Abstract Geometric Paintings

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, ...

Jim Richter Untitled, c. mid-20th Century Oil on wood panel 10 x 14 in. Framed: 11 x 15 x 1 in. Signed lower right Inscribed verso: To Mrs. Mines from Freda & Jim Richter This charm...

A truly unique and vibrant original abstract painting. Created with acrylic and UV reactive acrylic accents (see video). This artist draws inspiration from the great Keith Haring and creates beautiful and mesmerizing compositions with rich color and movement. About the artist: Avi Ash...

John Havens Thornton, Untitled (Minimal Waterscape) (c. 1970s) — oil on canvas A taut, four-part composition evokes sea and sky with the fewest possible means: midnight-blue bands m...

Minimalistic 'Yearning' glows with pink, peach, blue and green and is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medita...

Artist : Kory Twaddle Title : Nerve Center Materials : Acrylic, gouache, postage stamps, and mixed media on paper Date : 2018 Dimensions : 24 x 36 x 0.3 inches Kory Twaddle is a Ka...

Super attractive geometric abstraction in a rare to find pastel color palette. Circles is a striking and impactful large-format painting created in the 1960s by Domenick Capobianco. ...

Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...

"CT: City Of Hope', is a Frohsin imagined and abstracted aerial-map collage created in late 2015. The small-scale, dynamic, mixed-media work is among the last of Frohsin’s critically...

Vibrant orange flourescent mixed media painting from Kim Frohsin, whose important and provocative Cautionary Tales series of 2015, considers the true price of progress and its reperc...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 76 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

Exquisite work from Frohsin's Cautionary Tales, with the appearance of a Navajo Blanket or three dimensional urban street signs that are bold, strong, colorful. The painting is mainl...

Abstracted imagined architectural elements is this early and important oil and acrylic painting from 1991 —mixed media: acrylic, dry pigment, ink, pencil on archival board. Kim Froh...

Using symmetry as a basis, Drakopoulos derives structure by combining elements from the natural world and science. Modifying these elements digitally, Drakopoulos distills into a pattern or shape, and then layers them with a different structure and repeats the process of layering paint in resin. She tries to find the most subtle and interesting way to connect the different layers that will reveal an underlying structure or system. Slowly as the work evolves, these inner-connections and details begin to form and define the energy and invisible forces that govern the movement of matter, from the microcosmic level of molecules and light particles, to the macrocosmic of planets and galaxies. Drakopoulos views the cosmos as a primordial, all encompassing field within which the illusion of matter is created and dissolved. In this field, particles come together to create complex structures and matter evolves into its maximum state of order. This moment is temporary, a state of transition. The form will subsequently dissolve and the process will begin again. The central images that appear in her work describe this moment of emergence. They are not a representation of actual cosmic phenomena but rather an invented image of an inner mindscape. When attention is directed to the infinite vast field, which contains all of existence in potential, the holographic matrix of the universe is revealed, of which our consciousness is an interwoven part. Angie Drakopoulos is an artist who lives and works in New York City. Her work has been exhibited in various galleries including: ODETTA, McKenzie Fine Art, Southampton Art Center, Paris Koh Fine Arts, Smack Mellon, New York Hall of Science, Feature, G-module, Holland Tunnel...

Painting description: This is a new example of my ongoing series, "Chromatic Collisions". My attempt is to harness the line, fast moving colors emphasize the energy of living in citi...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

Anastasia Vasilyeva - Black white abstraction 013 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

A graduate from Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Cali...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates paintings that are comprised of both abstract and representational elements, and consider the natural world as it intersects with utilitarian design. 'Landscape No. 3' — 3x6 feet (36 x 72 inches), — depicts a bird's-eye-view of the Delta as viewed by the artist during his frequent flights over California's Sacramento–San Joaquin River...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 84 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

