Conceptual Paintings

Aditya Basak - Untitled - 24 x 20 inches (unframed size) Acrylic on Canvas, 2017 ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes the ...

Kerrera # 2 by Jon Rowland 2018 original and hand signed by the artist Acrylic on board Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm ...

Artist: Liana Vassalou, Greek (1948 - ) Title: Organism II Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

Artist: Liana Vassalou, Greek (1948 - ) Title: Memories VII Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

' Do You See That I Love You? ' 2013 oil on canvas 70 w x 60 h cm signed on reverse by artist. Unique work. About the artist : Katherine Russell is a L...

This is a one of a kind conceptual animal painting. Its dimensions are 34.25x26.5x1. It comes in a white frame. A signed certificate of authenticity from the artist is provided after delivery. This painting depicts passenger pigeons...

This is a conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 26.5 x 88.5. It comes in a wooden neutral frame. This painting depicts a palm tree against a blue sky background. The palm tree is ornate with fine details from the artist in the leaves and the tree trunk. The artist has employed bright colors like green, brown, and blue. Vàsquez focuses primarily on his exploration of various iterations of palm trees. Ubiquitous in Southern California, and historically viewed as a provider of nourishment, shelter, and bounty, the trees in Vásquez’s paintings are instead framed in peculiar or dire scenarios. Many of the trees in his work are ablaze, or are actually cell towers...

A walk Oil on canvas, 80x81 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Lat...

Born in 1958. At his first personal exhibition (greeted by "Le Matin"), he is still a high school student. At the workshops of the Ecole des Beaux-Arts in Paris, he prefers the personal research on the questioning of the paint of the painting that he does not hesitate to exhibit in the Salons (Big and Young, May, etc. ...) and which is split up with a mystic and barbarous vision applied to the installation, at Land-art. In 1983, on his first visit to the USA, discovers the Hopi in the heart of the "American Dream". Violence of the figure. He then weaves in New York, Toulouse, Brussels, Paris the conjunction installation-drawing over many galleries. In 1988, he entered the Galerie Krif (Paris) and immersed himself in the myth of Moby Dick. Many exhibitions (Brussels, Tarbes, Lyon, Rennes) while teaching at the School of Fine Arts in Bourges. Henri Basmadjian died in December 1993. Homage to Furea Koral's 40th Year in Art showed with Osman Dinç, Song S, Daniel Buren Ten Artists Ten Works: Henri Basmadjian, Canan Beykal, John Latham, Osman Dinç Sabri Berkel

Artist: Liana Vassalou, Greek (1948 - ) Title: Memories VI Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

Artist: Liana Vassalou, Greek (1948 - ) Title: It Happened II Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame S...

Autumn wind Cardboard, oil, 64x75 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a...

Meeting. 1998. Oil on canvas, 100x99.5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painte...

A provincial delight. Oil on canvas, 41х51 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, gr...

A walk in the village Oil on cardboard, 45x45 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer...

Still life Oil on canvas, 60x80 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of...

Rosie Copeland Child’s Pose (after The Wave) Original Nude Painting Oil on Board Sold Unframed Image size: H38 x W76 cm Please note that in situ images are purely an indication of ho...

Vertical Phythms - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

Russian philosophy. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Ri...

LOL (laugh out loud) 2014 4x6" framed. 8x10" SUBTEXT This series of small paintings are a mash-up of Renaissance Choir book borders with their ornate grotesques and drolleries combi...

Beam recognizes that a successful work of art “must develop its own personality…It must empower, engage or provoke the public’s attention.” One exhibition in particular, titled Owavino(1997-1998) [meaning last minute] held in Illinois—perhaps the pinnacle of media mastery—garnered Beam numerous reviews, attacks and responses, even after the exhibiton had closed, for his work Turkish Medal (1996-1997-2013). The painting combines a comparatively altered version of one of Pulitzer-Prize winning illustrator Bill Mauldin...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

This is the second picture from the "Process" series. In this picture I continue to reflect on the possibility of fixing the creative process of co-creation of a work of art

L.I.C. (Blue) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. L.I.C refers to Long Island City where Soriano currently has his studio. This drawing focuses of objects and elements within it, in particular the remnants of old closets...

I like modern Japanese painting. One of the most famous artists is Yayoi Kusama. Her image and paintings inspired me to this work.

