Framed Black and White Photography
to
311
695
440
414
537
1,000
Overall Width
to
Overall Height
to
8
876
2,202
1
4
11
31
25
69
77
183
185
90
1,845
182
156
91
56
26
17
6
2
1
1
1
1,376
1,303
402
1,816
913
785
751
613
585
432
427
354
265
239
199
182
178
159
140
137
135
125
121
1,295
1,213
821
606
378
457
169
136
98
86
3,086
397
2,066
984
Frame Included
Nemesis (Argentum series by Guido Argentini)
Located in New York City, NY
GUIDO ARGENTINI
ARGENTUM series
40x40in
ed.18
Archival Pigment Print
Mounted and Framed
Also available in 48x48in and 60x60in.
Limited edition signed print by Guido Argentini.
Gu...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Electra and Tethys (Argentum series by Guido Argentini)
Located in New York City, NY
GUIDO ARGENTINI
ARGENTUM series
40x40in
ed.18
Archival Pigment Print
Mounted and Framed
Also available in 48x48in and 60x60in.
Limited edition signed print by Guido Argentini.
Gu...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Aglaea (Argentum series by Guido Argentini)
Located in New York City, NY
GUIDO ARGENTINI
ARGENTUM series
40x40in
ed.18
Archival Pigment Print
Mounted and Framed
Also available in 48x48in and 60x60in.
Limited edition signed print by Guido Argentini.
Gu...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Next Generation
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Black and White Photography
Materials
Photographic Film, Photographic Paper, Archival Pigment, Pigment
Price Upon Request
Zebra Kili
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Photogram, Pigmen...
Price Upon Request
Towards the land of joy
Located in New York City, NY
40x40in
ed.18
Archival Pigment Print
Mounted and Framed
Also available in 48x48in and 60x60in.
Limited edition signed print by Guido Argentini.
Guido Argentini was born in Florenc...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Airmid, Argentum
Located in New York City, NY
30x60in
ed.12
Archival Pigment Print
Mounted on Plexiglas
Limited edition signed print by Guido Argentini.
Guido Argentini was born in Florence, Italy in 1966. He lives and works i...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Who
s Gonna Tell Him?
By David Yarrow
Located in Chicago, IL
Who's Gonna Tell Him?
Antarctica - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Avail...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
LA Baby
By David Yarrow
Located in Chicago, IL
LA Baby
Antarctica - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: ...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Marvel
By David Yarrow
Located in Chicago, IL
Marvel
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
True North
By David Yarrow
Located in Chicago, IL
True North
Iceland - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Si...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Cloud 9
By David Yarrow
Located in Chicago, IL
Cloud 9
Aspen, Colorado, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edi...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Aspen, Baby - Alessandra Ambrosio - Contemporary Portrait Photography - Ski
By David Yarrow
Located in Chicago, IL
Aspen, Baby
Aspen, Colorado - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Availab...
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
The Push West
By David Yarrow
Located in Chicago, IL
The Push West
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: ...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Summer of
75 (B&W)
By David Yarrow
Located in Chicago, IL
Summer of '75
Los Angeles, California - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Dogfather
By David Yarrow
Located in Chicago, IL
The Dogfather
Nantucket, Massachusetts - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 71 inches
67 x 101 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"The Brotherhood of Thieves, on the tiny old whaling island of Nantucket, is as good a bar as any we know in America from which to tell old stories - and we know quite a few. The ambient light from the window is powerful enough to remove the need for a gaffer and this is such a help when trying to tell tales with a sense of place. The detail in the dog’s face is all lit from the window and this effect lends a sense of timeless drama. This picture could have been taken 50 or 100 years ago rather than April 2022.
Mastiff dogs are among some of the oldest breeds known to humans and were among the first canines to accompany humans on their migrations across the globe. More importantly, for the purpose of this role, their faces have a rather majestic human countenance allowing me to build stories around them. We have worked with many breeds over the years, but for this kind of work, Mastiffs are in a league of their own...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Bandera
By David Yarrow
Located in Chicago, IL
Bandera
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
46 x 71 inches
67 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"I wanted this carefully composed Honky Tonk vignette to have real sense of place; that place being Texas. There are a few hints in the photograph: the Lone Star pool table lighting; the ten working cowboys; the neon guitar on the left and even the air conditioning unit (less common in more northerly cowboy states). Throw in a tall, bad ass women in the foreground and we know we are in Texas.
It is the lighting that makes the photograph and that is down to the big barn doors at Arkey’s that are open during the day. It was this ambient light on the far-left corner that allowed me to work with minimal artificial light and that made all the difference.
There is also a little bit of a ‘Red Dead Redemption” vibe as I am shooting with a wide-angle lens close to the lead, as often seems to be the perspective in the successful video game series. This allows the depth of Arkey Blue’s Silver Dollar saloon to be exploited rather than compressed. I avoid distance compression if at all possible, as a sense of space is often as critical as a sense of place.
