Expressionist Paintings

'Row of Plane Trees In Winter - Maussane-les-Alpilles', Provence, watercolour and pencil on art paper, by Yves Brayer (1946). A line of Plane trees greets visitors to almost every vi...

An oil painting by Theo Tobiasse from 1967. An expressionist-style textural painting of intensely dark and vivid color palette. Inspired from the artist's personal experiences of the...

Leigh Ann Van Fossan's "Dream of Isles" (2023) is an original, handmade oil and acrylic abstract painting with bright colors. Van Fossan was born in Vail, Colorado, and began oil ...

Green Landscape French artist, indistinctly signed, dated verso 1985 oil painting on canvas, in wooden frame canvas: 10 x 17 inches wooden frame: 9.5 x 16 inches provenance: private ...

Rooted in the belief that “everyone is a universe in himself,” the work explores the intimate journey of self-reflection and inner healing. The serene gaze, star-lit thoughts, and dr...

In this painting, I channel the raw, unbridled power of the ocean. Using thick, impulsive strokes of oil paint, I capture the tumultuous movement and vibrant colors of a towering wav...

NOT STRETCHED. You'll receive it rolled, in a tube. Ready for stretching. I recommend stretching your painting in a local custom framing shop or gallery. It will be the most affordab...

Dénudée, the French word for unclad is evidently a contemplative piece-- one of passion, intimacy, and elegance, describes the feminine appearance and nature in one single case, the ...

'Market Day in Piazza Grande, Locarno, Switzerland', oil on board, by unknown artist (1947-48). Locarno is an utterly charming Italian-speaking resort located on the northern shore o...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In this piece, I poured my emotions into the delicate balance between tranquility and fleeting movement. The shimmering water lilies float gently, capturing the quiet moments of refl...

This 19.625" x 15.625" oil on canvas painting is by American artist, Jim Riley. The painting presents a frontal, half-length portrait of a figure with wavy brown hair and a calm, int...

Sunday in Lagos is a vibrant tapestry of culture, fashion, and social activity, and for a "baddie girl," it’s the perfect day to showcase her unique style and charisma. The city come...

A beautiful 1930's French expressionist oil on canvas depicting a river landscape with a bridge and houses under a dramatic sky. Excellent quality work, with lovely impasto brush wo...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...

"Serene Adagio" is an original oil painting on canvas that captures a quiet moment. The interplay of light and shadow embraces the woman’s figure, evoking a calm, serene energy. This...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

In this spirited dance of water and color, I've captured the graceful motion of koi fish, using watercolor’s fluidity to echo their serene, yet vibrant energy. My strokes blend fine ...

"End of Fall" by Sandra Pratt is an original oil painting that depicts an autumn landscape with colorful leaves and a house in the distance. Artist Statement: My work is inspired b...

A French Expressionist oil on canvas landscape of countryside at L'Olivette, Cap d'Antibes on the French Riviera, by Germain Bonel. The painting is signed bottom right and signed, dated and titled to the back of the canvas. A strong and impactful composition of the trees and forest leading down to the sea wall and then the Mediterranean beyond at the Port (or 'Abri' as it is also known) of l'Olivette on the west coast of Cap d'Antibes, the iconic location in the South of France. This former small traditional fishing port from the beginning of the twentieth century is now converted into a picturesque little marina on Cap d'Antibes, with its rocky cove, its beach, its pine forest, its umbrella pines, olive trees, fig trees, and agaves and its famous 'Villa Aujourd'hui' a modernist residence built by American architect Barry Dierks (1899-1960) in 1938 for socialite Mrs. Audrey Chadwick. L'Olivette has a privileged panoramic view of the Gulf of Juan, and the coastal shores of Cap d'Antibes, Juan-les-Pins, Golfe-Juan, and the Pointe Croisette of Cannes. Germain Bonel (5 August 1913 – 2002) was a French painter of Catalan origin. From 1967 to 1983, he was a professor of drawing and painting at the Perpignan School of Fine Arts. From 1969 to 1978, he also taught art in the schools of Saint-Cyprien-village and Saint-Cyprien-Plage. Germain Bonel's painting is both expressionist and decorative. Georges-Henry Gourrier said of him: "Germain Bonel's painting expresses [quite naturally] the singular beauty of forms, the radiant force of colour, the deepening of matter and the tenderness of the things of life. His work appears to be a painting of plenitude." From 1941 to 1945, Germain Bonel studied drawing at the Municipal School of Fine Arts in Perpignan. He won first prize in 1945. Out of competition, he continued his studies at the same school from 1945 to 1948 and he regularly exhibited his works at the annual exhibition held at the Salle Arago in Perpignan. Germain Bonel met François Desnoyer in 1950 and introduced him to the Catalan artistic milieu. He was admitted to the Salon d'Automne in Paris in 1951 and exhibited until 1961, when he became a member of the salon. As early as 1951 a commentary said, "with the canvas hanging...

