18th Century and Earlier Art
to
1,019
4,212
1,507
662
510
703
Overall Width
to
Overall Height
to
7,606
21,286
162,226
233,202
1,981
2,258
4,928
6,460
5,739
15,015
20,477
25,762
18,496
13,848
5,389
3,138
1,299
49
17
14
10
4
3
1
1
1
1
3,656
3,244
392
4,762
2,391
1,518
1,511
1,337
890
669
656
516
425
415
398
336
274
198
196
196
184
180
175
3,712
2,310
1,889
1,076
873
160
127
90
88
81
2,275
3,533
5,058
1,340
Period: 18th Century and Earlier
Important 17
Century Mythological Painting Diana and Actaeon Oil on Canvas
Located in Rome, IT
Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses.
Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame .
Giovanni Battista Viola...
Category
Baroque 18th Century and Earlier Art
Materials
Oil
Portrait of Thomas Moore - Original Etching by B. Moncernet - 17th Century
Located in Roma, IT
Portrait of Thomas Moore is an original etching on paper realized by Balthasar Moncernet in the second half of 17th Century.
The state of preservation is good.
With the descriptio...
Category
Modern 18th Century and Earlier Art
Materials
Etching
18th Century Scagliola Panel on Slate Signed Sayter and Dated 1749
Located in Vicoforte, IT
An exquisite 18th-century scagliola panel on a slate support. The artwork belongs to the genre of inlaid scagliola with an engraved effect, which enjoyed great success thanks to the ...
Category
18th Century and Earlier Art
Materials
Slate
French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768.
Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category
French School 18th Century and Earlier Art
Materials
Engraving
William Hogarth
s "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving, Etching
A Riverside Conversation
Located in London, GB
British School
Oil on Canvas, unsigned
Image Size: 31 inches x 25 3/4 inches (79 x 65.5 cm)
Original gilt frame
Gathered along a riverside are two fishermen turned in conversation, ...
Category
English School 18th Century and Earlier Art
Materials
Oil, Canvas
St. Vincent Ferrer Preaching to the People of Salamanca
Located in New York, NY
Provenance:
Private Collection, New Jersey
The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...
Category
Renaissance 18th Century and Earlier Art
Materials
Oil, Wood Panel
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category
Old Masters 18th Century and Earlier Art
Materials
Handmade Paper, Laid Paper, Ink, Woodcut
Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant.
This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title.
This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition.
Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving.
Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers.
Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
French Modernist Cubist Painting Vibrant Street Scene
Located in Cirencester, Gloucestershire
Vibrant street scene
by Maurice Mazeilie (French, 1924-2021)
watercolor painting on artist paper, unframed
signed lower right
stamped verso
A robustly coloured and lively scene of a ...
Category
18th Century and Earlier Art
Materials
Acrylic
$350 Sale Price
35% Off
The Road to Calvary, Oil on Oak Panel, 16th Century Painting
Located in London, GB
Oil on oak panel
Image size: 20 1/2 x 23 1/2 inches (52 x 60 cm)
Hand made frame
Herri Met de Bles, also known as Henri Blès, Herri de Dinant and Herry de ...
Category
18th Century and Earlier Art
Materials
Oak, Oil
Eighteenth-century Irish portrait of the Rev. Henry Dabzac
By Hugh Douglas Hamilton
Located in London, GB
Pastel on paper, oval
9 x 7 ¼ inches; 230 x 185 mm
Inscribed on the verso:
‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’
Collections:
Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797);
Sir Hugh Crofton (1763-1834);
By descent to 1990;
Private collection, Dorset to 2020.
Literature:
Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74;
Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247
This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...
Category
Old Masters 18th Century and Earlier Art
Materials
Pastel
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern 18th Century and Earlier Art
Materials
Etching
Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht
Located in Greven, DE
Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621)
“Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...