'Roofs of Ravello' by Margaret Wentworth, 1959. Mid-Century Abstract, Harvard Fogg Museum, San Francisco Art Association, Carmel, Art Institute of Chicago ------ Initialed lower rig...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Congo" by Roman Goss is an original abstract painting that ca...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. EXHIBITIONS AND PRODUCTIONS Minimalist Aesthetic, group exhibition, Wadsworth Atheneum Museum of Art, Hartford, CT New Work, Hostetler Gallery, group exhibition, Nantucket, MA Infinite Connections, group exhibition, ArtSpace Torrington, Torrington, CT 2011 Power Boothe: Out of Order, solo exhibition, New Britain Museum of American Art, New Britain, CT Excavating New Ground: American Art in the 1970s, group exhibition, University of Virginia Art Museum, Charlottesville, VA 2008 American Abstract Artists Exhibition, group exhibition, The Painting Center, New York, NY Interspace: Line and Color, three-person exhibition, Washington Art Association, Washington Depot, CT 1999 Columbia Festival of the Arts, solo exhibition, Columbia MD New Work, group exhibition at Goya-Girl Press, Baltimore, MD Twenty-Third Annual National Invitational Drawing Exhibition, Emporia State University, Emporia, KS 1998 New Prints Published by Goya-Girl Press, group exhibition, Baltimore MD The Fanelli Show, O.K. Harris Gallery, NY Chance + Necessity, Goya-Girl Press, Baltimore, MD Tilted Arc, set design, Doug Verone Dance Co., Joyce Theater, NY 1997 Investigations, four-person exhibition, Goya-Girl Press, Baltimore, MD Abstract Index, group exhibition, Condeso/Lawler Gallery, NY Made at the Mill, group exhibition of prints, Goya-Girl Press, Baltimore, MD Art Without Curves, 1120 Gallery, Phoenix, AZ TEN WAYS, group exhibition Milan, Italy and in Bonn Germany POWER BOOTHE, New Work Hostetler Gallery, group exhibition, Nantucket, MA Power Boothe: Paintings, solo exhibition, EBK Gallery (small works), Hartford, CT Borderline, solo exhibition, Five Points Gallery, Torrington, CT New Work Hostetler Gallery, group exhibition, Nantucket, MA Rhythm and Repetition in 20th Century Art, group exhibition, Heckscher Museum of Art, Huntington, NY For Leo, group exhibition, Sideshow Gallery, Brooklyn, NY 75th American Abstract Artists Print Portfolio, group exhibitions at: Martin Gallery, Allentown, PA New Work, Hostetler Gallery, group exhibition, Nantucket, MA Breaking Boundaries, group exhibition, Atlantic Center for the Arts, New Smyrna Beach, FL Painted Black, OIA group exhibition, New York Law School Gallery, NY 1996 American Abstract Artists 1936–1996, Mishkin Gallery, NY American Abstract Artists, 60th Anniversary Exhibition, Kean College Art Gallery, NJ and Westbeth Gallery, NY Small Works, Stephen Haller Gallery, NY 1995 Power Boothe, solo exhibition, Stephen Haller Gallery, NY Small Works, group exhibition, Stephen Haller Gallery, NY Scratching the Surface, group exhibition, Stephen Haller Gallery, NY 1994 The Persistence of Abstraction, group exhibition, Noyes Museum, Ocean Park, NJ Maryland Institute, Then and Now, traveling exhibition, Josiah White Center, Jim Thorp, PA, Anita Shapolsky Gallery, NY Between the Sexes, group exhibition, Maryland Art Place, Baltimore, MD New Performances in Found Spaces, exhibition of drawings and photographs of set designs, Lincoln Center Library, NY Our Town, set design for dance production, choreographed by Emily Keeler, music by Richard Beggs, Oakland Ballet, Premiere Paramount Theater, Oakland, CA Set in Motion, New York State Council selection of films, Lincoln Center, Walter Reade Theater, NY 1993 Inaugural Show, group exhibition, The Painting Center, NY Recent Painting and Sculpture, group exhibition, Robert Morrison Gallery, NY Private Lives, group exhibition of artists who make films, Zooma Gallery, NY Ring Around the Rosie, set design for dance/theater production in collaboration with David Parsons, music by Richard Peaslee, lighting by Michael Chyboski, Premiere Hancher Auditorium, Iowa City, IA Thicker Than Water, set design for dance production, choreographed by Stephan Koplowitz, music by Scott Killian, Premiere Dance Theater Workshop, NY The Devil Comes to Princeton, set design for theater production, text by Mac Wellman, directed by Beth Schachter, Premiere Princeton University, Princeton, NJ 