"As the artist behind this canvas, I've infused life into the scenery, with vivid oil strokes blending impressionism and expressionism. It captures the transient beauty of blooms aga...

Green Garden by Janet Keith [2020] original acrylic paint on heavy watercolour paper Image size: H:100 cm x W:70 cm Complete Size of Unframed Work: H:100 cm x W:70 cm x D:0.10cm Sol...

Frank Kleinholz (Brooklyn, 1901 - 1987) Original oil on panel painting titled "Fire Escape", a preliminary study for a mural commissioned for Marquette University. The composition de...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

"Valley View" (ca. 2000) by Jann T. Bass is an original handmade pastel painting that depicts two cows next to a rural barn in a warm landscape. This painting measures 9 x 12 inches,...

“Summer Bouquet” – Vibrant Floral Impressionist Painting on Canvas Bring the beauty of summer into your home with this stunning hand-painted floral artwork titled “Summer Bouquet.” ...

Evening city over the sea bay. The triptych. An atmospheric seascape in blue. The central painting has a size of 40x40cm. The left part of the triptych has a size of 30x40cm. The r...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

A mid-century French Expressionist oil on paper, laid on board, painting titled 'La Fermière Normande' (The Normandy Farmer) by Raphael Arnal. The painting is signed bottom right and...

As I brushed oil onto the canvas, my heart danced with each stroke, creating a symphony in hues and textures. This piece is a peaceful haven, where expressionism and impressionism me...

In this vibrant canvas, I've melded the fluid grace of abstract art with the emotive brush strokes of impressionism and the bold visual appeal of pop art. I used acrylic and oil to w...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

Large scale and dramatic, ""Langostina, an abstract painting by Harold Black (American, 1913–1993). Signed lower right and on verso. Presented in giltwood frame. Image, 40”H x 22”W. ...

Bay Area figurative painting of a nude woman looking over her shoulder by Thomas L. Tribby (American, b. 1944). Signed and dated "Tribby 66" in the lower right corner. Unframed, but the edges are painted black for a frame-less display. Canvas size: 37.5"H x 33.5"W. Bay area figurative artist and painted while at the University of California, Berkeley, CA – Bachelor of Arts, 1963-1966. Thomas Tribby (American, b. 1944) is an internationally known artist who has participated in solo and group exhibitions in the United States and Europe. He works in a variety of media, including watercolor, acrylic, and oil. Tribby has gallery representation in Florida and his paintings have been featured in articles in Waterfront Home and Design and Architectural Digest. Tribby has participated in juried and invitational shows in Florida, California, Arizona, Georgia, South Carolina, Tennessee, Washington, D.C., and New York, and in Paris, France. In December 2007, Tribby had the honor of being one of nine painters in the American Delegation at Le Salon des Beaux Arts de la Société Nationale des Beaux Arts exhibition, known as the Paris Salon, at the Carrousel du Louvre in Paris, where his painting, Lifeguard, was exhibited. In January 2008 Tribby received from the Design Center of the Americas, DCOTA, the prestigious Stars of Design award in the category of Art. Tribby lives and works in West Palm Beach, Florida. EDUCATION 1961-1963 University of Washington, Seattle, WA Studies in Fine Arts 1963-1966 University of California, Berkeley, CA – Bachelor of Arts 1969-1970 Arizona State University, Tempe, AZ, Grad Studies, MFA Program 1979-1980 Arizona State University, Tempe, AZ, Grad Studies, MFA Program GROUP EXHIBITIONS: INVITATIONAL OR JURIED 2014 Monochrome, Palm Beach Cultural Council, Lake Worth, FL 2010 Spectrum 2010, The Hunter Museum of American Art, Chattanooga, TN 2010 Studio 1608 Group Show, West Palm Beach, FL 2008 Florida Original Contemporary Art, West Palm Beach, FL 2007 Paris Salon, Carrousel du Louvre, Paris, France 2005 Liman Gallery, Palm Beach, FL 2003 Grand Bank and Trust, Palm Beach Gardens, FL 2003 Aaron Gallery, Washington D.C. 2001 The Retreat, Artists Against Abuse, Southampton, NY 2000, 2003-2004 Palm Street Art Studios, West Palm Beach, FL 1996 Studio 412, Group Show, West Palm Beach, FL 1992, 1994 Small Works Show, Armory Arts Center, WPB, FL ONE MAN EXHIBITIONS 2018 Armand Bolling Fine Arts, Jupiter, FL 2012, 2016 Ellis-Nicholson Gallery...

