Early 1900s Art

This is a drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. An unnumbered impression, apart from the numbered edition of 50. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Large oil painting of chrysanthemums by one of the most well-known 19th-century French flower painters. Signed and dated lower right

PABLO PALAZUELO ‘Sigilla VIII’ 1977 Silkscreen on paper. Copy E.A. (epreuve d'artiste) Signed and justified. 91 x 63,5 cm

Hotel Pachenoir, 1900. Color lithograph. On Linen 51 x36. ( Image Size: 48 x33 3/4.) Jules-Alexandre Grünwas a French post-impressionist painter, poster artist, and illustrator. ......

A group of four chromolithographed illustrations of shoes, some printed with gold and silver inks. [Published: David Douglas, Edinburgh, 1900]. Plates taken from a scarce first edi...

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 9 x 7 inches (228 x 178 mm). ...

A group of six chromolithographed illustrations of shoes, some printed with gold and silver inks. [Published: David Douglas, Edinburgh, 1900]. Plates taken from a scarce first edit...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Garden Front with Chapel, Wadham College...

Work on paper signed and dated This watercolor by Eugène Martin depicts a quiet rural landscape under an expansive, pale sky. The composition is structur...

Les foins coupés by Paulémile Pissarro (1884-1972) Oil on canvas 41.5 x 33.3 cm (16 ³/₈ x 13 ¹/₈ inches) Signed and dated lower left, Paul.Emile 05 Signed and titled on the reverse ...

Henri Fantin-Latour (1836-1904),Vérité (petite planche), 1900, lithograph. Hediard-Mason 156, first state (of 3). A proof of the first state before the edition published in La Revue...

Signed and dated oil on board still life by post impressionist painter Claude Emile Schuffenecker. The piece depicts eight red and green apples set against a predominantly pale blue ...

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

A tall bud vase with a butterfly by DAUM Beautiful tall long-neck vase decorated with roses, a butterfly and cabochons blown-molded glass with an acid-etched decor decor painted wit...

Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9 1/2 x 11 1/2 (sheet). Titled, inscribed "100 Proofs" and signed, all in pencil. Whi...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Dimensions board backing is 2 X 18.5 board opening is 16.5 X 13 inches 19th Century framed tapestry of a Rabbi, embroidered sampler, with beaded script below. (it reads J. Eger Oberlandes Rabbiner or Oberlander Rabbiner) There is some sort of texture and dimension to his fur hat (Shtreimel) and coat collar. This is being sold without the frame.. Rabbi Akiba Eger (5521-5598; 1761-1838) Rabbi Akiba Eger was one of the greatest scholars of his time, who had a great influence on Jewish life. He was born in Eisenstadt, Hungary, in the year 5521 (1761), nearly two hundred years ago. The city of his birth was a seat of learning for centuries, and his family was a family of scholars and Rabbis.Rabbi Akiba Eger, who was Rabbi in the famous community of Pressburg (also Hungary, but since 1913 it belonged to Czechoslovakia and was called Bratislava). He was invited to become Rabbi of the famous city of Posen, and in fact became the chief rabbi of the entire Posen province, though he did not carry that title. His famous son-in-law, Rabbi Moshe Sofer (known as the 'Chasam Sofer'), Rabbi of Pressburg, who had married Rabbi Akiba Eger's daughter. King Frederick III of Prussia honored him with a special medal. Rabbi Akiba Eger was recognized as a great authority on Jewish law, and many well known rabbis and Jewish leaders turned to him for advice and decisions on points of law. "This sort of art, craft work, emerges from a long tradition of Jewish folk art...

English hawk moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Portrait PS 250 The Night Bride Ophélia - Arthur Rimbaud I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in...

Eugénie O'Kin is one of those personalities whose talent and the rare quality of her works are still too obscure. Today known under the various names of Eugénie Jubin, Eugénie O'Kin...

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McManus, Blanche. THE ADVENTURES OF CAPTAIN HORN. Color lithograph poster, 1901. Monogram in the plate. 16 1/4 x 12 inches, framed to 23 x 18 1/2 inches. In very good condition with ...

This bright, vintage poster advertises travel to the seaside resort of Onival sur Mer, which is located in northwestern France. It says that it is just three and a half hours from Pa...

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DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

A lovely watercolor of the Horseshoe Cloisters at Windsor Castle, with three Edwardian figures having a chat near the stairway. There's an inscription and the signature "Herbert" but...

Southeast Asian School, Battle Scene Painting, Gouache on Linen, circa 1900, giltwood frame. Image: 24" H x 17.5" W; frame: 30" H x 23.75" W. ...

Outstanding gouache painting by the British painter Clement Lambert (1855-1925). The work depicts a scene of leisure and recreation, very typical of the early 20th century. In this ...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

"Nigerian Yoruba Medicine Staff" is a hand-forged iron implement created for medical practice in Nigeria. It depicts a central stick with a bird ...

FRANCOIS-RAOUL LARCHE 1860 SAINT-ANDRÉ-DE-CUBZAC - 1912 PARIS Signed on the base with "RAOUL LARCHE," foundry mark "SIOT DECAUVILLE PARIS FONDEUR," and number "R 276." Total height...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

This rare and highly collectible original advertising poster from circa 1900 was created by the prolific Italian-French poster artist Tamagno for Kina-Cadet, an aperitif produced by ...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Original collotype created from a detail of Gustav Klimt’s Beethoven Frieze. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an e...

