Skip to main content

Old Masters Portrait Paintings

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

to
217
63
40
90
129
126
Overall Width
to
Overall Height
to
344
70
19
15
3
1
3
1
148
4,581
1,203
897
636
588
555
429
388
170
132
101
22
7
387
48
6
378
250
228
147
124
72
64
58
40
18
10
9
8
7
6
3
3
3
2
2
435
432
152
150
30
4
3
2
2
2
356
21
415
31
Style: Old Masters
The Infant St John the Baptist with Lamb - Italian Old Master art oil painting
Located in Hagley, England
This beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...
Category

1750s Old Masters Portrait Paintings

Materials

Oil

Portrait Woman Parodi 17/18th Century Oil on canvas Old master
By Domenico Parodi (Genoa, 1672 - 1742)
Located in Riva del Garda, IT
Domenico Parodi (Genoa, 1672 - 1742) Portrait of Anne Marie d'Orléans (Château de Saint-Cloud, 27 August 1669 - Turin, 26 August 1728), first queen consort of Sardinia and maternal g...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

Young Girl with a Basket of Fruit
By Jean-Baptiste Greuze
Located in Paris, Île-de-France
French School, late 18th century, circle of Jean-Baptiste Greuze (1725–1805) Young Girl with a Basket of Fruit Oil on canvas, preparatory work, Unsigned 39 x 31 cm Provenance: Pri...
Category

1790s Old Masters Portrait Paintings

Materials

Canvas, Oil

A Rich Merchant - Painting by Unknown - 18th Century
Located in Roma, IT
A rich merchant is an original old master artwork realized in the 18th Century. Mixed colored oil painting on canvas depicting a merchant looking at a coin in his left hand. Provena...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

Joseph Highmore Portrait of a lady, 18th century
By Joseph Highmore
Located in York, GB
Portrait of a lady, traditionally identified as Grace Loftus,of Beverley hall yorkshire.Three-quarter-length, before a window. Dressed in blue and wearing a white bonnet. The paintin...
Category

1740s Old Masters Portrait Paintings

Materials

Oil

19th Century Historical English Painting David Wilkie
By Sir David Wilkie
Located in Roma, IT
Sir David Wilkie RA (18 November 1785 – 1 June 1841) “The Parish Beadle” Oil on canvas Although unsigned, this beautiful painting is undoubtedly an original work by David Wilkye as...
Category

Early 19th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of a Woman in a red Dress - French Old Master art oil painting
Located in Hagley, England
This lovely French Old Master portrait oil painting is attributed to the circle of Jean Auguste Dominique Ingres. Painted circa 1810 it is a head and shoulders profile of a beautiful woman, resting her head on one hand. There is superb attention to detail and vibrant colouring. An excellent example of a French Old Master portrait of the period. Unsigned. Provenance. London estate. Condition. Oil on canvas, 15 inches by 12 inches unframed and in good condition. Frame. Housed in a gilt frame, 20 inches by 17 inches framed and in good condition. Jean-Auguste-Dominique Ingres (1780-1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman. He was finally recognized at the Salon in 1824, when his Raphaelesque painting of the Vow of Louis XIII was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur...
Category

19th Century Old Masters Portrait Paintings

Materials

Oil

Frederick III Cranach Rohrich Paint Oil on table 19th Century Flemish Portrait
Located in Riva del Garda, IT
Follower of Lucas Cranach I (Kronach, 1472 - Weimar, 1553) Attributed to Franz Wolfgang Rohrich (Nuremberg 1787 - 1834) Frederick III of Saxony, called the Wise (1486-1525) Oil on ...
Category

19th Century Old Masters Portrait Paintings

Materials

Oil

King David De Ríes Paint 17th Century Oil on canvas Old master Religious Spain
Located in Riva del Garda, IT
Ignatius de Ríes (Seville, 1612 - Seville, 1661) attributable King David playing the harp Oil on canvas 137 x 102 In frame 150 x 112 cm. At the centre of the canvas emerges...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

18th Century By Dalla Rosa Portrait of Angela Guggerotti Fracastoro Oil/Canvas
Located in Milano, Lombardia
Saverio Dalla Rosa (Verona, Italy, 1745 - 1821) Title: Portrait of Angela Guggerotti Fracastoro Medium: Oil on canvas Dimensions: without frame 94 x 73 cm - with frame 105 x 94 cm Fr...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil, Canvas

Portrait Child Schedoni 17th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Bartolomeo Schedoni (Modena 1578 - Parma 1615) workshop of Portrait of a child (Alessandro Farnese?) First half 17th century Oil on canvas (95 x 66 cm. - In frame 109 x 80) This i...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

Portrait of Lady, Maria Therese of Spain, Queen of France, 17th Century Panel
Located in London, GB
Portrait of Maria Therese of Spain, Queen of France, 17th Century Circle of Henri and Charles Beaubrun Not signed This distinguished seventeenth-century portrait of Maria Theresa o...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

19th century Portrait of a lady, Priscilla Osborn, William Jacob Baer
Located in York, GB
PORTRAIT OF PRISCILLA, MRS WILLIAM OSBORN half length, oil on canvas, WILLIAM JACOB BAER (1860-1941) housed in the original early 19th c gilt cavetto frame The overall size being 94....
Category

19th Century Old Masters Portrait Paintings

Materials

Oil

The Curse - Female w/ Sunflowers, Ode to Alfred Lord Tennyson s "Lady Shalott"
Located in Chicago, IL
This is my take on the classic Pre-Raphaelite painting subject and poem “The Lady of Shalott,” by Alfred Lord Tennyson. It is also inspired by the John Everett Millais painting, “The...
Category

2010s Old Masters Portrait Paintings

Materials

Oil, Acrylic

PORTRAIT OF WILLIAM WARHAM, Old Masters Oil on Wood
Located in London, GB
after HANS HOLBEIN THE YOUNGER 1497 – 1543 PORTRAIT OF WILLIAM WARHAM Oil on canvas Image size: 38 x 35 inches (89 x 71 cm) Hand made period style frame The handling of the paint in...
Category

18th Century and Earlier Old Masters Portrait Paintings

Materials

Canvas, Oil

Charles Ii King Spain Child Del Mazo Paint 17th Century Oil on canvas Old master
Located in Riva del Garda, IT
Attributed to Juan Bautista Martínez del Mazo (Castile 1611 - Madrid 1667) pupil and collaborator of Diego Velázquez Portrait of Charles II, King of Spain, as a child (1661 -1700) Spain, c. 1670 Oil on canvas 68 x 49 cm. - In antique frame 96 x 75 cm. The analysis of this portrait, and in particular the style with which its features have been outlined, brings us back to the great tradition of the 17th century Spanish school. The portrait depicts the young King Charles II of Spain, dressed in typical Spanish fashion, the youngest and only son of Philip IV of Spain and his second wife Maria Anna of Austria, as well as the last of the Habsburg dynasty to rule Spain. which portrayed the young ruler in full length at the age of four (dated 1665), dressed in a black suit and cape, and a large feathered...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

Portrait Of A Lady, Frances Bard (1646-1702) Mistress of The Duke Of Cumberland
Located in Blackwater, GB
Portrait Of A Lady, Frances Bard (1646-1702) Mistress of Prince Rupert von de Pfalz, Duke of Cumberland (1619-1882) follower of Anthony Van Dyck (1...
Category

Late 17th Century Old Masters Portrait Paintings

Materials

Oil

17th century portrait of a lady
Located in Bath, Somerset
Portrait of a lady richly dressed in a purple silk gown with white sleeves, a gold coloured cloak draped across one shoulder, her blonde curls worn up...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

16th Century Jan van Scorel Portrait of a member of the brotherhood of Jerusalem
By Jan van Scorel
Located in Milano, Lombardia
Jan van Scorel (Schoorl, The Netherlands, 1495 – Utrecht, The Netherlands, 1562) Title: Portrait of a member of the brotherhood of Jerusalem Medium: Oil on panel Dimension: without ...
Category

