1990s Paintings

Se trata de una técnica mixta, óleo y collage sobre lienzo Firmado por el artista en la parte inferior y fechado del año 1990 Se presenta enmarcada la pintura Buen estado de conse...

Lilac, garden, flowers, violet,Ukraine Very important work Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949...

For creative people living in the Bay Area, water vistas offer daily inspiration. Abstract artist Keith Race focused here on the steady, choppy surface of waves throwing off spray. W...

Rafael Duran Benet (1931-2015) - View of a Spanish town - Oil on panel Oil measurements 53x64 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

Felix Ferreras - Me and my lovers - Oil on canvas Oil measurements 73x100 cm. Frameless. Félix Ferreras is a visual artist with numerous national and international awards and distin...

Young Boy Fishing by a Beautiful Riverside in Lush Green English Countryside, by 20th Century British Artist Art measures 41 x 20 inches Frame measures 48.25 x 27 inches Barry West...

Bold multi-color abstract expressionist oil painting illustrating vivid colors of gold, magenta, teal and yellows by Michael Pauker (American, b. 1957). This high octane colorful hor...

Jerzy Mazur was born in Kołobrzeg in 1964. He graduated from the State College of Fine Arts in Gdańsk at the sculpture department under the supervision of prof. Franciszek Duszeńko. Jerzy Mazur is an artist in whose work man has made a permanent home. His sculptures, bas-reliefs, paintings and drawings are linked by a recurring motif of a female figure presented on a neutral background, standing or sitting, full of concentration, experiencing internal dilemmas. The artist always shows this figure as a naked figure...

Sebastià Congost (1919-2009) - Citizens - Oil on canvas Sebastià Congost i PLA, also called Sebastià Congost (September 1919 in Olot - August 7, 2009) was a Catalan painter in the ...

A striking action portrait by Clifford Hanley, capturing the profile of a male motorist from the driver's side window. The painting is signed and dated to the lower body of the car. ...

"Double" is an oil painting on paper with a wooden stand, a wooden rod serves as a frame. This painting is part of a series of works where the human figure is at the height of its st...

'Self Portrait as a Venetian Gentleman, elaborately and exquisitely painted by Adrienne Sherman in oil on panel with a lacquer-like luster. The original painting is rich and reflecti...

This remarkable painting evocative of the celestial universe is lovely in its texture, intensive brush work and lovely color palette. Forster who was Canadian, in his earlier years ...

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

Branko Bahunek, Croatian (1935 - ) - Frozen Morning - III. Year: 1990, Medium: Oil on Canvas, Size: 18 in. x 15 in. (45.72 cm x 38.1 cm)

Vintage American modernist cityscape oil painting. Oil on board. Framed. Measuring: 17 by 21 inches overall, and 12 by 16 painting alone. In excellent original condition. Handsomely...

constellation original acrylic paper painting Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. The...

"Carousel" Abstracted Horses with Texture in Acrylic on Canvas Dynamic composition of horses by Marion J. Denton (American, 20th Century). Two horses are shows in bold colors, with ...

Beautiful impasto still life of a vase of red and white roses on a table by Morris Katz (American, 1931-2010). Signed and dated "Morris Katz 1997" lower right. Presented in a gilt...

Striking vertical landscape of a dramatic rocky mountain peak towering above the tree line by Ken Lucas (American, 20th Century). "Ken Lucas" and "#33 March 3, 1993" are written on ...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Estigma de pintor, III Year: 1992 Medium: Oil on Canvas, signed, titled and dated verso Size: 50 x 36 in. (127 x 91.44 cm)

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Reference number F296 Framed with a natural oak floated frame 51 x 66 cm frame included (46 x 61 cm without frame) This work is painted with oil on a paper that is mounted on a canva...

Oil on wood sold with frame Total size with frame 61x75 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contemporary art. Born in the 2...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

Reclining Nude Figure in Oil on Linen This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California art...

John Blee Still Life For Marianne, 1996 Signed, titled, dated on verso Acrylic on canvas 18 x 18 inches Provenance Marianne Elrich Manley John Blee has ex...

