1980s Portrait Paintings

Artist: Jim Ceravolo, American (1953 - ) Title: Marilyn Monroe Year: circa 1980 Medium: Acrylic and Silkscreen on Canvas, Signed l.r. Size: 38 x 32 inches

Blue, red, and yellow abstract modern portrait painting by Texas artist Robert Sandman. The work features a well dressed man with part of his face obscu...

I am interested in portraits that reveal all the complexity and versatility of a person's spiritual appearance, when the inner content is revealed through the external. Painting a p...

Title: Genre Scene with Mother and Children Artist: Ignacio Gil Sala (Barcelona, 1913 – 2003) Technique: Oil on canvas Dimensions: 46 × 38 cm (18.1 × 15 in) Signature: Signed at the ...

Oil and charcoal on canvas, 1984. 1220x790 mm; 48x31 inches. Signed and dated in charcoal, upper right recto. Provenance: Babcock Galleries, New York, with the label; estate of the ...

Lithograph realized in 1980s. Hand signed and numbered in pencil. One of 15 Artist's Proofs. Very good condition.

Artist: Mher Abegjan (1909-1994) Title: Portrait of People’s Artist Metaksia Simonyan Year: 1985 Medium: Oil on board Dimensions: 70 × 50 cm (27.6 × 19.7 in) Signature: Signed and da...

Original acrylic on canvas. Hand signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

'The Family', gouache on fine art paper (1984), by Raymond Dèbieve. In a clear nod to Picasso's influence both stylistically and in terms of subject matter ...

This spectacular mural size painting was commissioned as a commercial assignment for a Bloomingdale's window backdrop. It's of monumental size and a rare statement piece. It was pu...

'Retour de Maree' by J. J. Polverelli, signed and dated 1989 oil on canvas, unframed canvas: 32 x 39.5 inches Provenance: private collection, France Condition: overall sound & good ...

Abstracted portrait of a renaissance era woman by Sonia Gichner (20th Century). This piece is painted with splashes of bright colors, contrasting nicely with skin tones and black lin...

This meticulously rendered work depicts a three-quarter view of a young woman lost in deep introspection. Inscribed on verso: " The Captain's Lady" Leslie of ____________ St. ...

This is a masterwork by Salvador Aulestia (Barcelona 1915 - Milano 1994). There are very few paintings such this one as for rarity than for quality. Two women on the beach who, as...

Pierre GARCIA FONS Maternity : Mother and Son Reading, c. 1965 Original oil painting Signed upper right corner Signed and titled on the back On canvas 46 x 55 cm (c. 18 x 22i nch) ...

"Jess" Portrait of a Fox Terrier Dog by Pam Pollard (English, 20th century) dated 1981 signed oil on board, framed framed: 20.5 x 16.5 inches board: 17 x 14 inches Provenance: priva...

'Expressions in Bloom: Portraits from the 20th Century XIV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

Title: Aubade ama femme Technique: Acrylic on cardboard Dimensions: 80 x 120 cm (31.5 x 47.2 in) Support: Rigid cardboard Condition: Unsigned work Framing: Unframed Estimated period:...

SALE ONE WEEK ONLY "Ellos Tres" translates to "Them Three" and is a clever piece by the Mexican artist Fernando Ramos Prida. Using acrylic and a ...

José Puyet Padilla (1922-2004) - Goyesque man - Oil on canvas Oil measures 100x80 cm. Frameless. Puyet was born in Malaga, Spain. He was the grandson of Professor José Padilla, a Sp...

Artist: Francesco Scavullo, American (1921 - 2004) Title: Elizabeth Taylor Year: 1983 Medium: Photo-Silkscreen and Enamel on Canvas, signed verso ...

Oil pastel and watercolor on paper mounted on a wooden panel, realized by Antonio Santacroce (1945) in 1980s. Hand signed. Includes a contemporary wooden frame cm.71x58. Very good...

6054 Portrait of a young Noble Prince Set in gilt frame Image size 19.5x15.5"

Vintage Latin American School Original Minimalist Painting of Artist’s Self Portrait in Acrylic on Paper Oustandingminimalist self portrait by California-based Latin American artist, Ricardo de Silva (American/Brazil, 20th C). The artist has represented himself is a stylized manner, yet is quite recognizable due to his beard and dark curly hair. He is wearing red clothing that contrasts nicely against the dark background. Unsigned, but was acquired with a collection of the artist's work. No frame. Paper size: 19"H x 16"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg...

Frame size 52x44 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

Ron Lesser Love Counts Unique oil painting on board Hand Signed Circa 1980s Image Size: 19.5 x 11.75 inches Frame Size: 25 x 18 inches Original gallery sticker on verso from B & R Ga...

Antoni Granja Llobet (1954) - Pitita - Oil on canvas Oil measures 73x60 cm. Frameless. Step into the splendor and mystery of an authentic Venetian masquerade with "Masquerade," a ...

Oil on wooden table realized by Luciano Schifano (1943) in 1987. Hand signed and titled. Good condition.

Russian oil portrait of Andrei Arsenevich Tarkovsky by A. Ivasenko Russian, 1987 Frame: height 106cm, width 111cm Canvas: height 95cm, width 100cm This excellent portrait was executed by the artist A. Ivasenko, and depicts Andrei Arsenevich Tarkovsky, the famed Soviet filmmaker, and son of the noted poet Arseniy Tarkovsky. Tarkovsky wasthe most important Soviet filmmaker after Sergei Eisenstein, and his approach to cinematic time and space, as well as his commitment to cinema as a form of poetry, means his oeuvre is regarded as one of the most defining collections of modern film. He first achieved international acclaim with 'Ivan's Childhood' in 1962, which won top prize at the Venice Film Festival, and other career highlights include 'Andrei Rublev...

