1980s Still-life Paintings

Françoise Juvin - Small bouquet of buttercups Reference number FJ106 Framed with a black wood floated frame. 24,5 x 31,5 cm frame included (19 x 26 cm ...

Pierre Coquet (1926-2021) Sitll life with a white and yellow cloth Reference number F283 50 x 60 cm Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. This work is painted with oil on a board. It is signed in the bottom left. Provenance : Workshop of the artist Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

White lilac. 1981, oil on canvas, 60x61 cm Lilac in vase on dark brown background

Oil painting by Lowell Nesbitt (1933 - 1993). Titled "Rose Iris" and dated 1982. Wonderful vibrant painting in excellent condition. In 1958...

Artist: Dana Loomis Title: Attributes of Art Year: 1984 Medium: Oil on Canvas, signed and titled in marker Size: 40 in. x 46 in. (101.6 cm x 116.84 cm) Frame Size: 41 x 47 inches

Bananas, peaches and grapes MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Cult...

This still-life is an acrylic on canvas work that depicts a jar full of various paint brushes bunched together brushes up. In contrast to many still-lifes that depict the setting tha...

'Red and Yellow Tulips' by Lars Swane, 1986. Danish Post-Impressionist, Copenhagen ---- Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

Beautiful still-life painting of fuchsias in a hanging basket by Rose Sloan (American, b.1941). Signed and dated "Rose Sloan '82" lower right. Presented in a metal frame and shipped without glass. Image, 13"H x 20"L. Rose Sloan graduated in 1962 with a degree in Art Education from the University of Utah. Sloan now resides in Monterey, California where she teaches art classes and primarily paints plein-air paintings and still lifes.

Riga. Tulips 1988, oil on cardboard, 100x80 cm The composition depicts a light-colored cityscape with a prominent element of red tulips placed on a windowsill in the foreground. In...

Vintage American super realist oil painting. Oil on board. Framed. Possibly signed verso.

Artist: Bella Karawaewa Prado, Brazilian (1925 - ) Title: Still Life Medium: Oil on Board, Signed Size: 23 x 33 inches Frame: 26 x 37 inches

"Papaya & Mexican Pitcher" is an original signed oil painting by Warren Brandt. Brandt, an American painter originally influenced by Abstract Expressionism, became a "child of Matiss...

Lowell Nesbitt's paintings are in most major museum collections. He is the artist that NASA selected to commemorate the Apollo Moon missions over 50 years ago. In the 1950s he dabb...

Exceptional pair of paintings by Manon Cleary (1942-1911). Paintings are oil on canvas. Dated 1980 and signed in the front lower right corner and on reverse. Manon Cleary's work is ...

Artist: Pamela Schermer, American XXth Title: Vanitas Still Life Year: 1986 Medium: Oil on Canvas, signed and dated verso Size: 36 x 48 inches/ 91 x 122 cm

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...

A geometric still life of flowers by Portuguese painter José Luis Figueroa. Signed "Figueroa" lower right circa 1980 Canvas Size: 38 x 30 inches ...

Here we have a Surreal Male Nude by a famous Cuban artist Carlos Macia (1951-1994). *** please excuse the photos, it is under glass and there are reflections of a yellow light. I’v...

Artist: Ed Ahlstrom, American (1944 - ) Title: Bananas Year: 1983 Medium: Watercolor on Paper, signed Size: 20 in. x 24 in. (50.8 cm x 60.96 cm) Frame Size: 29.5 x 33 inches

Artist: Ian Hornak (1944-2002) Title: Martin Heade’s Window Year: 1980 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and titled by the artist, verso. Provenance: Fischbach Gallery, New York, NY; Private Collection, MI Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

Flowers 1985, oil on board, 47x33 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun always c...

'Cubist Still Life with Bottles' — Florentine School, oil on canvas mounted on board, (circa 1980s–90s). A table scene of bottles, glassware, fruit, and folded forms is fractured int...

Rich, colorful, expressionist still life by American artist Warren Brandt featuring a decorative vase with white flowers, an assortment of fruit, and a small wooden sculpture...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

Lowney's richly painted visionary landscapes and her figurative bronzes evoke a sense of the magic of the natural world and the potency of the human creative unconscious. Her work is...

