19th Century Still-life Paintings

French School, indistinctly signed/ dated 1898 signed and dated oil painting on canvas, unframed painting: 13 x 9 inches provenance: from a private collection, France condition: over...

Severin Roesen (German/American, 1815-1882) A Magnificent Fruit Still Life with Wine Glass and Compote Oil On Canvas Painting In a letter ...

Oil on canvas

This is a rare example of mid 19th century painting by a budding Pennsylvania artist associated with a local school. The work is a floral still life by listed artist Lucinda Carver ...

Signed and titled still life oil on canvas circa 1898 by French post impressionist painter Albert André. The work depicts a still life scene in an interior. A glass bowl filled with ...

Here for your consideration is a late 19th century still life with fruit by the well known British artist, Henry George Todd. Signed lower left a...

Olivié Léon, "The Laboratory" (1891): A plunge into the scientific world of the 19th century. This oil on panel, signed and dated by the artist, offers an intimate glimpse into a lab...

Camille DOLARD Lons-Le-Saunier, 1810 – Lyon, 1884 Oil on panel 24 cm x 33 cm (34 x 43 cm with frame) Signed and dated lower left “Camille Dolard / 1860” Very beautiful period frame i...

Fine 19th century still life painting by an important French female painter Jenny Villebesseyx (1847 - 1924). The painting is oil on canvas measuring 23" x 29 1/2". Framed dimension...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. Original wooden frame. 18 x 13 cm. Good conditions

Mary Blood Mellen (American Female Artist, 1819-1882) A Large and Exceptional Two-Tiered Fruit Still Life Oil on Canvas Painting, circa 1850 Signed lower right: Mellen Inscribed possibly by the artist's hand on the stretcher bar: To be sent to Sowle Ward's for Miss C. A. Rice This sumptuous two-tier display of fruit and elegant glassware is the largest and most ambitious still-life painting known to have been produced by Mary Blood Mellen (1819-1882), an American Female artist best known for her luminous marines strongly indebted to the style of Fitz Henry Lane. Indeed, still lifes from her hand are extremely rare. The present work is very close to the style of still life popularized by the Prussian-American artist Severin Roesen (1805-1882) who specialized in the genre during the middle decades of the nineteenth century and is signed as Roesen sometimes signed his own efforts, at lower right, as a curly trompe-l'oeil grape tendril, which reads in this case "Mellen." Until quite recently, Mary Blood Mellen was described in histories of American art exclusively as a copyist, notably of Lane. But as more research into her life and work has been undertaken, that picture of her achievement has been substantially revised and refined. Mellen was, in fact, Lane's pupil, and a copyist of his work. But owing to the skill she developed working with him in his Gloucester studio, Mellen evolved into an artist in her own right, working alongside him as a sometimes collaborator on the same pictures-their work often being so similar that it is frequently difficult to tell it apart. Mellen and Lane also formed a fast friendship. She also painted ravishing moonlit marine compositions of her own invention, as well as nostalgic New England landscapes in her own style. At a 2007 scholarly conference held at Spanierman Galleries in New York in conjunction with the exhibition, "Fitz Henry Lane and Mary Blood Mellen: Old Mysteries and New Discoveries" held at the Cape Ann Historical Museum, there was a small footnote to the effect that Mellen was also known to have copied works by other artists, including Alfred Bricher and Severin Roesen (See Report on Scholars' Gathering in Association with the Exhibition "Fitz Henry Lane Mary Blood Mellen: Old Mysteries and New Discoveries," 2007, p. 5.) How she encountered works by those figures, particularly Roesen who was active primarily in New York City and eastern and central Pennsylvania, remains speculative. Certainly, copying other artists' work was an aspect of nearly every artist's training at the time Mellen was active as a painter. Mellen was born in Vermont in 1819 to parents who were originally from Massachusetts. She was educated at the Quaker's Fryville Seminary in Bolton, Massachusetts, where she would have learned artistic crafts including theorem painting...

Still life of grapes, peaches and red currants on a stone ledge. Well presented in a gilt-effect frame with a crisp white mount. Signed 'E. Stanfield' to the lower right and dated 18...

