Animal Color Photography

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Pink Dancers Mexico 20 x 45 in / Edition of 6 - $4,500 Also available: 32 x 73 in / Edition of 6 - $8,500 39 x 90 in / Edition of 6 - $17,500 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Prices listed do not include framing. Please contact gallery for framed pricing. The soft haze of dusk, I waded out into the Ría Lagartos in Mexico and trained my lens on a trio of flamingos. Their long necks curved as they peered into the shallows stained pink by the setting sun, searching for the brine shrimp that gives them their bright, coral coloring. Ría Lagartos translates to Alligator River, although this incredibly rich estuary is neither a river nor does it have a single alligator. Instead, it is a sweeping, coastal wetland home to crocodiles and flocks of flamingos. Cristina Mittermeier Biography: A virtuous mind and voice in conservation photography and one of the most influential female photographers in the world, Cristina Mittermeier began her career as a Marine Biologist working in her native Mexico. For the past twenty-five years, she has dedicated herself to inspiring a global audience to care about the delicate balance between human well-being and healthy ecosystems. Cristina's work has exhibited at the Oceanographic Museum of Monaco, The Miller Gallery in Cincinnati, The Paul Nicklen Gallery in New York, Xposure in the UAE , Art Basel Miami, Terras de Salitre/Mar de Mares Festival in Santiago, The Museum of Plastic Pop...

From the transformative to the ephemeral, the birth and death of a bright green butterfly is reimagined in Roberta Fineberg's photo based on a poem by the 13th Century Persian poet Rumi who believed: ‘Whatever you know, or don’t - only love is real...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Digital C-print Signed and numbered, verso 24 x 30 inches (Edition of 10) 30 x 40 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please no...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

Zoltan Gerliczki took advantage of global circumstances to emerge as an artist who crosses borders. Gerliczki's images are a continuation of the artist's journey from the unknown to ...

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns...

'Wet Market', part of a series Richard Heeps series taken on the streets of Kong Kong in 2013 where he wanted his photographs to be metaphors for the layered, dense living in the Cit...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series by Roberta Fineberg inspired by a poem by 13th Century Persian poet Rumi a great believer in the power of love: ‘Whatever you know, or don’t - only love is real’. A contemporary color photograph of a butterfly the work explores the natural and man-made world in which a caterpillar breaks free of its skin for a metamorphosis. Hatching into an exquisite creature...

High Noon - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #349. Sig...

Listing includes framing with UV Plexi, Free shipping, and a 14 day return policy. Also available for local pick up in New York City. The Search for Sattva, Ahhichatragarh Fort (2014) by Karen Knorr 24 x 30 inches (27 x 33 inches framed) Archival pigment print Edition 2 of 5 Signed on artist certificate and acquired directly from the artist. Karen Knorr Artist Biography While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Heather Hollis Hanging Around Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso)...

Heather Hollis Freedom for All Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso...

In this hyper-detailed archival pigment print on watercolor paper, a light brown moth with bright orange details and a golden shade of ivory on its lower wings is dramatic against a ...

Ghost Rider Cowboy (Purple), pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibr...

Ghost Rider Cowboy (Cyan), pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibran...

Ghost Rider Cowboy (Cyan), pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibran...

Edition of 5 More sizes on request. It was in the evening, not far from the reintegration unit in Tsavo National Park. I had just taken my last pictures of the day and the orphans w...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Anna Archinger Marwaris, The Sentinel (Equestrian Photography, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Pla...

The Cow Edition of 25 signed and numbered by the artist A cow on the top of the hills in the German Alps. Every year the cows are taken to the pastures o...

Early Riders 1970 - Slim Aarons Estate Stamped Former mayor Frank Bogert leads an early-morning ride through Andreas Canyon in Palm Springs, southern California, January 1970. 30 x...

2014, pigment print, 43 1/2 x 33 1/2 inches, edition of 7 An original photograph from the artist's "Cubism and other Isms" series in which brightly painted geometric cubes are arran...

Seagull (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 197. Not moun...

In this hyper-detailed archival pigment print on watercolor paper, a magenta pink moth with black circular markings down its abdomen and black, white and gray on its upper wings is d...

Racing at Baden-Baden - Horse Riding and Horse Racing at Racecourse in Germany by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print....

Silver Bullet (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23475. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

In this hyper-detailed archival pigment print on watercolor paper, a yellow and brown moth with a red body and distinctive markings is dramatic against a solid white background. Pr...

image size: 12 x 9 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventional, ...

