Head Portrait Paintings

Artist: Bernard Locca, French (1926 - 1997) Title: Portrait of a Blonde Beauty Year: 1963 Medium: Oil on Canvas, signed l.r. Size: 36 in. x 29 in. (91.44 cm x 73.66 cm) Frame Size: 4...

Dancer 1969. Oil on canvas, 92,5x92,5 cm The artist's portrayal of the dancer captures the grace and elegance associated with ballet. The ballerina's pose and body language convey ...

Title: Reclining Woman Artist: Ramon Pichot Soler (Barcelona, 1924 – 1996) Medium: Oil on panel (double-sided work: main painting + study on the reverse) Dimensions: 41 × 33 cm — (16...

Oil on canvas mounted on cardboard. Realized by Francesco Settimj in the mid-20th Century. Hand signed lower right. Good condition except for some minor losses of colors on edges.

"Lineage Without Names" Oil Painting 47.5" x 47.5" inch by Casey Baugh Medium: oil and ash on linen ABOUT THE PAINTING: I'm forever fascinated with the idea of what is passed to u...

Wonderful antique portrait of a charming young girl c.1910 The painting is created with oils on board. Dimensions 8" x 11.5". The frame measures 13" x 16.5". The painting is in go...

Vintage impressionist oil painting by Pierre Eugène Duteurtre (1911 - 1989). Oil on canvas, circa 1970. Signed. Displayed in a period frame. ...

Johann Ferdinand J. Hintze (1849–1877) – Genre Scene of Children Artist: Johann Ferdinand J. Hintze Period: 19th Century (Dated 1874) Medium: Oil on Panel Dimensions: Framed: 42 x 33...

Bolam is known for his portraits of Native Americans and wildlife such as elk and deer. His work is deeply rooted with his love for the American West. His paintings pay homage to Wes...

Vintage impressionist portrait painting. Oil on board. Framed. Signed.

Continental School, "Mother and Child", Oil on Canvas, illegibly signed "opapa" (?) lower right, giltwood frame. image: 29.5" H x 23.5" W; frame: 38.5" H x 32.5" W x 2.5" D. Provenan...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Jeremy Novy’s unique brand of street art is ripe with thoughtful social examinations. Novy has combated a homophobic lack of representation with a celebrat...

A fine early 20th Century copy of the original portrait (by an unknown artist) of Ann Heron (nee Vining). The sitter is a solemn young woman in a white dress and red cloak. The paint...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist May...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Portrait of a Girl Year: circa 1964 Medium: Oil on Canvas, signed l.l. Size: 14 in. x 10 in. (35.56 cm x 25.4 cm) Frame Size: 21 x 17...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

Rare and important large landscape painting by Paul Esteban (Pablo) O'Higgins (1904 - 1983). Oil on canvas. Signed lower right. Framed. Image size, 23.25L by 33.25H image size al...

Signed oil on canvas portrait painting by Argentine modernist painter Alfredo Guttero. The work is a head and shoulders portrait of a woman with black hair and wearing a shawl. Sign...

Star Wars Storm Trooper Pop Art by British Urban Graffiti Artist, Chris Pegg. Entitled The Good The Bad & The Ugly. Art measures 42 x 24 inches Frame measures 50 x 32 inches Chri...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...

Henri DELUERMOZ (Paris 1876 – Paris 1943) At the blacksmith's Oil on metal. Two welded plates H. 145 cm; W. 100.5 cm Signed lower left Trained under Alcide-Joseph Lorentz and Charle...

Nura Woodson Ulreich (American 1899-1950) Were I a Great Lady, 1927 Oil on board Signed lower left, inscribed and dated verso 11.25 in. h. X 9.75 in. w., board 17.75 in. h. X 16 in. ...

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

Artist: Jack Graves III (American, 1988-) Title: "Lauren Bacall Icon VI" Series: Icon *Signed, dated, and titled by Graves on verso Year: 2024 Medium: Original Acrylic Painting on Ca...

A fine, characterful late Victorian portrait of a portly gentleman with a warm smile and an impressive mustache. The artist has used fine brush work to create delicate skin tone and ...

Como pueden apreciar, la obra va firmada por el artista en la parte inferior (A.GROSZ) Se presenta enmarcada la obra (el marco presenta algunas faltas) El estado de la obra es buen...

19th Century Portrait Miniature, Young Man in Blue Coat As is

Alfred Richard Martin Liverpool 1871 – 1939 Johannesburg British-South African Painter 'Portrait of a Zulu Girl, KwaZulu-Natal, South-Africa' Medium:...