Fresco. 2001, canvas, mixed media, 46x38 cm Ieva Iltnere (b. 1957) entered the Latvian art scene in the early 1980s. Together with other young painters of her generation she attracted much attention and radically changed prevailing conceptions about the Latvian figural painting. The fame of this generation of artists has not diminished since that time. In 1988 Ieva Iltnere took part in the young artists’ exhibition “Post-Traditionalism” at the Central Artists’ House in Moscow as well as in the exhibition “Riga – Lettische Avantgarde” at the Staatliche Kunsthalle in Berlin. It was the first important show of Latvian avant-garde art in Western Europe. In 1990 Ieva Iltnere and her like-minded contemporaries participated in the famous exhibition-action “Gentle Fluctuations” at the Exhibition Hall Latvija in Riga. This exhibition encouraged radical aspirations of the young painters’ group and promoted the adoption of new influences in Latvian art. In 1992 there was Ieva Iltnere and Jānis Mitrēvics’ joint exhibition “Works” and in 1994 – her solo exhibition “School” at the Art Museum Arsenāls. She took part in important Latvian art exhibitions at the Zvolle City Museum (2002), Frauen Museum in Bonn (1992), Grand Salle de l’Aubette in Strasbourg, Maison du Danemark in Paris (1997), Städtische Galerie im Buntentor in Bremen, etc. Ieva Iltnere is one of the most outstanding and creative artists of her generation. Her art is able to communicate great, significant ideas, important to both the individual and the society in general, through intimate subject matter. Iltnere has created a particular imagery that clearly marks her individual style. Her early works deal with themes of family, mother and child, depiction of intimate aspects of life. The artist raised everyday phenomena to the level of sacredness. Today the artist synthesizes traditional means of painting and conceptual approach, inspired by different cultures, Western avant-garde art of the 20th century and Biblical themes (solo exhibition “Stories”, 2002). Iltnere’s paintings feature subdued colouring and discrete intonation. The artist pays particular attention to light and composition. Each work is endowed with a personal touch. Iltnere’s works are found in collections of the Latvian National Museum of Art (previous title - State Museum of Art), the Artists’ Union of Latvia Museum (Riga), the State Tretyakov Gallery (Moscow), Ludwig Museum (Aachen, Germany), Jane Voorhees Zimmerli Art Museum (New Jersey, USA) as well as in private collections in Latvia and abroad. Selected solo exhibitions: 2008 "Beautiful fragile nature", Riga Gallery, Riga / Latvia 2007 "Eight Rooms", Riga Gallery, Riga / Latvia 2004 "The Happy Childhood", Riga Gallery, Riga / Latvia 2003 "Ieva's Painting", Gallery NoMi, St. Petersburg / Russia "My Room", Gallery Centrs, Riga / Latvia 2002 "Stories", Riga Gallery, Riga / Latvia* 2001 "Ieva Iltnere's United Images", Gallery Daugava, Riga / Latvia 1999 "Papers and Canvases", Gallery Daugava, Riga / Latvia 1998 "Paintings of Paris", Gallery Daugava, Riga / Latvia 1997 "Oil", Gallery Bastejs, Riga / Latvia 1994 "School", Art Museum Arsenāls, Riga / Latvia* 1993 Riga Gallery, Riga / Latvia Gallery G&G, Riga / Latvia* 1992 "Works", Art Museum Arsenāls, Riga / Latvia (together with Jānis Mitrēvics)* "Four New Paintings", Gallery Kolonna, Riga / Latvia 1989 Gallery Baltasar, Gothenburg / Sweden (together with Ivars Poikāns)* Selected group exhibitions: 2008 12th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* Rauma Biennale Balticum 08 "Flower Power", Rauman Taidemuseo, Rauma Art Museum/ Finland 2007 11th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2005 9th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2004 8th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* "The Rape of Europe", Eskilstuna Art Museum, Eskilstuna / Sweden* 2003 "Labyrinth", Gallery Vartai, Vilnius / Lithuania...

Berlin (Abstract Painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from so...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. Conceptually, the artwork is part of a proj...

Moloch. 1989. Paper, etching, 53.5x38 cm

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

Russian authorities. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the A...

Porch drawing 2 (Abstract Painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally around him. He tends to be “in” the configuration that is the subject of the work. Soriano is fond of “systems” objects attached to other objects, such as the wiring plan of a room. But very often there are other shapes that play a role in the work. The artist would fold and rework a piece a number of times. Folding seems to concentrate the dialogue that attracts him. Reworking is part of his nature. The finished work normally is the result of this ebb and flow between the heightening and repositioning the relationship between forms. This drawing highlights the configurations of a large porch that Soriano used as a studio in Maine during Summer 2010. Peter Soriano is a Philippines-born French-American abstract artist who divides his time between New York City and Penobscot, Maine. Although he began his career as a sculptor, his work is now two-dimensional. He is known for his bold spray-painted wall murals...