Category
Renaissance 18th Century and Earlier Art
Materials
Engraving
"A shepherd teaching a shepherdess to play the flute"
Located in Edinburgh, GB
Unknown artist, copy François Boucher (1703–1770)
"A Shepherd Teaching a Shepherdess to Play the Flute"
Medium: Oil on canvas
Dimensions (Framed): 115 x 100 cm
Dimensions (Canvas): ...
Category
Realist 18th Century and Earlier Art
Materials
Canvas, Oil
Genesis 7 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 7 - Old Testament Story is an original Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607ca.
Passpartout included 29 x 39 cm
The ...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Lambeth Plate, English Delftware, Blue and White Design c. 1750
Located in London, GB
English Delftware blue and white plate, painted with a flower and bird design
Diameter: 8 3/4 inches (22.25 cm)
Delftware is also known as Delft Blue, was originally a general term ...
Category
18th Century and Earlier Art
Materials
Ceramic, Delft
Just A Little Tipsy (MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster)
Located in Kansas City, MO
(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster)
*Lead Time may vary between 1-3 weeks
Melanie Sherman
"Just A Little Tipsy"
Year: 2021
Porcelai...
Category
Rococo 18th Century and Earlier Art
Materials
Luster, Porcelain, Glaze
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Art
Materials
Watercolor, Etching
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Art
Materials
Watercolor, Etching
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving
Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category
French School 18th Century and Earlier Art
Materials
Paper, Watercolor, Engraving
Huge 16th Century Fontainebleau School Old Master Oil on Panel Baby Moses
Located in Cirencester, Gloucestershire
The Finding of Baby Moses
Fontainebleau School, circa 1580's period
oil painting on thick wood (walnut wood) panel, framed
framed: 32.5 x 27 inches
wood: 25 x 30 inches
provenance: p...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$12,018 Sale Price
20% Off
Portrait of a Young Woman
Located in London, GB
Red chalk on paper
Image size: 7 1/2 x 9 1/4 inches (19 x 23.5 cm)
Contemporary frame
An enigmatic portrait of a young woman after Sir Peter Lely's drawing, currently shown in the B...
Category
Victorian 18th Century and Earlier Art
Materials
Paper, Chalk
18th Century by Giuseppe Bonito The Painter
s Studio or Allegory of Painting
Located in Milano, Lombardia
Giuseppe Bonito (Castellammare di Stabia, Italy, 1707 - Naples, Italy, 1789)
Title: The Painter's Studio or Allegory of Painting
Medium: Oil on canvas
...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
By Thomas Beach
Located in London, GB
Oil on canvas
Image size: 30 x 25 inches (76 x 63.5 cm)
Contemporary hand-carved frame
This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece w...
Category
English School 18th Century and Earlier Art
Materials
Canvas, Oil
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
Oxford from the East engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Oxford from the East
Engraving
12 x 16 cm
An eighteenth-century view of Oxford from the east, engraved by Pieter van de...
Category
Realist 18th Century and Earlier Art
Materials
Engraving
Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Fine 17th Century Flemish Baroque Oil Painting Roman Charity Large Wood Panel
Located in Cirencester, Gloucestershire
Roman Charity
Flemish Baroque period, first half 17th century
circle of Peter Paul Rubens
oil on wood panel, framed
framed: 24.5 x 30 inches
panel: 20 x 26 inches
Provenance: Private...
Category
Baroque 18th Century and Earlier Art
Materials
Oil
$24,582 Sale Price
20% Off
Coppia di specchi rococò toscane in legno dorato
Located in Florence, IT
Coppia di specchi rococò il legno dorato decorati a volute, racemi floreali, e mascheroni. Hanno mantenuto il loro vetro originale.
Category
Rococo 18th Century and Earlier Art
Materials
Gold
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century and Earlier Art
Materials
Watercolor, Mezzotint
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED ITEM. MORE EXAMPLES AVAILABLE
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, present...
Category
18th Century and Earlier Art
Materials
Watercolor, Mezzotint
Johann Weinmann: 18th Century Engraving. Aloe in a Decorative pot.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT.
