20th Century Abstract Photography

untitled (study of shadows and brick building) Silver gelatin print, c. 1960-1965 Signed in pencil lower right on the mount (see photo) Provenance: Gift of the Artist ...

This vintage print is signed in pencil on the front of the mount with a title and negative number in pencil on the back of the mount. What is likely Wynn Bullock's most renowned neg...

Painted Concrete - Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of concr...

Signed by the artist mount recto and with artist's stamp mount verso.

Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Editi...

This silver gelatin print is signed in pencil on the front of the mount. Likely printed in the 1980s.

This silver gelatin contact print with margins (4 x 4 7/8 in) is signed in ink and numbered '7' in pencil on the front of the mount. Credited, titled and dated on gallery label affix...

"Polk" Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of heavily painted concrete. The paint is bold yello...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...

White Paint Splatters - Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of white painted concrete with a sp...

12 Photos (Magenta and Yellow) - Large Scale Textural Photographs Series of detailed macro photos by Bill Clark (American, 20th Century). This set of photos shows several textured a...

Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Editi...

The Girl - Planet of the Apes 09 - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No....

Waterhole - Planet of the Apes 05 - 1999 58x56cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certif...

White Paint Splatters - Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of heavily painted concrete that ha...

Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) "City of Ambition" from Camera Work Number 36 (1910) Photogravure on Japanese tissue mounted on paper, as issued. ...

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...

Signed and dated on the front of the mount. Mounted on Crescent Board. Printed in the 1960s.

Brightly coloured swimmers in a pool in Nassau on the island of New Providence in the Bahamas, 1959. Gorgeous print measuring a huge 60 x 40" inches / ca 152 x 101 cm’s paper size....

'Galleria Vittorio Emanuele II' View looking down the Galleria Vittorio Emanuele II in Milan, Italy, 1960. Opened in 1890, the covered arcade is on the northern side of the Piazza ...

Signed, dated and numbered. Portfolio "Twelve Photographs", No. 13 György Kepes was a Hungarian artist born in 1906. He studied painting at Budapest’s Academy of Fine Arts. In 1937,...

The is the 20th Sand Dune, Oceano made by Weston (20SO) and a vintage print. It is quite rare as 38 are noted as being printed of vintage age but the amount known in existent may be ...

'Speedboat Landing' A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, 1973. A modern classic 'Si...

Original Edward Weston! Framed in black. Initialed in pencil on lower right of dry mounted photograph. Dated 1940 in pencil. Excellent Condition.

Titled with artist's reference number on mount verso. Stamped, 'Edward Weston printed by' and signed by Cole Weston. Negative now retiered and housed at the Center for Creative Photo...

L'Ange Heurebise is an original rare Surrealist work realized in France in 1925, written by Jean Cocteau with an original rayogram realized by Man Ray. Limited edition of 350 numbe...

Ellen Kaplowitz "Eiffel Tower, Paris", photograph print, Hand signed and titled verso, 15.75"h x 23.75"w (sight), 17"h x 25"w (frame) Ellen Kaplowitz has been globetrotting and ...

Plaisir de France I Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with its...

Kentucky 7 by Aaron Siskind is an 11 x 14 inch silver gelatin print. The sheet size of this image is 11 x 14 inches, the image size is 9 5/16 x 12 5/16 inches. This photograph featur...

Magnificent Vintage Photograph by the master Edward Weston. Photograph is in excellent condition considering it's age. The mat as you can see has wear but can be framed to disguise....

Vik Muniz Memory Rendering of John John (Vik Muniz The Best of Life): 'John John' is a selection from Vik Muniz's The Best of LIFE series from 1989. Muniz's...

Franco Fontana (Italian, born 1933) Title: Varsavia, (Warsaw, Poland streetscape with buildings) 1977 Medium: dye-transfer Dimensions: Frame 28.5 x 20.5. Sight 20 x 13. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Moonscape - Planet of the Apes 03 - 1999 58x56cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Signature label a...

Photo-respiration Yura #340, 1998 by Japanese artist Tokihiro Sato is a contemporary abstract photograph signed by the artist. Sato used a large-format camera for a long exposure ima...

Untitled (Claudia) 1999 Signed, titled, dated, and numbered in pencil, recto Iris print 30 x 22 inches (76.2 x 55.9 cm) This work is offered by ClampArt in New York City.