'Master of the parrot' (a painter active in Antwerp in the early 16th century, whose name refers to the parrot who always occurs in his paintings) - follower of Madonna on the throne with child (With the coat of arms of the client family in the upper part of the composition) Oil on the table 101 x 62 cm. - In frame 114 x 76 cm. The beautiful proposed work explains the typical iconographic characters of the painter called 'Master of the parrot', a conventional name used by critics to define an anonymous Dutch author of the 16th century. More precisely, it is a painter of the southern Netherlands, active in Antwerp around 1530-50, so defined for the unmistakable parrot who often appears in his works of him. In religious iconography the parrot has often been used as a Marian symbol, as it was widespread that its most common verse was "Ave", that is, the greeting of the Archangel Gabriele to Mary at the time of the Annunciation. Today the idea according to which the name 'master of the parrot' has not referred to a single painter, but rather a group that, based on the stylistic characters, carried out their training at the workshop of Pieter Coecke Van Aelst (Aalst (Aalst is widespread. 1502 - Brussels 1550), creating devotion paintings intended for a bourgeois client and concentrating their activity on a specific topic particularly requested by the contemporary market. By way of example we can mention the Virgin with the San Diego Museum of Art child where the figures, like our own, are in line, With the mannerist taste for the elegant body proportions that exceed reality, with elements such as tapered finger, wide face and thin nose. These characters also betray the influence of active artists in the region such as Joos Van Cleve...

HERVE Jules René (1887-1981) Pond of the Tuileries Garden in Paris Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 46 X 55 cm Dim frame : 67 X 76 cm HERVE J...

Madonna & Child, oil on panel follower of DIERIC BOUTS (1415-1475) Early Netherlandish devotional scene of the Madonna & Child, oil on gold ground panel. Early small depiction of t...

There’s a poise that comes not from perfection but from resilience and the quiet strength we all carry from within. This artwork speaks to the moments when life tests us, yet we choo...

This refined portrait is believed to depict Elizabeth Ann Sheridan (née Linley; 1754–1792), the celebrated English soprano and wife of playwright Richard Brinsley Sheridan. Painted i...

British School, Portrait of a Young Girl, Oil on Canvas, circa 1900, signed "R. Sawyer" lower left, painted wood frame. Image: 17.5" H x 9.25" W; frame: 21.5" H x 13.5" W x 2" D. Pro...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed...

Girl with the Gold Sash, Late 19th Century Large-Scale Female Figurative Late 19th century Romanic portrait of a young girl by Eduardo Tojetti (American/Italy, 1851-1930), c.1880. T...

Well presented in a painted frame with molding detail. Signed and dated. On board.

Portrait of Dwight D. Eisenhower, oil on board, signed Girardet, French School (circa 1950s). A compelling vintage oil portrait of General Dwight D. Eisenhower, one of the most influ...

Bernardino Detti (Pistoia, Italy, 1498 - 1572) Title: Face of Christ Medium: Oil on canvas Dimensions: without frame 41 x 32 cm - with frame 47 x 55.5 cm Antique box frame made of solid wood and walnut burl Not signed Publications: unpublished The painting by Bernardino Detti (1498 - 1572) depicts the face of Jesus...

2306G [2020] original Ink on paper Image size: H:36.5 cm x W:28 cm Complete Size of Unframed Work: H:36.5 cm x W:28 cm x D:0.1cm Sold Unframed Please note that insitu images are...

Portrait of a very attractive Lady, head-and-shoulders in length monogrammed FD, inscribed to verso, oil on canvas, 50cm x 40cm whilst overall is 59 x 69 cm . In overall good condition some craquelure. Has been relined and cleaned. original frame some minor losses (self coloured) Frank...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

A magnificent 19th-century Italian painting. Oil on canvas, first canvas, painting depicting a young woman absorbed in thought, of extraordinary pictorial quality. The girl with long...

This intimate portrait depicts a seated figure in a flowing emerald green jacket, rendered with loose, expressive brushwork that captures both the subject's contemplative pose and th...

This is an original mixed media artwork by Southern California artist, Cheryl Tall. Its dimensions are 12" x 12" x .75". It is unframed. A certific...

Jan van Scorel (Schoorl, The Netherlands, 1495 – Utrecht, The Netherlands, 1562) Title: Portrait of a member of the brotherhood of Jerusalem Medium: Oil on panel Dimension: without ...

Signed in to the lower left. Presented in a part gilt decorative frame. On oil.

Lombard painter of the seventeenth century Ecce Homo Oil painting on canvas 56 x 43 cm. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canv...

Edition 5 Richi Rich keeps toilet paper in his vault. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

"Diego’s Diary" Figurative Portrait Painting (FRAMED) 24 x 18 in by Isaac Pelayo Medium: Oil and aerosol on wood panel Comes in frame (wood & gold leaf) Size framed: 30" x 24" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff...

In his work, Tetteh condenses the internal sentiments and tensions of his characters and focuses them, using the eyes as the outlet for expression. In this way his subjects become in...

Pierre-Albert BÉGAUD (Bordeaux 1901 – 1956) End of game Oil on canvas H. 27 cm; L. 46.5 cm Signed lower right Pierre-Albert Bégaud is a French portrait and landscape painter born in...

A well-executed portrait of a gentleman in profile. This portrait was acquired alongside another of the same sitter. A label to the reverse of the other piece identifies the sitter a...

Dim light illuminates a smoking woman in an impressionistic manner. The artwork is signed and dated in the bottom right-hand corner. Well presented in a gilded wood frame with a line...

Original and unique artwork. Hand painted metallic leaf pigment paint and enamel screen print on linen, unframed dimensions 48 x 37,5 inches, 2015, from the series "Marilyn Superstar...

A wonderful portrait of a gentleman in profile. Completed with expressive brushwork and areas of impasto. Very well presented in a dark wood frame. Signed and dated. On board.