Abstract Geometric Paintings

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 30" x 12" x 1.5". It is unframed. A certificate of authenticity will ...

"Cold Fusion 2" Stripe infusion Series 2017 acrylic on canvas 18X18" Signed, dated and titled on the reverse side Robert Petrick's paintings create a link between the street cultu...

"Somersault" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in...

"Hopscotch to the Moon" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometri...

This is one of a series of Vibrational Abstractions in which the shape and color palette are integral to the atmospheric feeling and structure of the paintings. The painting is built...

Robert Glick (American, born 1950) "Carmelita" 2021 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "Carmelita" ...

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Paul Brach (American, 1924-2007). "Ahola #13". Oil on canvas. Ex. David and Marion Porter estate. Inscribed on the reverse "Ahola #13 1992, Paul Brach for David - 80 more." This painting was given to Paul's good friend David Porter on his 80th birthday. The East Hampton, NY artist David Porter (1912-2005), was a personal friend of the artist. Included is an exhibition catalogue of Paul Brach paintings. In good condition. Painting measures 23 1/2" x 23 1/2" without the frame. Minimalism, Monochrome Painting in shades of purple...

This is a one of a kind original geometric abstract acrylic painting on canvas by San Diego artist, Viktoria Romanova. Its dimensions are 9"x12"x1.5". It is unframed. A Certificate o...

Artist: Jack Graves III (American, 1988-) Title: "Aura VII" Series: Aura *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Original Acry...

Figurative landscape set in parkland. Discover beautiful artwork by Ana Bianchi online with Wychwood Art. Originally trained as a designer in Paris, Ana B...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Artist/ School: Modern British contemporary Title: Geometric Abstract composition Medium: acrylic on canvas , unframed Canvas : 15.5 x 15.5 inches ...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Dessiner sur la Neige and Chalet les Marmottes Diptych [2020] original Acrylic on deep canvas Image size: H:40.64 cm x W:40.64 cm Complete Size of Unframed Work: H:40.64 cm x W:40.64 cm x D:2cm Frame Size: H:45.72 cm x W:45.72 cm x D:5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Chalet and groomed ski slope in the Alps. Winter Mountains and Snow landscape painting.

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

"Health Formula" Human health is its main well-being. But a person is not only a Body, it is, first of all, a Spirit and a Soul. Therefore, the healing process cannot be considered solely as a treatment of the Body. There is an expression: "Physics needs physics." This suggests that if you have health problems, then you should definitely go to the doctor and use it to eliminate these problems at the physical level. But, eliminating the consequence - the disease, doctors will not eliminate the causes of its occurrence, since they are at the level of the subtle plane and are caused by damage to the energy shell of the sick person, leakage of vital energy or its transformation into negative. A person with such energy will “catch” any negativity rushing around and more often suffer from relapses and chronic diseases, accidents, depressive states, etc. Our ancestors knew about this and, using the methods of body treatment available at that time, for example, herbs, they also used symbols and signs to heal and close energy wounds, and as amulets for protection and prevention. That is why all clothes, utensils, furniture, houses, armor, etc. of our ancestors are decorated with appropriate symbols. The memory of the ancestors still lives in us, their strength and influence growing every day. How it works, science explains: the higher the frequency of waves in the space around a person and in himself, the healthier he is both emotionally and physically (about the Schumann resonance, changes in the structure of water under the influence of sounds, frequencies of the tertiary structure of the DNA helix, frequencies of brain waves in different emotions and states, etc. you can read on your own). How can the Health Formula help? - In a positive effect on both the physical state and the mental, managing the flow and direction of thoughts and the general condition of a person, maintaining the fire of life in all life situations. It balances the forces responsible for the proportions of the five main elements in the body, and, as a result, the functioning of all human systems and organs is normalized. For example, an excess of the elements of ether and air can cause nervous irritation, high blood...

Artist: Genaro Moreno, Venezuelan (1921 - 1991) Title: Kinetic Energy Year: 1981 Medium: Acrylic on Canvas, signed l.r. Size: 23 x 19 in. (58.42 x 48.26 cm)

"Architectural Fantasies" is a 40" x 30" gouache on paper, abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. Born...

Maggie LaPorte Banks. Artists diaries [2022] original Silkscreen, collage, carborundum & acrylic on canvas Image size: H:70 cm x W:91 cm Complete Size of Unframed Work: H:70 cm x ...