Bandera, in the Hill Country of Texas, is quintessential cowboy territory and a country music stronghold. Behind my shooting position there is a stage that has been graced by Willie Nelson and Hank Williams...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Beer Run
By David Yarrow
Located in Chicago, IL
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 67 in...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Honky-Tonk Woman
By David Yarrow
Located in Chicago, IL
HONKY-TONK WOMAN
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 74 inches
67 x 107 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Bandera, Texas is the self-appointed home of the cowboy and a visitor is left in no doubt that this is the beating heart of Marlboro country and Marlboro men. This small town in the Hill Country also boasts a bar - Arkey Blue’s Silver Dollar - that is as good a honky-tonk bar to film in that I know of. It is also a firm fixture in the country music scene which is core to the culture of this part of the great state. Willie Nelson has sung here, as has Hank Williams...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Devil
s Backbone
By David Yarrow
Located in Chicago, IL
Devil's Backbone
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
8 Ball
By David Yarrow
Located in Chicago, IL
8 Ball
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 64 inches
67 x 92 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"I choose to be long of parody, as to exaggerate helps to communicate. My default position is to be bold in any narrative. In this photograph I wanted to fully em- brace the vibe of a honky-tonk bar in Texas, peopled by hard working, hard living cowboys whom David Allen Coe made pivotal to his song writing. These men love a beer, a smoke and a honky-tonk girl, who brings out the masculinity that defines them.
John Steinbeck - the American literary giant - wrote “I have said that Texas is a state of mind, but I think it is more than that. It is a mystique closely approximating a religion.”
I get it, and cowboy culture is core to that religion. To try to immerse oneself in Texan culture and not spend time with true cowboys is akin to holidaying in Italy and eating at Burger King...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Fox and Hound
By David Yarrow
Located in Chicago, IL
The Fox and Hound
Los Angeles, California - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbere...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Power Of The Dog
By David Yarrow
Located in Chicago, IL
The Power Of The Dog
The Rocky Mountains - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: ...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
New Testament (Monochrome)
By David Yarrow
Located in Chicago, IL
NEW TESTAMENT
South Sudan, 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 80 inches
49 x 114 inches
"All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was.
The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role.
It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst.
But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail.
But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed
to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold.
The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”.
My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle.
I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every
week I see monochrome photographs of the big elephants...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
New Testament (B&W)
By David Yarrow
Located in Chicago, IL
NEW TESTAMENT
South Sudan, 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 80 inches
49 x 114 inches
"All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was.
The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role.
It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst.
But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail.
But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed
to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold.
The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”.
My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle.
I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every
week I see monochrome photographs of the big elephants...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Pratt Institute of Art, Brooklyn, New York
Located in New York, NY
Vintage Print
Signed by the photographer
Pratt Institute is a private university in Brooklyn, New York which was founded in 1887 and is primarily know...
Category
1950s Modern Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Model Shelly Napier in Schiaparelli with Brancusi Sculptures, MOMA, New York
Located in New York, NY
This photograph was likely taken during the Museum of Modern Art’s 10th Anniversary Exhibition, which also celebrated the museum’s new home at 11 West 53rd Street. Pictured with the model are “Bird in Space...
Category
1930s Modern Black and White Photography
Materials
Silver Gelatin
Le Fox-Terrier du Pont de Arts
Located in New York, NY
Signed by the photographer
Category
1950s Modern Black and White Photography
Materials
Silver Gelatin
Price Upon Request
William S. Burroughs - Glasses, Kansas
Located in Saint Louis, MO
Herb Ritts
William S. Burroughs - Glasses, Kansas, 1990
Gelatin silver print mounted on 4-ply museum board
20 x 18.5 inches (50.8 x 47 cm)
Edition 2/25
Category
1990s Black and White Photography
Materials
Silver Gelatin
Price Upon Request
"On Kumba
s Rock", photography by Cécile Plaisance (39.7x55.5in), 2022
Located in Paris, France
"On Kumba's Rock", black and white photograph of a tiger by Cécile Plaisance.
In her new series of black and white photographs,...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"Something in the way", photography by Cécile Plaisance (39.7x55.5in), 2022
Located in Paris, France
"Something in the way", black and white photograph of a cheetah by Cécile Plaisance.
In her new series of black and white photographs...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"Banana
s leaf (back view)", photography by Cécile Plaisance (39.7x55.5in), 2022
Located in Paris, France
"Banana's leaf (back view)", black and white photograph of an elephant by Cécile Plaisance.
In her new series of black and white photographs...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"On Tembo
s Back", photography by Cécile Plaisance (39.7x55.5in), 2022
Located in Paris, France
"On Tembo's Back", black and white photograph of an elephant by Cécile Plaisance.
In her new series of black and white photographs...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"Promenade with Zambizi", photography by Cécile Plaisance (39.7x55.5in), 2022
Located in Paris, France
"Promenade with Zambizi", black and white photograph of a cheetah by Cécile Plaisance.
In her new series of black and white photographs...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"Sleeping", photography by Cécile Plaisance (34x48in), 2022
Located in Paris, France
"Sleeping", black and white photograph of a lion cub by Cécile Plaisance.
