Late 20th Century Portrait Paintings

Linda Stein, Profile Landscape 438.080 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.080 is from Linda Stein's Profiles series--drawings, collages and pa...

Linda Stein, Profile Landscape 438.094 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.094 is from Linda Stein's Profiles series--drawings, collages and pa...

Work on paper to frame

Linda Stein, Profile Landscape 438.086 - Signed Feminist LGBTQ+ Acrylic on Canvas Paintings Diptych Profile Landscape 438.086 is from Linda Stein's Profiles series--drawings, collag...

Hand signed on front by the artist. Original mixed media with collage on paper. Visible image size approx 25 x 18.75 inches. Frame size 41 x 35 inches. Artwork is in excellent condit...

20th-century English portrait of two Labrador Retriever dogs Sadie & Sophie Owning a painting of two English Labrador Retriever dogs by D.J. Holdswor...

'Portrait of Smiling Woman', pastel and crayon on art paper, by Raymond Debiève (circa 1970s). Is this a modern version of da Vinci's Mona Lisa? The simi...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 41x33 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Artist: Peter Max, German/American (1937) Title: Profile Year: 1986 Medium: Acrylic on Canvas, signed u.r. Size: 40 in. x 30 in. (101.6 cm x 76.2 cm) Frame Size: 49.5 x 39.5 inches

ARTIST: Jeanette Lassen (1924-2008) Scottish TITLE: "Contemplating Their Next Move" SIGNED: lower left MEDIUM: oil on canvas SIZE: 67cm x 62cm inc frame CONDITION: excellent DETA...

Joan Camo Sentis (1920-2021) - Period Characters - Oil on canvas Canvas measures 46x38 cm. Frameless. Step into the elegance of a bygone era with this stunning oil on canvas by Joan...

A series of four paintings - acrylic on stretched canvas - unframed, by Canadian artist Damien Smith (born 1969). This unique series depicts four characters in a New York City erotic gay bar...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...

A beautiful 1970's oil on panel nude portrait of a nude lady by Susan Crawford, an artist who has painted the Queen and many other Royals. Tryon Gallery, London exhibition label verso. This work likely sold at the artist's 1972 exhibition at the Tryon Gallery - details below. The work is signed lower right and presented in a fine burr walnut frame. This portrait is featured on the website of the artist under "Portraits". Artist: Susan Crawford (Scottish, b. 1941) Title: Nude Sitting Medium: Oil on panel Size: 27 x 23 in (59 x 49 cm) including frame Condition: Ready to hang Provenance: Tryon Gallery, Dover Street, London Susan Crawford was born in Scotland in 1941 and was brought up on a farm in East Lothian where her parents bred and trained racehorses. She was educated at St Denis School, Edinburgh and at Priorsfield, Godalming, before studying classical drawing for two years at Studio Simi in Florence. In 1967 she went to Ireland for a few days and stayed for almost two years, thereby kicking off her professional career as an equestrian artist. On returning to London she bought a studio and started getting private commissions to paint a number of famous racehorses and several royal portraits. She has to date painted 22 Derby winners. Her first joint exhibition was with the Tryon Gallery in 1969, where she sold all her pictures on the opening night. Over the next 40 years she travelled widely; firstly to the USA then Canada, Germany, Brunei, Australia and the Sultanate of Oman as well as with numerous visits to Ireland and throughout the UK. “Susan Crawford’s working of her paintings is masterly and shows a deep love of horses and animals, together with a special sensitivity towards the human form and personality. Such talent is a rare gift and one that brings enormous and lasting joy into the lives of all who come into contact with it.” HRH The Prince of Wales Portrait Commissions include: HM The Queen, HRH The Prince of Wales, HM Queen Elizabeth The Queen Mother, HRH The Princess Margaret , HRH The Princess Royal, HH The Sultan of Brunei and HM Sultan Qaboos of Oman. Her work has been exhibited at: The Royal Scottish Academy, The National Portrait Gallery, The Royal Academy of Arts, The Queen’s Gallery, The Victoria & Albert Museum, The Royal Society of Portrait Painters, The National Horseracing Museum Newmarket, The National Gallery of Pahang Pinang Malaysia, Arthur Ackerman & Son, The David Ker Gallery, The Tryon Gallery and the Crossgate Gallery, Lexington Kentucky. Patrons include: HM The Queen, HRH The Prince of Wales, HM The Sultan of Oman, Prince Khalid Bin Abdullah, The Duke of Devonshire, The Marchioness of Tavistock, Lady Bamford, Lord Howard De Walden, Lord Vestey, Lord Weinstock, Mr Paul Mellon (USA), Mr Jock Whitney (USA), Mr Frank...