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parce...
Category
18th Century and Earlier Art
Materials
Watercolor, Mezzotint
18th century view of the Elephant and Castle in London
Located in London, GB
Collections:
With Martyn Gregory;
Judy Egerton, 1984, acquired from the above;
By descent to 2014.
Exhibited:
London, Martyn Gregory, Exhibition of English & Continental Watercolours, 1984, no. 94.
London, Lowell Libson...
Category
Old Masters 18th Century and Earlier Art
Materials
Gouache, Vellum
17th Century by Giovan Battista Discepoli Coronation of Thorns Oil on Panel
Located in Milano, Lombardia
Giovan Battista Discepoli, also called the "Zoppo from Lugano" [Castagnola (Lugano), Switzerland, 1590 - Lugano, Switzerland, 1654]
Title: Coronation of Thorns
Medium: Oil on panel
D...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Panel
Design for a theatre fresco with fancy plasterwork - early 18th century French S
Located in Middletown, NY
Pen and sepia ink on cream laid paper, 8 3/4 x 5 3/8 inches (222 x 136 mm). Scattered paper tape repairs on the verso in the area of the upper left corner, and along the right sheet...
Category
French School 18th Century and Earlier Art
Materials
Ink, Laid Paper
Full length portrait of Lady Elizabeth Cromwell as the Magdalen
Located in Taunton, GB
Portrait of Lady Elizabeth Cromwell as the Magdalen, full length seated in a landscape wearing a red dress and blue robes
Oil on canvas
THE SOUTHWELL COLLECTION
Everett Fine Art i...
Category
18th Century and Earlier Art
Materials
Oil
17th Century Old Head Flemish School Eyes Caravagism Oil on Canvas Yellow White
Located in Sanremo, IT
Painting oil on panel depicting a strong and distinctive old man's head with dimensions of 36 x 28 cm without frame and 68 x 60 with frame coeval Flemish school of the second half of...
Category
Flemish School 18th Century and Earlier Art
Materials
Oil, Board
$4,263 Sale Price
25% Off
Bacchus Cumampelo
— 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
Realist 18th Century and Earlier Art
Materials
Engraving
Salvator Rosa. Original etching: Warrior with Mace and Shield. 17th century.
Located in Firenze, IT
Salvator Rosa (Naples, July 20, 1615 - Rome, March 15, 1673)
Warrior with Mace and Shield
Etching and engraving, ca. 1650-1652
Second state (final)
Plate: 14 × 9.5 cm - Sheet: approx...
Category
Baroque 18th Century and Earlier Art
Materials
Engraving, Drypoint
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613.
Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category
Old Masters 18th Century and Earlier Art
Materials
Laid Paper, Engraving
18th Century Oil on Canvas Italian Landscape Painting, 1780
Located in Vicoforte, IT
Antique Italian painting from the end of the 18th century. Artwork oil on canvas depicting landscape with characters and architectures of good pictorial quality. Non-coeval wood and ...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
The Fleet of Tahiti displayed for Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...
Category
18th Century and Earlier Art
Materials
Engraving
Chrysanthemums and the Rising Moon
Located in Middletown, NY
An image that originally appeared in an astrological calendar for the year 1766.
Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...
Category
Edo 18th Century and Earlier Art
Materials
Watercolor, Handmade Paper, Woodcut
Letter of the Alphabet O - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet O, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with minor foxing.
...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
A Pair of Italian Carved Gilt Wood Antique Frames circa 1755
Located in Jacksonville, FL
A Pair of Italian Carved Gilt Wood Antique Frames , Mirror not included. Circa 1755.
Frame Size: Width: 20.25″ X Height: 23.75″
Thickness: 4″
Pict...
