C Print Landscape Photography

Villa del Balbianello, June 1983 - Afternoon Gathering on Terrace with Vines by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Vi...

We love this work because the fashion shots are all set in a vast landscape of beauty and composed with poetic feel and look that is timeless and classic. 20x24 in. - Edn of 20 C p...

Thrills, the iconic Coney Island Wonder Wheel photograph by Richard Heeps. The bold typography of the architectural structure fills the Fuji Film frame combining Richard's signature ...

Roy's Cafe (California Badlands) - 2010 20x24cm, Edition 2/10, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory No. 10905. Not m...

Hong Kong Apartments II is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. Thi...

'Renée's Dream' no. 7 (Days of Heaven) - 2005 18 x 24 cm. Lumas Edition 99/100. Archival C-Print, based on an expired Polaroid. Artist inventory 8080. Signature Label and certif...

Renée's Dream XI (Days of Heaven). Part of the 29 Palms, CA Project - 2006 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label ...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Monte Carlo Hotel Pool, 1970 - Monaco Landscape Photography Swimming Pool by Sea by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Cabazon Dinosaurs (Drive to the Desert) - 2000 44x59cm, Edition 5/5. Analog C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #155.05. Not mount...

Chalk Streams 9, 2023 - Biodiversity Natural Environment Contemporary Photograph by Ellie Davies Chalk Streams 9 is a stunning C-Type Print on Fuji Maxima Matte Paper. This size pri...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Set of three framed landscape photography artworks from Richard Heeps' South African road trip series. Richard Heeps' work takes you on a...

Malina (Stranger than Paradise) - 1997 43x59cm, Edition of 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Invento...

Il Canille, 1980 - Faraglioni Rocks Capri Horizon Landscape Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Il Canil...

Seaside Heights boardwalk beach after Hurricane Sandy American landscape typography photography by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print f...

Palm Tree, Salton Sea and Joshua Tree, Mojave Desert, two Californian landscape photographic artworks by Richard Heeps. Each artwork framed dimension measures 27.6" x 23.5" Each art...

OK Corral - part 2 - (Stranger than Paradise), - 1999, 20x20 cm, Edition 5/10, digital C-Print based on the Polaroid, Artist Inventory 318_2.18, Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Joshua Tree American Desert photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues of the dese...

Fairytale - 2016, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on the Polaroid. Signature label and certificate. Artist inventory PL2017-112. Not mounted....

Skylark (Stranger than Paradise) - 1997 43x59cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Inventory...

Magic Mountain III (Memories of Green) - 2003 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. based on an expired Polaroid, Artist...

Untitled (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6328 Not mounted. ...

Bondi Interpretation is a dynamic C-Type Print in a Limited Edition of 10 in this size by contemporary photographer Ben Thomas. Hasselblad Master Photogra...

Kaleidoscope (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Arti...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, artist inventory numbe...

Smoke and Mirrors 6, 2010 - Forest Scenery in Natural Woodland Landscape by Ellie Davies Smoke and Mirrors 6 by Ellie Davies is a stunning Digital C...

Leaving Town (Sidewinder) - 2005 80x80cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 3...

Leixlip Castle circa 1990 by Christopher Simon Sykes An oil painting, various saddles and an old trunk in Leixlip Castle, County Kildare, 1990s. (Photo by Christopher Simon Sykes) ...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

Schoeman's Drift, landscape photograph from Richard Heeps South Africa series, The New Lantern. Richard Heeps' work takes you on a journey, the road is a reoccurring theme, often the...

Joshua Tree American Desert landscape photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues o...

Village Motel Sunset (Stranger than Paradise) - 2005 20x20cm, sold out Edition of 5, Artist Proof 2/2 (the very last from this edition), Archival C-Print, based on the Polaroid, ...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