Signed lower right, 'Goetz' for Jack Goetz (American, born 1919). Jack Goetz has painted and exhibited with success for many years and continues to paint at the age of 104. Speaki...

Original acrylic painting on canvas. Hand signed and dated lower left by Peter Max. Artwork size: 48.25 x 58 inches. Canvas is stretched. Artwork is in excellent condition with...

This 19.625" x 15.625" oil on canvas painting is by American artist, Jim Riley. The painting presents a frontal, half-length portrait of a figure with wavy brown hair and a calm, int...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Artist/ School: French School, signed lower front, dated 1970's Title: La Moto Verte, a surrealist composition of nude/ semi nude male figures in a wrestling pose floating in the sk...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artist...

'Mother and Child II', watercolour on fine art paper (1970), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso pain...

Oil on wooden table realized by Luciano Schifano (1943) in 1988. Hand signed and titled. Good condition.

Portrait of a Young Lady by Paul Fitzgerald (Australian 1922-2017) signed and dated 1995 oil painting on canvas, framed canvas: 24 x 20 inches framed: 27 x 24 inches Charming portrait of this young lady, depicted in a light 'duck egg' colored dress. The work has a lovely 'vintage' feel to it. Paul Desmond Fitzgerald (1 August 1922 – 24 June 2017) was an Australian portrait painter who painted a vast array of distinguished persons. Fitzgerald was born in the family home, in the Melbourne suburb of Kew, the second son of Frank Fitzgerald and Margaret née Poynton. Frank Fitzgerald was a journalist with The Age for approximately ten years and about eight years with The Argus. He periodically filled the roles of general reporting, leader writing, political correspondent, art critic, music critic, theatre critic and motoring editor. A Catholic, Fitzgerald was educated at Xavier College in Melbourne (1933–1939) and studied for five years at the National Gallery School (1940–43 and 1946–47), interrupted for three and a half years in the Army during World War II (1943–46). When he was painting away from his studio in Melbourne, he usually lived with the subjects of his portraiture. He lived and painted overseas on commissioned portraits twice each year since 1958 including America, Canada, England, Scotland, Ireland, Jersey, France, Italy, Germany, Spain, Malaysia, Singapore, Hong Kong, Hawaii and Bermuda. He also painted throughout Australia. Fitzgerald was a finalist for the Archibald Prize for portraiture on multiple occasions including 1958 (with a portrait of Justice Robert Monahan), in 1962 (with portraits of each of Sir Reg Ansett and Sir Robert Menzies...

oil on canvas, ready to hang I can do commissioned work of any technique, style and size, contact us without obligation

"L'usure du Temps" French School, late 20th century signed indistinctly lower right, titled verso oil painting on canvas 55 x 40 inches Magnificent French oil painting on canvas from the close of the 20th century, depicting this haunting figure dressed in what looks to be some sort of coat of armour...

Regina Maris, 1908 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 16 x 19.25 inches Superb oil painting by the well li...

Grandfather, Grandson, Countryside, summer, child, dog,impressionist Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 193...

