signed verso. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 31 by 37 inches ...