This is an original painting from the studio of Werner de Caro who was born on 22 October 1945 near Augsburg, Germany. Together with his parents, he emigrated to San Francisco when ...

In 1975, Jacklin went to live and work in New York City, and his work has subsequently been correspondingly large and ambitious. His oeuvre since 1975 comprises a portrait of parts o...

A fine impressionist floral still life by American artist Humbert Howard (1905-1990). Howard was born in Philadelphia and considered an important figure among contemporary African-American artists. He was educated at Howard University in Washington, D.C., the University of Pennsylvania in Philadelphia, and the Barnes Foundation in Merion, Pennsylvania. Howard was also art director of the Pyramid Club, a respected black cultural center in Philadelphia. As director of the club’s art exhibitions, he selected works by both black and white artists for display. By the time he retired in 1971, he had developed a loyal following of collectors and dealers in the Philadelphia area. In the eighties, he became increasingly involved with younger members of the local art scene and became a mentor to emerging black artists...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Abella. still lafe cubist original acrylic canvas painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting ...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

Frame size 84x69 cm. José Antonio Palanca Ruiz was born in 1934 and was mainly inspired by the 1950s. Arguably, the 1950s were dominated by Abstract Expressionism, a form of paintin...

Robert Kushner Pears, 1985 Acrylic Collage on Paper; Framed with Holly Solomon Gallery Label Reader's Digest Art Collection Label Signed and titled by the artist on the f...

Red Tulips, 1987, oil on canvas, signed and dated verso, 40 x 34 inches, exhibited: Marina Stern Venice – New Works, Forum Gallery, New York, N.Y., from March 4 to April 1, 1989 (label verso) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Frame size 75x55 cm. Contemporary Barcelona painter. She began to present her work on the occasion of the Women's Salons held in her city in 1949 and 1950 (Casa del Libro). He also ...

Pilar Margenat (1939) - Still life - Oil on canvas Oil measures 92x73 cm. Frameless. He was born on August 2, 1939 in Sant Quirze del Vallés (Barcelona). He studied drawing and pai...

Still life with peonies. 1989, paper, watercolor, 62x70 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural composition...

Signed, verso, 'Tom Kraa' and dated 1987 on stretcher; bearing original gallery label verso with artist name, date and title, 'Funny Money'. Previously with: DW Gallery, Dallas, Texas An exceptional trompe-l'œil still life showing illuminated party lights, United States currency and a crossword puzzle against the backdrop of a sheet of pegboard. This little known artist exhibited with the prestigious DW Gallery in Dallas in the year before it closed. Along with several other women, Linda Samuels (formerly Linda Surls) started the DW Gallery (DWG) as a small women's co-op at McKinney and Hall streets in 1975. In the first few years, the gallery was staffed by member artists, each of whom worked three days a month and paid a $33 monthly fee toward overhead costs. Throughout its 13-year history, the gallery developed a reputation for recognizing raw talent and eventually became one of the nation's most respected showcases for contemporary regional artists. DWG was the first to exhibit several "new" artists who are nationally recognized today, including Lee N. Smith, David Bates, and Clyde Connell. The gallery was also successful at promoting up-and-coming Dallas artists such as David McManaway, John Hernandez, and Sam Gummelt. In 1978, the gallery was incorporated after receiving backing from founding member Lou Alpert (formerly Frederickson). By 1980, when director Linda Samuels moved to California, the gallery had expanded twice. In 1981, Diana Block succeeded Samuels as DWG director. Under Block, the gallery continued its successful theme exhibits, including a popular Book/Art exhibition. In 1983, DWG expanded to a new space on Main Street in Deep Ellum and opened a bookstore in a renovated warehouse. In 1986, when the gallery again needed to expand, it moved to new space on Canton and Oakland Streets rented from John Tatum, Dallas developer and major stockholder in DWG. After a dispute over the lease, the gallery closed in September 1988. By this time, its operating budget had increased from $24,000 to $100,000 since 1981, with investors contributing less than 25 percent of the annual budget. The closing exhibition, The Last Show, was guest-curated by founding member Linda Samuel. It featured recent works by each of the 28 artists associated with the gallery over the past year. The gallery received postcard tributes from more than 80 artists who had exhibited there through the years, including Bob Wade, Peter Julian, Gilda Pervin, James Surls, Benito Huerta, Dan Rizzie, Danny Williams, Bill Komodore, and Frank Tolbert.