Linda Stein, Profile Landscape 438.057 - Signed Feminist LGBTQ+ Acrylic on Canvas Painting Profile Landscape 438.057 is from Linda Stein's Profiles series--drawings, collages and pa...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Oil on board realized by Paolo Scheggi (1955) in 1990s. Hand signed. Titled on rear. With a painted wooden frame which is part of the painting. Very good condition. Paolo Schegg...

Female Portrait - Giacomo Moretti Oil on Canvas Painting signed lower right, Italy White lacquered wooden frame

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Oil on canvas realized by Mimmo Andriuoli (b. 1946) in 1990s. Hand signed. Very good condition.

Zero in Blue by Peter Max, German/American (1937) Date: 1985 Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72 cm) Frame Size: 26.5 x 20.5 inches

This artwork features a striking woodcut-style portrait that commands attention with its bold expression and intricate detail. The subject's face is rendered with deep lines and a ru...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. A...

Evocative original oil on canvas painting by the Welsh artist, John Bowen. Signed lower left. Condition is very good. Circa 1970. The artist uses the light to capture the beauty of the young girl looking directly at us with her cat resting in her lap. The painting is housed in a dark wood frame with narrow liner of the same time period of the artwork. Overall framed measurement is 41 by 29 inches. Provenance: A Sarasota, Florida estate. John Bowen (1914–2006) Carmarthenshire Museums Service Collection Painter, born in Llanelli, Carmarthenshire. After attending Llanelli and Swansea Schools of Art he taught at Llanelli School of Art, 1939–60, also at the Boys’ Grammar School there apart from wartime service in the Royal Air Force. He was an artist member of SWG and also showed WAC and at the Royal National Eisteddfod. In 1968 he had a retrospective at Parc Howard Mansion, Llanelli. Painter of landscapes in Britain and abroad and still life, in oil and watercolour whose work is in many public collections, including WAC and Newport Art Gallery and Museum. Text source: 'Artists in Britain Since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company) His work was influenced by some of the twentieth century's greatest artists such as Pablo Picasso and Marc Chagall. His paintings are in the permanent collections of Parc Howard Museum...

Girl with the Gun, Stylised Portrait, Signed Oil Painting by Larissa Ickx, Belgian 20th century Signed on the lower right hand corner Oil painting on canvas, unframed Canvas size: 47...

The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century. Egg tempera, gold leaf, and gesso, over a wooden board. Dimensions: (H) 52 x (W) 36 x (D) 3 cm. Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory. THE THECHNIQUE This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold . Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Ramon Pichot i Soler (Figueres, 1924 – Barcelona, 1996) Title: Young Woman with Flowers Technique: Oil on canvas Dimensions: 100 × 81 cm — 39.4 × 31.9 in Signature: Signed lower lef...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

French Orientalist, signed and dated (19)98 oil on canvas dated 98' framed: 39 x 31 inches canvas: 29 x 21 inches Provenance: private collection, France Condition: very good conditi...

Alexandre Siches (1921-2009) - Woman in profile - Oil on canvas Oil measures 73x54 cm. Frameless. Alexandre Siches Piera (1921-2009) Catalan painter with an innate capacity for dra...

Cuauhtémoc, 1982 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 15 x 21.75 inches Superb oil painting by the well listed French marine artist Louis Letouche (1924-2015). The painting portrays the 20th Century ship titled: Cuauhtemoc, 1982. ARM Cuauhtémoc is a sail training vessel of the Mexican Navy, named for the last Mexica Hueyi Tlatoani Cuauhtémoc who was captured and executed in 1525. She is the last of four sister...

Oil on masonite realized by Luciano Schifano (1943) in 1980s. Hand signed and titled. Good condition.

Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...

Blushing Roses in a Golden Vase Continental School, late 20th century most likely a pastiche work after an earlier composition oil on canvas, unframed canvas : 36 x 24 inches provena...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Frame size 50x58 cm. Joan Cruspinera Muñoz was born in 1945 in Tiana, Barcelona. This Catalan artist is a painter, draftsman and painter. His training...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Unique representative piece from the jewish school . Born painter 1936 in Paris dead in 2022 . Son of a Russian emigre of semitic and slavic culture , he bathed from his earliest c...

