Early 1900s Art

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

Mt. Tamalpais and Stream in the Spring circa 1900 Stream above Lake Bon Tempe with Mt. Tamalpais in the background. A warm spring day in Northern California and the Bay Area. Excelle...

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tonal...

PS 251 Beauty and the Beast The painting features a young woman with striking, vivid features and deep blue hair, holding a small black and tan dachshund. The background is composed...

Austrian Landscape Oil on Linen 1905 Goetheanum Designer Hand Carved Wood Frame Historically significant wood work and wonderful landscape celebrating the Austrian landscape and for...

Erhard & Söhne, 19th Century Art Nouveau Jugendstil Casque with Inlaid Brass Rose Design, c. 1904 6 x 9 x 6 inches The company Erhard & sons was established by Carl Gottlieb Erhard ...

Signed divisionist style oil on canvas still life circa 1909 by French impressionist painter Achille Laugé. This stunning piece depicts a vase of flowers placed on table. The bouquet...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Story illustration for the book In the Closed Room by Frances Hodgson Burnett, published by McClure, Phillips & Co., New York, 1904. The published caption reads: "I'm going to play ...

This lovely British Edwardian portrait oil painting is by noted Liverpool artist Robert Edward Morrison. Born on the Isle of Man, Morrison moved to Liv...

ERNEST NORMAND (1857-1923) St Lunaire, Brittany Signed, inscribed and dated l.l.: Ernest Normand/St Lunaire 1902 Oil on canvas Framed 26 by 49 cm., 10 ¼ by 19 ¼ in. (frame size 38 by 61 cm., 15 by 24 in.) Ernest Normand was born in London and studied at the Royal Academy Schools. He is best known as a painter of history and orientalist paintings and portrait commission. In 1884 he married the painter and writer Henrietta Rae. They lived in Holland Park and were part of that area’s artistic group which included Leighton, Millais, Prinsep and Watts. In the 1890s they travelled of Paris to study at the Academie Julian with Jules Joseph Lefebvre and Jean-Joseph Benjamin-Constant. He exhibited at the Royal Academy and works by him are in the collections of Glasgow Museum...

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...

Franz Bergmann, Austrian (1861 -1936) - Boy Smoking Pipe, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 2 x 6 x 2 in. (5.08 x 15.24 x 5.08 cm)

Medium: original etching and drypoint. A rich, dark impression on laid paper, printed in 1900 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 4 1/2 x 8 5...

Medium: Oil Painting Signature: Signed Lower Right Sight Size 24.00" x 20.00", Framed 31.00" x 27.00" The Saturday Evening Post cover illustration, December 1907

Here for your consideration is a wonderful oil on canvas painting by the well known French artist, Albert Regagnon. Titled verso, “Bord de L’’Eau” (The Riverside) Signed and dated lower left, 1906. Condition is excellent. Original period frame in fine condition. Mild wear consistent with age. Overall framed measurements are 20.5 by 24 inches. Provenance: Joseph M. de Gimme Gallery, Grosse Point, Michigan. (label verso) Albert Regagnon, French (1874-1961) Regagnon received many honors for his body of painting during his long and productive career, and exhibited regularly at the Paris Salons. Regagnons’ fascination for the Barbizon painters...

Signed fauvist oil on panel seascape circa 1900 by French painter Louis Valtat. This stunning piece depicts a view of large waves crashing against large rocks at Agay on the Cote d'A...

Important and rare American modernist Samoan Island landscape oil painting by Louis Michel Eilshemius (1864 - 1941). Oil on board. Signed. Framed. Measuring 12 by 14 inches overall a...

Medium: original etching. Printed in 1906 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 1/2 x 5 7/8 inches (165 x 149 mm). Signed in...

Animal Frieze me Portrait - Closeup of cat Technique: oil, acrylic, and ink on canvas F30 92x73cm ■■ 36,2x28,7 inch 》》R E A D Y -- T O -- H A N G《《 ❶ → Original signed work. Cer...

Provenance: Private Collection, Palm Beach, Fl. AB Levy Gallery, October, 2019 Description: Experience the captivating artistry of Anna Richards Brewster (1870...

Margaret Longstreith Baugh Woman with Violets, circa 1901 Signed lower right Oil on canvas 26 3/4 x 13 3/4 inches Provenance Walker-Cunningham Fine Art, St. Louis, Missouri, 2007 Pr...

James Roy Hopkins Interior of Église Saint-Sulpice, Paris, 1908 Signed and dated lower left and inscribed "Paris" Oil on canvas 17 3/4 x 14 3/4 inche...

Early 20th century French folk art oil on canvas, advertising M. Joquelet the dentist and Mme Irma the snake charmer. A wonderful piece of social history. At the turn of the century...

Stunning pointillist landscape oil on panel by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance. Signature: Signed and dated 1909 lower left Dimensions: Framed: 28"x36" Unframed: 21"x29" Provenance: We kindly thank Mme. Nicole Tamburini for allowing us to state that the work is included in the Catalogue Raisonne of the artist which she is currently preparing. A certificate of authenticity from Mme. Tamburini is available upon request. Achille Laugé...

This superb large British Edwardian exhibited portrait oil painting is by noted artist George Spencer Watson. It was painted in 1909 and exhibite...

JOSEPH PENNELL (1857 - 1926) ACAPULCO 1901-08. Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...

Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Marius Schmidt (American, 1863-1938). Presented in a giltwood frame. Signed "Marius Schmit" lower l...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

CHILDE HASSAM (1859 – 1935) OLD CHINATOWN - SAN FRANCISCO 1904 (Cortissoz 95 i/iii?) Etching, 5 ¼ “ x 5”. Signed and dated in the plate and with his cypher in pencil. An early state before additional work as in the example at Cornell University. Very Scarce print. On old ledger paper. Sheet 9 5/8” x 7”. Pre San Francisco earthquake. Based on a rare photograph by Arnold Genthe...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

This breath taking Scottish Edwardian landscape oil painting is by much exhibited landscape artist William Young RSW. Entitled Loch Eck and painted circa 1908...

Storm (At Sea) Oil on board, c. 1908 Signed: L. O. Griffith lower left (see photo) Titled on label verso Image: 6 5/8 x 8 3/4" Frame: 10 x 12 x 1 1/2" Provenance: Estate of the Arti...

The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...

A beautiful early 1900's French Symbolist oil on board depicting two classical figures and a goat in a wooded landscape. Striking and excellent quality work by an accomplished artis...

This original etching is hand signed in pencil by the artist "G Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 25, at the lower left margin...

This charming ex Christie's Victorian Orientalist oil painting is by noted French exhibited artist Lucien Laurent Gsell. The painting dates to around 1900 and portrays a beautiful yo...

JOSEPH ARTHUR PALLISER SEVERN (1842-1931) Sun Effect - above Waldney Scar, Coniston Signed and dated l.l.: Arthur Severn/1906; signed and inscribed with title and the artist’s addr...

Plate #12 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Frederique Vallet Bisson: 1862-1948. Well listed French artist with some auction prices for his paintings over $30,000. This beautiful lithograph was pr...

Plate #15 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kl...

Medium: original etching and drypoint. Catalogue reference: Delteil 76. Printed in 1909 and published in Paris by H. Floury. Plate size: 8 3/8 x 6 1/2 inches (212 x 165 mm). Not sign...

Artist: Edvard Munch (Norwegian, 1863-1944) Title: "Omegas Død (Omega's Death)" Portfolio: Alfa og Omega (Alpha and Omega) *Signed by Munch in pencil lower right Year: 1908-1909 Medi...

A Large and impressive antique oil on canvas Pre-Raphaelite painting by the German artist, Hermann Frobenius (1871-1954), signed and dated 1900. Frobenius had classical training and studied both in Rome and Florence, he later was in the circle of Arnold Bocklin and Hans von Marees, he settle in Munich but also in Dresden briefly and latterly in Berlin. He, like many other European painters was fascinated with North Africa and painted many oriental scenes of Algiers, Tunis and Cairo, he was represented at many exhibitions, including the "Great German Art Exhibition" in Munich 1941. This painting (an early example of the artist's work) is very finely painted in the Pre Raphaelite style, depicting a medieval costumed...

ALBERTO PLA Y RUBIO Spanish, 1867 - 1937 AT THE ANNUAL FAIR signed & dated "Pla Rubio, 909" (lower right) oil on canvas 14 X 25-5/8 inches (35.5 X 65 cm.) ...

An oil on panel signed and dated in the lower left depicting two riders on horseback sharing a drink outside a country inn. The painting measures 17.75" x 21.75" including the frame. Provenance: Private collection CT Bradbury Art and Antiques, Wiscasset, ME Heywood Hardy (25 November 1842 – 20 January 1933) was a British artist, in particular an animal painter and painter of horse riding scenes. He also painted landscapes and portraits, especially equestrian portraits. Horses and horse riding were the subjects of much of Hardy’s later work. His pictures of horse riding by the seashore...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

1906 Original Watercolor Painting of Mision de San Carlos Borromeo de Carmelo (Mission Carmel) Historically accurate watercolor painting of Carmel historic landmark Mission Carmel i...

Original Liqueur Menthe Pastille antique French stone lithograph poster (E. Giffard distillateur) linen-backed in very good condition, ready to frame. Artist: Misti. Turn of the c...

Signed and dated impressionist oil on board landscape by Neapolitan painter Ulisse Caputo. The work depicts a view of Pont des Arts bridge in Paris, France at sunrise in winter. The ...

Two men is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink, tempera and pencil on paper. Good conditions and aged with foxing. Gabriele Galant...

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

Work on cardboard Molded frame in plaster and gilded wood 33 x 40.5 x 4 cm This captivating landscape presents a serene waterside scene, where the horizon subtly merges with the clou...

This magnificent turn-of-the-century lithographic poster by Henri Toussaint is a celebration of France’s historic western regions—Normandy, Brittany, and the Île de Jersey—promoted b...

JOSEPH PENNELL (1857 - 1926) STREET ACAPULCO 1901-08. Color pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image, 10 x 14 inches to j...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Young Woman is an original lithograph artwork, realized in 1903 by Charles Lucien Léandre (1862–1934). Signed on plate on the lower left and dated. Th...

This early 20th-century propaganda poster, titled Les Sans-Patrie… Voilà l’Ennemi! (The Stateless… Here is the Enemy!), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by Le Petit Patriote, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation. At the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values. This poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called Sans-Patrie—those accused of betraying France by undermining its traditional values. The poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation. Surrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that true French citizens stand together against those who would weaken the country. The bold headline, “Les Sans-Patrie… Voilà l’Ennemi!”, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying "true" French citizens to defend the homeland. The text addresses “Aux Vrais Français” (To True French People), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity. Among its claims, the poster states that: French schools are being used to indoctrinate children against patriotism. Military service, a key element of national strength, is under attack by those who wish to weaken France. The nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival. The final rallying cry at the bottom, “À bas les sans-patrie & Vive la France...

Simon Ludwig Ditlev Simonsen Canvas Size: 21 x 16" (52.5 x 40cm) Outside Frame Size: 31 x 26" (77.5 x 65cm) 1841-1928 Free Shipping An excellent example of his work in fantastic c...