This charming British 19th century oil painting is by Victorian artist Richard Willes Maddox. Painted circa 1880 it is a glorious mixture of colours, patterns and textures. Arranged ...

Still Life Of Flower In A Glass Vase, 19th Century by KONSTANTIN STOITZNER (1863-1934) Large 19th Century Austrian Impressionist Still Life of various summer flowers in a glass vas...

A charming oil study of a birds nest full of eggs nestled between lilies, cornflowers, primroses and forget-me-nots. Painted with a delicate hand, he artist captures the intricate fl...

Conditions : Excellent overall Conditions. No restoration necessary. Dimensions with frame 44 cm x 36 cm. Complementary shipping worlwide by DHL, FEDEX. Returning customers : 25% OFF...

Very fine example of the artistry of the master still life painter of his day, Edward Chalmers Leavitt. Signed lower left and dated 1875. Condition is very good. Provenance: Christie’s Auction, New York, December 2, 1992, lot 228. Overall in period replica gold leaf deep cove gallery frame 25.75 by 17.75 inches. Edward C. Leavitt (1842-1904) worked in Providence but is also associated with the Fall River School of still life painting through the influence of, and affinity of his style to, the work of Robert S. Dunning. Leavitt was a student of landscape painter James Morgan Lewin, a founder of Providence’s artistic “group of 1855.” Leavitt’s work is known for its realism, rich coloration, sharp focus and careful finish. His paintings of fruit and flowers incorporate ornate decorative pieces such as silver or bronze ewers, salvers, tankards, or plates on carved and polished tables. Leavitt was a prolific artist, exhibiting frequently at the National Academy of Design, the Boston Art Club, and the Pennsylvania Academy of Fine Arts. His work inspired other still life painters in Providence, resulting in that city’s own still life tradition, including artists such as John Clinton Spencer, Bryant Chapin...

A finely executed late 19th-century still life by Walter Brackett (1823-1919) of a rainbow trout with rod and reel in the foreground, along with the fly that captured the trout. Fin...

Annie L. Morgan Still Life with Cherries, Grapes, and Pomegranate, circa 1880 Signed lower left Oil on canvas 20 x 16 inches

"Bouquet of Flowers" by Eugène Cauchois (1850–1911) • This magnificent painting, measuring 67 x 83 cm (38 x 56 cm without frame), Signed at the bottom right. depicts a richly detail...

A Still Life with Sparrow and Grapes Artist 19th century European School Signature: Verso signed and dated 1883 Medium: Oil on panel Dimensions: Image size 23 x 18 cm, frame size 3...

Lilly Martin Spencer was a professional artist for over sixty years, painting portraits, still lifes, miniatures, and genre scenes. In the 1850s to mid-1860s her genre scenes depicti...

BIVA Paul (1851 – 1900) Flowers Still-Life Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 90 X 117 cm - Dim frame : 117 X 145 cm BIVA Paul (1851 – 1900) Fr...

Pristine and purely American in its aesthetic due to the fact that the artist concentrates on one type of fruit. Europeans were much more opulent in their approach to still lifes an...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

Stil life with flowers is an artwork realized by an artist of the mid-20th Century.  Oil on panel, 35 x 48 cm with frame; panel 20 x 32 cm. Good conditions

Oil on canvas Signed lower left Signed, located and dated on reverse side "N.Diaz Barbizon 1857". Provenance: Christie's sale, New York, 10/1990 N°51 Christie's sale, New York, 28...

This stunning British Victorian floral still life is by 19th century born artist Henry John Livens. Painted in 1880, the setting for this colourful floral arrangement is the forest f...

Incredible early American realist still life featuring pineapple and strawberries on a table. Oil on canvas. Incredible detail and masterfully painted. Signed illegibly, last n...

Pears Aplenty in Victorian Days, 1890s Oil still life painting depicting pears from 1890's. Unknown artist.

French school, late 19th century Still life with pomegranates Oil on canvas 32.6 x 45.5 cm (45.7 x 54 cm with frame) Good condition, little accidents on the frame

William Franklin Jackson (1850-1936) Still Life with Vase and Grapes c.1900 Rare still life painting by listed California artist William Fran...