1992 Recent Paintings, solo exhibition, Robert Morrison Gallery, NY Drawings, solo exhibition, Lewiston Aubern College Gallery, Lewiston, ME Action, group exhibition, Trenkmann Gallery, NY A Momentary Order, set design for dance/theater production in collaboration with Doug Varone, choreographer, music by C. Hyams Hart, costume design by Lynne Steincamp, Premiere Lewiston, ME Short Shorts, film showing, Thread Waxing Building Space, NY 1991 Paintings and Drawings, solo exhibition, Dance Theater Workshop Gallery, NY Recent Paintings, solo exhibition, Trenkmann Gallery, NY Group Show, Robert Morrison Gallery, NY Interactions, group exhibition, Institute for Contemporary Art, Philadelphia, PA Once and Once, director, designer, filmmaker for theater/film production in collaboration with Keely Garfield, choreographer and C. Hyams Hart, composer, Premiere Dance Theater Workshop, NY Five Films, film showing, Dance Theater Workshop, NY Garden Party, set design for dance production by Claire Porter, Premiere Dance Theater Workshop, NY Intimate and Not So Intimate, set design for dance production, choreographed by Blondell Cummings, Premiere St. Marks Dance Space, NY 1990 New Paintings, solo exhibition, Time Life Building, NY Paintings and Photographs, two-person exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY 30 Stories, set design, theater production by Ain Gordon, Premiere P.S. 122, NY Cartoon, set design, dance production choreographed by Keely Garfield, Premiere Dance Theater Workshop, NY Ringer Pike, co-director and set design, multimedia stage production by Dale Worsley, Premiere Hall Walls, Buffalo, NY Dinizulu and His African Dancers and Singers, set design for video production by Skip Blumberg, NY 1989 Recent Work, solo exhibition, Souyun Yi Gallery, NY New Painting, solo exhibition, The Harrison Gallery, Boca Raton, FL Restructure/Subtracting the Grid, group show, New Jersey Center for Visual Arts, Summit, NJ Set Drawings for Modern Dance, group exhibition, Harvard Theater Collection, Cambridge, MA Postcards, set design for video production by Mark Rappaport, NY Quad, set design for video, dance production by Samuel Becket, Global Village Production, NY Moon, film premiere, Equitable Center Theater, Whitney Museum, NY Film/Video Arts Angel Award Showcase, film showing, Museum of Broadcasting, NY 1988 Paintings: 1971–1988, solo exhibition, Hurlbutt Gallery, Greenwich, CT Recent Paintings, solo exhibition, PMW Gallery, Stamford, CT Drawings for Sets and Films, solo exhibition, Dance Theater Workshop Gallery, NY Wilderness, director, designer, filmmaker for theater/film production in collaboration with Catlin Cobb, choreographer, Stephen Fechter, writer, A. Leroy, composer, Premiere Dance Theater Workshop, NY The Joys and Enigmas of a Strange Hour, set design, Dance Theater Workshop, NY 1987 New Paintings, solo exhibition, painting, Souyun Yi Gallery, NY Boothe and Zetterstrom, two-person exhibition, drawing, Almquist Gallery, New Preston, CT Twenty Summers Past, group exhibition, Colorado Springs Fine Arts Center, Colorado Springs, CO House Keeping, set design for dance production in collaboration with Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY The Event of the Year, set design for dance production choreographed by Emily Keeler for Jacques d’Amboise’s National Dance Institute, Premiere San Francisco Opera House, CA Keeping up with the Eighties, set design for theater production in collaboration with Michael Smith and A. Leroy, Premiere Dance Theater Workshop, NY Beside Herself, 16mm film, Premiere Performance Space 122, NY Our Man, 16mm film, Premiere Dance Theater Workshop, NY Films by Artists, group film showing, White Columns Gallery, NY Naked Eye Cinema, group film showing, Zone Gallery, NY Art Mix 87, film showing, Avenue B, NY 1986 New Paintings, solo exhibition, Lynn Mayhew Gallery, Ohio Wesleyan University, Delaware, OH Drawings and Notations for Post-Modern Dance, group exhibition, Harvard University Theater Collection, Cambridge, MA Low Tide, set design for dance production, Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY Transparent Means for Traveling Light, set design for dance production in collaboration with David Gordon, John Cage, composer, Premiere Loeb Theater, Harvard University, Cambridge, MA