16th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

French school early 20th century, Portrait of a hunter, oil on canvas signed
Located in Paris, FR
French school early 20th century, Portrait of a hunter signed lower right, the signature has not yet been deciphered oil on canvas 40 x 32.5 Framed : 47 x 39 cm In good condition, ...
Category

Early 20th Century Old Masters Portrait Paintings

Materials

Oil

Lucretia, by Giacomo Raibolini Francia. Detto il Francia. Oil on panel, framed
Located in New York, NY
Giacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...
Category

16th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

English 17th century portrait of James Thynne as a young boy by a fountain
By Johann Kerseboom
Located in Bath, Somerset
Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil, Canvas

Quellinus Allegory Vanity Paint Oil on canvas old master 17th Century Flemish
Located in Riva del Garda, IT
Erasmus Quellinus II (Antwerp 1607 - 1672) Vanitas (as an Allegory of the Vanity of Life or of Youth) Oil painting on canvas - cm. 121 x 84, in the frame cm. 135 x 98 The work is a...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

Portrait of a Man
Located in New York, NY
Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...
Category

16th Century Old Masters Portrait Paintings

Materials

Oil, Panel

17th Century, Old Master, "King Basileus Alexander of Macedon Magnus, the Great"
Located in Berlin, DE
Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great. Illustration of two children, putti, with wreaths of flowers on a board (or maus...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

King Portrait Clementi Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Maria Giovanna Battista Clementi known as La Clementina (Turin, 1692 - Turin, 1761), Attributable to Portrait of Victor Amadeus II of Savoy (Turin 1666 - Moncalieri 1732) king of Sardinia, duke of Savoy, marquis of Saluzzo and duke of Monferrato, prince of Piedmont and count of Aosta, Moriana and Nizza from 1675 to 1720. Oil on oval canvas, 79 x 62 cm., Framed 98 x 82 cm. The portrayed in this fascinating virile portrait is King Vittorio Amedeo II of Savoy, portrayed in ceremonial armor and red cloak according to the traditional courtly iconography, represented half-length, slightly three-quarter-length, with the towering "courtly" wig, according to the dictates of fashion of the first decades of the century, of French inspiration. In order to represent the power embodied in our austere portrayal, the sovereign is immortalized with the symbolic attributes of the power of the family, identifiable in the ancient crown of the Kingdom of Sardinia, in the scepter with the Mauritian cross and in the necklace of the Supreme Order of the Most Holy Annunziata, established in 1364 by Amedeo VI, as the highest honor of the House of Savoy...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

German Miniature of Young Lady in a Fancy Hat
Located in New Orleans, LA
This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...
Category

19th Century Old Masters Portrait Paintings

Materials

Copper

Nathaniel Hone, portrait of "flora" roman goddess, 18th century
By Nathaniel Hone the Elder
Located in York, GB
I have great pleasure in offering for sale this beautiful portrait, by Nathaniel Hone, the elder. 18th century. The painting is of Ann Anderson, wife...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

17th Century by Jan Janssens Saint John the Baptist Oil on canvas
Located in Milano, Lombardia
Jan Janssens (Ghent, Belgium, 1590 - after 1650) Title: Saint John the Baptist Medium: Oil on canvas Dimensions: without frame 76 x 62 cm – with frame 97 x 83 x 6 cm Not signed Expe...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Henry Raeburn, (circle) 19th Century portrait of Sir Charles Forbes Edinglassie
By Henry Raeburn (circle)
Located in York, GB
Portrait of Sir Charles Forbes of Edinglassie, Oil on canvas. The size of the portrait is 75 cm x 59.5 cm whilst overall the size is 106 cm x 91 cm In very good condition.There has been some restoration/overpainting etc.There is some minor craquelure. Housed in a period gilt frame decorated with acorns and leaves Overall a good portrait, circle of a fine scottish artist (unsigned) , with an interesting sitter, his details below. sir Charles Forbes of Edinglassie Sir Charles Forbes, 1st Baronet (1774–1849) was a Scottish politician, of Newe and Edinglassie, Aberdeenshire. Forbes was the son of the Rev. George Forbes of Lochell. He was a descendant of Alexander Forbes of Kinaldie and Pitsligo, and was in 1833 served heir male in general to Alexander Forbes, 3rd lord Forbes of Pitsligo, father of Alexander Forbes, 4th Lord Forbes of Pitsligo, attainted in 1745. Forbes was of a bluff but kindly nature, diffident as to his own merits, of a straightforward and manly character. On the death of his uncle in 1821 Forbes succeeded to the entailed estates of the Forbeses of Newe, and was created a baronet by patent in 1823.[1] He married in 1811. His daughter, Elizabeth, married General, Lord James Hay, second son of the seventh Marquess of Tweeddale. Sir Henry Raeburn FRSE, RA, RSA (1756-1823) Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting...
Category