In her new series of black and white photographs, taken in South Africa, C...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"Under Tembo
s protection", photography by Cécile Plaisance (68x48in), 2022
Located in Paris, France
"Under Tembo's protection", black and white photograph of an elephant by Cécile Plaisance.
In her new series of black and white photographs...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
"Body Guard", photography by Cécile Plaisance (34x48in), 2022
Located in Paris, France
"Body Guard", black and white photograph of an elephant by Cécile Plaisance.
In her new series of black and white photographs, t...
Category
2010s Contemporary Black and White Photography
Materials
Satin Paper
Hostile Territory
By David Yarrow
Located in Chicago, IL
Hostile Territory
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Wagon Wheel
By David Yarrow
Located in Chicago, IL
Wagon Wheel
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on th...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
1880
By David Yarrow
Located in Chicago, IL
1880
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
39 x 78 inches
53 x 111 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western.
The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there.
It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Cloud 9
By David Yarrow
Located in Chicago, IL
Cloud 9
Aspen, Colorado, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Editi...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
66 Degrees North
By David Yarrow
Located in Chicago, IL
66 Degrees North
Námafjall Geothermal Area, Iceland - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 54 inches
67 x 76 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture.
Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded.
I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides.
But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage.
The end result is a strong image and certainly authentic. Its stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Mamas Don
t Let Your Babies Grow Up To Be Cowboys
By David Yarrow
Located in Chicago, IL
Mamas Don't Let Your Babies Grow Up To Be Cowboys
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the f...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
It Was The Whiskey Talking
By David Yarrow
Located in Chicago, IL
It Was the Whiskey Talking
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Hot Chicks
By David Yarrow
Located in Chicago, IL
Hot Chicks
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition ...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Sheriff
s Daughter
By David Yarrow
Located in Chicago, IL
The Sheriff's Daughter
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the f...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Residents
By David Yarrow
Located in Chicago, IL
The Residents
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available si...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Quick and The Dead
By David Yarrow
Located in Chicago, IL
The Quick and The Dead
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and number...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Bribe / The Wolf of Wall Street Jordan Belfort and Josie Canseco on Yacht
By David Yarrow
Located in Greenwich, CT
Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper
The Bribe
Available in two sizes
Large 71 X 116 inches (Framed)
Medium 52 X 82 inches (Framed)
About David Yarrow
David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining.
David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Beach Bums
By David Yarrow
Located in Chicago, IL
Beach Bums
Anguilla, Caribbean - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Availabl...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Dead Man
s Chest
By David Yarrow
Located in Chicago, IL
Dead Man's Chest
Anguilla, Caribbean - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the fro...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Catwalk
By David Yarrow
Located in Chicago, IL
Catwalk
Dinokeng, South Africa - 2021
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Availabl...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
The Old Man And The Sea
By David Yarrow
Located in Chicago, IL
The Old Man And The Sea
Anguilla and South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Succession
By David Yarrow
Located in Chicago, IL
Succession
Dinokeng, South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Avail...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
Superhero
By David Yarrow
Located in Chicago, IL
South Africa, 2019
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 49 ...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
I am Black Panther
By David Yarrow
Located in Chicago, IL
I am Black Panther
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available sizes:
48 x 74 in...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Archi...
Price Upon Request
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Pigme...
Price Upon Request
VENATION
By Reka Nyari
Located in New York, NY
Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Pigment, Pigment, Archival Pigment, Digital Pigment, Plexiglass, Archiva...
Price Upon Request
PATRONNE
By Reka Nyari
Located in New York, NY
Print is also available in Medium size: 50'' x 40'' and is priced at $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Paper...
Price Upon Request
Read More
Welcome to the Surreal and Sensual World of Mona Kuhn
The photographer made her name shooting luminous nudes. Her latest works reframe what an image can hold.
Some of the Best Beatles Photos Were Taken by Paul McCartney
A trove of recently unearthed personal photos adds another dimension to the abundance of press images of the Fab Four.
This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Queen Elizabeth’s Life in Photos
She was one of the most photographed women in history, but the world’s longest-reigning queen remained something of a mystery throughout her decades on the throne.
Photographer to Know: William Klein
The noted lensman brought a bold sense of irony to fashion photography in the 1950s and '60s, transforming the industry. But his work in street photography, documentary filmmaking and abstract art is just as striking.
David Yarrow Tells Us the Tales behind His Wild, Wild Photography
To capture many of the cinematic images in his new show, the famed photographer traveled to the still-rugged parts of Alaska and the Rocky Mountains, shooting supermodels and carnivores alike.
Lori Grinker’s Artful Photographs of a Young Mike Tyson Are a Knockout!
The New York photographer tells us how an encounter with the then-13-year-old boxer led to a decade-long project that saw them both go pro.
John Dolan’s Photographs Capture the Art and Soul of a Wedding Day
In a new book compiling 30 years' worth of images, the photographer reveals that it's the in-between moments that make a wedding special.