Abstract Photography

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

This unique cyanotype monotype transforms organic, river-like forms into a serene field of flowing blues. Soft, undulating shapes echo water, canyon horizons, and desert calm, giving...

The interlacing of what sustains In the series Trama, Eduardo Rezende turns his gaze to the hidden structures of the built environment — the elements usually concealed beneath the po...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

Type-C print Signed, titled, dated, and numbered, verso 20 x 20 inches (Edition of 10) 30 x 30 inches (Edition of 5) 40 x 40 inches (Edition of 5) This artwork is offered by Clam...

Lumina # 202210 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Matte Plexiglas Box - Unframed. Edition: 1/3 Backed with Dibond and C-channel hanging system + keyhole op...

Eduardo Rezende’s 2024 series Lavori in Corso revisits one of the artist’s most enduring themes: the urban and architectural landscape — this time focused on construction sites, scaf...

This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...

Original black-and-white lobby card for the film "Humoresque" (1946) featuring John Garfield and Oscar Levant. This vintage cinema memorabilia piece captures a serious moment between...

Jeffrey Tamblyn Redemption and Retribution Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x16 inches Edition: 50 Signed, dated and numbered by hand on label COA ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

"Submersion SM12" Photography 48" x 48" inch Edition 1/10 by Giuliano Bekor Submersion series. Title of artwork: SM6 Year: 2010 Medium: Photography Print size: 48x48 Inches trim bl...

Dubawi, 'Stripped’, 2001 by John Reardon Edition of 15 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piec...

This vibrant underwater nude photograph from the series "Four Seasons" explodes with the energy of spring renewal, featuring luminous greens ranging from chartreuse to emerald agains...

Original lobby card for the film "Desert Attack" (1958) featuring John Mills, Sylvia Syms, Anthony Quayle, and Harry Andrews. This vintage cinema memorabilia piece captures a dramati...

Original lobby card for the film "Desert Attack" (1958) featuring John Mills, Sylvia Syms, Anthony Quayle, and Harry Andrews. This vintage cinema memorabilia piece captures a tense s...

Original lobby card for the film "Desert Attack" (1958) featuring John Mills and Sylvia Syms. This vintage cinema memorabilia piece captures a tense scene between the characters port...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Pola...

Angel Heart, USA 1987, Director: Alan Parker, Cast: Robert de Niro. The lobby cards would have been displayed inside the cinemas at the time of the film's release. Angel Heart is a...

Print / photography, signed by the author, limited to 5. Rainbow a symbol taken so often, but I hope that the picture evoke curiosity, hope and well-being and it is really a reflect...

Untitled 109 (Abstract Photography) C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his pho...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Temporal Perception 206A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

Temporal Perception 92 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30"...

Mid-Century Shapes X is a captivating cyanotype monotype that draws on the visual language of mid-century abstraction. Featuring fluid, interlocking forms rendered in rich Prussian b...

Hand printed photograph. Print Date 2013 Anne Larsen worked as a successful photographer for one of the largest commercial studios in Copenhagen, Denmark. In 1994 she moved to the United States to pursue a career in fine-art photography. Anne’s intimate still life images and delicate photographs of the natural environment, all made with a 4x5" view camera or medium format camera; share a common luminosity and elegance. Anne Larson hand made silver gelatin prints are distinguished by their impeccable execution and tonal subtlety. Anne has assisted and taught on workshops instructed by James Baker, Morley Baer, Ruth Bernhard, Charles Cramer, Philip Hyde, Ray McSavaney, and John Sexton. Her prints are in numerous private and public collections in North America and Europe. Her images have been included in exhibitions at the Susan Spiritus...

Dan 2 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longevi...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

This unique cyanotype monotype diptych features fluid, interlocking shapes that drift across luminous fields of blue, creating a rhythmic balance between movement and stillness. Hand...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

This intense underwater nude photograph from the series "Four Seasons" captures the peak of summer with deepened emerald greens and golden amber tones that suggest heat and maturity....

Versilia 02 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *60 × 144 cm (2...

A one of a kind Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. Its dimensions are 6" x 6. A certificate of authenti...

A one of a kind 39x39 Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neal. A certificate of authenticity will be provided upon its purchase or delivery....

Sunset Over Ocean is a unique cyanotype monotype on watercolor paper, blending the timeless beauty of ocean horizons with the clean, geometric serenity inspired by Desert Modernism. ...

"Chrysler Building" Abstract, Expressionist, Photography, Giclee Print, Ltd.Ed. Creator: Hatice Besun Creation year: 2025 Dimension: 42x28" External Dimension( with white border) He...

Does anyone remember Nedicks? What New York looked like in the 1970s. Veteran photographer Mitchell Funk captures 42nd Street at night with a parade of glowing marquees framed by t...

"Acacia ARM11" Abstract Photography 60" x 48" in Edition 1/4 by Giuliano Bekor Acacia series Title of artwork: ARM5 Year: 2020 Printed on a high-quality museum-grade archival photo ...

This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend. Eve Sonneman (born in Chicago on 1946) is an American photographer and artist. She did a series ...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Klosters Scene 1954 Two skiers ski down a snow covered hill in Klosters Switzerland 1954 by Toni Frissell 30 x 30" inches / 76 x 76 cm paper size Archival pigment print unframed...

"Instincts" Black & White Photography 49" x 39" in Ed of 3 by Kseniya Vashchenko Signed and numbered by the artist. Comes with COA issued by the Ar...

Cosa Mentale (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This series...

"Construction Site, Doraville, Georgia #2, 2019" is a drone photograph featuring hues of yellow, blue, white, orange and brown. Edition of 5. This photograph may be available in addi...

"Downtown Atlanta, GA X36" is a drone photograph featuring blue and yellow colors. This listing is for an unframed photograph. This photograph is available in additional sizes. Pe...

Bavarian Forest 020 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available print sizes: *35.4 x 26.8 inches (90 x 68 cm): edition of 8 copies *47.2...

"UNTITLED (Horizon)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

"FSA50" Abstract Photography 50" x 40" inch Ed. 1/10 by Giuliano Bekor Facescape Series Title of artwork: FSA50 Year: 2014 Printed on a high-quality museum-grade archival photo pape...

This listing is for an unframed print, edition of 10. Additional sizes are available. Atlanta-based photographer and master printer John Dean’s “Cool Clear Hydrosphere,” describes ...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

Lumina # 202211 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Matte Plexiglas Box - Unframed. Edition: 2/3 Available in 4-5 weeks turnaround. Backed with Dibond and C-...

In the soft pastel light of early morning, Photographer Mitchell Funk captures the iconic Art Deco Chrysler Building set against the Chase Bank Headquarters Building. Besides this be...

'Calm Sea' by Stuart Möller A view of the sea at dusk during a rainstorm. A fabulously atmospheric image of the sea, and the seemingly blurred horizon between water and sky. An ex...

Intersect # 201506 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...