and Brooklyn Academy of Music, NY Overture, 16mm film, Premiere Dance Theater Workshop, NY New Film Works, group film showing, curated by Amy Taubin, The Kitchen, NY Avant Garde Arama, group film showing, Performance Space 122, NY 1984 Currents, solo exhibition, Institute for Contemporary Art, Boston, MA Modern Art, group exhibition, selected by John Yau, Ted Greenwald Gallery, NY Illusion in Contemporary Art, group exhibition, Trompe L’Oeil Gallery, NY 8 in ’84, group exhibition, Ronald Feldman Gallery, NY Framework, set design for dance production, in collaboration with David Gordon, choreographer, Premiere Dance Theater Workshop, NY and Loeb Theater, Harvard University, Cambridge, MA Variety Show, set design for dance production in collaboration with choreographer Charles Moulton and composer A. Leroy, Premiere Dance Theater Workshop, NY And So and Also, 16mm film, Premiere The Collective for Living Cinema, NY New Filmmakers, group film showing, San Francisco Cinemateque, San Francisco, CA 1983 Paintings: 1973 to 1983, solo exhibition, Climenhaga Fine Arts Center, Grantham, PA Subtleties, group exhibition, painting, Sutton Gallery NY Art and Dance, group exhibition, Institute for Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY Dance Environments, set design and performance in collaboration with contemporary choreographers, Premiere Institute for Art and Urban Resources, P.S. 1, Queens, NY Bill Loman Master Salesman, set design for video production in collaboration with Michael Smith, Premiere The Kitchen, NY The Mother of Us All, set design for musical by Gertrude Stein and Virgil Thomson, directed by Stanley Silverman, Premiere Saint Clement’s Theater, NY Phantom Limbs, set design for theater production directed by Gitta Honninger, Theater of the Open Eye, NY 1982 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Navigation Series, solo exhibition, Dance Theater Workshop Gallery, NY Trying Times, set design for dance production in collaboration with David Gordon, Premiere Dance Theater Workshop, NY Step Wise Motion, set design for dance production, choreographed by Charles Moulton, Premiere Dance Theater Workshop, NY It Starts at Home, set design for theater production in collaboration with Michael Smith, Whitney Museum, NY Film Works, group film showing selected by Amy Taubin, The Kitchen, NY 1981 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Transitions, group exhibition, Summit Art Gallery, Summit, NJ Drawings, group exhibition, The Art Gallery, University of Nebraska, Omaha, NE Bridge Dance, set design for dance production by Meg Eginton, Premiere Dance Theater Workshop, NY 1980 The Cold Eye, set design for film by Babette Mangolte, NY 1979 The Language of Abstraction, group exhibition, Betty Parsons Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1978 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1977 Private Images, group exhibition, Los Angeles County Museum of Art, Los Angeles, CA Collectors’ Choice X, group exhibition, McNay Art Institute, San Antonio, TX Painting, group exhibition, P.S. 1, Institute for Urban Resources, Queens, NY Book-Objects by Contemporary Artists, Albright Knox Art Gallery, Buffalo, NY Group Exhibition, A.M. Sachs Gallery, NY 1976 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Books, two-person exhibition, Franklin Furnace Gallery, NY Rooms, group installations, Institute for Art and Urban Resources, P.S. 1, Queens, NY Gallery Artists, group exhibition, A.M. Sachs Gallery, NY Southern Exposure, set design for theater production by Mabou Mines Theater Group, directed by Joanne Akalaitis, Premiere Performing Garage, NY 1975 Collectors’ Choice V, group exhibition, Philbrook Art Center, Tulsa, OK Recent Acquisitions, group exhibition and traveling exhibition, Solomon R. Guggenheim Museum, NY PUBLIC COLLECTIONS Center Gallery, NY Elephant Steps, set design for musical theater production by Richard Foreman and Stanley Silverman, Premiere, Tanglewood, Lenox, MA Baltimore Museum of Art, MD The British Museum, UK Brooklyn Museum of Art, NY Climenhaga Fine Arts Center, PA Colby College Museum of Art, ME Colorado Springs Fine Art Center, CO Fogg Museum, Harvard University, MA Joel & Lila Harnett Print Study Center, University of Richmond Museum, VA Harvard University Museums, MA Heckscher