Leigh Ann Van Fossan's "Sands of Celia" is an original acrylic painting featuring peaceful blue waters lapping a sandy beach. Van Fossan was born in Vail, Colorado, and began oil p...

In this vibrant composition, I've joyfully blended impressionism with pop art, using acrylic and oil to bring to life these charming feline figures. The piece captures the warmth of ...

In creating this piece, I sought to capture the tumultuous yet mesmerizing dance of the sea with the sky. Utilizing the vigor of expressionism blended with soft touches of impression...

Oil on canvas sold with frame Total size with frame 70x82 cm Signed and dated William GOLIASCH is a Swiss artist born in 1922 and died in 1986. His works have been sold at public au...

In this oil painting, I've captured the wild vibrancy of nature and the ephemeral beauty of blooming flowers. Each stroke conveys raw emotion and the dynamic interplay of color and t...

In crafting this piece, I sought to capture the serene essence of nature's renewal. The interplay of light and color reflects on the water's surface, inviting contemplation. Each str...

In this painting, I sought to capture the ephemeral beauty of irises by the pond's edge, reflecting my deep admiration for nature's transient moments. The oils allowed me to blend vi...

Adrien Holy (1898–1978) The Model, 1957 55,5 x 38 cm Oil on canvas, signed lower right and dated (19)57 Dimension with frame 72 x 56 x 6 cm This striking p...

In this painting, I've woven a tapestry of emotions using acrylic and oil, bridging realism with vibrant expressionism and impressionism's soft touch. Capturing the serene yet lively...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

This artwork makes part of my series dedicated to the scenes of a summer period. This floral painting called "Lovely day" is done in an expressive impressionist style. Floral art...

This is a period when the artist saw the light differently and the journey all started in 1971. Bernard Buffet, the artist, was searching for subjects, looking to paint what he saw j...

