Color Photography

Listing includes framing with non-glare UV plexiglas and a 14 day return policy. Also available for local pick up at our Los Angeles gallery. Shipping services available worldwide at a discounted rate. Friends in Need, Juna Mahal, Dungarpur Palace, 2020 48 x 60 inches (52 x 64 x 2.5 inches framed) Archival pigment print Edition 4 of 5 (last edition available) Signed on separate artist certificate Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

Uwe Ommer wanted to try a series that revealed less of the body using different wet veils in bright colors to create this sensual effect.This series of photographs were taken for a E...

large format original photograph of the iconic Mediterranean white beaches of Rosignano in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of beach rites and rituals of modern leisure From Massimo Vitali's body of works captured along Italy's (almost deserted) beaches in the pandemic summer of 2020 Spiagge Bianche...

Archival pigment pop art print of butterflies creating a heart shape created by DESTRO – signed limited edition. Edition of 99 Signed and numbered by DESTRO DESTRO is an ...

tography. Two fishing huts on stilts in the Ocean under a cloudy sky, with fishing nets hanging and poles in the water. Archival pigment ink print, edition of 7. Signed, titled, dat...

Twiggy – at David Steen’s Home, Surrey, Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultu...

Museum quality print of Marilyn Monroe by Lawrence Schiller, taken on the set of Somethings Got To Give in 1962 during the famous naked swimming pool scene ...

Palm Springs, 1970: This coveted photograph, captured by society photographer Slim Aarons, features midcentury socialites in front of the turquoise swimming pool of the iconic Kaufma...

The artist explored nature and how the body can be part of these landscapes with the help of the model Marisa. He did not hesitate to brave the climate and landscapes of Iceland. Th...

Red - 2017 20x20cm, 
Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2017-481. Not moun...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 152 x 101 ...

Viola Vivido is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 2 dimensions: *44.64 × 4...

Palm Beach Idyll A couple sunbathe by the sea at Palm Beach Florida 1955 USA Gorgeous print measuring 30 x 30" inches / ca 76 x 76 cm’s paper size. Estate Stamped Collection Edi...

Westin Excelsior, Lido in Venice, 1957 - Venetian Gondolas in Canals in Italy by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. We...

"The Turn" represents a pivotal moment in contemporary underwater fine art photography, where sculptural form meets fluid dynamics. In this arresting composition, a figure in vibrant...

This ethereal underwater fine art photograph captures a figure suspended above submerged pool steps, rendered in soft aquamarine and pearl tones. The crystalline water creates a drea...

Frontwards - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-903. Not mo...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Poupée, 2020 50x50cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2020-869. ...

The Who under a Union Jack flag, 1968 by Art Kane Shot in 1968 in NYC in Morningside Park near Columbia University, Art Kane had plenty of fun with The Who. Kane described them as “...

Cortina d’Ampezzo Isa Genolini and Maria Antonia in the main street of Cortina d’Ampezzo, Italy, March 1982. 72x48” / 183 x 122 cm - paper size Estate Stamped Collection Edition ...

Vicki McKenna's "Beach Afternoon" is a 13 x 17 inch color photograph that captures the feeling of the late afternoon on a summer’s day at the beach. Clothes, wet from playing in the ...

This large-scale architectural photograph by German photographer Reinhard Görner depicts the Francke Foundations library in Halle, Germany. Arches open like portals into the interior, bringing public cultural heritage into private space in the rich, aged tones of wood and marble, taupe, blue and gray. Reinhard Görner is known for invoking an atmosphere of awe, meditation and contemplation through crisp, richly detailed scenes of grand historical and cultural public narratives. This effect is enhanced through aesthetically striking compositions, which might include stunningly perfect (or interestingly-off) symmetry, portals through a series of doorways, and other careful choices of perspective and scale. Reinhard Görner Francke Foundations II Halle, Germany 2014 50 x 52.6 inches ed. of 10 $6,000 60 x 63.2 inches ed. of 7 $9,000 70 x 73.7 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on the Polaroid. Signature label and Certificate...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Radha Mind Screen (29 Palms, CA) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Apres Ski 1963 (printed later) Chromogenic Lambda Print Estate edition of 150 A group of women reclining on the snow in Gstaad with rugs covering their knees, 1963. Estate stamped ...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Stunning green abstract photograph reminiscent of Ikat fabric by Janet Van Arsdale (American, 20th Century). Signed in pencil lower left corner. Presented in black frame with double ...

Art Edition “Patti Smith” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait Patti Smith, New Orleans, 1978. For over 50 years, Annie Leibovitz has been creati...

'Utopia', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing the Milan...

"La tête" Nude Photography 19" x 24" in. Edition of 28 by Yevgeniy Repiashenko Year photo was taken: 2014 Photography Limited Edition of 28 Picture size: Height: 19" inch Width: 24"...

Untitled (Nr. 2790) Photography 18" x 24" in Ed. 2/20 by Rowan Daly Unframed - ships rolled in a tube Signed and numbered by the artist Ben Cope + Rowan Daly Off the Grid Off the...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (91cm x 135cm) 2022 Edition 5/8 *Should you wish the photograph to be pr...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue ocean SEASCAPE XVII by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of...

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

large scale photograph of iconic summer beach scene in Southern Italy's Puglia by Italian photographer Massimo Vitali, renowned for his grand s...

Muchacho con vasija Chimila by Celso José Castro Daza From the Series Guerreros. One-of-a-kind Photomontage on archival paper Image size: 27.5 H x 19.5 W in. Frame size: 28.5 in H x...

90 Minutes Tinted Blue, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, perso...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

Fugitives (Till Death do us Part) - 2005, 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist In...

The Morning After - 2017 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2017-4...

image size: 8 5/8 x 7 7/8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convent...

Ocean Club Versailles Gardens at the Ocean Club, Nassau with terraced steps leading from a swimming pool to a 14th century French cloisters, 1968. 16×20 ...

À côté n°3 is a photograph by French contemporary artist Camille Brasselet. It is a pigment print on Fine Art paper technique. This photograph is sold unframed as a print only. It ...

large-scale framed original art photography from a series of mesmerizing cloud atlas observations and abstract skyscapes above the horizon line of the Medi...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Garden Party. An elegant garden party in Miami, Florida, 1970. Huge oversize 60 x 60" inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaro...

This early 1970s photograph, captured by society photographer Slim Aarons, features a ski resort in Courchevel in the French Alps, circa 1970. This is an estate stamped and hand num...

Slim Aarons Limited Estate Edition Countess on Deck Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Paper size very large 72 x 4...

Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

In 1986 African-American musician Dee Dee Bridgewater left the United States and moved to Paris, France where she lived for the next fifteen years with her family, two daughters and ...

Blackmons's images offer fantastic and surreal commentary on contemporary American family life while referencing a 19th Century Flemish aesthetic. Peggy's Beauty Shop is an outstandi...

Silence and their words (Till Death do us Part) - 2007 20x24cm, Edition of 10, digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 8...