Early 1900s Art

Bowl with butterflies by Emile GALLE (1846-1904) Round bowl on heel made in amber glass. Decorated with a reticulated acid-etched background, embellished with enameled butterflies ...

A warm and loving depiction of a group of three women, the delicate soft appearance of these portraits evokes a sense of the romanticism and sensitivity put forth by Renoir in this p...

Jim's of Lambertville is proud to offer this artwork by Hayley Lever (1875 – 1958) Born in Adelaide, Australia in 1875, Richard Hayley Lever was best known for his paintings that sy...

Story illustration for “Periwinkle House” by Obie Read, published in The Red Book Magazine, July 1920, page 39. The story is described by Red Book as “A Romance of the Mississippi R...

La Celle les Bordes by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 35 x 25 cm (13 3⁄4 x 9 7⁄8 inches) Signed lower left, Ludovic Rodo Inscribed and dated lower right, La ...

Original cover for The Saturday Evening Post, published October 13, 1906 Gruger illustrated only three post covers throughout his career. This was the second one completed. Artwor...

Oil Painting by John Shapland "Clovelly" 1865 - 1929 john Shapland was principal of the Exeter school of Art and painted many loved views. Exhibited R...

Antar, artist: Leonetto Cappiello. Size: 25 x 20. Year: 1907. Archival linen backed in very good condition; ready to frame. Original linen backed stone lithograph: Original vintage ...

Art Sz: 9 7/8"H x 6"W Frame Sz: 15 3/8"H x 11 1/4"W Cambridgeshire Liverpool Cup Prince Edward Derby Gold Cup

Louis-Alexandre CABIE (Dol-de-Bretagne 1853 - Bordeaux 1939) The rock of Cayre-Vézère in Les Eyzies in the summer of 1900 Oil on panel H. 52 cm; L. 36 cm Signed lower right, dated 19...

Signature: Signed Lower Left Dimensions: 21.00" x 14.00" Price on Request- The work was published in Cosmopolitan December 1905 from a story by Annie Hamilton Donnell, "The Expedi...

Émile Renard (French, 1850-1930) A Fine and Charming Oil on Canvas "A Good Poker Hand", depicting a joyous seated man, smoking a pipe, showing his Poker hand of cards. Within a carve...

Great price! Wonderfully intricate grape and vine motif. It creates a dominant presence in person. This is a statement piece It's on sale for a limited time only. Incredible v...

ALBERT FERDINAND DUPRAT 1882-1974 Venice 1882 - 1974 (Italian/French) Title: Gondola on a Venetian Canal, 1904 Technique: Original Signed and Dated...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right

A. Cirnello Piazza Cavour in Milan, with the monument to Camillo Benso Conte di Cavour Dated 1905 Watercolor painting on paper Size: 49x37 cm (69x56 cm including the frame) Signed a...

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Painting of puppies next to a steaming pot of food that is too hot to eat Karl Lindner was a 19th-century Austrian artist Date: 1903 Medium: Oil on Canvas Dimensions: 10.00" x 12.0...

Vase with sloes by DAUM Vase with a sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve for the leaves. Decor ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reginald Hallward (1858 - 1948) Stained glass memorial design for Chelford Chu...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 31.3 x 24.2 cm (12 ⅜ x 9 ½ inches) Signed lower right, L.Rodo This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro. Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo". The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period. In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there. Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father. By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris. In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana. Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...

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OTTO VAN REES Freiburg im Breisgau 1884-1957 Utrecht WASSENDE VROUWEN I LAVANDAIE 1905 Oil on canvas 43 x 52 cm. Signed: lower left ‘OvR’ Particularities: ID 35. Provenance: Pri...

Date: 1904 Medium: Watercolor and Gouache on Board Dimensions: 30.00" x 20.00"

Paysage de l'Aven by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 27 x 38 cm (10 ⅝ x 15 inches) Signed lower right, Ludovic Rodo Executed circa 1904 This work ...

A woman in a gown linking arms with a man, two men behind them. Howard Chandler Christy had a long, colorful and varied career. He made his early reputation when he ac...

Les Élégantes by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 15.8 x 11.1 cm (6 ¹/₄ x 4 ³/₈ inches) Signed with initials lower right...

In style of Jose Arpa (1858-1952) Jose Arpa (1858-1952), known as “The Colorist Painter” of figures and landscapes was born in Carmona, Spain. His works demonstrate the brilliant ...

Vase with sloes by DAUM A spindle-shaped vase with a blue sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve...

Signed Verso and on Wagon Right "Thomas R. Colletta"

"Where the pure child-face had first drifted across his bewildered vision." Illustration for "The Thief," by Constance Smedley, published in Everybody's Magazine, September, 1908, p....

Standing Nude, hand on a plinth Graphite on paper, c. 1900 Signed with a double tri lobed symbol upper left corner (see photo) Condition: excellent, slight surface dirt Sheet size: 1...

30 plates of floral designs from the Jugendstil period

Vase de fleurs by Paul Ranson (1864-1909) Pastel on paper 46.5 x 41.5 cm (18 ¹/₄ x 16 ³/₈ inches) Signed lower right, P. Ranson Executed circa 1900 Proven...