19th Century Old Masters Portrait Paintings

Materials

Oil

Saint Mark Evangelist Guercino Paint Oil on canvas Old master 17th Century Italy
Located in Riva del Garda, IT
Workshop of Giovanni Francesco Barbieri, known as Il Guercino (Cento, 1591 - Bologna, 1666) Saint Mark the Evangelist Oil on canvas - 85 x 71 cm., Framed 100 x 86 cm. Of great cha...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

Portrait Paint Oil on canvas Old master 16/17th Century Italian Raffaello Art
Located in Riva del Garda, IT
Tuscan painter active towards the end of the 16th century Portrait of Captain Niccolò Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola. Tuscany, end of the 16th century Oil on canvas, 64 x 47 cm., Framed 89 x 73 cm. The portrait we present to you shows the effigy of a vigorous high-ranking male figure in armor, in the most typical Renaissance pose, half-length and taken in profile, with his face and gaze turned to the side; the serious and intense expression and the facial features evoke at first glance the portraiture of early Florentine mannerism. He is Niccolò III Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola and son of Aldobrandino Orsini, famous leader and captain (or capitano di ventura) who lived between the fifteenth and sixteenth centuries, who served for the state Pontifical in Naples and Florence and above all for the Republic of Venice. Portraiture with these characters, which derives from ancient coinage, was used in the sixteenth century in the sequences of Portraits of Illustrious Men, both in painting and in sculpture. The profile portrait was in fact a genre reserved, according to the Renaissance tradition, for celebrations, presenting those characteristics of imperturbability typical of the military role covered. Our painting is a work created by an author active in Tuscany towards the end of the sixteenth century, adhering to those pictorial styles made famous by the portraitist Cristofano di Papi dell'Altissimo (1530-1605), a pupil of Bronzino and then of Pontormo, known for having created a collection of about 500 portraits of illustrious men, known as the 'Gioviana Series' (now in the Uffizi Gallery); and among these it is possible to identify one dedicated to Niccolò Orsini. Our painting is inspired, in particular, by a print taken from the collection of prints...
Category

16th Century Old Masters Portrait Paintings

Materials

Oil

Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian
Located in London, GB
James Fellowes Flourished 1719 - 1750 Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian Oil on canvas, signed & dated 1747 Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm) Original gilt wood frame William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...
Category

1740s Old Masters Portrait Paintings

Materials

Oil

English 18th century portrait of a Lady and her Daughter in an interior
By (attributed to) Joseph Highmore
Located in Bath, Somerset
Portrait of a lady, three-quarter length, wearing a blue silk gown, seated in a classical interior, with her daughter in a pink gown standing beside her holding a sprig of blossom. T...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Oil

French School of the 17th Century Female portrait with flowers Oil on canvas
Located in Milano, Lombardia
French School of the 17th Century – Circle of Pierre Mignard (1612-1695) Title: Female portrait with flowers Medium: Oil on canvas Dimensions: without frame 81 × 68 cm – with frame ...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th c. French Portrait of a Lady as Venus, attributed to Pierre Gobert
By Pierre Gobert
Located in PARIS, FR
Portrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady, Old Masters 18th Century Oil
Located in London, GB
Thomas Hudson 1701 – 1779 Portrait of a Lady Oil on canvas Image size: 30 x 25 inches Original carved giltwood frame Hudson had many assistants, and employed the specialist drapery ...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