Sorry for the reflection on the plexi. In the early 1980s, the Polaroid Foundation invited Hungarian-born painter and photographer György Kepes (1906-2001) to use the 20x24 Polaroid camera. The resulting carefully staged compositions summarize many of his artistic concerns, employing such objects as prisms, flowers, and graphic papers to manipulate the effects of light and form. György Kepes 1906-2001 was a Hungarian-born painter, photographer, designer, educator, and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1967 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974. Kepes was born in Selyp, Hungary. His younger brother was Imre Kepes, ambassador in Argentina, father of András Kepes journalist, documentary filmmaker and author. At age 18, he enrolled at the Royal Academy of Fine Arts in Budapest, where he studied for four years with Istvan Csok, a Hungarian impressionist painter. In the same period, he was also influenced by the socialist avant-garde poet and painter Lajos Kassak. Kepes gave up painting temporarily and turned instead to filmmaking. In 1930, he settled in Berlin, where he worked as a publication, exhibition and stage designer. Around this time, he designed the dust jacket for Gestalt psychologist Rudolf Arnheim's famous book, Film als Kunst (Film as Art), one of the first published books on film theory. In Berlin, he was also invited to join the design studio of Laszlo Moholy-Nagy, the Hungarian photographer who had taught at the Dessau Bauhaus. When, in 1936, Moholy relocated his design studio to London, Kepes joined him there as well. Kepes was lured to Brooklyn College by Russian-born architect Serge Chermayeff, who had been appointed chair of the Art Department in 1942. There he taught graphic artists such as Saul Bass. In 1944, he published Language of Vision, an influential book about design and design education. In part, the book was important because it predated three other influential texts on the same subject: Paul Rand, Thoughts on Design (1946), László Moholy-Nagy, Vision in Motion (1947), and Rudolf Arnheim, Art and Visual Perception (1954). In 1947, Kepes accepted an invitation from the School of Architecture and Planning at MIT to initiate a program there in visual design, a division that later became the Center for Advanced Visual Studies (c1968). Some of the Center's early fellows included artists Otto Piene, Vassilakis Takis, Jack Burnham, Wen-Ying Tsai, Stan Vanderbeek, Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Muriel Cooper, Douglas Davis, Susan Gamble, Dieter Jung, Piotr Kowalski, Charlotte Moorman, Antoni Muntadas, Yvonne Rainer, Keiko Prince, Alan Sonfist, Aldo Tambellini, Joe Davis, Bill Seaman, Tamiko Thiel, Alejandro Sina, Don Ritter, Luc Courchesne, and Bill Parker...

Early modernist photograph by California artist Lloyd Ullberg. Lloyd Ullberg was a highly talented self-taught American modernist photographer whose works were published in major Am...

Early modernist photograph by California artist Lloyd Ullberg. Lloyd Ullberg was a highly talented self-taught American modernist photographer whose works were published in major Am...

Early modernist photograph by California artist Lloyd Ullberg from the 1930s. Lloyd Ullberg was a highly talented self-taught American modernist photographer whose works were publis...

Abstract black and white photograph by Lloyd Ullberg. Lloyd Ullberg was a highly talented self-taught American modernist photographer whose works were published in major American pe...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.

Signed and numbered on mount recto. Titled and dated with artist's stamp on mount verso. Edition of 35. Prices subject to change without notice.

Signed, numbered on mount recto. Titled, dated with artist stamp on mount verso. Edition of 35.

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned, Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This is a Minimalist framing & presentation of the artwork : T...

Artwork sold in perfect condition - Off-Print # 3 (Munich 1978) from the portfolio Statuary (Coffret Prestige # 7) This is a Minimalist framing & presentation of the artwork : The Fi...

Artwork sold in perfect condition - Off-Print # 2 from the portfolio Au Chic Parisien (Coffret Prestige # 8) This is a Minimalist framing & presentation of the artwork : The Fine Art...

Artwork sold in perfect condition - Off-Print # 1 (Florence 1976) from the portfolio Lines (Coffret Prestige # 6) This is a Minimalist framing & presentation of the artwork : The Fin...

Artwork sold in perfect condition - Off-Print # 1 (Donaustauf 1973) from the portfolio Step by Step (Coffret Prestige # 1) This is a Minimalist framing & presentation of the artwork ...

Artwork sold in perfect condition - Off-Print # 2 (Lisbon 1982) from the portfolio Rivages (Coffret Prestige # 2) This image was captured on film (1982) The selected negative was pr...

Coolidge Dam, Arizona Gelatin silver print, (1938), printed later, circa 1980 Unsigned A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples...

Signed and dated on the front of the mount. Limited edition of 35. Number 22 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 50R. Printed later by Cole Weston from the original negative. The negative is retired and housed at the Center for Creative Photography in Tuscon, Arizona. Weston Gallery is owned by Matthew (grandson of Edward Weston and son of renowned collector and dealer Margaret "Maggi" Weston) and his wife Davi Weston and we've been dealing in fine art photography since 1975! Edward Weston (1886 – 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke and others. Weston became the first photographer ever to be selected for the Guggenheim fellowship in 1937. Stricken with Parkinson's disease, Weston made his last photographs at Point...