This shamanic figure was created by the Nepalese Dolpo people. It depicts a man with arms at his side. 11 1/2" x 2 1/4" x 1 1/2" figure Dolpo is a region in Nepal. The Dolpo peopl...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872 - 1949) Front Quad, Wadham College...

Signature bottom left - Edvard Alexander (Alexis) Ankarcrona (1825 - 1901), was a Swedish painter and military (this is one of the last works of the artist!). This artwork perfectly ...

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PS 241 Drowned in Monet Portrait of a woman with red dress. The background is the famous from Claude Monet Water lilies. ⭐Structural analysis:⭐ Such as Impressionist painting, the...

Portrait Blue Miles Davis Portrait of the famous Miles Davis Technique: oil, acrylics and ink on canvas 73x60cm ■■ 28,7x23,6inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original ...

Portrait PS 126 De Guerres lasses Portrait of a woman with blue and yellow hair with a crown of flowers. Technique: oil, acrylics, spray paint and ink on canvas 70x50cm ■■ 27.6x19...

PS203 Mondrian Stockings During the WW2, women used to paint on the legs - mark of stockings. Extrapolation made by painting Mondrian pattern. Technique: oil, acrylic, and ink on ol...

⭐ French School - PS 246 Ou veux tu que je regarde ⭐ Portrait of a woman sitting on the beach with balloon from Banksy Technique: oil, acrylic, and ink on old book pages on wooden ...

Bucolique Moderne Color woodcut, 1901 Edition of 550 impressions on Holland paper (as here) and an edition of 200 impressions printed on Japan paper signed in pencil by the artist. References And Exhibitions: Published in Di Gesellschaft fur vervielfältigende Kunst à Vienne Reference: Lotz Brissonneau 271 v/V Illustrated: Musee D'Orsay, Auguste Lepere ou lerenouveau de bois grave, No. 20 Vital, Auguste Lepere 1849-1918, No. 171. Illustrated: Musee de le Vendee, no. 171 (see photo) Musee D'Orsay, Auguste Lepere ou lerenouveau de bois grave, No. 20 Vital, Auguste Lepere 1849-1918, No. 171. Auguste Louis Lepère...

French School circa 1900 Studies of characters, four drawings in a same frame Pencil on paper Sizes of the drawings (from left to right and from top to bottom) A couple at a table ...

Arthur Wardle (1864-1949) Magpie, a Pomeranian signed in pencil ‘Arthur Wardle' and inscribed 'Magpie' (lower left and lower right respectively) oil on canvasboard 10 x 14 in. (25.4 ...

MAXWELL ARMFIELD, RWS. (1882-1972) Siegfried Signed, inscribed and dated l.c.: MAXWELL ARMFIELD/MDCCCCIV [1904] PARIS;SIEGFRIED/ACT III Pencil and watercolour on paper Framed 24 by 16 cm., 9 ½ by 6 ¼ in. (frame size 42.5 by 34.5 cm., 16 ¾ by 13 ½ in.) Provenance: Fine Art Society, London, 1979. Born at Ringwood, Hampshire, of Quaker parents, his father being a milling engineer, Armfield studied at the Birmingham School of Art under Arthur Gaskin and Joseph Southall who taught him the tempera technique he was to practice for the rest of his life. In September 1902, after visiting Italy at the suggestion of Gaskin, he went to Paris, enrolling at the Academie de la Grande Chaumiere and sharing a studio with three other students – Norman Wilkinson (also from Birmingham), Keith Henderson and the sculptor Gaston Lachaise. Returning to London the following year, he embarked on the series of one-man exhibitions that were henceforth to mark his career, showing first at Robert Ross...

Charles Lewis Fussell (American, 1840–1909) View from Gayley Street, Media PA, 1905 Watercolor on paper, 13 1/2 x 23 3/4 inches Framed: 25 1/2 x 35 3/4 (approx.) Signed and dated a...

William Arthur Breakspeare RBA RBSA 1856-1914, was an English portrait and genre subjects painter. William's father was a still life painter who worked within the flower painting a...

Les Deux Femmes Élégantes by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper Signed with Estate stamp (monogram) lower right Executed circa 1901 21.8 x 14.7 cm (8 ⁵...

LADIES DRESS SHOES. Plate XII. The charming color lithograph is from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/...

Artist: Filippo Bartolini (Italian, 1861-1908) Title: "Resting Lady, Roma" *Signed by Bartolini lower right Circa: 1900 Medium: Original Watercolor on heavy wove paper Framing: Rece...

This wood statue, used as a fetish, was created by an unknown Bacongo artist in Zaire. The Kongo people (also Bakongo) are a Bantu ethnic group primarily defined as the speakers of K...

Étang de Cernay by Ludovic-Rodo Pissarro (1878 - 1952) Watercolour and pencil on paper 24.5 x 35.5 cm (9 ⅝ x 13 ⅝ inches) Inscribed and dated lower right, Étang de Cernay 12 Aug 05 ...

An initialed, Turn-of-the-century pencil drawing of a seated woman by listed, multi talented French artist, Louis Valtat (1869-1952). Titled on the reverse Élégante Assise (Seated El...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

Prince, George WILLIAM MCKINLEY AND THEODORE ROOSEVELT CAMPAIGN POSTERS. Lithographs, 1900. With Prince's copyright, lower left, and Litho by Julius Bien NY, lower right. The McKinle...