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

This captivating British St. Ives School abstract landscape is a striking example of mid-20th-century artistic innovation, seamlessly blending geometric abstraction with the natural ...

Artist: Matt Carone, signed lower right Dated: 1995 Dimensions: 80.25"H x 56.25"L In a fine wooden black and gold gilded frame. Provenance: Freitas Revilla Gallery. Matt Carone (1930-) South Florida artist and gallerist. The Italian- American New Jersey native took up painting in the 1940s after Hans Hoffman asked him to model in a class in which Nicolas Carone...

Painting by Noche Crist (1909 - 2004). Work is titled "The Sanctuary" and signed. Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the Katzen...

Secrets, oil painting on canvas after Norman Rockwell The original painting was used for the cover of a 1942 Saturday Evening Post. Hand-painted edition after the Painting of Secre...

Lyman Kipp Untitled drawing, 1993 Unique Colored Ink Drawing on paper with two deckled edges Hand signed, inscribed and dated by the artist on lower front 26 1/4 × 20 inches Unframed...

US artist from San Antonio, TX. Very well represented in the multiple galleries and private collections. “Bluebonnets Field” , late 20th century Oil on canvas, signed lower left ...

Danube, 1855-1878 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 14 x 19 inches Superb oil painting by the well listed...

Almond trees in bloom. Majorca original expressionist canvas painting framed Painter born in the town of Estellencs on the island of Mallorca, from his youth he dedicates himself to...

60 x 72 x 1.5 inches acrylic on canvas being offered by CARRIE HADDAD GALLERY in Hudson, NY. Large, horizontal abstract painting with a palette of turquoise, saffron orange, teal an...

Katsumi Hayakawa (Japanese, b. 1970) Spherical Moss, 1999 Oil, galkyd and modeling paste on canvas 64 x 84 x 1 3/4 in. Signed verso and stamped with artist insignia Silverstein Gallery label verso NOTE: Discoloration at right side from dust, can easily be wiped off In his paintings and cut-paper sculptures, Katsumi Hayakawa evokes the city and urban planning. He builds meticulously constructed objects with cubes and squares, suggesting skyscrapers and city grids, while the interaction of line and color coalesce with the cubes to create complex and vibrant rhythms. Hayakawa expands modernist explorations into the grid, in particular evoking Piet Mondrian’s Broadway Boogie Woogie...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

Trees at the Top of the Hill - California Coastal Landscape in oil on Artists Canvas Board Dramatic Big Sur Bixby Bridge and coastal landscape by California artist Ken Lucas (American, 20th Century). Towering Big Sur Hills with the Bixby Bridge and the ocean framed behind. Well executed with dramatic brush strokes in greens and red muted tones. the bridge appears suspended in the sky above the gorge and the sea. "Ken Lucas" verso From a collection of the artist's works purchased from the artists estate. Canvas size: 24"H x 30"W In a gold toned frame with white linen liner Frame size, 28.5"H x 34.5"W x 1"D Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel Artist.

A small, winding trail invites the viewer into this beautiful verdant landscape by California artist Ken Lucas (American, 20th Century). Signed "Ken Lucas" o...

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of th...

Miquel Torner de Semir (1938) - The jacket - Oil and collage on board Signed and dated lower right Measures work 103x78 cm. Frameless. Miquel Torner de Semir (1938) Catalan painter attracted by the Middle Ages and Italian Renaissance art. His influences and tastes also include the Romanesque and the Gothic. He trained artistically at the School of Fine Arts in Sant Jordi and at the San Fernando School in Madrid. Miquel Torner was a disciple of the muralist and engraver Ricard Marlet, with him he learned the discipline of drawing and got to know movements such as Catalan Modernism and Nuevocentisme. His first individual exhibition was in 1968 in Terrassa, later he exhibited in other Spanish cities, in Paris and in Europe. The painter Miquel Torner became one of the best known representatives of Mediterranean painting...