'Homestead III', from a sequence of photographs of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dr...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Ireland. The vaulted ceiling arches above, while below a warm, golden light fills the room, illuminating bookshelves and cultural artifacts. The room is flanked by white marble busts of philosophers, writers, and great minds who have shaped the intellectual landscape of the Western world, adding a sense of gravitas and continuity to the space, and bringing public cultural heritage into private space in the rich, glowing tones of aged brown wood, leather and gilt. Reinhard Görner is known for invoking an atmosphere of awe, meditation and contemplation through crisp, richly detailed scenes of grand historical and cultural narratives. This effect is enhanced through aesthetically striking compositions, which might include stunning symmetry, portals through a series of doorways, and other careful choices of perspective and scale. Housing about 150,000 volumes, this library is not only the largest in Görlitz, but also the most significant regional library between Dresden and Wrocław. Rich in history, it stands at the crossroads of Germany, Poland, and the Czech Republic, serving as a beacon for historical research and knowledge transfer in the region. Lit by a warm, timeless glow, the scene leads you through multiple carved archways of antique wood, along well-trodden wooden floors, a testament to the intersection of history, knowledge, and architectural elegance. Established in 1779 by twenty representatives from Görlitz's educated bourgeoisie and enlightened nobility, this library is a symbol of the Enlightenment movement, focusing on human reason and research across all fields of study. Today, it's open to the public and widely regarded as one of the most spectacular libraries globally. Görner's photography celebrates libraries as both shelters and places of escape. This particular photograph is part of his quest to explore the most beautiful and solemn reading rooms around the world. Görner aims to convey how architects play with shadows, light, proportions, and rhythms to create spaces that breathe beauty and silence. Starting from his work with architect Sir Norman Foster in 2005, Görner has meticulously documented libraries' cathedral-like atmospheres across the globe. His photographs seek to convey the impact of architecture on our awareness of life, showcasing spaces that tell stories and refer to a time when aesthetics and spatial awareness were intertwined. Embrace the tranquility and beauty encapsulated in Görner's art and allow it to transport you to the grand arches and timeless serenity of The Long Room, Trinity College Library. Perfect for art collectors, architecture enthusiasts, and advocates of intellectual history, this piece serves as a gateway to explore the spirit of great builders through Görner's distinctive lens. 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Between the Trees 4, 2014 - Misty and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the trees 4 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, av...

Chalk Streams 11, 2023 - Contemporary Biodiversity Nature Photography by Ellie Davies Chalk Streams 11 is a stunning Digital C-Type Print on Fuji Maxima Matte paper. This size print...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Wandering - switched off - (Wastelands) - 2003 Edition 4/5, 57x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inven...

Former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and other guests at the Kaufmann Desert House in Palm Springs, Ca...

Blue Iceland - 2017 20 x 30 cm, Edition 1/10. Archival Color print on Pearl photo paper, based on the original Polaroid. Signed on the back with Certificate. Not mounted. Whethe...

Blowin' In The Wind III (The Last Picture Show) - 2002, 38x37cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature ...

Vetyver Pool, photograph from Richard Heeps India series, The Ambassador's Window. On a journey through India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace ...

"TV 1" is an atmospheric C-Type print by Samuel Hicks. It is available in this size of 16" x 20" in a Limited Edition of 25. The pale blue glow of the analogue television stands o...

Smoke and Mirrors 4, 2010 - Forest Scenery in Natural Woodland Landscape by Ellie Davies Smoke and Mirrors 4 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available...

Joshua Tree American Desert landscape photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues o...

'Renée's Dream' (Days of Heaven) - 2005 part of the 29 Palms, CA project 3 pieces 18x22cm each Edition 15/100. 3 Archival C-Prints, based on the 3 original Polaroids. Certificate ...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

This large-scale architectural photograph by German photographer Reinhard Görner depicts the Francke Foundations library in Halle, Germany. The artist is praised for crisp, rich detailed at large-scale. In this beautiful piece, arches open like portals into the interior, bringing public cultural heritage into private space in the rich, aged tones of wood and marble, taupe, blue and gray. Reinhard Görner Francke Foundations II Halle, Germany 2014 50 x 52.6 inches ed. of 10 $6,000 60 x 63.2 inches ed. of 7 $9,000 70 x 73.7 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

Tangerine Dream (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6289 Not mou...

Stillness 1, 2021 - Misty Natural Landscape of Trees in Ancient English Woodland by Ellie Davies Stillness 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available...

She need not move (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3298 Not mounted. St...

'Baby you can drive my Car' (Bombay Beach) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Not mounted. Signed on the back and with ce...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

Perfect Blend - 2017 Edition of 7 plus 2 Artist Proofs Archival C-print, based on the Polaroid, Not mounted. Signed on the back and with certificate. Artist inventory PL2017-162 K...

Between the Trees 7, 2014 - Misty and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 7 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, av...

Buried (Stranger than Paradise) - 2003 Edition of 5 plus 2 Artist Proofs. 38x36cm each, 90x175cm installed. 8 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive P...