Museum of Art, Huntington, NY Hunterdon Museum of Art, NJ Kennedy Museum, OH Lehman Brothers Kuhn Loeb, Inc., NY Metropolitan Museum of Art, NY Mississippi Museum of Art, MS Missoula Art Museum, MT Museum of Fine Arts, Boston Museum of Modern Art, NY Painting Endures, group exhibition, selected by Dore Ashton, Institute of Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY 1974 New Paintings, solo Exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art of This Decade, group exhibition, Solomon R. Guggenheim Museum, NY Victor, 16mm film, Premiere Collective for Living Cinema, NY Glass Curtains, 16mm film, Premiere Collective for Living Cinema, NY 1973 Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art for Acquisition, group exhibition, Rhode Island School of Design Museum, Providence, RI Jim, 16mm film, Premiere Collective for Living Cinema, NY Match, 16mm film, Premiere Collective for Living Cinema, NY 1972 Recent Work, group exhibition, Art and Urban Resources, NY Group Exhibition, A.M. Sachs Gallery, NY 1971 New Talent, group exhibition, A.M. Sachs Gallery, NY Ten Young Artists, group exhibition, Solomon R. Guggenheim Museum, NY 1970 Red Horse Animation, set design for theater production by Mabou Mines, directed by Lee Breur, Premiere Guggenheim Museum, NY 1968 Painting and Sculpture, group show, Whitney Museum, Art Resources PRIVATE COLLECTIONS (SELECTED) Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA New Britain Museum of American Art, CT New Jersey State Museum, Trenton, NJ Parrish Art Museum, Southampton, NY Princeton University Library, NJ Solomon R. Guggenheim Museum, NY Stanford University Art Museum, CA University of Virginia Art Museum, Charlottesville, VA Wadsworth Atheneum Museum of Art, CT Weatherspoon Art Gallery, NY Whitney Museum of American Art, NY Blackstone Group Bloomingdale’s, NY Chase Manhattan Bank, NY Christophe DeMenil Collection, TX Colorado College Collection, CO Deloitte Haskins and Sells, NY Design Unit Collection, NY Edgar Tobin Aerial Surveys Collection, IL Edward Carpenter Collection, CT Estee Lauder Corporation, NY General Electric Corporation Collection, NY Howard and Roberta Miller Collection, CT Lehman Brothers Kuhn Loeb Collection, Inc., NY New York Bank for Savings, NY Philip Morris Companies Collection, Inc., NY Patrick J. Waide Collection, NY John F. Saladino Collection, Inc., NY Sony Corporation Collection, NY Trump Collection, NY Walter and Linda Wick Collection, CT Connecticut Art Education Association, Inc. Scott Shuler Distinguished Art Advocate Award GRANTS AND AWARDS 2009 2000 Andy Warhol Foundation Grant For Art-Body-Mind: An Integration Symposium at Ohio University 1997 National Endowment for the Arts Inter-Media Grant For multi-media dance project in collaboration with Doug Varone, Choreographer, and Lynne Steincamp, costume designer 1992 Lila Wallace-Reader’s Digest Grant For Momentary Order, a multi-media dance project in collaboration with Doug Varone, choreographer, C. Hyams Hart, composer, and Lynne Steincamp, costume designer ACADEMIC ADMINISTRATION AND TEACHING 1991 New York State Council on the Arts Grant For Once and Once, a multimedia theater film collaboration with Keely Garfield, choreographer, and C. Hyams Hart, composer 1989 Pollock/Krasner Foundation Grant for painting Film Video Arts, Angel Award for film 1988 Maryland Institute Trustees Award for Teaching Excellence National Endowment for the Arts Inter-Arts Grant For Wilderness, a multi-media theater/film collaboration Foundation for Contemporary Performance Art Art Matters, Inc., Grant 1987 New York State Council on the Arts Grant 1986 New York State Council on the Arts Grant For Transparent Means for Traveling Light, a collaboration with David Gordon and John Cage Art Matters, Inc., Grant Yaddo Fellow for painting and writing New York State Council on the Arts Grant Massachusetts Arts Council Grant For Transparent Means for Traveling Light production at Loeb Theater 1985 John Simon Guggenheim Fellowship for painting Asian Cultural Council Fellowship for independent study in Japan Just Above Midtown Production Grant National Endowment for the Arts Inter-Arts Grant For “Mike’s House,” a video production in collaboration with Michael Smith 1984 National Endowment for the Arts Inter-Arts Grant For “Variety Show,” in