Oil on board realized by Luciano Schifano (1943) in 1988. Hand signed and titled. Good condition.

Canvas measures 61x50 cm. Frameless He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro...

Oil on wooden table realized by Luciano Schifano (1943) in 1980s. Hand signed and titled. Good condition.

Oil on board realized by Luciano Schifano (1943) in 1988. Hand signed and titled. Good condition.

Most likely done for Cher. Gouache and watercolor on Arches paper. There is some minor undulation of the paper suface but only visible under raking light. Nicely framed and read...

Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

Oil on board realized by Luciano Schifano (1943) in 1984. Hand signed and titled. Good condition.

Abstract expressionist portrait of a blonde woman with a gold earring by Harvey C. Parks (American, b. 1948 - 2107), 1980. This is a compelling example of Park's abstract expressionist portraiture that shows the hallmarks of his emotionally resonant and stylized portraiture. The sitter’s elongated features, stark contrasts, and muted yet moody palette Medium: Oil on canvas Signed and dated "Parks '80" Condition: Good; minor missing paint (lower edge) retouched. Image size: 20"H x 16"W. Presented in painted wood frame of the period Canvas size: 20"H x 16"W Framed size: 24"H x 20"W Harvey Parks...

José Puyet Padilla (1922-2004) - Goyesque man - Oil on canvas Oil measures 100x79 cm. Frameless. Slight paint chips Puyet was born in Malaga, Spain. He was the grandson of Professor...

Josep Serrasanta (1916-1998) - Gypsy woman - Oil on canvas Oil measures 65x50 cm. Frame measures 88x73 cm. Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdo...

Mixed media on paper realized by Benito Trolese in 1987. Hand signed and daret. Titled on rear. Includes a contemporary woode frame cm. 54x55. Very good condition.

A charming and fresh portrait of the musician and composer standing in front of Mendips, the house where he was mostly raised by his mother's sister Mimi, with his aunt standing behi...

Manuel Pardo (1952-2012). Portrait, 1986. Oil on canvas, 11 x 13 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Manuel Pard...

Jordi Curós Ventura (1930-2007) - Woman smoking Mixed technique on canvas board. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanis...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Signed lower left, 'Curtis Fields' (American, 1921-2008) and dated 1980. Provenance: Austin Hills estate, San Francisco. After graduating from Yale Art School, Fields served in the ...

mixed media cardboard painting CUIXART I TÀPIES, Modest (Barcelona, 1925 - Palafrugell, Girona, 2007). He cuixart initially studied medicine, but soon abandoned his studies to devot...

mixed media cardboard painting CUIXART I TÀPIES, Modest (Barcelona, 1925 - Palafrugell, Girona, 2007). He cuixart initially studied medicine, but soon abandoned his studies to devot...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

A fresh and contemporary piece honoring charitable, revolutionary and patriotic women in the US, "The American Women" by Charles Warren Mundy (American, b. 1945), provides a nod towards the pop art movement. Pictured in this unique painting are Harriet Beecher Stowe...

Red Grooms (American, b. 1937) Jackson Pollock, 1986 Pastel on paperboard 9 1/4 x 9 1/4 inches Signed and dated lower right Provenance: Hirschl & Adler Modern, New York Charles Rog...

Carlo Pittore Oil on canvas, 1984, Self Portrait, initialed and dated lower left, slat framed, 21"sqr (frame) 20 X 20 canvas. Provenance: The Private Collection of Wolf Kahn & Emil...

A Citizen of the World Expressionist Portrait of Ernst Kirchner German Modernist A bright abstracted portrait and collage by California-based artist, Ricardo de Silva (American/Braz...

Woman in the Morning Sun - Large Scale Portrait in Oil on Canvas Modern portrait of a woman by American painter, Patricia Gren Hayes (b. 1932). The portrait is close-up and off-cent...

Vintage Portrait of 1940's Noir Writer Cornell Woolrich Pencil portrait of famous 1930's 40's noir/crime writer Cornell George Hopley-Woolrich, circa 1980. Cornell George Hopley-Woolrich is one of America’s best crime and noir writers who sometimes wrote under the pseudonyms William Irish...

Vintage Mid Century Modern Figurative -- Seated Samurai Original Oil on Canvas A quiet mood of this warrior is captured by listed California artist Molly E. Brubaker (American, 1922...

Tea Time Figurative in Original Oil on Canvas Charming portrait of a young woman enjoying tea time by Patricia Gillfillan (American, 1924-2016). From a collection of her works. Unsig...

Colorful abstract modern portrait painting of an evil man by Texas artist Robert Sandman. As the artist explains, "The Black Hand, or La Mano Nera in It...

Abstract Expressionist Self Portrait in in Acrylic and Pastel on Paper A colorful abstracted self portrait painting by California-based artist Ricardo de Silva (American/Brazil, 20t...

MALCAH ZELDIS (American-Israeli, b. 1931), ''David and Saul'', 1982, Gouache on paper Hand signed and dated lower right, titled in pencil on paper verso. Provenance: Estate of Laura Fisher...