17th Century by Ercole de Maria Penitent Saint Peter Oil on canvas
Located in Milano, Lombardia
Ercole De Maria (…. – 1640 ca.) Title: Penitent Saint Peter Medium: Oil on canvas Dimensions: without frame 66 × 50 cm – with frame 80.2 x 60.2 x 5.7 cm Not signed Expertise by And...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th Century by Evangelista Schiano Saint Gennaro Oil on Canvas
Located in Milano, Lombardia
Evangelista Schiano (attr.) (active in the 18th century) Title: Saint Gennaro Medium: Oil on canvas Dimensions: without frame 102 x 74 cm - with frame 126.5 x 100 cm 19th century car...
Category

Mid-18th Century Old Masters Portrait Paintings

Materials

Canvas, Cotton Canvas, Oil

Philip V King Spain Louise Savoy Queen Gobert Paint Oil 18th Century Old master
Located in Riva del Garda, IT
Circle of Pierre Gobert (Fontainebleau 1662 - Paris 1744) Pair of portraits Portrait of Philip V, King of Spain (Versailles 1683 - Madrid 1746) Portrait of Queen Louise of Savoy (16...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

Portrait Woman Princess Diziani Paint 18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

17th Century by Bernardo Strozzi Portrait of a man with white collar
By Bernardo Strozzi
Located in Milano, Lombardia
Bernardo Strozzi, also known as “Il Cappuccino” and “il Prete Genovese”, (Genoa, Italy, 1581 – Venice, Italy, 1644) Title: Portrait of a man with white collar Medium: Oil on canvas D...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

17th century portrait of a lady
Located in Bath, Somerset
Portrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait Philip V King Rigaud Paint Oil on canvas 17/18th Century Old master Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) Circle Portrait of Philip V, King of Spain (Versailles 1683 - Madrid 1746) Oil on canvas 72 x 59 cm - framed 87 x 74 cm. The painting examined here, depicting King Philip V of Spain (Perpignan 1659 - Paris 1743), is to be placed in the circle of the painter Hyacinthe Rigaud (Perpignan 1659 - Paris 1743), one of the most significant portrait painters of his time and a great interpreter of the French school. This is a work of excellent pictorial quality: note the rendering of the facial features and the sharpness of the contours emphasised by the light. The face is characterised by chiaroscuro passages that verisimilarly reproduce light and its effects, rendered with great skill. Philip V wears a black satin costume with a sword at his side, he wears the stiff white Spanish collar and at the same time wears the blue sash of the Order of the Holy Spirit and the collar of the Habsburg Order of the Golden Fleece: this bringing together of the two main orders of France and Spain announced the possibility of a union between the two crowns. In Spanish costume, this effigy is nevertheless fully in line with the French tradition of ceremonial portraiture, also testifying to the renewal that Rigaud had brought about, particularly through the relationship between the character and the splendour of the decoration. The work is inspired, reworked in a reduced format to make it suitable for a private clientele, by the large painting that Rigaud made for the sovereign around 1700, today conserved in the Louvre, reproduced by the same workshop in numerous other versions. The account books...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

SIMON PETER TILEMANN, Family Portrait, 1658, Old Master. Baroque Rococo Painting
By Simon Peter Tilemann
Located in Berlin, DE
Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...
Category

1650s Old Masters Portrait Paintings

Materials

Canvas, Oil

Oil Portrait of a Victorian Lady, c. 1850
Located in Chicago, IL
Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...
Category

Mid-19th Century Old Masters Portrait Paintings

Materials

Oil

GENGHIS KHAN - Italian School - Oil on Canvas Italian Figurative Painting
Located in Napoli, IT
GENGIS KAN - Maximilian Ciccone - Italia - Oil on canvas cm.210x120. In this majestic oil on canvas painting the Artist Ciccone portray the Mongol leader and ruler Genghis Khan...
Category

2010s Old Masters Portrait Paintings

Materials

Canvas, Oil

Soldier in an Interior, Early 17th Century Dutch Oil
Located in London, GB
Pieter Symonsz Potter Dutch 1600 - 1652 Soldier in an Interior Oil on oak panel, red seal to reverse Image size: 15 x 10 3/4 inches Dutch Ebonised frame Bathed in a well lit roo...
Category

