Small Portrait Paintings

VINCENT G. STIEPEVICH Russian, 1841-1910 Lounging Odalisque in the Harem Signed ‘VG. Stiepevich’ L/R Oil on canvas 18 x 24 inches Frame: 26 x 33 inches

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Jean CLUSEAU-LANAUVE (Périgueux 1914 - Paris 1997) The Pianist Oil on canvas H. 46 cm; W. 38 cm Signed lower right. Countersigned, titled, and dated on the back - 1962 Provenance: E...

A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. Utilizing the contrast of black and white components against primary colors like y...

Portrait of an Elderly Lady, mirror behind French Impressionist artist, late 19th/ early 20th century extensively inscribed verso with details oil on canvas canvas: 22 x 18.5 inches ...

Eric Johansson's "Woman with Red Bow" (1940) We are delighted to present for sale the evocative portrait “Woman with Red Bow” by the distinguished artist Eric Johansson, painted in ...

Philosopher - Ciro De Rosa Italia 2008 - Oil on canvas cm. 60x50 Gold leaf gilded wooden frame available on request The painting by the painter Ciro De Rosa portrays an old and wise ...

“Abimbola once thought every drop of her effort had fallen into the sand. But in time, she learned that even the driest soil remembers the rain, and when her season came, everything ...

A formal portrait of a widow in traditional mourning attire. Indistinctly signed and dated to the lower left. Well presented in a gilt-effect frame. On canvas on stretchers.

A fine portrait attributed to the German artist Franz Seraph von Lenbach (1836-1904). Using his favoured technique, the Venetian method, Lenbach has rendered the figure in rich depth...

A charming oil by the artist Edna Rushton after Van Gogh's 'Peasant Woman Gleaning'. The artwork depicts a lady in traditional Dutch dress gathering crops. Signed, titled and dated v...

Using layers of thick, expressive brushwork, solid colors and slightly flattened space, Jennifer Hornyak has created an elegant portrait of a man in a pink and black striped shirt and dark jacket. The simple, modern forms outlined in black on green ground emphasizes the stillness of the oil portrait on canvas that is reminiscent of the work of Jean Paul Lemieux...

Joseph Solman Figure Study, circa 1959-60 Signed with initials lower left Gouache on Racing Form newspaper Sight 9 x 7 inches Provenance Private Collection, Montecito, California Pr...

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring 15 by 19 inches overall and 10.5 by 15 painting alone.

This portrait captures a sun-weathered figure against a bright, pastoral background, creating a striking contrast between the subject and their environment. The artist's loose, expre...

David Rolt was British society portrait painter who enjoyed great success as an artist, and endured a very interesting and complex life. Rolt was partially crippled at birth when the...

A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...

Artist: Slonem, Hunt Title: Purple Abe Date: 2021 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 23" x 19.5" Signature: Signed by Artist on Verso Editio...

"Dusk (Sketch)" by Peter Mohrbacher is an original drawing made with graphite on paper that depicts the grim reaper holding his scythe and looking up.

A charming, unfinished oil portrait depicting an older woman wearing blue. Captured in an expressive, gestural manner and muted palette. Unsigned. On canvas.

Framed 20.5 x 18 image 14.5 x 12 Heinz Hugo Erich Elsas, (German-Brazilian 1925-1994) later known as Harry Elsas. Muralist, writer, designer best known as a painter. Born in 1925 in Stuttgart, Germany, 1n 1936 At the age of 14 he moved with his family to Sao Paulo, Brazil fleeing from World War II and of the persecution of the Jews. A self taught artist he was influenced by the Flemish artists, his work reveals remarkable influence of Brueghel and Hieronymus Bosch. He worked in the workshop of Portinari, participating in the Tiradentes mural. His work went through a post-Expressionist phase, culminating in the adoption of cubism and is characterized by the habit of creating a three-dimensional structure before painting a picture. In 1945, he was working with Lasar Segall...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

Portrait of a Gentlemen - Oval oil on canvas cm.50x40, Italia, 2006 Eugenio De Blasi Wooden frame available on request The portrait of Eugenio De Blasi is inspired by one of the many portraits painted by Guillam Francois Colson, a French historian painter, who painted portraits of families...

Striking Portrait, Dark Colours, "Un Jour de Pluie", Original Oil Painting By French artist Beatrice Werlie, early 21st Century Titled and dated '200...

Portrait and history painter Charles Webber was born in New York State and moved to Cincinnati in the later 19th century. There he became a leader in that city’s art circles. He is ...

