Landscape Color Photography

Photographed by Richard Heeps in Bombay Beach, Salton Sea, California. The combination of the suns rays intersecting the horizon, and the silhouette of the tree unexpectedly rising o...

Rocky Peaks Panorama Study 1, Spain - no. 21202 Black and white fine art long exposure waterscape photography. Archival pigment ink print as part of a limited edition of 9. All Ger...

Horses on Mosquito Coast, Honduras, Central America 1980's. (photograph Alain Le Garsmeur) A gorgeously evocative shot taken in the early 1980's by prolific documentary and well kn...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 66" x 44" unframed (167cm x 112cm) 2022 Edition 1/10 *Should you wish the photographs to be printe...

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

Ebb Flow 7 by Ellie Davies is a Digital C-Type Print on Fuji Maxima Matte Paper Ebb Flow 7 is available in this size of 67.5cm x 90cm from a Limited Edition of 7 + 2 A...

Ebb Flow 6 by Ellie Davies is a Digital C-Type Print on Fuji Maxima Matte Paper Ebb Flow 6 is available in this size of 67.5cm x 90cm from a Limited Edition of 7 + 2 A...

Ebb Flow 4 by Ellie Davies is a Digital C-Type Print on Fuji Maxima Matte Paper Ebb Flow 4 is available in this size of 67.5cm x 90cm from a Limited Edition of 7 + 2 A...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Ebb Flow 3 by Ellie Davies is a Digital C-Type Print on Fuji Maxima Matte Paper Ebb Flow 3 is available in this size of 67.5cm x 90cm from a Limited Edition of 7 + 2 A...

Ebb Flow 1 by Ellie Davies is a Digital C-Type Print on Fuji Maxima Matte Paper Ebb Flow 1 is available in this size of 67.5cm x 90cm from a Limited Edition of 7 + 2 A...

Gerald Berghammer - Color Tuscany landscape photography. Landscape with rolling hills, a single tree, a huge cloud, and a field of dry grass. Archival pigment ink print as part of a...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

Color fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited...

The morning desert of Northern Territory, Australia as captured by photographer, Peter Lik in Painted Skies, an original cibachrome color print mounted on plexiglass measuring 8 x 20...

Photograph of Palm Springs Desert option of paper +can be printed on metal..inquire for pricing comes unframed. Inquire about various sizing About the Artist: Short Biography in a ...

This image captured by New York photographer Christopher Petsos in 2014, featuring The Bow Bridge (cast iron bridge), located in Central Park, New York City. The photograph demonstrates the beauty of New York City in the Fall, when the humidity of summer is gone but plenty of days with warm temperatures and blue skies remain to demonstrate a show of colorful foliage, as do the residential side streets and busy squares. Christopher Petsos is a New York City based photographer and artist. He is best known for capturing Light, pattern, texture, color and motion across the urban realm. Christopher Petsos believes that we see things through a filter of the self, a camera records the physical details of a scene, but our human eyes and sub-conscious self are the interpreters that complete our view of reality. In his own words: “Throughout the process, I stay faithful to the underlying truth of the scene. My work inhabits the space between literal depiction and my emotional Impression of the moment. The result is hyper-reality: facts imbued with feeling.” In this image, Christopher Petsos stands true to his words and brilliantly captures the light, pattern, texture, color and motion across the urban realm and painted it in his own colors to give the viewer a new perspective. Limited Numbered Edition of this iconic print on fine art archival pigment paper and signed by Christopher Petsos are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Stunning Fine Art Archival Print, Nature Colorful Photography...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 25" X 67"- Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material tha...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Syoin KAJII (*1976, Japan) NAMI_A01-A02 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x 118 1/...