Medium: Charcoal, Chalk and Gold Paint on Mid-Toned Paper Signature: Signed Lower Left Dimensions: 19.00" x 37.00" Henry VIII licensing Bible translation; Woman refusing to recant.“The Answer to Tyndal’s Prayer” and “The Martyrdom of Anne Askew” Preliminary study for mural: The Governor’s Reception Room, Pennsylvania State Capitol Building. Literature (related to the finished work): The Century magazine, June 1905; “The Holy Experiment” by Violet Oakley Carter: “The Red Rose Girls...

Peacock Vase by Léopold SAVINE (1861-1934) A rare vase made in gilded bronze in form of two peacocks with their raised plumage. Signed on the base " L....

Signed lower right: MULHAUPT

Abraham Walkowitz (1878–1965) New York Improvisation, 1910 Ink wash on paper Signed lower right 'A. Walkowitz 1910' Titled and dated on Zabriskie Gallery label enclosed in clear sle...

"Heah's a Few Little Trinkets I Picked Up," or "Phil and the Judge" Probable book or magazine illustration showing the character named Phil in front of a judge. Artwork Dimension...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 THE PAINTER AND HIS MODEL signed "E. L Garrido" (lower right) oil on mahogany wood panel 19-3/4 x 24-1/8 inches (50 x 61 cm.) framed: 28-1/2 x 32-3/4 inches (72 x 83 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

Francis Dodd R.A. 1874-1949, was a landscape and portrait painter and printmaker. He trained at the Glasgow School of Art, he travelled around Europe including France , Italy and Sp...

Artist: Henri Patrice Dillon (French, 1850-1909) Title: "Pluviose (Rainfall)" Portfolio: Revue de l'Art Ancien et Moderne *Signed by Dillon in the...

Artist: Eugène Marie Louis Chiquet (French, 1863-1942) Title: "Melle Brongniart, Baronne Pichon (Miss Brongniart, Baroness Pichon)" Portfolio: Gazette des Beaux-Arts Year: 1901 Mediu...

Antar, artist: Alfred Choubrac. Size: 40 x 28. Year: 1893. Archival linen backed in very good condition; ready to frame. Original linen backed stone lithograph: Alfred Choubrac (185...

Complex study of nude figures grouping in landscape. Weber works in watercolor and pen with an electric brushstroke. Perhaps a study or a continuation for his major oil. Summer...

Antar, artist: Georges Redon. Size: 49 x 90. Year: 1905. Archival linen backed in very good condition; ready to frame. Original linen backed stone lithograph: GEORGES REDON (1869-1943) BOULOGNE S. MER. 1905. 41 3/4x29 1/2 inches, 55 1/4x75 cm. While on the surface this appears as an innocent enough image promoting travel to one of France's premier beach resorts, it is, in fact, also one of the most suggestive Belle Epoque posters. Despite the staid Victorian style of swimwear in red, the relationship between the woman and the waves is hard to ignore. Like all great posters, once it has the viewer's attention it also advertises many of the other pleasures and attractions available in Boulogne. Listing off a few of the wonderful things that you can do in Boulogne is magnificent theatre, casinos, golf, horse races, pigeon shooting...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper w...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Signed and dated "H. Pyle 1901" lower right corner Title-page illustration published in The Odes and Epodes of Horace, (Boston: Bibliophile Society, 1901). A beautiful and detailed...

Signed, "A Rackham" lower right Sotheby's New York Housed in an elegant , hi-end frame with museum glass. Arthur Rackham is widely regarded as one of the leading illustrators fr...

Painted from life with bravura brush strokes, Luks captures the essence of the sitter. Work is unframed.

Woman standing in a gown. Signed and dated lower left. Charles Allan Gilbert chose art as a career after discovering his talent while sketching during a childhood as invalid. Following training at the Art Students League, he went to Paris while his teachers were Constant and Laurens. He returned to the U.S to begin a very successful illustration career, with a special aptitude for the portrayal of beautiful young women. Their portraits were included in several gift books...

Marie-Paule Carpentier French, 1876-1915 Versailles Pastel / Paper 12 by 16 in. W/frame 18 by 22 in. Signed on lower left Marie-Paule Carpentier Marie-Paule Carpentier painted i...

La Posada by François-Rupert CARABIN (1862-1932) A bronze group with a silvered patina Signed on the base "R. Carabin" Old cast Numbered "5" France circa 1901 height 24 cm length ...

A lovely oil painting by William Lionel Wyllie (1851-1931) referred to as "Britain's premier marine artist of the later Victorian & early 20th ce...

Story illustration for “The Land of Heart’s Desire” by Myra Kelly for McClure’s Magazine, published July 1904, illustrated page 244. The full caption reads: "Words ensued which were...

GUSTAVO BACARISAS Gibraltian, 1873 - 1971 SAINT PETER´S SQUARE, ROME signed "G. BACARISAS. ROMA : 08" (lower left) oil on canvas 19-1/4 x 27-1/4 inch...

Medium: Watercolor on Paper Laid to Board Signature: Signed and dated 'Harrison Fisher/ 1904' bottom right All Aboard the Ship 'Tabasco' Young fashionable w...

Title-page illustration published in The Odes and Epodes of Horace, (Boston: Bibliophile Society, 1901). A beautiful and detailed image that displays Pyle's exquisite brush work.