Mid-20th Century Paintings

Title: Bullfighting Scene Artist: José María Tuser Vázquez (Barcelona, 1919 - 1986) Medium: Oil on panel Dimensions: 18.1 x 15 inches Signed: Yes, lower right corner "Tuser" Framed: ...

Rocky Inlet, Monhegan, Maine Oil on canvas mounted on phenolic resin, c. 1940 Unsigned Signed with the estate stamp on the reverse (see photo) Condition: Excellent, recently cleaned ...

Title: Original Oil Painting of Olive Trees in a Serene Landscape with Distant Hills Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 1...

Vintage French Oil Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 10 high...

'Provençal Landscape', oil on canvas, by Anna Costa (circa 1950s). This is an exceptional landscape painted by the artist in vibrant colours in an Impressio...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

Mid-century oil on board of a Mediterranean coastal scene by Janoti. Signed bottom right. This artwork beautifully captures a sunlit Mediterranean landscape, dominated by the bold v...

6040 Antique American realist landscape Impressionist landscape .Set in a period frame. Signed Horlstone Fairchild 1947. Ready to hang and enjoy, Image size 11.5x15/5"

A beautiful and large mid 20th century French oil on canvas depicting an old street in Rome, by Maurice Loirand. Striking and excellent quality work from the 1960's by this very inte...

Blue and Green Tablescape (Post-War Modern Abstract Oil Painting on canvas) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life painti...

A stunning and pertinent example of Berthelsen's charming New York City winter scenes depicting St. Patrick's Cathedral in the snow. St. Patrick’s Cathedral is the largest Roman Cath...

Tranquil Riverbank Scene first half 20th century Charles Marvin - Sauvaigo ( 1881 - 1970) signed oil on canvas, framed Canvas: 18 x 21.5 inches Provenance: private collection, Franc...

This artwork "Two Young Pugs" c.1940, is an oil painting on board by Cincinnati artist Laura E.Cassidy, 1886-1962. It is signed at the lower right corner by the artist. The board siz...

Glass Ornament Josine Vignon (French 1922-2022) ...

The Old English Sheep Dog English School, circa 1950's period signed oil on board, framed framed: 10 x 8.25 inches board : 7 x 10 inches Provenance: private collection, UK Condition:...

5169 Antique American Large Impressionist seascape oil painting .Oil on canvas circa 1930 Framed Image size 15.5x19.5"

'Women in Deckchairs', oil on canvas, by Camille Hilaire (circa 1960s). Folding wooden chairs with woven or cane seats and backs, of the type now...

The Young Puppy British School, 19th century indistinctly signed with a monogram oil on canvas, framed framed: 18.5 x 21 inches canvas: 14 x 16 inches provenance: private collection,...

Whimsical Kate A. Williams arts and crafts impressionist painting circa 1930. Perfect for the holiday season. 20"x 16" oil on board, signed lower left. Frame is about 25x21. Painter...

Title: Boulevard Haussmann Paris Night Scene Watercolour by Pierre Neveu French Artist Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 8.5 x ...

'Reclining Nude en Plein Aire', gouache on art paper, by Raymond Debiève (circa 1960s). The reclining figure is one of the most popular poses in art history...

Cubist Cityscape of Lucerne signed by Colbert Cassan (1899-1979) oil on canvas, unframed dated 1955 Canvas: 20 x 25.5 inches Provenance: private collection Condition: very good condi...

Title: Mid Century French Pastel Drawing of Coastal Town with Hills Overlooking the Sea Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (he...

5154 Antique Italian oil painting of a reclining nude woman Framed Image size 24x36"

Vintage American modernist still life oil painting. Oil on canvas. Framed. Handsomely framed in modernist wood molding. Excellent condition, ready to hang and enjoy.

Summertime Harvest by Don Vaughan (British, 20th century) signed oil on canvas, framed framed: 25 x 35.5 inches canvas : 20 x 30 inches Provenance: private collection, Surrey, Englan...

Anita Payró (Argentine, 1897 - 1980) was born into a culturally sophisticated family. Her father, Roberto J. Payró, was a noted writer and war correspondent, and her brother Julio Pa...

Initialed lower right, 'E.B.S.' for E.B.Stetson (American, 20th century) and painted circa 1965; additionally signed, verso, 'E. B. Stetson'. A substantial, mid-century American Sch...

