Tree Color Photography

' Yellow Leaf ' Oversize Archival Pigment Print - Signed Limited Edition Fine Art photograph of a single leaf floating on water with palm trees reflected on the surface. by Stuart Möller. Beautiful mint condition Limited Edition Archival Pigment Print on Hahnemühle Photo art paper. Measuring a Large Oversize 40 x 30 inches / 101 x 76 cm Edge Prints...

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

Boys Play with Hoops 2019 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 60 x 40 inches Signed and numbered edition of 10 with certificate...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, ...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, ...

"Country Road" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered ...

Skiing In Vail, 1964 Chromogenic Lambda Print Estate edition of 150 Skiers pass by a snow covered tree in Vail, Colorado, USA, 1964. Estate stamped an...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

Beverly Hills Hotel 1957 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The sign on the side of the Beverly Hills Hotel on...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Photography, fine art print. Reminiscence on the Onyx Wall at the Villa Tugendhat. Done somewhere in Slovakia. Could be delivered im different sizes. SalamonArt certificate will be d...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

OIivier - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

This contemporary landscape photograph by Carolyn Monastra depicts a tree in the ocean with a blue and pink sunrise. This stark and subtle piece is part five of a travel-based nature...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

The calm serenity of a frozen forest at night. An image of silence. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed in its almost mythological beauty. Cawston’s images from the UK, Europe and America, convey a deeply-felt reverence for the natural world. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 15 Presentation: Photographic print with acrylic face mount Signed by the Artist Certificate of Authenticity from the gallery Location: Mammoth...

An avenue of ancient oaks… – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to t...

Mid Century Modern Palm Springs Architecture. Jaguar E-Type vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Mod...

An avenue of ancient oaks… – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to t...

The calm serenity of a frozen forest at night. An image of silence. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed in its almost mythological beauty. Cawston’s images from the UK, Europe and America, convey a deeply-felt reverence for the natural world. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 250cm wide. Please contact us for further details. Edition of 12 Presentation: Photographic print Signed by the Artist Certificate of Authenticity from the gallery Location: Mammoth Lakes...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editi...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

Autumn colours as silver birch prepare to shed their leaves – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost i...

The colours of Autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

The colours of Autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

Listing includes free shipping for unframed prints and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 16 x 24 inch fujiflex print Edition of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Black and white fine art panorama landscape photography. Archival pigment ink print, limited edition of 7. Cherry trees in a row at the edge of the field at sunset, Austria. All Gera...

This shot by photographer Viet Chu in 2016, it features a Yellow Acacia, with emphasis on green for the grass and leaves, with contrast to the dramatic blue sky. Viet Chu is a world...

Traditional C-Print, edition 1/10

The colours of autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

Il Pellicano Tennis 1955 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. An Aston Martin DB6 sports car dr...

"Rio - Forêt de Tijuca", photograph of a Brasilian landscape by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes...

Two women stand in the foreground of a snowy landscape with a helicopter on the slopes of Snowmass Village, in Pitkin County, Colorado, in March 1968. Slim Aarons Snowmass Village 1...

Holidaymakers in sun loungers on the slopes at Gstaad, Switzerland, March 1961. Slim Aarons Lounging In Gstaad 1961 C print (Printed later) Estate signature stamped and hand number...

A group of women going down the the steps to the pool at Warren Avis' villa, 'La Barranca' at Las Brisas, Acapulco, Mexico, April 1979. Slim Aarons Down To The Pool 1979 C print (P...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown. 20 x 24 in. Series: West of Last Chance Available in additional sizes, limited to a single edition of ...

The former Pauline Haywood sunbathing on a lilo in a swimming pool designed by English artist Oliver Messel, Barbados, April 1976. Her family owned Haywood's Plantation. Slim Aaron...

Signed, titled, dated in ink on photographer's label. Archival pigments on tea infused Japanese Kozo paper Image: 17 1/2" x 11 3/4", Frame: 21" x 15" Edition 2 of 7

Slim Aarons Lounging in Gstaad 1961 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Holidayma...

This is an original gouache painting layered on an original inkjet print using alternative process photography. Image measures 8" x 8" on 11" x 8.5" paper. Ava Blitz...

Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. Slim Aarons Leonard Dalsemer 1974 C print (Printed later) Estate signature stamped a...

Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman's parents in Palm Beach, Florida, 1985. Slim Aarons Neo-Classi...

Former mayor Frank Bogert leads an early-morning ride through Andreas Canyon in Palm Springs, southern California, January 1970. Slim Aarons Early Riders 1970 C print (Printed lat...

circa 1955: Mrs F C Winston Guest (1920 - 2003) (aka Cee Zee Guest) with her dogs in front of the Grecian temple pool on her ocean-front estate, Villa Artemis, Palm Beach, Florida. ...

Slim Aarons Skiing In Vail 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of skiers...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. 48x48" inches / 122x122 cm paper size Estate Stamped Collection Edition to 150 Photo b...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Your Nearest Exit May Be Behind You, a reference to the traditional pre-flight instructions of airline hostesses, is fine art photographer Micheal McLaughlin's collection of the sights found universally in the act of travelling between countries and continents. From dark Hong Kong skylines...

Catalina Ouyang Self Portrait with 'The Art of War' I, 2017 40 x 60 inches (101.6 x 152.4 cm)

Scarecrows are often unusual, and this is no exception. The homeowner decided to mount a metal sculpture by Polish/American artist Marian Owczarski in the garden to scare off variou...

“Unified Front” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with C...

A project that documents tourism and commodity culture at The Holy Land Experience Christian Theme Park in Orlando, Florida. Humor and irony are combined within a documentary approac...