collaboration with Charles Moulton Massachusetts Arts Council Grant, 1984 For “Framework,” a dance project in collaboration with David Gordon New York Art and Performance Award (Bessie Award) New York State Council on the Arts Grant For Trying Times, a dance project collaboration with David Gordon, choreographer 1982 Institute for Art and Urban Resources for one-year residency at P.S. 1 1976 National Endowment for the Arts, Artist Fellowship for painting 1971 Theodoran Award, Guggenheim Museum, for traveling exhibition, Ten Young Artists, purchase award Hartford Art School, University of Hartford 2011 - present Professor of Painting and Drawing University of Hartford, 2001–2010 Dean, Hartford Art School Ohio University, 1998–2001 Director, School of Art Maryland Institute, College of Art, 1993–1998 Co-Director, Mt. Royal Graduate School, and Artist and Critic-in- Residence Princeton University, 1988–1995 Lecturer in the Humanities, Visual Arts Program School of Visual Arts, 1979–1988 Instructor Colorado College, 1977 Director, Painting and Drawing Summer Program 2014-2015 Faculty Humanities Center Fellow, Lecture: Complexity and Art-making, University of Hartford Humanities Center Lecture Series, Spring 2015, Theme: Exploring Complexity 2008–2009 Chair, University of Hartford’s Academic Strategic Planning Committee 2007–2012 Delegate, Commission on Accreditation, National Association of Schools of Art and Design 2005–2012 Accreditation Chair, Evaluation Teams to assess schools for National Association of Schools of Art and Design accreditation 2000 Director of Art-Body-Mind: An Integration, four-day symposium at Ohio University ¬Presenters: Mark Johnson, Lewis Hyde, Ellen Dissanayake, Joseph Caroll, Brian Hansen, Nancy Aiken and others 1998 Curator of Chance + Necessity, a painting exhibition at Maryland Art Place (MAP) ¬Wrote catalogue essay 1986–1998 Co-Director (with composer, Dick Connette) of Present Company, Inc., Not-for-Profit Production Company in New York, NY to produce original theater and film projects ¬Produced two-multi-media theater events and five independent short films ¬Designed sets for Obie Award-winning off-Broadway theater productions, including Richard Foreman’s Ontological Hysteric Theater and Mabou Mines theater company ¬Designed sets for dance productions in collaboration with choreographers, including Doug Varone, Dave Gordon, and David Parsons, and with composers Virgil Thompson, Philip Glass, and Dick Connett GRANT PANELS AND JURIES 2015 ¬Art directed and designed film productions, including Michael Snow, Mark Rappaport, Babette Mangold and Richard Foreman, resulting national awards ¬ Production design and art direction for many videos, including Cyndi Lauper, Dion, and Jean Luc Ponty, resulting in international video awards Juror, Abstraction Exhibition, Colorado Sprints Art Center, Colorado Springs, NY Panel, Five Points Gallery, Torrington, CT Juror, Colorado Springs Arts Center, CO 2014 Juror, Mystic Art Center, Mystic Seaport, CT 2010 Juror, Alliance for Young Artists, NY Juror, ArtSpace. Hartford, CT 2009 Juror, ArtSpace. Hartford, CT Juror, West Hartford Art League, CT 2006 Juror, Mystic Art Center, Mystic Seaport, CT Juror, Silvermine Art Center, CT 2004 Juror, West Hartford Art League, CT 2002 Juror, Exhibition, Gallery on the Green, Canton, CT 1999 Freedom of Speech in the Arts, Panel at Ohio University, OH 1997 Fulbright Committee, Maryland Institute College of Art, MD Juror for 7th Annual Pennsylvania Juried Exhibition, PA 1994 National Endowment, Presenting and Commissioning Program, Washington, DC 1991 New York State Council for the Arts, Film Panel, NY 1989 National Endowment for the Arts, Inter-Arts Panel, Washington, DC 1986 National Endowment for the Arts, Inter-Arts Panel, Washington, DC VISITING ARTIST AND LECTURER 2015 Lecture on Abstraction, Colorado Springs Arts Center, Colorado Springs, CO Lecture on Abstraction, Worthington Historical Society, Worthington Corners, Worthington, MA 2014 Mystic Art Center, Mystic Seaport, CT Workshop on Composition; Workshop on Value and Color 2010-11 New Britain Museum of American Art, New Britain, CT Five lectures titled: “Art Matters” 2010 Wadsworth Atheneum, Hartford, CT Connecticut Art Education Association 2007 Wadsworth Atheneum, Hartford, CT West Hartford Art