1960s Art

11 x 14" vintage silver gelatin photograph ofErik Bruhn, Maria Tallchief in "Giselle" at Jacob's Pillow, 1961. Signed by Jack Mitchell on the print recto. Comes directly from the Jac...

"The Little One" - Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). A young child is kneeling, facing away ...

This stunning Modernist Untitled Color Field Oil Painting in Earth Tones signed Herbert MacDonald originates from the United States, Circa 1968. Features a rectangular composition in...

Artist: Thomas Strickland, American (1923 - 1999) Title: Flower Still Life Year: circa 1960 Medium: Oil on Canvas, signed u.l. Size: 20 x 24 inches Frame: 31 x 27.5 inches

Charcoal and oil pastel on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his...

Salvador Dali (1904-1989) - Guerre de 1914-1918 Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Gr...

Mid century still life of bronze chrysanthemums with yellow draping backing. This piece is rendered in warm tones, as if flooded by later afternoon summe...

Original poster made by Ellsworth Kelly in original Lithography, for his exhibition at the Maeght Gallery in 1964. Ellsworth Kelly was an American painter, sculptor and printmaker as...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Scene de famille (Family Scene), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (...

An original screenprint by Frank Stella from X + X (Ten Works by Ten Painters) published in 1964 by Wadsworth Atheneum, CT. The print was printed by Ives-Sillman, CT and referenced i...

Etching and aquatint realized by Lam in 1967. Hand signed in pencil. Artist proof printed by Giorgio Upiglio. Very good condition.

This exquisite silkscreen by Ellsworth Kelly (1923–2015), titled Red Blue, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Athen...

French painting in bright green, blue and yellow tones of someone sitting at a table by artist Jean-Charles Lauthe, 1971. Signed and dated lower right. Original artwork on paper dis...

Color linocut on strong wove paper. Image dimension 53.2x39.3; Sheet size 62.5x44.5. One of the "épreuves de passe" remaining with the printer Arnéra in Vallauris, verso with the s...

GEORGES ARTEMOFF "LA FEMME ASSIS A LA MANTILLE NOIRE” OIL ON PANEL, SIGNED RUSSIAN-FRENCH, DATE 1963 PROVENANCE: GALERIE MAKASSAR , PARIS 31.75 X 20 INCHES Illustrated in the c...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - So went Moses and Aaron, and gathered all the Elders of the children of Israel L...

Signed lower center, 'Geo Marzan' and painted circa 1965. Panoramic sunset view of Causeway Bay, Hong Kong, with numerous fishing vessels and pleasure boats, and Victoria Peak risin...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

Max Ernst (German, American, 1891-1976) Color lithograph Titled, "Poster For The Jewish Museum" 1966 Hand signed lower right Hand numbered HC I/XVII Dimensions: 34.75 x 28.5 sight 25 X 19.25 Max Ernst (German 1891 – 1976) was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Max Ernst showed for the first time in 1912 at the Galerie Feldman in Cologne. At the Sonderbund exhibition of that year in Cologne he saw the work of Paul Cezanne, Edvard Munch, Pablo Picasso, Paul Gauguin and Vincent van Gogh. In 1913 he met Guillaume Apollinaire and Robert Delaunay and traveled to Paris. Ernst participated that same year in the Erste deutsche Herbstsalon. In 1914 he met Jean Arp in Cologne who was to become a lifelong friend. In 1921 Ernst exhibited at the Galerie au Sans Pareil in Paris. He was involved in Surrealist activities in the early 1920s with Paul Eluard and André Breton. His work was exhibited that year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913. In his paintings of this period, Ernst adopted an ironic style that juxtaposed grotesque elements alongside Cubist and Expressionist motifs. Ernst fought in world war I. Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc. In 1918, Ernst was demobilised and returned to Cologne. He soon married art history student Luise Straus, of Jewish ancestry, whom he had met in 1914. In 1919, he visited Paul Klee in Munich and studied paintings by Giorgio de Chirico. In the same year, inspired by de Chirico and mail-order catalogues, teaching-aide manuals and similar sources, he produced his first collage works (notably Fiat modes, a portfolio of lithographs), a technique which later dominated his artistic pursuits. Also in 1919, Ernst, social activist Johannes Theodor Baargeld and several colleagues founded the Cologne Dada group. In 1919–20, Ernst and Baargeld published various short-lived magazines such as Der Strom, die Schammade and organised Dada exhibitions. Ernst and Luise's son Ulrich Jimmy Ernst was born on 24 June 1920; he later would also become a painter. In 1921, he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. Ernst developed a fascination with birds which was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans. In 1927, he married Marie-Berthe Aurenche and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year. He collaborated with Joan Miro on designs for Sergei Diaghilev Ballet that same year. The following year the artist collaborated with Salvador Dali and the Surrealist Luis Bunuel on the film L'Age d'or. His first American show was held at the Julien Levy Gallery, New York, in 1932. In 1936 Ernst was represented in Fantastic Art, Dada, Surrealism at the Museum of Modern Art in New York. Ernst began to sculpt in 1934 and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works, which she displayed in her new gallery in London. Ernst and Guggenheim were married from 1942 to 1946. In September 1939, the outbreak of World War II caused Ernst, being German, to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow surrealist, Hans Bellmer, who had recently emigrated to Paris. He had been living with his lover and fellow surrealist painter, Leonora Carrington who, not knowing whether he would return, saw no option but to sell their house to repay their debts and leave for Spain. Thanks to the intercession of Paul Éluard and other friends, including the journalist Varian Fry, he was released a few weeks later. Soon after the German occupation of France, he was arrested again, this time by the Gestapo, but managed to escape to America with the help of Fry and Peggy Guggenheim, a member of a wealthy American art collecting family. Ernst and Peggy Guggenheim arrived in the United States in 1941 and were married at the end of the year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of abstract expressionism. His marriage to Guggenheim did not last. In October 1946 he married American surrealist painter Dorothea Tanning in a double ceremony with Man Ray and Juliet P. Browner in Beverly Hills, California. The couple made their home in Sedona, Arizona from 1946 to 1953. He and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy. Sedona proved an inspiration for the artists and for Ernst, who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living in Sedona. As a result of the book and its publicity, Ernst began to achieve financial success. From the 1950s he lived mainly in France. In 1954 he was awarded the Grand Prize for painting at the Venice Biennale. In 2005, "Max Ernst: A Retrospective" opened at the Metropolitan Museum of Art. Contemporary artist tapestries have had their true believers. He produced a tapestry for Gloria Ross...