3586 Oil on canvas applied to board Set in an ornate 19th century vintage frame

This impressionistic still life painting by Jon Traynor captures a wooden table top surface with an assortment of root vegetables and a porcelain vase filled with a bouquet of flowers. The painting overall features a warm, earthy palette which gives the sense of a warm glow being cast over the scene. The painting itself is 20" x 24" and 28" x 32" framed. It is professionally framed in an antiqued gold-hued frame. It is signed by the artist in the lower right-hand corner, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Impressive large American school modernist flower still life painting. Oil on canvas. Handsomely framed. Signed illegibly. Very nice impasto and color.

Oil on paper realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 45x38.5

Robert Kulicke, American (1924 - 2007) - Green Pear, Year: 1984, Medium: Oil on natural paper, signed and dated in pencil, Image Size: 2.75 x 2.75 inches, Frame Size: 12.5 x 12.5...

This framed, 25 inch x 23 inch oil on canvas painting is by Robert Bonaparte, completed in 1980. The work is painted in an abstract manner with visible brush strokes and features a ...

Brilliant floral watercolor painting by Mary Burke (American, 20th Century). Signed "M. Burke - SWA" lower right. Titled "Floral" and sign...

This jewel-like still life by contemporary English artist Katalin Némethy shows her hallmark precision and luminous handling of fruit subjects. Against a rich, deep red background, t...

Oil on paper realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 47.5x39.5

A beautiful naïf oil on canvas still life depicting spring blossom in a wedgwood vase by Thraki Rossidou Jones of Cyprus. Signed and dated 1985 lower right above the rug. Thraki Ros...

'Bouquet de Fleurs', oil on board, by Louis Toncini (1982). Painted towards the end of his career, this piece belongs to that part of his body of work which was lighthearted, optimistic and pleasing. It is a stunning still life characterised by Toncini's vibrant colours and textured layers of oil paint deftly applied. This vase holds the flowers of Toncini's native Provence and is a love letter from the artist to the viewer. In good overall condition. It is newly framed with a French-style linen slip. It is signed by the artist in the lower left hand. Upon request, a short video of this piece may be provided. (NB - On the reverse of this painting is another called 'Landscape in Saint Clément on the Durance' which is currently covered by the backing board. Image with accompanying photos to this listing. About the Artist: Louis Toncini (1907-2002), born in Marseille, France and was one of a group of artists who founded the 'peintres prolétariens', or later, the painters of the people. He painted the world of workers and depicted such subjects as factories, warehouses, train stations and working ports, etc. After the war his work took a more optimistic turn with paintings of still lifes, bouquets and country landscapes. In 1936, along with fellow artists Antoine Serra, François Diana...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, whose work is sometimes described...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Lemon White Lily Year: 1982 Medium: Oil on Canvas, signed and dated verso Size: 26 x 26 in. (66.04 x 66.04 cm)

Bellissima opera con fiori e natura morta, in copertina su catalogo di una mostra a lui dedicata dal comune di Carmabnola , vicino a Torino Enzo FARAONI (S. Stefano Magra, La Spezia...

Oil on plyood realized by Gino Guida in 1980s. Hand signed lower right. Hand signed and titled on rear. Very good condition.

Michael Forster (bn. India, 1907-2002) Vase of flowers, an impression, signed, dated 1984, Polymer medium / Acrylic on paper or board, 58cm x 43cm. More Information Framed and glaz...

Subirachs, Jose Maria. original pencil drawing Josep Maria Subirachs i Sitjar (Barcelona, ​​March 11, 1927-ibidem, April 7, 2014)1 was a Spanish sculptor, painter, engraver, set desi...

5003 Impressionist oil painting of a pair of ballerina's shoes unframed signed Robert Yarmola

Wade Hoefer was born in 1948 in Long Beach, CA. In 1972 he earned an M.F.A. at California College of Art and Craft in Oakland, CA. ...

Oil on plywood realized by Gino Guida in 1980s. Hand signed lower right. Hand signed and titled on rear. Very good condition.

Oil on canvas realized by Gabriele Mucchi in 1982. Hand signed and date, in the lower center and on rear. Very good condition.