L.I.C. (Blue) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. L.I.C refers to Long Island City where Soriano currently has his studio. This drawing focuses of objects and elements within it, in particular the remnants of old closets...

Colby 12 (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from ...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

"Chromatic Explosion n. 3" - Dynamic Abstract Composition by Corrado Ferrante A captivating burst of energy radiates from this vibrant abstract work by Italian artist Corrado Ferran...

Gahan Wilson was the Master of the macabre, and most of his work is associated with Charles Addams. The beauty of a Gahan Wilson is that is a payoff pu...

Maciej Rauch's paintings are often shaped by the people around him, his friends, the places he lives, and the emotions that drift through everyday life. He works in the language of m...

Maciej Rauch's paintings are often shaped by the people around him, his friends, the places he lives, and the emotions that drift through everyday life. He works in the language of m...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Playfl monkeys climb exotic colored plants clowning as only monkeys do. in this hot pink painting. Monkey Time #2 - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerma...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Sacred Abstraction, Royal blue, red and gold leaf on carved wood pane, signed on the back. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: paintings, luminous objects, installations, and monumental painting. He is a creator of the concept of neosacral art. Since 2003 he lives and creates in Poland. He graduated from Gdansk University of Technology (Faculty of Power Engineering) and the Academy of Fine Arts in Warsaw (Faculty of Painting). Also, the artist took a course in clinical anatomy at the Medical University of Gdansk. Sokolovski has created neosacral chapels in Klebark Wielki (Poland) and in Salesian Sisters Convent in Jerusalem. Concept: Sokolowski wants to create modern sacral art founded on visual tradition and theologies of many cultures. “I think that abstract codification of faith is the prospective and only way to save serious attitude to contemporary human’s spirituality. It is fundamental for responsible usage of developing knowledge about the empirical world and for forming sensibility, which should be adequate to it. In my opinion, the progress of civilization cannot be holistic if it is mostly based on scientific and technological development – metaphysical sensitivity is necessary too. Empirical knowledge is confinement if we use it only for improving conveniences and gaining more knowledge. It is not enough for the evolution of mind, which should advance along with changes in our environment.” Individual Exhibition 2018 – “Neosacral Art”, Saris Museum, Bardejov, Slovakia 2018 – “Neosacral Art”, the John Paul II Catholic University of Lublin, Lublin, Poland 2018 – “Neosacral Art”, Gallery “Camaldolese Cellar”, Church in Bielany Forest, Warsaw, Poland 2018 – “Neosacral Art”, Museum of Mińsk Mazowiecki, Mińsk Mazowiecki, Poland 2017 – “Neosacral Art”, Zielona 13 Gallery, Łódź, Poland 2017 – “Neosacral Art”, the University of Warsaw Gallery, Warsaw, Poland 2017 – “Neosacral Art”, Bohema Gallery, Warsaw, Poland 2016 – “Neosacral Art”, Philosophy of Religion Department, University of Warsaw, Poland 2016 – “Neosacral Art”, Gallery of Association “Polish Community”, Warsaw, Poland 2016 – “Neosacral Art”, Exhibition-Conferential Centre, Białystok, Poland Selected group exhibition 2017 – “Deification of Body”, Sheptytsky National Museum in Lviv, Ukraine 2017 – “Sokolovski / Wąsowski / Jędrzejko / Mazuś”, Bohema Gallery, Warsaw, Poland 2016 – “1st Pomeranian Biennial of Young Art”, Sopot, Poland 2016 – “Shape of Spirit”, Gallery of Mathematics and Computer Science Department, Nicolaus Copernicus University in Toruń, Poland 2016 – “Diverted Reality”, Evelyn E. Jorgenson Gallery, Moberly, Missouri, USA 2016 – “Exhibition of Sacred Art”, Gallery of Saint Sophia...

Through the transformative medium of portraiture and symbolism, I explore the entirety of the human experience. I seek to bridge the chasm between the inner darkness within us and th...

the painting is being offered with a work and authenticity certificate

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Unique work by famous Israeli artist, Menashe Kadishman. Made witht he artist's signature style.

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...