Antique European impressionist cityscape oil painting. Oil on canvas. Signed. Framed. Measuring 28 by 33 inches overall and 22.5 by 27.25 painting alone

'Snow in Provence', oil on board, by Yves Brayer (circa 1960s). A rare and atmospheric landscape by Yves Brayer, capturing an exceptional moment in the Provençal countryside. Snow in...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Corner, originates from the distinguished 1962 folio The Four Seasons: Pai...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Antique French impressionist paris cityscape street scene oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 16L.

Apres Ski 1963 (printed later) Chromogenic Lambda Print Estate edition of 150 A group of women reclining on the snow in Gstaad with rugs covering their knees, 1963. Estate stamped ...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1968. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 sp...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting. Hans Bellmer was a G...

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...

"Wheel Shaft" - 1969 Abstract Geometric Composition Abstract oil painting titled "Wheel Shaft" by Bay Area artist Helen Konkoff (American, 1912-1988). Bright, abstract shapes flow t...

Signed lower right, 'J. J. Enwright' for Casper Hjalmar Amundsen (American, 1911 - 2001), painted circa 1965 and titled, verso, on stretcher bar "A Cape Cod Harbor". J.J. Enwright w...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil l.r. Edition of unk...

Antique American illustration painting. Signed. Framed. Measuring 20 by 24 inches overall and 16 by 20 painting alone.

Salvador Dali (1904-1989) - Homme baisant la chaussure Etching from 1969. 109/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt....

The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Modern Abstract Year: 1960-1970 Medium: Oil on Canvas, signed lower right Size: Abstract oil on canvas by Lee Reynolds was a popular artist in the 1960s known for oversized, color...

Very beautiful poster of 1963 created by Nathan for the SNCF and the French Riviera. Railway - Tourism With trains and coaches of the SNCF Perceval Paris

Ossip Zadkine (French-Russian, 1890-1967), limited edition color lithograph on paper titled La Famille (The Family), depicting intertwined figures in a Cubist-inspired style. The pr...

Artist: William Weintraub (1926) Title: Young Boy with Donkey Year: 1962 Medium: Oil on board Size: 33 x 25.5 inches Condition: Excellent Inscription: Signed and dated by the artist ...

Cuban Socialists - Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical albumen including photo reportages of historical events an...

Untitled Abstrraction Gouache, watercolor and pigments on paper, c. 1960 Signed lower right in pencil (see photo) Image: 17 x 22 inches Sheet: 25 1/4 x 29 3/4 inches Frame: 25 1/4 x ...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Medium: original lithograph. Printed by Mourlot in 1962 for the art revue XXe Siecle (issue No. 18). Size: 12 1/4 x 9 1/2 inches (313 x 242 mm). Not signed. Condition: there is cre...

Wassily Kandinsky
 Bunt im Dreieck, 1965
 Lithograph in colours on Arches paper
 Signed in the plate
 50 x 37.5 cm
 Sheet: 64 x 45.7 cm Framed: 69.2 x 56 cm

Artist: Le Corbusier Medium: Lithograph, 1960 Dimensions: 17.25 x 22.5 in, 43.8 x 57.2 cm

A very interesting 1960's French oil on canvas portrait of a black man wearing a hat. The work is superbly painted and in very good original condition. Indistinctly signed lower righ...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

11 x 14" vintage silver gelatin photograph of Merce Cunningham, Barbara Lloyd and Albert Reid performing 'RainForest' with Andy Warhol's silver clouds in 1...

"Vitraux pour Jerusalem" is one of the most important books illustrated by Marc Chagall and considered as one of his editorial masterpieces. Th...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1961 En la parte trasera, va con una etiqueta con los detalles de la obra Se presenta enmarcada la p...

Life is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. hand signed and numbered in pencil. Edition of 89. Very Good conditions...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Teel’s Island, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, bleu, vert, jaune (Red, Blue, Green, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. ...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...