Early 17th Century Old Masters Portrait Paintings

Materials

Oil, Board

“Dutch Girl”
Located in San Francisco, CA
On offer is a captivating portrait of a young girl in profile identified as a "Dutch Girl" not only by the title but also its "old master” style reminiscent of older Dutch painting...
Category

1920s Old Masters Portrait Paintings

Materials

Canvas, Oil

19th century classical religious oil painting portrait female subject red dark
Located in Milwaukee, WI
"Caterina d'Alexandria (Saint Catherine of Alexandria)" is a copy oil painting on wood panel, after Italian artist Giampietrino (Giovanni Pietro Riz...
Category

19th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

18th Century, Antique Oil Painting, Old Master. Portrait of Mother with child.
Located in Berlin, DE
18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700
Located in PARIS, FR
Portrait of a Lady with carnations By Jean Ranc (Montpellier 1674 - Madrid 1735), circa 1700 Oil on canvas in oval shape, Dimensions: h. 35.82, w. 28.34 in. Period Louis XIV giltwood and carved frame with laurel leaves. Framed dimensions: h. 42.52 in, w. 33.85 in. Provenance: Collection of the Marquis de Bailleul at the Château d'Angerville-Bailleul (before 1942). To be included in the catalog raisonné of the artist by Stephane Perreau Important portrait of a young woman depicted half-length turned three-quarters, her face looking at the viewer. Dressed in a brick red velvet dress, an elegant blue scarf envelops her figure. Hair styled “a la Fontange”, her powdered hair is raised and tied at the back with a red ribbon, several curly locks escape from her bun and fall on her back and shoulders. The perfectly oval face with regular features dominated by her straight nose is softened by her gray eyes with slightly lowered lids. The red tinged skin tones on the cheeks and cheekbones color the face and make the portrait come alive. The young woman is portrayed standing near a pot of carnations. Her strongly lighted figure stands out against an architectural background of columns. The artist's palette is made of contrasts opposing warm to cold hues. The icy electric blue contrasts with the fiery brick red, the hair powdered with white accentuates even more the flush of the cheeks. The left arm bent at the elbow, extending the open hand with slightly bent fingers in the foreground brings depth to the composition. Our portrait, an interesting testimony in the corpus of works of the painter, is part of his youthful period, around 1700-1705. The former belonging of this portrait to the Marquis de Bailleul reinforces the remarkable character of our painting. The portrait has been examined by Stéphane Perreau, specialist of Jean Ranc and will be included in the catalog raisonné currently being written, under number P. 43. The notice edited by Mr Perreau is below: "Painted around 1700-1705, this portrait of a woman is directly inherited from Hyacinthe Rigaud, the master of Jean Ranc (the hand turned over the front, in a watch...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Self-Portrait - Royal Academy Founding Member, 18th Century
Located in London, GB
Francis Hayman RA 1708–1776 Self-Portrait Oil on oak panel Image size: 8 x 6¼ inches Contemporary gilt frame This newly discovered work is the earliest known self portrait by Francis Hayman, dated to the mid to late 1720’s. The small scale of the portrait gives it a strong sense of intimacy. Whereas clients would often dress themselves in their best clothes for a sitting, Hayman has portrayed himself in informal attire, with his shirt unbuttoned and a wig cap. Born in 1708 to a respectable Devonshire family, his training began at the tender age of ten under the tutelage of the historical painter Robert Brown, who was probably an uncle. By the 1730’s he is known to have been engaged in painting scenery for the popular theatres on Goodman’s Fields and Drury Lane. He established a studio on St Martin’s Lane, and demonstrated his versatility as one of the most important painters of his time in portraits, illustration and history painting. Indeed, he was one of the first English painters deemed to have the skill and proficiency to rival that of the foreign masters, such as Holbein and Kneller, who were brought in by the court to make up for the perceived shortcomings of the native artists. Led by William Hogarth, Hayman and other artists began to create a new movement in the English art world. Thomas Gainsborough was one of his pupils, whom he is said to have introduced to the more lascivious and debauched underbelly of London life. After mostly making his living as an illustrator, in the 1740’s Hayman was commissioned by the proprietor of the Vauxhall Pleasure Gardens, Jonathan Tyers, to produce a series of four large celebratory canvases depicting British victories from the Seven Years War. His association with Tyers continued, and over the next ten years he produced a number of large decorative paintings...
Category