From the transformative to the ephemeral, the birth and death of a butterfly with a broken wing is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who wrote: ‘Whatever you know, or don’t - only love is real...

Untitled (Oilfields) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1197 Not mo...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Will Adler's studio in Santa Barbara. Will Adler Malibu, 2009 16 x 24 inch archival pigment print Edition 3 of 8 Signed on adhesive certificate Other sizes are available from the same edition. 30" wide, 40" wide, and 50" wide. Please inquire for pricing. Artist Biography - Will Adler is a 38 year old west coast photographer known for his distinctive take on the surf world. Adler's laid back, light infused images, (as often of women surfers as men) convey the spirit and atmosphere of place as much as the action of the sport and have earned him a cult following in surfing and photography circles. For his summer show at Danziger Gallery, Adler is showing pictures from Hawaii, California, and Montauk shot for himself and for magazines such as Juxtapoz, Neon, Surfer, WAX, and The New Yorker, His commercial clients have included Quiksilver, Patagonia, Nike, and Hixsept. The 2014 summer show at Danziger Gallery was curated by Tom Adler...

Anna Archinger The Monsoon Wanderer (Equestrian Photography, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Plati...

Penny Lane and Nastasia at Sunset (Chicks and Chicks and sometimes Cocks) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label...

In this hyper-detailed archival pigment print on watercolor paper, a moth with yellow, pink and black markings on its wings and a long proboscis is dramatic against a solid white bac...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Seagulls (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 107. Not mou...

Saratoga Springs by Toni Frissell Saratoga Springs Race Course New York August 1960 Giant oversize 60 x 40" inches / 152 x 101 cm paper size Archival pigment print unframed (fr...

Up up and away - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

Pebble Beach Hunt 1976 - Slim Aarons Estate Stamped Riders gather in the courtyard of Richard Collins’ House for the stirrup cup libation, before the start of the Pebble Beach Hunt ...

Combined Edition 12 More sizes on request. This image is really exceptional and unique photograph which will not happen again worldwide. Joachim wanted to do a photograph and to le...

“Spicebush Butterfly” is a limited edition of 25. Printed on Aluminum Dibond, these limited-edition photographs are designed to preserve the beauty of the original scenes. Each piece...

Living by Voices we shall never hear (Chicks and Chicks and Sometimes Cocks) - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certific...

Nipple - Bathtime IV (29 Palms, CA) 1999, 40x40cm, Edition 1/10, Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. Artist inventory ...

Plane blue sky - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4637. Not mounte...

In this hyper-detailed archival pigment print on watercolor paper, a brown Lymantria species moth with light pink details on its abdomen is dramatic against a solid white background....

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

This series of photographs were taken for a European calendar. The idea was to create postcards with several countries on different continents, in the images the artist decided to cl...

Equestrian Entrance 1957 - Slim Aarons Estate Stamped Madame de la Haye-Jousselin on her horse at the gates to her chateau in Normandy. 30 x 30" inches / 76 x 76 cm paper size E...

From the Still Beating Series Narrative Art refers to visual imagery which tells stories, engages the imagination, and stirs the emotions. These stories...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series on butterflies by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who writes: ‘Whatever you know, or don’t - only love is real’. For Union RF explores the natural and man-made world in which two caterpillars break free of their skin for a metamorphosis. Hatching into exquisite creatures...

Equestrian Entrance 1957 by Slim Aarons printed 2023 Slim Aarons Limited Estate Edition Madame de la Haye-Jousselin on her horse at the gates to her chateau in Normandy. unfram...

This artwork titled "Mt. Mostag (Muztagh) and Wild camels" China. c.1990, is a photograph by noted artist Keith Guo Ji Liang, b.1946. It is hand signed and titled in pencil on the ma...

Palm Springs Rodeo 1970 by Slim Aarons Slim Aarons Limited Estate Edition Spectators watch from the stand as a contestant rides a bucking horse at the Palm Springs Mounted Police ...

Penny Lane and Dreamgirl (Chicks and Chicks and sometimes Cocks) - 2019 20x24cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 19139. Signature label and Cer...

Racing At Baden Baden 1978 by Slim Aarons Slim Aarons Limited Estate Edition Spectators dine in the open air as the horses go by at Baden Baden racecourse, Germany, September 1978...

Pebble Beach Hunt 1976 by Slim Aarons Slim Aarons Limited Estate Edition Riders gather in the courtyard of Richard Collins’ House for the stirrup cup libation, before the start of...