This artwork "Flowers in a Vase and Violin" 1989 is an oil painting on canvas by noted Swiss artist Dan Rubinstein, born 1940. It is signed at the lower right corner by the artist. T...

Condition: Excellent overall Condition. Original canvas and frame. No restauration necessary. No retouching under UV light. Dimensions with frame 28 x 34 cm. Complementary shipping w...

HUBERT HENRARD (Belgium 1816-1898) Still Life with Cornflower and Harebells Signed l.r.: Hubert Henrard Oil on canvas Framed 25 by 20.5 cm., 10 by 8 in. (frame size 41.5 by 36.5 c...

An exquisite and technically superb floral work depicting flowers just laden on a table. By French Academic artist P. FRANC LAMY, it's In nice condition an...

Marguerite JACQUELIN Valogne, 1850 – Bordeaux, 1941 Still Life with Dragon Oil on canvas 41 x 37.5 cm (51 x 47 cm with frame) Dated and signed lower right "Jacquelin / 1882" Beautifu...

Signed and dated (at lower left): W. R. Miller 1891; (at lower right): No. 10

UNKNOWN (still life with fan) Unknown Oil on canvas Framed: 35.5 x 23.5 inches

Gabriel-Dominique DUDAN (Active from the 1830s to the 1850s) Bouquet of Roses, Foxgloves, Poppies, Violets, and Daisies Oil on canvas 61 x 50 cm (77 x 66 cm with frame) Signed and da...

Still Life Of Foxgloves (Digitalis) & Ferns, 19th Century by MARTHA DARLEY MUTRIE (1824-1885) sales to $75,000 Large 19th Century English Still Life study of Foxgloves and frets by...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

Antique American realist still life of corn and a bottle of corn whiskey. Oil on board. Signed. Framed. Image size, 5L x 7H.

Oil on canvas Canvas size: 11.25 x 13 inches each Framed size: 18 x 20 inches each Signed lower right

A finely detailed still life with flowers in a white vase by American artist George Henry Hall (1925-1913). Hall was born in Manchester, NH, and began his career as an artist at the ...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

This painting demonstrates the source of Arnoldus Bloemers’ enduring popularity. A profusion of peonies, honeysuckle, and poppies share the confines of a terracotta urn sitting on a ...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

Pair of large Baroque style floral still life oil paintings Continental, 19th Century Canvas: Height 144cm, width 104cm Frame: Height 170cm, width 112cm, depth 4cm This dazzling d...

Signed by artist. Son of a building inspector, Georges Jeannin was a student of Victor Vincelet . He debuted at the Salon of 1868 and then exhibited there regularly. He obtained an ...

Pair of oil paintings on canvas by Oliver Clare "Fruit" and "Flowers" , with has son Oliver and Vincent. Exhibited at Royal Academy and society and especially at the Royal society of...

Herbert Sidney’s In a Roman Room is a masterfully composed oil painting that captures a moment of introspection and social exchange in a classical setting. Four figures—three women a...

Edward L. Custer (1837–1881) was an American painter known for his landscape paintings, genre scenes, and still lifes often imbued with a romantic and idyllic quality. Custer's paint...

Exceptional 19th-century still life by French painter Joseph Bail (1862-1921), a master of realism and light effects. This oil on canvas depicts an intimate composition of white onio...

Vincent Clare (1855–1930) was a British artist celebrated for his meticulous still-life paintings, particularly those featuring fruits. His works are renowned for their vibrant colou...

Gustave DURAND (1863 – 1938), Still life with a pearl necklace, late 19th century – early 20th century, oil on canvas, signed upper right, 60 x 73 cm Good general condition of the c...

This delicate floral still life, attributed to Benjamin Champney, captures a quiet yet powerful moment in nature through the humble pansy. Set against a dark, atmospheric background,...

TESSIER Louis Adolphe (1858-1915)Flowers Oil on canvas signed low right and dated 1893 Old original frame gilded with leaves Dim canvas : 53 X 67 cm Dim frame : 78 X 91 cm Certificat...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Dutch School Dutch Still Life of Hanging Flower Basket Oil on board 14 by 18 in, w/ frame 17 ¾ by 21 ¾ in