Abstract Geometric Paintings

Balance & Beam, Locus in Transit #2, 2021 by Jeanette Fintz 60 x 72 inches, acrylic on canvas Signed verso Hanging wire on reverse Balance and Beam - Locus in Transit #2 is a paint...

A 1980 yellow-toned, Abstract Geometric painting by Institute of Design artist Eugene Dana. Artwork size: 27" x 41". Framed size: 28". x42". Provenance: Estate of the artist. E...

Blue Mother Drawing #3, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Artist : Susan Kiefer Title : Vertigo Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 20" Description : Tilted green oval balanced between orange and brown oval...

Artist: Lloyd Martin Title: Large Alloy Size: 92 x 130” Year: 2013 American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues ...

This is a remarkable 3D geometric piece by Christopher Mark Brennan. This oil artwork features tubular and semi-circle shapes on a black space...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Rising Tondo by Ilya Bolotowsky, Russian/American (1907–1981) Date: 1972 Acrylic on Canvas, signed and dated bottom, and signed, titled, and dated on verso Size: 47 x 47 in. (119.38 ...

There's a quiet tension in this piece, a rhythm of forms that feel both steady and suspended. The balance of negative space and layered color creates a stillness that speaks in its o...

Slim vertical bands of lime green, sky blue, turquoise, pink and cerise repeat in a mirrored pattern and appear optically to move back and forth on the violet and maroon ground. The ...

Cityscape with skyscrapers. Stylized and almost abstract representation of a city with skyscrapers, some of which have the shape of a sail. Oil on canvas. In a 1970´s aluminium / wood period frame. Signed lower right: Raimondo. Landscape appears at first glance as a series of abstract, geometric, very bright objects. Very good condition. Painting comes from a collection in Turin, Italy which had numerous signed works...

Mystery Artist, Style of Washington Color School Untitled, c. Later 20th Century Oil on canvas 22 x 27 3/4 x 3/4 in.

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Robert Petrick's "Hello Sunshine" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...

Roger Bonafe (French b. 1932) signed oil painting on thick art paper, inscribed verso Size 29.75 x 20 inches Bonafe was born in the town of Caux (Her...

Connected by one network, 2020, 90x150 cm

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Monochrome abstract conceptual artwork uses the principle of color field painting. 30x30x1,7cm, Ready to hang and signed on the backside. Shipping worldwide in a safe package with ...

"Making Lemonade" is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in ...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signeed card and some monogrammed pieces.. Signed with monogram and inscribed and signed verso. Showed at New York's Stable Gallery...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors—based largely on landscape,...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

A dynamic and boldly imaginative work by celebrated mid-century Denver artist Edward Marecak, "Witches Entrance" is an original abstract painting dating to the 1960s. Rich in color a...

Elaine Lustig Cohen Untitled, circa 1979 Acrylic on canvas 36 x 36 inches Elaine Lustig Cohen was a New York–based, artist, graphic designer, archivist and rare book dealer. At the...

Cubist Composition "Nature Morte" by Armand Rottenberg (French 1903-2000) signed lower corner, dated 1989 oil painting on board, framed Framed 38 x 30 inches Stunning original Cubi...

Colourful Market Scene signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the work is in overall very sound and good...

Inspired by Taoist teachings and meditations, 'Persian Rose' feels alive with its concentration on a single, pure color. Matuszewski creates meditative and harmonious color field pai...

Curated squares, rectangles and fine horizontal and vertical stripes in pink, cherry, pumpkin, greens and teal dance across a rust ground in this acrylic painting on panel. This geom...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and it signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

Sergio Nates Utopia #6, 2014 Acrylic on canvas 21.75 x 21.75 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars.

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Inspired by Taoist teachings and meditations, 'Rose' feels alive with its concentration on red. Matuszewski creates meditative and harmonious color field paintings to invoke a sense ...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed and...

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

'Quadrants Quadrille' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of calm blue, silver, grey and white, in the abstract mixed media painti...

Artist : Susan Kiefer Title : Castor & Pollux Adrift on the Wine Dark Sea Materials : oil on canvas Date : March 2020 Dimensions : 40" x 30" x 1.5" Description : Hard-edged geometri...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Post Dogmatist Painting on Panel, signed verso Art is 8 x 8 with frame approximately 9.5 x 9.5 ready to hang Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage...

Artist: Peter Mack Title: Circulars 2 Year: circa 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm)

A great, great painting that will enliven any room. Squares exemplify Yrisarry’s affinity for geometric abstraction and precise, flat color planes. The use of acrylic on canvas allow...

Artist : Susan Kiefer Title : Thus Spake Zarathustra Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 1.5 Description : Intersection of a circle and square in bl...

Artist/Designer; Manufacturer: Ram Kumar (1924-2018) Marking(s); notes: signed; 1991 Country of origin; materials: Indian; acrylic on paper Dimensions (H, W, D): 22"h, 27.75"w (work ...

This vibrant and dynamic original abstract oil painting by Paul Kauvar Smith (1893–1977) showcases the artist’s bold use of color and modernist technique. Executed in oil on board, t...

Alejandro Rubio Striped Landscape #3, 2024 Acrylic on panel 36 x 36 inches This is a one-of-a-kind acrylic painting on panel.

"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...

Bold, large-scale geometric abstract with primary color blocks by Marianne K. Brown (American, 1928-2019). Red, yellow and blue rectangles are separated with white borders, which are accented with the delicate detail of thin colorful lines. Signed "Marianne K. Brown" in pencil the lower right and was acquired with a collection of Brown's work. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Singularity II" by Heny Steinberg is a captivating exploratio...

Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...

Medium: Oil on canvas Dimensions (unframed): 19.69 x 19.69 in (50 x 50 cm) Framed dimensions: 22.44 x 22.44 in (57 x 57 cm) – available in black or natural wood floater frame Year: 2...

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

Post Dogmatist Painting on Panel, signed verso Art is 5 x 7 with frame approximately 6.5 x 8.5 ready to hang Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage...