Landscape Paintings

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Edvard Axel Rosenberg (Swedish School, 1858-1934) In many ways Edvard Rosenberg was the archetypal Swedish painte...

Landscape painting titled "Untitled (Salt Marsh Herring Cove)" by Cobi Moules - Oil on canvas Driven by the desire for adventure and discovery, Cobi Moules embraces the beauty of nature all the while shifting its weight through the exaltation of his own existence within, and as part, of it. This is best exemplified by the way he incorporates multiple self-portraits throughout his compositions. The multiplicity of self takes both precedence over, as well as integration into, the landscape creating a world with a sense of excitement, self-worth and play. The locations of Moules’ compositions are equally important. All of the locations were previously depicted in paintings by the Hudson River School. Through the exploration of the grand American landscape and the reflection on mid-19th century American...

Original oil painting on canvas 70X50 cm, entitled Mountain Mystery. Excellent condition.

Stroud Valley is an Original Painting by Eleanor Woolley. Stroud valley is a bright colourful depiction of one of the artist's favourite places. It shows the end of the Cotswold esca...

Luminous mid century landscape of the sun rising in the Yosemite High Sierras by an unknown artist (American, 20th Century). Unsigned. Unframed. Image siz...

"Low Tide Afternoon" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the mood and feel of the California Riviera ...

Immerse yourself in the sweeping beauty of the Rocky Mountains with "Lush Grazing, North Park", an original oil painting by celebrated landscape artist James Emery Greer, created in ...

Title: Country Road Medium: Oil on canvas Size: 31 x 38 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Title: British Impressionist Watercolor of Wildflowers, Fields, and Rolling Hills By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. Cuban born “Pozas” is a self-educated artist. After completing his studies in Electrical...

Title: Landscape 3 Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is u...

This contemporary landscape painting of a tree was created by Peter Hoffer, respected in the international art world as a fine contemporary artist for his ethereal, atmospheric landscapes. Reminiscent of the great romanticists of the 19th century, Peter Hoffer’s landscapes are a blend of realism and impressionism. His series of tree ‘portraits’ imbues each tree with a distinct ‘personality’ accentuated by his process. Hoffer uses scratches, markings, paint drippings, and thick coats of resin to add character to each mixed media piece. The result is thoroughly modern. This horizontal landscape offers a commanding view of the surrounding countryside-verdant green fields and a turquoise blue sky. The viewer’s eye is drawn to the lone tree in the middle of the canvas captured at the height of the season in bright pinks. “A landscape is continually evolving. Its topography consists of repetitive gestures of surfacing, resurfacing, and erosion. Exposed to the elements, scarred by the wind and shifting soils, the landscape reveals its own narrative.” Peter Hoffer They are profound works from an artist with a clear vision.” Peter Simpson...

Richmond Hill English, late 19th/ early 20th century inscribed verso oil on canvas, framed framed: 18 x 24 inches canvas: 16 x 22 inches Provenance: private collection, England Condi...

A luminous landscape painting depicting the Texas Hill Country in springtime, blanketed with bluebonnets and dotted with yellow, blooming prickly pear cactus in the foreground. A stately live oak tree...

Title: Rural Landscape with Church Spires and Fields Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H x W): 5 x 14.25 inches...

