Baby Still-life Paintings

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

Roman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features art historical references to iconic artists such as Rene Magritte, Pablo Picasso, and Loui...

Celebration of Life [2021] Original Still Life Gouache on Paper Paper Size: H:103 cm x W:71 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how ...

DO DAISIES FLICK? ( ¿Parpadean las margaritas? ), Oil on linen by Chico Montilla. Measurements in centimeters (H) 100 x (W) 81 x (D) 2 cm. / In inches 39.37 x 31.89 x 0.79 " Expres...

SAPERE AUDE. Dare to be wise. Immanuel Kant’s directive is embodied in the work of David Ligare. For thirty-five years, Ligare has dedicated his work to ...

Signed lower left & titled verso. A printmaker and painter in abstract style who used wide brush marks, Henry Kallem was born in Philadelphia. His father was Morris Kallem, a portrait painter, with whom he studied, and his brother was sculptor Herbert Kallem...

Denied Warhol Flowers, (Violet/Purple) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with the artist's Denied stamp of the Andy Warhol Art Authentication Board...

Summary of features: Medium & materials: oil on thick paper / Paper weight: 290 gr/mq / Finishing: protective varnish / Location and year created: Turin, Italy - 2017 / Certificate ...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

Elena Burykina's "Ceremonial" (2025) is an original, handmade oil painting on panel. Artist Statement: Ceremonial Armor French ca. 1575-80 The helmet is a part of armor that is impo...

Philip Verhoeven Between Heaven and Hell (The Garden of Earthly Delights, Hieronymus Bosch) Acrylic and Marker on Canvas Year: 2024 Size: 39.37 x 39.37 inches (100 x 100 cm) Signed a...

Attributed to Luigi Lucioni Untitled (Still Life), c. 1900 Oil on canvas 30 x 26 in. Framed: 34.5 x 30 in. Born in Malnate, Italy, in 1900, Luigi Lucioni became one of America's well-known landscape painters, whose work has been noted for its heightened realism and photographic attention to detail. Lucioni immigrated to the United States with his family in 1911. In 1915 he won a competition which allowed him to attend Cooper Union, and he began studying there with William Starkweather. In 1920, he studied with William Auerbach Levy...

Vase Of Roses Still Life - Original Impressionist on Board Original oil still life painting of a vase of colorful roses by Leon Franks (Canadian, 1914-1970). The green vase sits hol...

"Dark" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 24”h x 18”w and comes with a gallery-issued Certificate o...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Still Life wit Onions Size: ...

Elena Burykina's "Memoriam" (2024) is an original, handmade oil painting on panel. Artist Statement: Armet Armorer Guillem Margot Flemish ca. 1505 The helmet bears traces of the arm...

Still Life with Mask and Books is an artwork realized by Antonio Sciacca (Catania, 1957) Oil painting on canvas 60x80 cm. Hand signed on the lower and rear Original inscription ...

Acrylic on paper Shipping from Belarus, Minsk.

Rodney O'Dell Davis's (US based) "Starry Sky" is an original, handmade oil painting that is framed at 22.50 x 22.50 inches, and is ready to hang. Rodney O’Dell Davis followed his pa...

Kate Brinkworth (b.1977) The Watcher (Black and White No. 2) 2013 oil on canvas 90 x 135 cm Price: £8,400 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: The Watcher, Kate Brinkworth, photorealist, dice, gambling, casino...

Cardboard, ceramic paints, protective varnish, oil. The painting is framed in a passepartout. The backdrop is covered with 2 layers of cardboard, If desired, I can arrange it into a ...

Title: Blossoms Medium: Oil on canvas Size: 31.25 x 23.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Still Life wit Cherries Size...

Clara Deike (American, 1881-1965) Canterbury Bells, c. 1932 Oil on canvas 26 x 24 inches 31.25 x 29.5 inches, framed Exhibited: The Women's Art Club of Cleveland, 1932 A graduate of...

Barry McCuan (American, b. 1945) Tournesol Portrait Oil on canvas mounted on panel Signed lower right, signed, and titled verso 10.25 x 8.25 inches 13 x 11 inches, as framed Barry ...

This floral composition in muted pinks and delicate greens captures the moment between blooming and fading. The subtle transitions in tone and the interplay of light and shadow give ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

'Amaryllis Study no. 3' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Title: Apples, Size: 9.5" x 14" x 0.8'' i...

This is the third painting based on the sumptuous colours of dahlias. Rather than try to replicate them I have tried to convey the essence of their shapes, colours and textures in a ...

Salt Balloon II is a framed contemporary oil painting by María Magán, part of her Chicles series. Painted in oil on canvas with photorealistic precision, the work features two inflat...

Patrick Nevins’ "Einsteinium" is a striking 3D trompe-l'œil oil painting that masterfully blends realism with sculptural illusion. Painted in 2025, this unique piece presents a playf...

Oil on plywood realized in 1978. Hand signed and dated on rear. Very good condition except for some very minor sign of age.

"Bottles and Falling Citrus Fruits" is a modern still life painting that captures the essence of contemporary aesthetics with a vibrant interplay of patterns and forms against a beau...

Oil on linen mounted on wood signed and dated on reverse. ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasie...

'Talavera Composition 2' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and ...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2019 Style: Contemporary Art Title: Apples Size: 23.5"...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

Salt Balloon I is a framed contemporary oil painting by María Magán that depicts an inflated transparent condom rendered in high detail, hovering against a solid black background. P...

This still life painting titled "Comparing Onions and Lemons" is an original artwork by Elizabeth Bergeland made of oil on canvas and pine float fr...

Aaron Bohrod Complementary Angels, 1977 Signed lower center Oil on gesso panel 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Nadezda's beautiful new oil on panel painting "Let's Try This Water Together" (2024) is a surrealist portrait of three small creatures in a dark forest. Nadezda is a painter, sculpt...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

'Amaryllis Study no. 4' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

“La Pacha Mama” is an original oil painting on linen by Andrée Bars. Bathed in warm ochre, golden yellow, and soft beige tones, set against a starless blue background, this intimate...

"Hollyhocks" is a 12x9 oil painting on canvas by artist Rob Meyers featuring a fresh floral study of soft pink blossoms set against a clear blue sky. Loose, confident brushstrokes an...

Philip Verhoeven Que le spectacle commence (circus, 1920s, 1930s, entertainment) Acrylic and Marker on Canvas Year: 2024 Size: 15.75 x 15.75 inches Signed and titled by hand COA prov...

Still life painting by French artist Madeleine Scali (1911-2000), circa 1960. Original one-of-a-kind vintage work of art on paper displayed on a white mat with a gold border and fi...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

French School, late 20th century signed oil painting on canvas, unframed canvas: 13 x 16 inches provenance: private collection, France condition: very good and sound condition

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

Colourful Still Life, Impressionist Oil Painting, Signed By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner Oil painting on board, unfr...

Item is in excellent condition and has only been displayed in a gallery setting. Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studies at La Escuela De ...

A rich dark purple pansy fills the canvas in this engaging abstract floral by Vancouver artist, Pat Service. The bright white pistil/center provides contrast. Reminiscent of Andy War...

Irene Georgopoulou's "Marbles and Mischief" (2024) is an original soft pastels on paper artwork, measuring 8 x 9 inches. Part of her solo exhibition "Nostalgic Treasures: A Journey T...

Unsigned. On canvas board.

'Apples' by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. very good condition I...