Tristan Fabris 1970's French surrealist artist signed oil on canvas, framed framed: 19 x 16 inches canvas: 18 x 15 inches private collection, France The painting is in overall sound ...

Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...

Elegance in Blue European School, late 20th century indistinctly signed oil on board, framed Framed: 17.5 x 13 inches Board: 10 x 6.25 inches Provenance: private collection Condition...

Abstract Portrait, Two Paintings in one, Picasso Style, Original Oil Painting, Signed By French artist, Beatrice Werlie, 20th Century Signed by the artist on the lower right hand cor...

Original acrylic painting on canvas. Hand signed upper right by Peter Max. Canvas size: 16 x 16 inches Frame size: 27 x 27 inches. Studio catalog number and date stamped on verso....

Horacio Sapere (1951) - Abstract - Oil and collage on canvas Signed lower right Canvas measures 61x46 cm. Frameless. Title: Abstract with Portrait - Oil and Collage on Canvas by Horacio Sapere (1985) Short Description: A unique abstract piece by Horacio Sapere, influenced by artists like Antoni Tàpies and Jean-Michel Basquiat. Mixed media combining oil and collage, perfect for contemporary art collectors. Detailed Description: Discover the fascinating intersection of abstraction and figuration with "Abstract with Portrait" by Horacio Sapere. Created in 1985, this piece blends oil and collage on a 24 x 18-inch canvas, showcasing the artist's mastery in layering textures and integrating forms. Horacio Sapere, known for his multidisciplinary approach that spans painting, visual poetry, and performance, aligns himself with the tradition of great contemporary art figures. His work echoes the material intensity of Antoni Tàpies, the gestural energy of Jean-Michel Basquiat, and the narrative capacity of Robert Rauschenberg, establishing a dialogue between chaos and order, abstraction and figuration. Inspired by the artistic movements of the late 20th century, Sapere crafts a visual language that resonates with Informalism and Abstract Expressionism, making it a standout choice for contemporary art enthusiasts. This piece is ideal for those looking to enrich their collection with a work that is not only visually striking but also conceptually grounded. It includes a certificate of authenticity to guarantee its provenance and originality. Related Artists: - Antoni Tàpies: For his use of unconventional materials and focus on texture - Jean-Michel Basquiat: For the energy and expressiveness of abstract strokes - Robert Rauschenberg: For the combination of mixed media and collage in compositions - Cy Twombly: For balancing visual chaos with the subtlety of abstract forms Key Points for Collectors: - A unique piece by an internationally recognized artist - Contemporary style that fits modern spaces - Mixed media highlighting the interplay of textures and color - Guaranteed provenance with a certificate of authenticity Dimensions: 24 x 18 inches (unframed) Technique: Oil and collage on canvas A Treasure for Contemporary Art Collectors This work represents an exceptional opportunity to acquire an original piece by an artist who, like Tàpies or Basquiat, challenges traditional art norms to offer a unique visual and emotional experience. --- Let me know if you need any further adjustments. Horacio Sapere (Buenos Aires, 1951). He has lived and worked in Mallorca since 1975 and since 2011 he has had a studio in New York. An intense and committed artist, he develops his creative process through theater and performance (1970-1980), visual poetry (1976-1982), painting and sculpture. Creator of major projects such as Poet's room (1995), presented for the first time at the BMB gallery in Amsterdam (1996), at the UIB -Universitat de les Illes Balears- (1997) and at the Sala de Cultura Sa Nostra in Ibiza (1998). ); and as a sculptural poetic installation at the MEIAC, the Spanish and Ibero-American Museum of Contemporary Art in Badajoz (2000), the Fernando Pessoa...