League, West Hartford, CT 2005 Virginia Commonwealth University, Richmond, VA 2002 Wadsworth Atheneum, Hartford, CT Center for Art and Culture, Aix-en-Provence, France 1999 University of Minnesota, MN Emporia University, KS Columbia Festival for the Arts, Columbia, MD St. Mary’s College of Maryland, St Mary’s City, MD 1977 Elizabethtown College, Elizabethtown, PA Kennedy Center, Washington, DC 1995 Pennsylvania Academy of Art, Philadelphia, PA The Cooper Union, New York, NY Florida State University, Tallahassee, FL 1994 Arizona State University, Tempe, AZ Messiah College, Grantham, PA 1991 Trinity College, Hartford, CT Institute for Contemporary Art, Philadelphia, PA 1990 Bard College, Annandale-on-Hudson, NY Maryland Art Institute, College of Art, Baltimore, MD 1987 San Francisco Art Institute, San Francisco, CA 1986 Ohio Wesleyan University, Delaware, OH 1984 Film/Video International, Castle Hill, MA 1982 Rutgers College, New Brunswick, NJ 1978 Pratt Institute, New York, NY 1976 Maryland Institute, College of Art, Baltimore, MD EDUCATION Colorado College, BA, 1969; Honorary Doctorate of Arts, 1989 PROFESSIONAL MEMBERSHIPS 2005–PRESENT 1998–PRESENT 1986–PRESENT 1983–PRESENT PUBLICATIONS Whitney Museum Independent Study Program, 1967–1968 American School of Classical Studies in Athens, Greece, 1990 Post-graduate research in classical archeology University of California at Berkeley, CA, 1996 Post-graduate research associate in philosophy and cognitive studies Wadsworth Atheneum, Board (serve on the Education Committee) National Association of Schools of Art and Design College Art Association American Abstract Artists “Chance + Necessity,” Catalog Essay for Chance and Necessity, an Exhibition of Abstract Painting, MAP Publication, 1998. “Out of Balance, A Study of Mondrian’s Dynamic Equilibrium Concept,” American Abstract Artists Journal, NO. 2, AAA Publications, 1996. “Notes on Abstract/Meaning,” American Abstract Artists Journal, No. I, AAA Publications, 1996. “On Painting,” Meaning, Volume II. Segue Foundation, 1987. “When the Fourth Soldier Falls, A Study of Piero Della Francisca’s Resurrection,” Issue, Volume 6, Reflex Horizons, Ltd., 1986. BIBLIOGRAPHY Acocella, Joan, “Power Boothe on Two Edges,” The Village Voice, February 20-26, 1991, review with photo. _____, Joan, “New York Reviews,” Dance Magazine, September 1988, review with photo. Ashton, Dore, American Art Since 1945 (Oxford University Press), 1982, pages 159-160, with photo. _____, “Power Boothe’s Gait,” Arts Magazine, June 1981, article with photos. _____, “Painting Endures,” Institute of Contemporary Art, Boston, 1975, catalogue with photo. Baker, Kenneth, “Inauspicious Content in a New ICA Form,” Boston Phoenix, May 17, 1975, review. Bannon, Anthony, “Members Gallery, Albright Knox,” Buffalo Evening News, April 15, 1977, review. Bell, Jane, Arts Magazine, January 1974, review with photo. Betz, Margaret, “Power Boothe (A.M. Sachs),” Art News, May 1976, review with photo. Burnside, Madeleine, “Power Boothe (A.M. Sachs),” Art News, December 1977, review with photo. Catlin, Roger, “Power Boothe’s Work Rises Out of ‘Order’, Hartford Courant, January 30, 2011. Commanday, Robert, “Effective Vision in Oakland,” San Francisco Chronicle, September 24, 1994. Dieckman, Katherine, “Film Noir et Blanc,” Village Voice, February 10, 1987, review. Dunning, Jennifer, “Symbolism by Power Boothe,” New York Times, March 17, 1991, review. _____, “Out in the Proving Grounds, Times Get Tougher,” New York Times, May 26, 1991, article. Edelman, Robert G., “Power Boothe at Stephen Haller,” Art in America, May 1996, review with photo. Ellenzweig, Allen, “Power Boothe,” Arts Magazine, May 1976, review with photo. _____, “Power Boothe,” Arts Magazine, December 1977, review with photo. Everingham, Carol J., “Power Boothe’s Abstract Musical Figures in Paint,” The Advocate and Greenwich Time, November 1988, review with photo. Foster, Hal, Artforum, December 1977, review with photo. Frank, Peter, “Power Boothe (A.M. Sachs),” Art News, January 1975, review with photo. Haggerty, Gerard, “Power Boothe, Ron Ehrlich...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Carmen Louis Cicero, American (1926 -) - Untitled, Year: 1972, Medium: Oil on Canvas, signed and dated on verso, Size: 38 x 44 in. (96.52 x 111.76 cm)

