Boat Paintings

In this piece, I poured my love for Venice into every brushstroke, blending expressionism and realism. The oil medium brings the shimmering water to life, while the gondolas gently f...

A charming 19th century seascape depicting a proud as punch fisherman standing with his catch on dry land. The artist has managed to capture a wonderful folk art feel in the panting,...

A wonderful mid-century study of boats moored in a harbour. The low tide has revealed much of the old stone walls of the harbour. Wonderfully painted with areas of impasto and thick,...

A vibrant nautical study of Team Stelmar at the Global Challenge Yacht Race 2004/5. Presented in a contemporary silver coloured frame. Signed. On canvas on stretchers.

A sun drenched oil painted on location on the North Shore of Oahu in Hawaii by noted California and Hawaii artist Jacobus Baas, this plein air painting "Fishing Boats, Haleiwa Harbor...

A charming depiction of a colourful fleet arriving in the city of Venice with gondola passing on the Grand Canal. The continental scene has been well presented in a contemporary fram...

Bernardo Hay (Florence 1864 - Capri 1931), Venice (1882) Oil painting on canvas 43 x 74 cm signed and dated 1882 lower right.

Title: French Vivid Coastal Oil Painting of Sailboats and Stone Tower By F.T. Roussel Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting on cardboard, unframed Condi...

A fine oil on canvas by Scottish listed artist John Campbell Noble RSA. Painted circa 1911 it is a fine example of Scottish Impressionism and ...

Gerard Valcin has a style that is instantly recognized as his own, which is quite challenging in Fine Art, where most artists' work looks like someone else's. In the present work,...

In the foreground, several snow-white yachts with wind-filled sails glide majestically along the water surface. Their reflection plays on the surface of the river, shimmering in the ...

This vibrant 20th century oil depicts a busy Italian harbour docked with many colourful fishing boats. The artist has paid particular attention to the position of each with the refle...

"Grey Day on the Bay" by Lu Haskew Oil 24x28" framed, 16x20" image size Signed lower left When Lu visited her sister in Oregon she always made a point of visiting the ships at dock ...

In Gloucester Boats, Florence Prince Ewing captures the character and rhythm of New England’s working waterfront. The composition centers on two fishing vessels tied to a weathered d...

Oil painting on canvas by Elena Mardashova, 50x60 cm. Excellent condition.

Gentle scene of sail boats sailing past a small inviting lighthouse through calm waters on the California Coast. Majority of this peice is light in color, which causes the areas of c...

Bright sunny blues, greens, and colorful water reflections fill "Cala Figuera" an exceptional oil painted on location on the island of Mallorca in by Maria Bertran, this Contempo...

Flying the kites on the beach with the hot air balloon’s rising in the sky :: Painting :: Folk Art :: This piece comes with an official certificate of authenticity signed by the ar...

Vintage Oil Painting "Dutch Harbor" by Bertus de Meij/Bertus de Mey (1915-1994) Though undated, this impressionist oil painting appears to be from the 19...

Anonymous Chinese Painter Clipper Ship Tin Sing of Hong Kong Oil on Canvas 25 X 32 inches

"Golden Reflections" with glowing water reflections of a wooden boat tied up to the beach is a quintessential example of Tom Swimm's enhanced realism. This co...

A wonderful coastal view of the Creek at Leigh with fisherman in the foreground, bring cockles ashore. The composition has been signed and dated (1952) to the lower left. Well-presen...

Paul Schumann 1876-1946 Galveston Artist Image Size: 9 x 12 Frame Size: 12.5 x 15.5 Medium: Oil on Board Circa 1930s "Navy or Coast Guard Boat At Sea" Paul Schumann 1876-1946 Galveston Artist Image Size: 8 x 12.75 Frame Size: 13 x 17.5 Medium: Oil New Mexico Biography Paul Schumann 1876-1946 Paul R. Schumann Paul Richard Schumann (December 13, 1876 – April 29, 1946) was a Texas impressionist seascape painter who has been called the Gulf Coast counterpart of Winslow Homer. Education and personal life Paul R. Schumann was born in Reichersdorf in the German state of Saxony in 1876, one of four children of Albert F. Schumann and Mina Clara Zincke. Only he and his brother Albert Otto survived infancy. The family emigrated to the United States in 1879 and settled in Galveston, Texas, where he lived until his death. Schumann evinced an early interest in art and received encouragement from the superintendent of the Galveston Public Schools. He studied painting with local painter Julius Stockfleth...

Signed verso, 'Kim Harris' for Kimberly Ann Harris (American, 1952-2022), titled, 'Red Canoe' and dated 2004. A substantial oil painting showing a view of a moody and atmospheric se...

A delightful scene depicting sailboats making their way into a harbour at a French portside town. Painted in an impressionist style using gestural brushwork to capture the scene. Sig...

Some of the corners of Buenos Aires port, inmortalized by the argentinian artist Quinquela Martin :: Painting :: Impressionist :: This piece comes wit...

Framed 25.63 x 29.63 in

Yetvart Kaprelian (b. 1959). Oil on Canvas, Signed by Artist and comes with Certificate of Authenticity. Measures 16.75 x 20 inches, Framed. Image is in Good Condition. Frame shows ...

Seascape with a sail boat? painted by oil on canvas. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Ha...

An oil painting by Rolf Hellem (b. 1998, Norway) of the port of Henningsvær, a fishing village in Vågan Municipality in Nordland county, Norway. It is located on several small isla...

A Skipjack, an oyster boat of the Chesapeake Bay, sailing off the Thomas Point Lighthouse. This painting was awarded the Katlan Family Seascape Award a...

