Building Figurative Photography

Atrium by Gina Soden [2016] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 1 Image size: H:87.5 cm x W:70 cm Complete Size of Un...

Perturbé by Gina Soden [2020] limited_edition Digital photograph on Baryta paper Edition number 1 Image size: H:76.2 cm x W:76,2 cm Complete Size of Unframed Work: H:80.2 cm x W:...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

A factory in Avonmouth. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmo...

A factory in Avonmouth. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmo...

Communal living in Rio de Janeiro – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collect...

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

The bright colours of a cafe in a poor district of Salvador in Brazil. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose ...

A table awaiting bread to be broken and wine to be drunk… – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories ...

An exuberance of colour in Brazil – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories are suffused with a fade...

An exuberance of colour in Brazil – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories are suffused with a fade...

High rise in Singapore – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By fo...

Peace and quiet behind shuttered windows in Barcelona – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individua...

Dynamic shapes and colours seem almost otherwordly. Yangon, Burma – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures ...

The emptiness of a multi-storey car park late at night in Bristol – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. ...

Along the road to the promised land of California…. an abandoned shack on the dry side of the mountains – Cawston’s eye for colour, structure and the beauty of the mundane finds a wo...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Structure and abstraction – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By...

High rise in Singapore – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By fo...

Modernity and repetition in New York City – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the...

Peace and quiet behind shuttered windows in Barcelona – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individua...

The bright colours of a cafe in a poor district of Salvador in Brazil. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose ...

An exuberance of colour in Brazil – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glo...

Photograph of the Archivo general de Indias, in Sevilla, Spain by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, t...

"Upper Lusatian Library of Sciences, Görlitz", photograph of the Upper Lusatian Library of Sciences in Germany by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plex...

Photograph of the National Library of Prague by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, then shipping in tw...

Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Offset poster realized in a limited edition of 1.000 by Galleria Rondanini in 1970s, after a photograph by Franco Fontana. Excellent condition.

Hotel Sports Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. 60 x 40" inches / 152 x 101 cm paper size Estate Stamped Collection Edition to 150 Photo by Sli...

Portofino 1957 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The Westin Excelsior Hotel on the Lido in Venice, 1957. (...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Untitled (Driveway) by Bill Owens presents a tranquil scene. A long driveway leads up to a house in a suburban neighborhood. Two trash cans sit in front of the garage. The garage doo...

Claudio Amendola in Lontano da dove-Vintage Photo is a black and white photograph realized in 1983. Good conditions.

Capitolium and Imperial Forums -  Vintage Photo  is a colored photograph of the 1970s. Good conditions.

Rome, bird eye view-  Vintage Photo is a colored photograph of the 1970s. Good conditions.

'La Barranca' Bandleader Teddy Stauffer (1909 - 1991) at La Barranca, Warren Avis' villa in Acapulco, January 1971. 20 x 16" inches / 51 x 41 cm paper size Estate Stamped Col...

Duomo of Saint Mary of the Assumption-  Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged with foxing.

Amalfi Cathedral -  Vintage Photo is a black and white photograph of the early 20th century realized by Alinari. Good conditions, aged with foxing.

Cathédrale de Crema - Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged with foxing.

Palazzo dei Diamanti, Ferrara-  Vintage Photo is a black and white photograph of the early 20th century realized by Alinari. Good conditions, aged with foxing.

Arches -  Vintage Photo is a black and white photograph of the early 20th century. Information on the rear in Italian Good conditions, aged with foxing.

Interior of Navetacentrale- Vintage Photo is a black and white photograph of the early 20th century. Information on the rear in Italian Good conditions, aged with foxing.

The Baptistery of Parma -  Vintage Photo is a black and white photograph of the early 20th century by Alinari. Information is written on the lower in Italian. Good conditions, aged...

Cathedral of Parma -  Vintage Photo is a black and white photograph of the early 20th century by Alinari. Information is written on the lower in Italian. Good conditions, aged with...

The Baptistery of Parma -  Vintage Photo is a black and white photograph of the early 20th century by Alinari. Information is written on the lower in Italian. Good conditions, aged...

Cathedral of Santa Maria Assunta -  Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged.

Cathedral of  Santa Maria Assunta -  Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged.

Cathedral of  Santa Maria Assunta -  Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged.

Historical Cathedral and Arches-  Vintage Photo is a black and white photograph of the early 20th century. Good conditions, aged.

Medieval Relief-  Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Roman Historical Arch.  Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Ferrara Cathedral- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Ferrara Cathedral- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Inauguration of the Science Palace in Rome is a vintage photograph in black and white realized in the 1950s. Good conditions.

Inauguration of the Science Palace in Rome is a vintage photograph in black and white realized in the 1950s. Good conditions.

Inauguration of the Science Palace in Rome is a vintage photograph in black and white realized in the 1950s. Good conditions.

Inauguration of the Science Palace in Rome is a vintage photograph in black and white realized in the 1950s. Good conditions.

Old Cathedral Brescia is a black and white photograph realized in the early 20th century by Alinari. Location, Brescia Italy. Titled in the Italian language on the lower. Alinari ...

Hotel Du Cap-Eden-Roc 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Holidaymakers in a motorboat off the Hotel d...