18th Century Old Masters Portrait Paintings

Materials

Oak, Oil Pastel

18th Century Circle of Jean-Étienne Liotard Portrait of a lady Oil on canvas
Located in Milano, Lombardia
Circle of Jean-Étienne Liotard (Geneva, Switzerland, 1702 – 1789) Portrait of a lady Medium: Oil on canvas Dimensions: without frame 73 x 58 cm – with frame 87.8 x 73.7 x 4.5 cm Not ...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Saint John Evangelist Paint Oil on canvas Old master 18th Century French School
Located in Riva del Garda, IT
Saint John the Evangelist French school of the eighteenth century Oil painting on canvas 82 x 64 cm. - in frame 102 x 84 cm. In this pleasant painting we see the portrait of the evangelist John, holding a pen in his hand while writing the pages of the Gospel, while behind him it is possible to recognize the profile of an eagle, his typical iconographic attribute. The graceful face, which still reveals the devout attitude, which gives the painting a more intimate and delicate, not excessive religiosity, is one of the typical characteristics for works intended for domestic devotion, as in the case of this Saint John. From the representation of the Saint the freshness of his features immediately stands out, he is in fact portrayed as young and handsome: and it is precisely this iconographic peculiarity that makes the work fascinating and very pleasant, probably commissioned for a private room. The painting presents the peculiarities of eighteenth-century French portraiture, characterized by a soft drawing and a wise use of light. The rather marked chiaroscuro and well-calibrated shades produce an excellent result thanks to the play of light on the face, highlighted by the dark background of the scene. The painting has been relined and is in an excellent state of conservation with the colors still bright and a very healthy pictorial layer. The painting is sold together with a nice golden frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic card. We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda...
Category

18th Century Old Masters Portrait Paintings

Materials

Oil

Ecce Homo Christ Paint Oil on canvas 17th Century Old master Leonardo Italian
Located in Riva del Garda, IT
Lombard painter of the seventeenth century Ecce Homo Oil painting on canvas 56 x 43 cm. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canv...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil

18th Century by Alessandro Longhi Portrait of a young musician Oil on canvas
Located in Milano, Lombardia
Alessandro Longhi (Venice, Italy, 1733 – 1813) Title: Portrait of a young musician in front of his desk with a score in his hand Medium: Oil on canvas Dimensions: without frame 39.5 ...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of a French lady by Robert Le Vrac Tournieres, circa 1725
Located in PARIS, FR
Portrait of a young Lady Robert Le Vrac Tournières (1667-1752) 18th century French school, circa 1725 Oil on canvas Dimensions: h. 81 cm, w. 65 cm Important 18th century Régence per...
Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Madonna with Holy Child and St. John
Located in Fredericksburg, VA
Madonna with Holy Child and St. John is a masterful depiction of a tender religious scene, capturing the sacred relationship between the Virgin Mary, the infant Jesus, and St. John t...
Category

17th Century Old Masters Portrait Paintings

Materials

Wood, Oil

17th century Dutch portrait of a Lady in Red adorned with Pearls
By Pieter Nason
Located in Bath, Somerset
Portrait of a lady, half-length in a feigned oval wearing a ruby coloured silk gown holding entwined strings of pearls across her bodice. Signed 'PNason' and dated 1667 (lower right)...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil, Canvas

Old Masters portrait paintings for sale on 1stDibs.

Find a wide variety of authentic Old Masters portrait paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including (After) Giampietrino, Henri-Joseph Castaing, Charles Towne, and Jean Alexandre Rémy Couder. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters portrait paintings, so small editions measuring 4.53 inches across are also available. Prices for portrait paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $695 and tops out at $339,912, while the average work sells for $4,791.