Enrique Montserrat Foj (1935-2022) - Girl playing the flute - Oil Oil on canvas glued to cardboard. Oil measures 46x38 cm. Frameless. Romantic cartoonist, especially for the foreign market, and also a gymnast. Cartoonist linked to Editorial Bruguera and its agency Creaciones Editoriales. She got her start drawing girls' or adventure comics in Stories and the Sissi Graphic Novel Supplement. Much of her work from the 1960s was aimed at the European market for young women's magazines through the Selecciones Ilustradas agency. Anecdotally, he collaborated with Marvel Comics, drawing a romantic comic based on a script by Stan Lee for the title My Love (later republished in Our Love Story), credited there as Enrique Monserratt. He retired from comics in the 1980s to focus on painting. He was also an Olympic gymnast, a member of the Barcelona Gymnastics Center and the Barcino Tennis Club. He was champion of Spain in the third category (1955) and third in the Spanish Artistic Gymnastics Championships (1961). He participated in the Mediterranean Games (1959) and in the Rome Olympic...

A romantic and idealised portrait of a young, red haired bride in a Regency style wedding dress. The young woman looks with sultry gaze at the viewer from under her veil. Her blushi...

Work on canvas Illegible signature

Signed oil on board portrait circa 1930 by French post impressionist painter Jean Gabriel Domergue. The work depicts a red-haired lady in an elegant blue dress and matching fascinato...

Modernist portrait and landscape oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 14L.

A charming oil portrait of a seated young lady wearing a light blue cardigan and pleated skirt. Well-presented in a gilt wood frame with a white inner window. Unsigned. On canvas board.

"Anna Fisher" is an unlimited edition poster print by the acclaimed UK artist Ed Fairburn. This captivating piece, released in 2016, is printed with archiv...

A fine portrait by the accomplished German artist Franz Seraph von Lenbach (1836-1904). Using his favoured technique, the Venetian method, Lenbach has rendered the figure in rich dep...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Les Jeunes danseurs- The Young dancers

Solo Kiss by Bolly Frost Acrylic painting on canvas signed on verso painting: 20 x 18 inches Superb original modern abstract portrait painting by the rising contemporary British painter...

This formal head and shoulders portrait depicts an elderly gentleman wearing a grey suit and tie, executed in a realistic style by artist John Bernard Munns (1869-1942). The work is ...

Portrait Of A Lady, 18th Century circle of Richard COSWAY (1742-1821) 18th Century English portrait of a Lady, oil on canvas circle of Richard Cosway. Excellent quality and condit...

Suchitra Bhosle's "Une Ode á Mucha (An Ode to Mucha)" is an original, handmade oil painting that depicts a female model holding a candlelight to a mural or spi...

By Martha Ochoa Oil on Canvas Canvas Size: 23.75" x 15.75" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artist...

A captivating oil painting by the Haitian master, Albert Desmangles. This piece is a wonderful example of his work within the highly sought-after School of Beauty art movement, which...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Blonde Bather, Impressionist Portrait, Original Oil Painting, By British artist, Derek Kershaw, 20th Century, Signed by the artist verso, Oil painting on board, unframed Board size: ...

Chicago Modernist, William Schwartz, painted this intimate painting of a woman reading titled On the Beach. He studied at the Art Institute of Chicago shortly after emigrating to th...

Unsigned. On board.

Vintage watercolor portrait of a seated female figure with red robe in front of a plant by Doris Ann Warner (American, 1925-2010). Signed "Warner" in the lower left corner. Presented...

In this oil painting, I've depicted a serene moment, embracing the quiet grace of a ballerina at rest. Blending the styles of realism and impressionism, I aimed to capture both her e...

Signed to the lower right. Presented in a black lacquer frame. On canvas.

I am interested in portraits that reveal all the complexity and versatility of a person's spiritual appearance, when the inner content is revealed through the external. Painting a po...

Danube, 1855-1878 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 14 x 19 inches Superb oil painting by the well listed...

A unique, abstracted portrait oil painting on stretched Belgian linen canvas, ready to hang. Framing options available on request.

The painting embodies a deep connection between humanity and nature. The woman seems to personify the iris, highlighting that humans are part of nature and that the beauty of the nat...

Jean François Marie Bellier (Paris 1745 – Paris 1836) Portrait of a Man Oil on oval canvas laid flat H. 45 cm; W. 55 cm Signed on the left Circa 1790 Jean François Marie Bellier occ...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A fine early 20th Century portrait,. showing a young boy playing a tin whistle. The artist has adopted an Italianate style and subject matter to create an atmospheric and eye catchin...

Girl with kitten - Giulio Di Sotto Italia 2008 - Oil on canvas cm. 80x70 This painting is Giulio Di Sotto’s personal reinterpretation of the 19th century French painter Jules Frédéric Ballavoine...

Abstract Portrait, Dark Colours, Picasso Style, Original Oil Painting By French artist Beatrice Werlie, early 21st Century Oil painting on canvas, unframed Canvas size: 21.5 x 18 inc...

A charming early 20th century oil depicting a hunter and his game. Signed illegibly and dated to the lower left. On canvas on stretchers.