Midtown Manhattan Sunset, Original Cityscape Photography, 2017 8" x 17" (HxW) Photographic Print The city skyline encompasses the horizon with the skyscrapers glowing a yellow orange from the light of the sunset. Clouds float over New York as the day transitions into night. This urban setting never fails to impress as it is juxtaposed between sky and water. Images with frames are examples only; this work comes unframed. Artist Commentary: Sunset of Midtown Manhattan from Hoboken, New Jersey Artist Biography: William brings many years of creative experience to the table. He possesses an MFA in Cinematography from the Academy of Art University in San Francisco. His studies have taken him around the world. In the summer of 2008 he studied at the prestigious Film and Television School of the Academy of Performing Arts in Prague, the fifth oldest film school in the world. In 2011, while completing his masters, Will traveled to Dublin, to work on the Academy Award nominated film Albert Nobbs starring Glenn Close...

This beautiful panorama color photography was taken in Israel near Caesarea. It was not filtered, manipulated or color corrected, but a straight panorama shot. It comes print only, but can also come framed or plexiglas mounted (additional cost). If you are interested, please contact us for the options we offer. It can also be custom size and is part of an edition of 5. Landscape photography color photography seascape photography beach photo sunset photography

This image of the Mediterranean sea showcases and captures a moment in time of the beauty of water, sky, nature and its elements in beautiful light. Image can be paired with others ...

Archival photo print under acrylic glass. Dimensions: 36 x 72 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

The Chrysler Building is not only ever-present, but its uniquely shaped spire attracts the eye unlike any other structure. "Wherever You Look, You See The Chrysler Building: Central...

Acapulco Rocks 1950 - Slim Aarons Estate Stamped A view of a rocky outcrop on the coast at, Acapulco, Mexico, 1950. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collect...

Rodrigo Katayama Nature Abstraction #16, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Unframed

Heather Hollis Flying High Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) CO...

Heather Hollis Devils Tower National Park Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2019 Size: 12 x 8.7 inches (30.48 x 22.09 cm) Edition: 15 Signed on label (to be a...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Erik MADIGAN HECK (*1983, United States) Richmond Park, Old Future, 2015 Chromogenic print Sheet 152.4 x 228.6 cm (60 x 90 in.) Edition of 9, plus 2 AP; Ed. no. 4/9 print only Origi...

Untitled 6, Sola, Norway is a photograph by Norwegian artist Christian Houge. Dimensions are 96 x 120 cm (37.8 × 47.2 in) and 144 x 180 cm (56.7 × 70.9 in). The price shown is for th...

large scale photograph of an epic view of the iconic Hollywood sign and sprawling downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 40 x 40 inches / 102 x 102cm si...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-739 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water ...

Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT and SEA series, and all other water related series, ...

Aditya Dicky Singh, Fever trees in Lake Nakuru, Kenya:, Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2023 Edition 1/8 A certificate...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

A contemporary color panoramic photograph, King of the Mountains, 2013 by Chinese artist Yun Hanyu -- is a signed 16" x 36" HD C- print. The King ...

Panoramic view from the city of Ghent Pigment photographic paper - photography & fine art print © Jean Pierre De Neef You make my head spin serie - Tribute to Belgium The technique...

Edition of 3 + 1 Artist’s Proof. Ultrachrome print. Young-Jin Choi, was born in 1965 in the southern coastal area of Jeollanam-do province. He began taking photographs in high schoo...

'California Badlands III' (California Badlands), 2016, 20x24cm, Edition 9/10, Digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 19333.16 not...

Il Pellicano Pool - Porto Ercole Il Pellicano Hotel Tuscany Italian Riviera by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Il ...

Unghia Marina 1989 by Slim Aarons Slim Aarons Limited Estate Edition A group of people stand on a terrace, at the Unghia Marina on the island of Capri, Italy, in September 1989. T...

The Tree of Life - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #35...

'Porto Venere No.3' Lerici, Italy 2024 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to with...

large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...

Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the...

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

End of the Road (Sidewinder) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm...

Jack's Place (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. 20x20cm, ...

The Field (Musica Poetica) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #186 N...