Category
18th Century and Earlier Art
Materials
Wood
17th-18th Century By Hendrick Govaerts Genre Scene Oil on Canvas
Located in Milano, Lombardia
Hendrick Govaerts (Mechelen, Belgium, 1669 - 1720)
Title: Genre Scene
Medium: Oil on canvas
Dimensions: without frame 48.5 x 60 cm - with frame 63 x 72 x 6 cm
Not signed
Oral Expert...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Cleopatra Queen of Egypt 17
century Painting Oil on Canvas
Located in Rome, IT
Amazing painting of Cleopatra oil on canvas with a gilt wood frame.
Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705)
The dramatic subje...
Category
Academic 18th Century and Earlier Art
Materials
Oil
William the Conqueror Pax Penny
Located in New York, NY
William the Conqueror Pax Penny
English pennies struck in the name of “King William” are the PAXS pennies: these display the letters P A X S (“Peace”) at the intersections of the cr...
Category
Medieval 18th Century and Earlier Art
Materials
Metal
The Blood Of Christ, The Milk Of The Madonna, 16th Century
Located in Blackwater, GB
The Blood Of Christ, The Milk Of The Madonna, 16th Century
circle of Adriaen Isenbrandt (1480-1551)
Huge 16th Century Flemish old Master depiction of...
Category
18th Century and Earlier Art
Materials
Oil, Wood Panel
Spanish school. Secretary of Pope Pius V, abbot of Husillos, bishop of Córdoba.
Located in Firenze, IT
Portrait of Francisco de Reynoso y Baeza.
Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso.
Early 17th century.
Small-format portrait from the late Renaissance period.
Spanish school.
Size: Cm 19 x Cm 13.5
Oil on wooden panel.
On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment.
About 1600-1610.
As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here:
DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?)
(1534, Autillo de Campos, Spain - 1601, Córdoba)
Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba.
He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid.
Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age.
He studied Latin, arts, and theology at the University of Salamanca.
In 1562, he traveled to Rome with his brothers Pedro and Luis.
In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary.
After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon.
He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books.
During the brief outbreak of the Black Plague...
Category
Old Masters 18th Century and Earlier Art
Materials
Parchment Paper, Oil, Wood Panel
$1,515 Sale Price
20% Off
Library Case, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Library Case'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's styl...
Category
English School 18th Century and Earlier Art
Materials
Engraving
A decorative oval relief with Venus and Cupid, 18th Century Rococo Oil
By Jacob De Wit
Located in London, GB
Follower of Jacob de Wit
1695-1754
Venus and Cupid
Oil on panel
Image size: 7 ¾ inches x 11 ¾ inches
Gilt frame
A charming example of trompe-l'œil,...
Category
Rococo 18th Century and Earlier Art
Materials
Oil, Panel
A Sledge of Kamtschatka – An image of a relic from Captain Cook
s third voyage
By John Webber
Located in Middletown, NY
London: Scatcherd & Whitaker, 1784.
Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...
Category
English School 18th Century and Earlier Art
Materials
Watercolor, Handmade Paper, Etching
Old Master Drawing, Roccoco, 18th Century, German Artist, Animal Drawing
By Johann Martin Metz
Located in Greven, DE
Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm
Plain gold moulding, 44.8 x 36 cm
The Rhenish still life painter Johann Martin Metz was ...
Category
Rococo 18th Century and Earlier Art
Materials
Paper, Crayon
$757 Sale Price
20% Off
Shipping on the Maas, Rotterdam in the background.
Located in Middletown, NY
A beautiful 18th century nautical scene filled with movement and activity.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...
Category
18th Century and Earlier Art
Materials
Laid Paper, Etching
Romantic Light 18th Century Dutch Oil Pastoral Scene Bergers Cattle by River
Located in Cirencester, Gloucestershire
Pastoral Landscape
Dutch painter, 18th century
oil on canvas, framed in antique frame
framed: 22 x 25 inches
canvas: 18.5 x 22 inches
Provenance: Private collection, France
Condition...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Travellers at the Roadside Shrine
Located in Jacksonville, FL
This finely executed oil on the panel is attributed to the Dutch School in the late 18th century and represents that period's elegance and naturalistic style. Titled “Travellers at t...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