Botman, Machiel (Dutch, b.1955). "Ijke, 1993" (Boy with Flower, Rainchild). Silver Print.Hand signed in pencil (beneath mat) Image: 8" x 13.25". Framed: 18.5" x 22.5". A key figure in contemporary Dutch photography, Machiel Botman is represented by the Gitterman Gallery in New York, Galerie VU in Paris and the Kahmann Gallery in Amsterdam. His books include Heartbeat (Volute, 1994), Rainchild (Schaden and Le Point du Jour, 2004) and One Tree (Nazraeli Press, 2011). His work is included in numerous institutional collections, including the Bibliotheque Nationale in Paris, the Tokyo Museum of Photography and the Frans Hals Museum in Haarlem. Machiel Botman was born in 1955 in Vogelenzang, The Netherlands. Self-taught, Botman has photographed since the age of 10. In the early 1980s he learned to print by assisting the master printer Philippe Salaün in Paris, who made prints for Willy Ronis, Izis, Robert Doisneau and others. He lives in Haarlem, the Netherlands. Select Group Exhibitions Gitterman Gallery Summer Exhibition Adam Bartos, Ferenc Berko, Machiel Botman Josef Breitenbach, Eugene Meatyard, Joseph Szabo, Edmund Teske etc. Gitterman Gallery Eclectic Bruno Barbey, Machiel Botman, Pierre Cordier, František Drtikol, Yasuhiro Ishimoto, Izis, Pierre Jahan, Helen Levitt, Tina Modotti, Josef Sudek, Roman Vishniac, Minor White, etc. Kahmann Gallery The Old Man & The Sea Nobuyoshi Araki, Machiel Botman, Henri Cartier-Bresson, André Kertész, Irving Klaw, etc. Kahmann Gallery FLAVOURS Eva Besnyö, Machiel Botman, Harry Callahan, Takeshi Shikama, Maura Sullivan, Albert Watson etc. European Photography - Reggio Emilia Mark Borthwick, Machiel Botman, Kevin Cummins, Francesco Jodice, Michael Kenna, Man Ray Alberta Pellacani, Alessandra Spranzi, Luigi Veronesi, Richard Wentworth, Alain Willaume etc. Kahmann Gallery, Imagine A collection of contemporary and vintage photographs Jehsong Baak, Eva Besnyö, Machiel Botman, Fons Brasser, etc. Museum Charlottenburg-Wilmersdorf L'Homme-paysage Dieter Appelt, Machiel Botman, William Kentridge, Javier Pérez, Giuseppe Penone, Jim Shaw Zabriskie Gallery, The Beach Machiel Botman, Esther Bubley, Harry Callahan, Joel Meyerowitz, Garry Winogrand etc. Kahmann Gallery, Dutch Nudes...

A stunning dune by famous Brett Weston. It's most probable that it was taken in Oceano California with a large format camera. Exceptional printed black and white silver gelatin phot...

SOREL COHEN (Canadian b. 1936 - ) Speak Silence- 1978 Ektacolor photograph and vinyl letter typography Verso with gallery label for Wynick/Tuck Gallery, Toronto, Ontario 41 inches x 53 inches edition of 3 The original receipt included with this item is only available in the digital form. I only have the copy of it, not the original. SOREL COHEN (Canadian b. 1936 - ) A graduate of Concordia University, Cohen has been a major figure on the Canadian photography scene for over thirty years. She has been invited as guest lecturer to many Canadian universities, and was awarded the Canada Council’s prestigious Duke and Duchess of York Prize in Photography (1988). Her master’s thesis examined feminist art in the 1970s, while her art practice, which is largely autobiographical, weaves original links conceptual art, photography, painting and film. Cohen creates works that directly reference the historical and social context of the artist, especially through depictions of gender and the body. She has participated in numerous group shows both in Canada and abroad (France, Germany, Mexico, the United Kingdom, etc.) and has had solo exhibitions in major Canadian cities from Halifax to Vancouver, as well as in New York, Marseilles, and Tempe, Arizona. ) She was included in the show She Photographs which presented thirty photographers, mostly Canadian, a few American, who explore the portrait or the self-portrait, nudes, still-life, landscape. Artists included Sarah Anne Johnson...

Nude Rock by Margaret Hicks depicts a detailed shot of cracks on a tan rock. The shape of the rock and placement of the crack give the illusion of the female body. Nude Rock is a 14 x 11 inch C-Print, mounted onto a 16 x 20 inch black board. This photograph is signed and dated on mount recto in pencil by artist. Dr. Margaret Katharine Hicks-Havins danced "magnificently into the mystic...

The Deflated World, 1981 Cibachrome, this is the rare AP (Artists Proof) outside the edition of 10 Hand signed by artist and dated 20 × 24 in 50.8 × 61 cm Eve Sonneman (born in Chic...