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Rotor IV Todd Boppel, American (1934–2000) Date: 1990 Oil on Canvas, signed verso Size: 60 x 44 in. (152.4 x 111.76 cm) Frame Size: 61 x 45 inches

"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...

Painting description: This is a new piece from my ongoing series, "Stripes & Shape". My attempt is to combine two elements in a non objective format. Impressions of overlapping trans...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

Summer Glow Series Artist signed verso acrylic on canvas under plexiglass. JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school ...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles, and the Pattern and Decoration movement. The Pattern & Decoration movement interests her in particular since it was a female-driven movement using the materials and techniques of traditional “women’s work” at a time when the art world was dominated by the machismo of minimalism. Fabricant also draws inspiration from spiritualists such as Emma Kunz, Hilma af Klint, Agnes Pelton, early...

Paul Reed Zig - Field D, 1969 Acrylic On Canvas 28 x 96in Faded signature and title on reverse stretcher Paul Reed ( 1919 - 2015 ) was a member of the " Washington Color School " a...

Emerging artist Urte Truskauskaite is currently studying at the Vilnius Academy of Arts. Her work explores outdated technologies—old computers, calculators, and their components—as a...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Kenneth Hills Geometric Fabric Design Gouache 39 x 31 cm Signed top left Provenance: The family of A. E. Halliwell Little is known about the artist other than the fact that he st...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Singularity I" by Heny Steinberg is a mesmerizing exploration...

This abstract painting by Roger Mudre is made with acrylic paint over mica powder and metal leaf on cradled birch panel. It features a large circle shape at the center of the composi...

S Potoczak - Cardiogram -EKG, Year: circa 1980, Medium: Oil on Canvas, signed lower right, Size: 48 x 48 in. (121.92 x 121.92 cm), Frame Size: 49 x 49 inches

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

paper size: 15 x 19, art size: 9 x 12 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs,...

Bold and modern abstract geometric piece in gouache on paper, exhibited at the San Francisco Museum of Modern Art Gallery, by California artist Tony Ligamari (American, b.1952). Attr...

Abstract Landscape Gestural Expression Comes framed. See image About the Artist: Beth Barry was born in New Bedford, Massachusetts in 1955 and started making art as a young child...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Geometric Abstract with Circles in Acrylic on Canvas Bright and colorful abstract composition by Melvin K. Allen (American, 1922-2012). Several circles are shown overlapping each ot...

Using symmetry as a basis, Drakopoulos derives structure by combining elements from the natural world and science. Modifying these elements digitally, Drakopoulos distills into a pattern or shape, and then layers them with a different structure and repeats the process of layering paint in resin. She tries to find the most subtle and interesting way to connect the different layers that will reveal an underlying structure or system. Slowly as the work evolves, these inner-connections and details begin to form and define the energy and invisible forces that govern the movement of matter, from the microcosmic level of molecules and light particles, to the macrocosmic of planets and galaxies. Drakopoulos views the cosmos as a primordial, all encompassing field within which the illusion of matter is created and dissolved. In this field, particles come together to create complex structures and matter evolves into its maximum state of order. This moment is temporary, a state of transition. The form will subsequently dissolve and the process will begin again. The central images that appear in her work describe this moment of emergence. They are not a representation of actual cosmic phenomena but rather an invented image of an inner mindscape. When attention is directed to the infinite vast field, which contains all of existence in potential, the holographic matrix of the universe is revealed, of which our consciousness is an interwoven part. Angie Drakopoulos is an artist who lives and works in New York City. Her work has been exhibited in various galleries including: ODETTA, McKenzie Fine Art, Southampton Art Center, Paris Koh Fine Arts, Smack Mellon, New York Hall of Science, Feature, G-module, Holland Tunnel...

Phantom Intimacy, 100x100 cm

Jupiter came about from the Vogue Magazine Virgo horoscope in September 1991, my birthday month. It stated that Jupiter was in my sign and all my wishes would come true. Jupiter in ...