Sailing on the High Seas English School, mid 20th century oil on canvas, framed framed: 19.5 x 25.5 inches canvas: 14 x 20 inches provenance: private collection, England condition: v...

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitively the Rockport, Mass. fishing pier. Excellent condition with a few very minor areas of paint flaking. The darker areas in the sky is a result of unpainted areas. The canvas is sized with glue but not primed white: observable areas of natural linen color results. Signed wet into wet and dated lower left. No restoration or overpaint. Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River...

Dancing Birds by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 29 x 20 inches Colors: Grey colors, blue, pink, pi...

A beautiful signed and dated 1957 Hungarian oil on canvas portrait of a lady wearing a yellow shirt, by Zsuzsi Roboz. Excellent quality work by this important female Hungarian pain...

Vintage Floral Still Life - Cup with Cascading Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of de...

Yellow Flowers by Irina Hale (British 1932-2022) oil painting on artist paper, unframed size: 6.5 x 5 inches provenance: private collection, Cotswolds condition: very good Irina Ha...

Edwin B. Kelley Jr. (American). Monterey Bay Cyprus tree Landscape. Oil on panel measuring 12 x 16 inches. Unframed. Signed lower left.

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

A beautiful large signed and dated 1943 English impressionsit oil on board depicting horses in a landscape at sunset, by William Ongley Miller. Excellent quality and condition atmos...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

#5-3344a Seascape Painting , palette oil on board displayed in a wood frame ,signed by Mac Gucol Image size 16 H x 11 W

"Naiades" French Modernist artist, circa 1950's The work is faintly monogrammed to the lower corner though hard to tell. There is a name verso but illegible - possibly the artist or ...

John Hultberg (American 1922-2005) New American Night 1967 Collage on board, framed Hand signed, titled, dated, and inscribed "Collage 29" on verso Dimensions: framed 31 x 41 image ...

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

A very striking and stylishly painted oil of a shapely nude reclining on a draped sofa, dating from the early to mid 20th century . This large scale oil is presented in an attractive...

Ornate Classical Flowers oil painting on canvas, framed signed and dated 1947 framed: 17.5 x 12.5 inches canvas: 16 x 10.5 inches provenance: private collection condition: very good ...

As a French Impressionist artist, most of the Delarue's works were produced in the Mid-20th Century. He was known for his charming compositions and with a passion to portray life by ...

'The Olive Tree Behind the Stone Wall', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a...

Vintage American modernist abstract landscape oil painting. Oil on board. Framed. Measuring: 4 by 5 inches overall, and 3.5 by 4.5 painting alone.. In excellent original condition. ...

Title: Woman in Pink Dress with Flowers and Citrus Still Life French Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 5.75 x 5.75 i...

Villefranche-sur-Mer by Felix Pierre MANGIAPAN (b.1884) signed oil on canvas, framed Framed: 19.5 x 21 inches Canvas : 14 x 16 inches Provenance: private collection, Nice, France Con...

Nude Lady by Josine Vignon (French 1922-2022) oil on thin board, unframed board: 27 x 15 inches good condition with some cracks shown in photos provenance: from the artists estate, ...

Working Sketch by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 10.5 high by 12 inche...

A beautiful impressionist oil painting on canvas by Gene Jordan depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view around the Place de l...

Work on canvas Beige wooden frame 90 x 70 x 4.6 cm Breton fisherman with pipe This captivating portrait shows a fisherman with a bushy beard, deep in thought and smoking his pipe. T...

A Fabulous, Abstract 1960s Mid-Century Modern Painting of a Sleeping Female Nude by Noted Chicago Artist, Rudolph Pen. A sensuous, intimate studio depiction of a sleeping nude femal...

This lovely British Post Impressionist still life oil painting is by artist Peter Field. Painted circa 1955 on board it is a still life of pears on a purple background. It has echoes...

Antique American horse portrait oil painting. Oil on board. Signed verso. Framed. Measuring: 9 by 7 inches overall, and 7 by 5 painting alone. In excellent original condition. Hands...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

The Provencal Lane French artist, indistinctly signed signed oil on board, framed in deep wooden frame dared 1932 Framed: 17.5 x 21.5 inches Board : 13.5 x 18 inches Provenance: priv...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

The Master of the Fox Hounds by John Renney (British circa 1960's) signed to label verso oil painting on board, framed painting: 18 x 22 inches framed: 23.5 ...