Joseph Orr (Japanese, American, b. 1949) River Access Signed Lower Right 30 x 30 inches 39.5 x 39.5 inches with frame BORN in Tokyo, Japan, Oct 31,1949, Joseph lived his first years in an orphanage sponsored by American Armed Forces. He was adopted April,1954 and came to the US at age 5 where he became an American citizen. As the Orr’s traveled for the US military Joseph enjoyed a childhood rich in experiences from Germany and back to California where he attended High School and started College. Following his parents to Missouri In 1971 he took a job with Hallmark Cards as machine operator in the cardboard fold dept. It sparked an interest in art, so after a few months he sought out some of the Hallmark artists at their work for private lessons. He learned basic drawing and watercolor from Anthony Allison and, “Probably before I was ready”, he admits, Joseph was entering local art shows and even winning prizes. At that time Joseph also enrolled for art instruction under John Coleman at Longview Community College. He spent one semester there. By the end of 1972 Joseph had quit his day job to become a full time painter, joining an art show tour group called Word Of Art, which was a new concept: culture meets promotion. Booking weekly art exhibits in the new indoor shopping malls across America, The idea transformed part of the art world by bringing art to the masses. For Joe and many other artists in the early 1970’s, it created the chance to paint full time and sell their work to an otherwise unobtainable audience. During this time of continuous self study and painting Joseph transitioned from watercolor to the newer acrylic painting medium. Believing that acrylic, as a fine art painting medium, can be as viable as oil, Orr has always promoted it as the modern medium that it is. In 1990 Joseph, along with his wife, Rita and two other artists, founded the National Oil & Acrylic Painter’s Society. The Orr’s brainchild, they were aided in founding NOAPS organization by local art patrons, Wm & Martha Mitchell and fellow artists Pete Peterson and Dennis T. Yates. While traveling with the World of Art Tour Joseph had met Rita Mathews, an aspiring artist, in Columbia, MO. They were married in June 1974 and stayed in Missouri, traveling and exhibiting their art together. Orr had a brief encounter with printmaking in 1977. He took private instruction in stone lithography and copper plate etching from Frank Stack, professor of art at the Univ of MO, Columbia, but painting remained his principal devotion. By 1999 Joseph had become proficient enough to have obtained Gallery representation with several Fine Art Galleries across the US. Joseph Orr currently resides in Osage Beach, Missouri, but travels to paint and visit his gallery representatives and Exhibit Openings. PHILOSOPHY: For me the idea is that painting should follow some form of illustration and truth telling. Basically, the premise of my painting philosophy, is to build layers of narrative into my paintings. A place or landscape scene is never defined satisfactorily without it’s relationship to color and composition. It is important to balance fact with imagination. “ART REFLECTS THE SOUL OF SOCIETY. A JUDGMENT CAN BE MADE FOR THE ATTITUDE OR CONDITION OF SOCIETY BY INSPECTING THE POPULAR ‘IDEAS’ OF ART OR, IN SOME INSTANCES, THE LACK OF ART.” (JOSEPH C. ORR) NOTED SOLO EXHIBITS : *BIRGER SANDZEN MEMORIAL, LINDSBORG, KS; *HARWELL ART MUSEUM, POPLAR BLUFF, MO; *ASHBY-HODGE GALLERY OF AMERICAN FINE ART, FAYETTE, MO; *NORFOLK ART CENTER, NORFOLK, NE; *KODNER GALLERIES...

Original painting by Jon MacAdam Jon MacAdam (1976, London, UK) is a landscape artist known for his realist depictions of nature. He received his MFA in painting and sculpture from ...

"Ballooning on Lake George" is a 8x24 oil painting on canvas by artist Rob Meyers featuring a water view of Lake George at the break of dawn. A cluster of white morning sailboats swa...

Artist: Jerry Schurr, American (1940 - ) Title: Great Valley Year: 1987 Medium: Acrylic on Canvas, signed and dated l.r. Size: 43 in. x 88 in. (109.22 cm ...

An exceptional oil painted on location in Provence by Maria Bertran, this Contemporary Impressionist seascape captures the beauty of Spring in the South of France. "Crashing Waves, ...

In this piece, I capture the serene embrace of nature using oil paints, blending the evocative textures of realism with the fluidity of impressionism. The scene, a tranquil river win...

A dramatic seascape in acrylic, showing violent green waves throwing a ship against the cliffs under an eerily clear sky with glowing moon. The artist has signed to the lower left ed...

In creating this painting, I sought to blend the tranquility of impressionism with the vibrant energy of pop art, all while maintaining a grounding in realism. The majestic tree, bat...

Monotype Monoprint Hand signed and numbered 1/1 Lake landscape Sheet: 37.5" X 27" Image: 29.5" X 19.75" Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott, Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...