Alexandra Rozenman’s “Blind Date on a Brooklyn Bridge” is a 34 x 34 x 2 inch oil painting on linen. This piece is from her “Air Fire Water” series. In this body of work the shared th...

Artist: Charles Levier, French (1920 - 2003) Title: Le Bord de la Mer Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 40 in. (76.2 cm x 101.6 cm) Frame: 36 x ...

Zufar's artistic style is deeply influenced by Russian and Soviet era Impressionism, evident in his landscape paintings. For him, art is an ongoing journey of experimentation and gro...

An utterly charming mid-century oil, painted in the manner of Polish artist Henryk Gotlib (1890 -1966). The scene captures several colourful sailing boats departing a grand city harb...

Impressionist scene with a day regatta. Stunning waves, luminous qualities of the ocean and stunning sky above your head, cause a feeling of love and gratitude to nature. While trave...

Loose oils capture a quiet moment at the harbour. The artwork holds a fluid realism and renders the tranquil moment to a pristine effect. The artwork is unsigned and is well presente...

Lights in the Gulf of Naples is an original oil on canvas realized by the italian painter Adriano Bernetti da Vila. The magic of a full moon in the Gulf of Naples, the reflections i...

Oil on canvas signed in the lower right corner. This painting depicts an American clipper ship with a pilot in the English Channel. The dimensi...

"Painted Red" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the mood and feel of the Venice lagoon with the bri...

Full Moon Over the Island of Ponza is an original artwork realized by the Italian artist Adriano Bernetti da Vila in 2018. Hand-signed oil on canvas 80 x 80 cm. The artwork aportray...

"Perfect Autumn Day" with glowing water reflections of a wooden boats tied up to the dock is a quintessential example of Tom Swimm's enhanced realism. This co...

Ernest Fiene (1894 - 1965) Low Tide at Noon, Wellfleet, Massachusetts Oil on canvas 26 x 36 inches Signed lower right Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. He was the subject of the first monograph for the Younger Artists Series in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene's paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene's paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene's paintings. Also in 1928 Fiene became affiliated with Edith Halpert's Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled "Changing Old New York," in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene's oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art's exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene's Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art's exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene's landscape paintings attracted numerous commissions as part of the American Scene movement. From 1935-36 Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Francisco Benavente Solís (Merida,1940). "Escena de playa". Firmado a mano, en ángulo inferior derecho. Óleo sobre tabla. Medidas: 35 x 50 cm; 55 x 70 cm (marco). Pintor afincado en...

A delightful oil study of Cardiff Bay in the early morning where we see the boats moored ready to set sail. Signed to the lower right and inscribed with the title to the reverse. The...

"In the Embrace of the Sunset." From the series "Colors of the Sea". The painting "In the Embrace of the Sunset" captures the moment when the sun slowly disappears behind the mountai...

CELSO LAGAR Spanish, 1891 - 1966 FORAINS SUR LA PLAGE signed "Lagar" (lower right) signed, located, dated and titled “Lagar Pennedepie sur Honfleur / 1951 / Forains dans la Grove” (o...

Monogrammed to the lower left-hand corner. The artist's name and title are inscribed on the reverse. Presented in a gilt-effect frame with an inner fabric detail. On canvas on stretc...

large oil study depicting ships in a continental harbour or port at sunset. Well presented in a painted white wood frame. Signed. On canvas on stretchers.

"MaineSunrise" with glowing water reflections of boats anchored in a peaceful harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on a b...

Willi Bauer is a contemporary German painter known for his Impressionist-styled depictions of garden parties and rustic villages. His paintings are composed of all aspects of life from depictions of serene provincial gatherings in summer to the tranquility and solitude winter can portray. The city cove where sailboats dock is reproduced on his canvases in sparking colors and firm brush strokes. Sailboats are docked at a city by the bay...

"Hay Bales in the Snow" by Viktor Butko, is a plein air painting of a snowy landscape in Sagaponack, NY. Situated along the open farm fields along Gibson La...

Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London with Tower Bridge & St Paul’s Beyond Oil on canvas, signed Image size: 14.25 inches x 29.25 inches Size including frame: 19.25 inches x 34.25 inches A wonderful painting of a steamship and other boats in the Pool of London by Edward Henry Eugene Fletcher. A two funnelled steamship is shown in the foreground next to sailing boats and a dock. Tower Bridge can be seen in the distance with St Paul’s Cathedral beyond. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool. Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin. Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting. Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945. Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...

OIL PAINTING LARGE SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIG...

George Stainton 1838 - 1900 A midlands painter of coastal marines, he begun life as a papier-mache painter and Japaner. He exhibited 119 works at the Royal Birmingham Society of Arti...

P. B. Hebblethwaite "Whitby Bay, Evening" Popular beauty spot and haven for artists. Whitby was regularly visited by painters. Hebblethwaite seems to have been a local painter in the...

An original landscape painting by contemporary artist John L. Harris. Signed to the lower right. Presented in a contemporary wooden frame with a crisp white mount. On board.

A charming landscape scene depicting figures in a rowing boat on a river. The boat is shown before a cottage and distant town. Unsigned. Presented in a black lacquer frame. Provenanc...

Heather Neill's (US based) "Tied Up" is an original, handmade oil painting that depicts a wood paneled rustic fishing boat with all its gear and fittings...

A landscape in the harbour village of Clovelly in Devon. Presented in a distressed gilt-effect wooden frame with a linen inner window. Signed and dated to the lower-right corner. The...