An original oil on canvas painting by American female painter Irene Zevon.

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 10"x10"x1.5". It is unframed. A certificate of authenticity will foll...

The series "Stages" explores the marriage of chance-embrassing gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniq...

Artist: Jack Graves III (American, 1988-) Title: "Pelican" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium: Original...

Archiver [2020] original Acrylic and emulsion on cradled plywood panel Image size: H:40 cm x W:27 cm Complete Size of Unframed Work: H:40 cm x W:27 cm x D:4cm Sold Unframed Plea...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Finding space #14 [2018] original Oil on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:2cm Sold Unframed Please note that insitu images ...

Line Formation I [2022] original Acrylic on Canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Frame Size: H:84 cm x W:64 cm x D:5cm Sold...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

Colorful abstraction by Nicolas Dubreuille : "Ref 595" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

Alex Couwenberg is a Southern California abstract painter deeply influenced by the art and culture of his local community. His artistic influences include the Light and Space Movemen...

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Touchon's paintings are abstractions based upon typography. Using the techniques of collage, he reassemble...

The Brissons [2021] Original Abstract Mixed Media Acrylic, Oil On Canvas Image size: H:113 cm x W:77 cm Complete Size of Unframed Work: H:113 cm x W:77 cm x D:0.1cm Framed Size: H:13...

Maggie LaPorte Banks Keynance cove Original Abstract Painting Acrylic, Collage and Mixed Media on Canvas Canvas Size: H 50cm x W 40cm x D 2cm Sold Unframed Ready to Hang Please note ...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. ...

Acrylic on canvas. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, ha...

Artist: Arthur Boden, American Title: Hotline Year: 1971 Medium: Acrylic on Canvas, signed verso Size: 118 in. x 18 in. (299.72 cm x 45.72 cm) (can be hung vertically as well)

Colorful abstraction by Nicolas Dubreuille : "Ref 327" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

Tomoe Todd Boppel, American (1934–2000) Date: 1985 Oil on Canvas, signed verso Size: 66 x 44 inches Frame Size: 67 x 45 inches

Colorful abstract geometric painting by Reeves Art + Design owner and Houston, TX artist Paul Reeves. This painting depicts geometric triangular shapes with shapes that resemble cand...

Rectangles and squares, large and small, in orange, mauve, blue and more, dance across a light green ground in this vibrant acrylic painting by Burton Kramer. The title of the painti...

Illustration Star Wilson McLean executes a 1970s male fashion assignment that is situated at the intersection of realism and abstraction. Four male models are depicted with a tight ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, and light brown with accents of dark magenta, light sienna, and neon pink Disturbances in the Field, 2019 by Jeanette Fintz 60 x 72 x 2 inches, acrylic on canvas Signed verso Hanging wire on reverse "Disturbances in the Field" is a painting in a series of work created during the year of the pandemic. The artist explains that this painting is about "giving structure to something intangible, ephemeral, in-flux or conversely, revealing the dissolving of structure that has been.” As an abstract artist, Fintz has long been interested in the contrast of hard-edged planar geometry (circles, squares, hexagons) existing within an atmospheric field where shapes can float or hold the plane, in a space that appears expansive, transient and increasingly released from the canvas’s edge. A calculated use of opacity and transparency resulting from fluid washes of acrylic create an atmosphere where fragmented geometry becomes “a vocabulary of gestures”. This work merges white and faintly gold hard edge lines with gentle washes of blue and neutrals. Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

Lori Poncsak (American, born 1960) "Celeste En Blue" 2023 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. 'Celeste En Blue' by Lori Poncsak is an e...

Black & Gold Glyphs II by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / G...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

A graduate from Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Cali...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Maggie LaPorte Banks A Winters Day at Crosby Beach Acrylic Paint and Mixed Media on Box Canvas. Canvas Size: H 25cm x W 30cm x W 4cm Sold Unframed Insitu images are purely an indication of how a piece may look. A Winters Day at Crosby Beach is an original abstract painting by Maggie LaPorte Banks. The intitial sketches for this work were made on a winters day on the 3 km. Crosby Beach. In response to the Anthony Gormley...

Alison Berrett ‘Cloisters of the Imagination’ The pale turquoise and darker cobalt blue of the background are colours we may associate with being outside and yet the textures and ar...