This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...

A delicate gouache landscape showing a view of a Renaissance villa overlooking calm blue waters of Lake Como, Italy. Signed lower right, 'F. Catano', (Italian, 19th century); inscri...

Title: Shan Yin Dao Shang V Medium: Oil on canvas Size: 12 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...

'King's Bluff, La Crosse' is an original landscape in oil signed by the Midwestern artist Kevin Knopp. In the vista, mountains jutt out from either side of the canvas in deep greens ...

Gouache on paper This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After...

Title: Towards Where Afar Medium: Oil on canvas Size: 26 x 34 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2012 Ar...

"Little Bear" is a captivating mid-century oil painting by American artist Harold Vincent Skene (1883–1978). This traditional Western landscape, painted in...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

An oil painting of a cloud filled sky at sunset. The foreground is set along a sandy beach, white sand meeting dunes, tire tracks in the sand lead our eye to a pair of figures, seate...

American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of the most important realist painters today. McGurl works almost exclusively with oil paint, capturing marine and landscape scenes in his native New England as well as other areas of the Eastern US. Along with his childhood as a muralist’s son, McGurl’s days as a sailor and his studies under Robert Cormier...

A dramatic oil painting by the well-listed artist Francis E. Jamieson, depicting an impressive mountain landscape with tall peaks and tranquil valley river. Pictured to the left-hand...

Monogrammed lower left: ATBRICHER

This is a view of the estuary of the River Otter as it winds its way to the sea at Budleigh Salterton, Devon. It is a clear, bright day. The reflections of the pines on the cliff are...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in...

Artist/ School: F. E. Jamieson British (signed with the artists pseudonyn 'W. Richards'). Title: Pitlochry Medium: Oil on canvas, framed Size: framed: 18 x 26 inches canvas : 16...

Charles Temple Dix was born in Albany, New York, the youngest son of the distinguished statesman and soldier, General John Adams Dix. Having already visited Europe as a child, Dix re...

This painting was painted en plein air, in the picturesque village of Faulensee on Lake Thun in Switzerland, known for its breathtaking views and tranquil atmosphere. The deep blue ...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Ancient Trackway 2 By Sarah Brooks [2022] limited_edition Mixed media Edition number 40 Image size: H:29.7 cm x W:42.5 cm Complete Size of Unframed W...

Stroud valley is an original painting by Eleanor Woolley. Painted Al fresco the scene shows the river Severn disappearing in the distance, and the grassy green fields on a sunny sum...

A Place Without Time Michael Protiva (20th/21st Century) Signed Lower Left 48 x 60 inches 49.25 x 61.25 inches with frame Michael Protiva's interest i...

Work on canvas Silver wooden frame 82 x 98 x 5.5 cm

Joy by Rosie Phipps [2022] Joy is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expressive use of mark making to crea...

Adalbert Waagen Munich, 1834 – Bertesgaden, 1898 On the shores of Lake Tegern in Southern Bavaria Oil on panel Signed and dated lower left "A. Waagen. 1857" Located on the reverse "G...

John Evans (b. 1945) is a Boston-based painter of seascapes, landscapes, and botanical gardens. John Evans (received his MFA from Boston University, under the tutelage of James Weeks, David Aronson, and Philip Guston. Early in his career, he taught at both Boston University and Southern Methodist...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

In ‘song’s of summer’s morn Lee Tiller has created the perfect evocation of an early summer’s morning. It’s full of promise and optimism. A perfect antidote to the claustrophobic day...

I've climbed Boulder Peak many times & always enjoy the view back to another of my favorite peaks from the slopes on the way up. This was a fun, loose, whimsical interpretation of th...

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Early morning sails by Caroline McMillan Davey [2021] original Oil on canvas Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:3.8cm Sold Unframed ...

'Sunset Beach' a highly detailed portrait painting of a sunset beach, oranges, blues and sand colours. Ignacio Trelis is a Spanish contemporary painter and gallery owner. Origina...