For Playboy Magazine, German-American artist and illustrator Franz Altschuler paints a heart-pounding scene of a red-light district in Tunisia. What's immediately distinctive is how ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Oil on canvas by Edouard Goerg (1893-1969), France, 1958. Life is always the same. Acquired in 2017 from the personal collection of Edouard Goerg. Measurements : with frame : 62.5x53.4 cm - 24.6x21 inches, without frame : 55x46 cm - 21.7x18.1 inches, format 10F. Signed "E.Goerg" (see photo). Preserved by the painter, then by his family since his death in 1969, this painting appeared in 2017. Entitled "Always life begins again", it is a crepuscular work. Testamentary one could say, so much the statement which is made there is definitive. The fact that he kept it until his death tends to consolidate this vision. Far from the empty looks and death faces of the rebellious era of sarcastic expressionism, the terrifying and compassionate testimony of the Spanish war, and the post-WWII flower women, we are dealing here with a a form of reasonable abdication, but honest. This idea that although everything changes, nothing changes. Changed times, actors, ideas, the same comedy occupies the society. Having given up the idea of ​​changing the latter, Goerg accepts the fact that the only alternative is to stay there or get lost. But stay afloat with his values, completely independent, whatever the cost is. This work is similar to La Vie Recommence of 1935, reproduced on page 54 of Gaston Diehl's book devoted to the painter (Éditions de Clermont, 1947). On the latter, the artist depicts his vision of life, from birth to death, made of hope, fear, cruelty, resignation and fatality. 23 years later, Toujours La Vie Recommence shows us the road traveled by the painter. It is no longer a matter of denunciation, but ultimately of acceptance of reality and the difficulty of staying there yourself. The admirer of Hieronymus Bosch gives us an inspired composition. The hand of God, the only expression of physical beauty in this work, comes down from heaven to give life. Symbolically, it holds an egg that dispenses the element from which the human protagonists find their birth, and in which they move and tangle more than they impose. Beautiful allegory of society. Four characters, two women and two men evolve in this societal marigot. The man in the foreground, ruddy face, evolves with ease. His body is supple, flexible, adaptable. The woman on the left observes him with admiration. Obviously, this man is in his place and causes rapture. The right man with massive shoulders and wrapped, shows a physical maladjustment to the activity he is doing. He struggles to stay afloat, his face expresses effort, even exhaustion. But he assumes. He does with what he has, with what he is. The other woman shows him the greatest indifference. What is not the case of the demonic archangel (recurrent in the works of Bosch) with the stunted body, who leads the dance and holds this character, we understand the painter, under his control as to have fun. As this character cannot change bodies, Goerg cannot change values. He does it with. Had he not said to the critic Roger Brielle: "Independents, sensitive and just men, that's what we must strive to stay in this world in disarray". Goerg will have come to narrative expressionism to give us a balance sheet allegory of his deep self and his condition. Édouard Goerg is one of the major artists of his generation. Coming from a Champagne family, he was born in Sidney, Australia, in 1893, during a professional stay of his father. After passing through London, he arrives in Paris at the age of seven. At twenty, between 1913 and 1914, he studieds painting at the Académie Ranson with Maurice Denis and Paul Sérusier. He travels to Italy and India. Mobilized in 1914, he is sent to Artois, then to Argonne. From 1920, he exhibits at the Salon des Independants, then at the Salon d'Automne where he joins with Laboureur. At Berthe Weil, in 1924, he participates in the exhibitions of the Gromaire group, a prelude to a series of exhibitions in Paris (Berthe Weill, Bernheim Jeune), as in Brussels (Le Centaure). Goerg illustrates books including Table of the beyond by F.Boutet. In 1928, he meets Paul Guillaume who exhibits his works in Boston and the Art Institute of Chicago. He continues to show his works, satires of the bourgeois manners, at Bernheim Jeune, then at Lucie Krogh. In 1934, he travels to Belgium and Holland where he paints surrealist paintings that will be exhibited at Jeanne Castel. In 1935-1936, he meets Aragon, who opened the doors of the houses of the cultures created by the Association of Writers and Revolutionary Artists. The Spanish war and the Second World War mark it deeply. He must protect his daughter and his Jewish women...

This piece is a vibrant celebration of nature's beauty and light's transformative power. Layered with oil, each brushstroke contributes to the vivid visual symphony. The sun, breakin...

In this artwork, I've poured my soul into capturing the essence of a rustic Italian landscape, where the vibrant poppy fields dance under the sun's warm embrace. The path meanders, i...

In this oil painting, infused with expressionism and realism, I captured the vivid essence and delicate poise of a small bird perched on a branch. The soft, blended background in gre...

In my creation, I've endeavored to capture the serene beauty of nature's embrace, where a hidden pond, overgrown with life, reflects a sky softly blurred by the morning mist. I've in...

“Compadres” is a 50 x 40 inch oil painting on canvas by Anita Loomis. A work from her “Couples” series, this vibrantly colored abstract composition in cool blue, green, violet palette with pops of warm orange, captures a moment with two dear souls connecting. It speaks to unspoken bonds and deep friendships in lives shared. With a painting style that hints at Loomis’s stained-glass past as well as her appreciation of European expressionist painting and cartoon animation, her active painting surface is rich with symbols and distinctive marks. "Compadres" includes elements drawn in oil pastel. This painting is signed on the back and on the left gallery edge. Anita Loomis is a painter who works from her studio in Kittery, Maine. Communication is the underpinning focus of her oeuvre. For the “Tomorrowland” series, each painting offers semi-abstract settings with unusual plant and animal life thriving in spaces with simple architectural forms and structures. Through this series of paintings, the artist asks what possible new species will evolve as the Earth changes. Anita Loomis creates paintings that explore facets of human dialogue and relationships. Through painting, humor, and a deep curiosity about human imperfection, she investigates what it means to navigate communication with people who see the world through different cultural lenses. Loomis paints to shine a light on the common threads that connect our human experiences and spotlight the value of empathy. Loomis earned her BA in Studio Art from Framingham State University in Massachusetts, and her MA with a concentration in Arts Management from the University of Central Florida. She worked in the field of architectural stained glass for fifteen years and has focused on painting since 2004. She lives and works in Kittery, Maine. Her work has been exhibited at Miller White Gallery, South Dennis, MA; Fountain Street Gallery, Boston, MA, and various exhibitions in New England, Pennsylvania...