Vibrant fauvist landscape of redwood trees titled "Forest Wonder" by John Stenvall (American, 1907- 1998), 1993. Signed lower left corner. Presented in g...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

David Rankin, American (b. 1946) Rocky Hillside, (1990) Oil on paper Hand signed lower right, signed and titled verso. 30 x 22 1/2 inches David Rankin is a New York-based, British-b...

Bold and dynamic abstraction of a futuristic woman by Nick Keefer (American, b. 1968). Unsigned, but "by Nick Keefer" has been written on the back. Unframed. Nick Keefer was born in...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Original work of the Spanish artist Joan COPONS. -Barcelona-jardin. original acrylic painting

George McClancy (1930-2014) abstract painting. Acrylic on canvas 48"H x 72"W George McClancy received a MA in painting from Catholic University in Washington DC, where he was a st...

越波飛翼 (Yuè bō fēi yì) by 朱永 Surmounting Waves Flying Wings by ZhuYong Image, 26.5"H x 40.5"W Frame, 35.5"W 49.5"W . 1.5"D A Chinese painting featuring two cranes in flight against a backdrop of stylized waves. The painting is rendered in traditional Chinese style, with flowing brushstrokes and a muted color palette dominated by blues, whites, and earth tones. The cranes are depicted with detailed plumage, their wings outstretched as they soar through the air. The waves are represented in a swirling, abstract manner, suggesting movement and energy. Chinese painting is known for its emphasis on capturing the essence of the subject matter rather than a literal representation, and this piece exemplifies that approach. The use of ink and color on silk or paper is typical of this art form, as is the focus on natural themes such as birds and landscapes. he style is reminiscent of traditional Chinese ink wash painting, which emphasizes brushwork and capturing the spirit of the subject. The swirling water and mountain details could also be interpreted as fractal art...

Masanobu Wagcon - Abstract Composition, Year: 1997, Medium: Acrylic on linen mounted to wood, signed and dated in pen on verso, Size: 12 x 12.25 in. (30.48 x 31.12 cm)

Sagres II, 1937 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 18.25 x 13.75 inches Superb oil painting by the well listed French marine artist Louis Letouche (1924-2015). The painting portrays a Portugese Ship from the early 20th Century, titled: Sagres II. The three-masted ship was launched under the name Albert Leo Schlageter on 30 October 1937 at Blohm & Voss in Hamburg for Nazi Germany's Kriegsmarine. The ship was named after Albert Leo Schlageter, who was executed in 1923 by French forces occupying the Ruhr area. Her first commander was Bernhard Rogge. Sagres is a sister ship of the Gorch Fock, the Horst Wessel, and the Romanian training vessel Mircea. Another sister, Herbert Norkus, was not completed, while Gorch Fock II was built in 1958 by the Germans to replace the ships lost after the war. Following a number of international training voyages, the ship was used as a stationary office ship after the outbreak of World War II and was only put into ocean-going service again in 1944 in the Baltic Sea. On 14 November 1944 she hit a Soviet mine off Sassnitz and had to be towed to port in Swinemünde. Eventually transferred to Flensburg, she was taken over there by the Allies when the war ended and finally confiscated by the United States. In 1948, the U.S. sold her to Brazil for a symbolic price of $5,000 USD.She was towed to Rio de Janeiro where she sailed as a school ship for the Brazilian Navy under the name Guanabara. In 1961, Ambassador Teotónio Pereira of Portugal, who was also a man of the sea...

5102 "Inseption" Oversized Surreal oil painting on wood panel Signed on verso Allison Kandis 95

Flight over the ground 1996, paper, mixed media, 29x20.5 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art ...

Karin Kahlhofer Untitled Gestural Abstraction Gouache Year: 1993 Size: 38 x 26.3 inches Signed and dated by hand Mounted on Board COA provided Karin Kahlhofer studied painting and sculpture at the Düsseldorf Art Academy from 1961 to 1965 with Gerhard Hoehme and Karl Otto...

Pierre Coquet - Abstract Composition Reference number A1 Framed with a natural oak floated frame 70 x 55 cm frame included (65 x 50 cm without frame) Thi...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

This work is an excellent example of Christensen’s “scrape” paintings. Here Christensen builds up thick layers of paint, which he attacks with a squeeg...