1970s Art

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 6 Yea...

Natura morta,Frutta,Colori puri, Limon,i Uva Maya KOPITZEVA (Gagra, Georgia 1924 – San Pietroburgo 2005) Maya Kuzminichna Kopitzeva nasce nel 1924 in Georgia, ma già l’anno success...

A clock-faced figure wearing monk's robes floats in a blue void above a roiling storm cloud. This Surrealist lithograph by Salvador Dali shows the figure in movement, traveling with ...

Vintage River Landscape Oil in English Countryside - 20th Century British Art Art measures 11 x 7.5 inches Frame measures 13 x 10 inches Don Micklethwaite is a British Postwar & ...

Part of the Derrière le Miroir No. 188 series, Study II by French artist Le Yaouanc exemplifies his masterful use of geometric abstraction. Influenced by architectural and mechanical...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Declaration Year: Circa 1970 Medium: Oil on Canvas, signed lower left Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 38...

Warhol superstar Ultra Violet, art dealer Jason McCoy and art historian Ron Caran multiple exposure nude for 'After Dark' magazine in 1971. This is a vintage gelatin silver print, m...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine at that time. Today they swarm like bees to place their own hot ads in gay publications. I had been photographing on assignment for Dance Magazine well before After Dark was created. Being a friend of William (Bill) Como, the Editor, and being gay, I was called into service, for the life of the publication, to photograph many of the handsome young men and women, who were featured in After Dark. Needless to say, this was enjoyable work for me, Because, mixed in with the hot-looking young guys and gals sent to my studio were some famed performers like Debbie Reynolds, Giancarlo Giannini, Arnold Schwarzenegger, Natalie Wood, Placido Domingo, Sergio Franco...

"Homage to the Square - P2, F8, I2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that ...

First edition published in 1972 by Harry N. Abrams, New York, authored by John Barnicoat. This hardcover edition, part of The World of Art Library, is bound in cloth with a dust jack...

Rare Limited Edition Serigraph of John Lennon's "One Day At A Time" originally drawn in 1979, this limited edition was released by Bag One Arts (The Lennon Estate) in 1990 and has b...

Terry Tomalty, Canadian, b.1938 Oil on board 10 x 12 in Signed framed For our US customers: 1) The artwork is shipped from Montreal, Canada; 2) Please note that the Canadian art...

Four trees. Paper, wood carving, 29x29 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Seated Boy Year: 1973 Medium: Oil on Canvas, signed and dated Size: 28 x 30 in. (71.12 x 76.2 cm) Frame Size: 35 x 37.5 inches

Paper Size: 40.25 x 25.25 inches ( 102.235 x 64.135 cm ) Image Size: 32 x 23 inches ( 81.28 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: Official poster desig...

Alexander Calder Lithographic cover c. 1971 from Derrière le miroir: Lithographic cover in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of u...

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Tulips 2 Lowell Blair Nesbitt, American (1933–1993) Date: ...

Original gouache painting on paper. Hand signed lower front by Yaacov Agam. Image size 20.25 x 18.5 inches. Sheet size 29 x 22.2 inches. Frame size approx 33 x 31 inches. Cert...

Drypoint etching on Arches paper, edited in 1973. Limited edition of 400 copies, numbered 352/400 in lower left corner. Hand-signed by artist in pencil in the lower right margin. Pa...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró IX Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations:...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.138 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

JOAN MIRO (1893 – 1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro Lithograph in colors on Arches paper c. 1975 Signed in pencil by artist, lower margin Impression...

Artist: Will Barnet, American (1911 - 2012) Title: Meditation and Minou Year: 1980 Medium: Lithograph and Serigraph on BFK Rives, signed and numbered in pencil Edition: 40/150

5-3161 Acrylic nude in a custom wood frame

Edwina Sandys, British (1938 - ) - The Daily Telegraph, Year: circa 1974, Medium: Lithograph, signed in the plate and numbered in pencil, Edition: 7/200, Image Size: 19 x 23 inches, ...

Henri Masson, 1907-1996, Canadian Road to Ripon Quebec Oil on canvas 18 x 24 in Signed lower left; signed and titled on the stretcher framed For our US customers: 1) The artwork is...

Unknown Artist Untitled (Geometric Abstraction, Cityscape, Feyninger) Medium: Oil on Canvas Year: Circa 1970s Size: 39 x 48 inches Framed Size: 39.75 x 48.5 x 1 inches Unsigned Frame...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the su...

'Porto Ercole' Italy (Slim Aarons Estate Edition) A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Beautiful greens of th...

Artist: John Hultberg Title: Fragments of a Dream Year: 1977 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 32.5 inches Paper Size: 26 in. x 3...

Jack Mitchell mid-20th Century beautiful nude of ballet dancer Zane Wilson in 1972. Zane Wilson was a spectacular principal dancer with the legendar...

Roy Blakey (b.1930). Portrait of Ron Dennis, ca. 1972. Mr. Dennis was immortalized in 1975 as the original Richie "Gimme The Ball" Walters in A Chorus Line, after making his Broadw...

Printer’s ink from rubber stamp on vélin Kromekote paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published b...

Signed lower right, 'Chiesi' and painted circa 1975. Born in Felina, in the province of Reggio Emilia, Chiesi first studied in Milan and, subsequently, with Vicentini Enzo and Gianf...

“Phenomena Rights of King", 1976. Gouache on Paper Framed: 43 ½ x 35 ½ inches Signed bottom center The Phenomena series is a celebrated body of abstract expressionist paintings and ...

Beautiful winter landscape by American artist, J. Philip Richards (1906-1991). Maine Morning, 1974. Casein on paper, 16 x 26 inches; 26 x 36 inches framed. Signed lower right. Signed, titled and dated on verso. Excellent condition. Glass has been removed and will need to be replaced. Born in Moosic, PA, and graduated from the College of Fine Arts of Syracuse University in New York, J Philip Richards worked and studied with such artists of international reputation as William Von Schlagell, James Fitzgerald, David Porter, and John Taylor.He was professor emeritus of Fine Arts at Wilkes College in Wilkes-Barre, PA. Member of the American Watercolor Society, NYC, NY; York Artists Association, York, ME; Ogunquit Art Association, Ogunquit, ME; Wyoming Valley Art League, Wilkes-Barre, PA; National Society of Casein Painters, NYC, NY; Director Ancestor's Art Workshops, Searsport, ME; Gallery Director, "Gallery 164," Kennebunk, ME; Professional Artists League of America, NYC, NY; Art Guild of Kennebunks, Kennebunk, ME; Maine Artists...

This striking lithograph reproduces Picasso’s original oil on plywood titled Serenade, created on June 18, 1967. The lithograph was designed by Mo...

Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan Zee...

Title: Spring in Cadaqués Author: Rafael Duran Benet (1931–2005) Technique: Oil on canvas board Dimensions: 14.96 x 18.11 in Signature: Signed "R. Duran" in the lower left corner Dat...

LEONARDO NIERMAN – UNTITLED TAPESTRY ⚜ Wool tapestry ⚜ Signed in the weaving lower right ⚜ Weaver: Gobelinos Riedl ⚜ Features original hanging loops ABSTRACT EXPRESSIONIST TAPESTRY ...

Title: Woman with Guitar Artist: Jordi Curós Ventura (1930–2017) Technique: Mixed media on canvas board Dimensions: 46 x 55 cm Framed: No Period: S...

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...

Linda Stein, Interested Party 124 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Interested Party 124 is from Linda Stein's Missives series--a body of work born from h...

Slim Aarons Limited Estate Edition Dining Al Fresco On Capri Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umbe...

Work on wood Molded frame in plaster and gilded wood 69.5 x 59 x 4.5 cm

WHAT THE MIRROR SAW Size: 53 x 52.5 cm (including frame) Oil on canvas A quietly arresting figurative painting that captures a fleeting, introspective moment seen through a reflecti...

Union III Yaacov Agam, Israeli (1928) Date: 1976 Screenprint, signed in pen lower right Image Size: 27 x 22.75 inches Size: 33 x 28.75 in. (83.82 x 73.03 cm)

JAUME MUXART DOMÈNECH (Martorell, Barcelona, 1922). "Futbolistas". Óleo sobre lienzo. Firmado en el ángulo inferior derecho. Medidas Pintura: 97 x 130 cm. Medidas marco: 101 x 134 cm...

Fabulous oil on canvas in the style of the famous William Aiken Walker. The details of this painting are amazing and is the same subject matter of...

Linda Stein, Before the Computer 121 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Before the Computer 121 is from Linda Stein's Missives series--a body of work born ...

Boomerang, 1974 Lithograph in colors on Arches paper Published by Transworld Art, New York, printed by Mourlot, Paris 29.5 x 43.3 inches Signed in the plate ***ITEM WILL SHIP UNFRAM...

Modern nude study of red-haired woman reclining seated by American painter, Patricia Gren Hayes (b. 1932), 1979. Signed and dated on verso Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 16"H x 20"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Natalya Prager was born in Moscow, Russia in 1938, the daughter of a famous Russian artist Vladimir Prager. She began her life as a ballerina studying at the Bolshoi Theater Ballet School. As a young woman she participated in the Bolshoi Theater performances, but the rigorous training damaged her health. Her exposure to music at a young age certainly influenced the subjects of her future endeavors in art. Her works are lyrical and with observation tell an intimate story. Encouraged by her father, she turned to painting and became a student at the Moscow College of Art. She had two exhibitions of large canvases to critical acclaim at the First Exhibition of Young Painters in Moscow when she was eighteen years old. After marrying her fellow artist Igor Kononov in 1957, she expanded her work in many different different areas, including book illustrations, circus and stage design, and puppet making for a children’s TV channel, receiving critical success and broad recognition. Prager- Kononov came to the United States with her husband and son in 1975. The first years were extremely difficult, but they never looked back. The family settled in Staten Island, New York and since 1985 in Bridgewater, New Jersey. Natalya displayed her works in some of the most prestigious locations in New York City including 57th street and SOHO galleries, Lincoln Center Gallery, Staten Island galleries and many others throughout the country. Her final show, jointly with her husband, was produced by Somerset Arts Association in 1999. Animals had a special place in Natalya’s life and art. Some of the enchanting New York City Toy Center soft animal toys had been designed by her and continue to bring joy to children of the world. Many national and local newspapers published extensive articles and personal interviews praising her enchanting work as a door to the Bewitching Fairy Kingdom...

6062 Oil on artist board set in a vintage gilt wood frame.Signed backwards by Judith M.Musaro 1971 Image size 11.5x9.5"

This original lithograph in colours is hand signed in pencil by the artist "Miró" in the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower ...

Savage Beasts in the Desert  or Little Animal Kingdom ( Les Betes Sauvages sans Le Desert ) is an original signed lithograph (+ original etched remarque)  by Salvador Dali . L...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

French Vintage Exhibition Poster for Yves Brayer (1971). Newly framed, the poster announces Brayer's exhibition of his watercolours of La Brière. La Brière is an atmospheric marshlan...