Pencil Landscape Photography

Untitled (Nr. 0131) Black & White Photography 18" x 24" Edition 2/20 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Embruns ‘ Sea sprays, wave on the Spa...

Alexandre Manuel Zhangjiajie 7, China Landscape, 2019

Araquém Alcântara Rio Preto da Eva, The Amazon, Brazil, 2013 70 x 105 cm 27.5 x 41 inches Edition of 10 Also available: 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x...

Newcastle - Limited edition archival pigment print - Edition of 5 Newcastle upon Tyne, UK This image was captured on film in 1978. The negative was scanned creating a digit...

An immense beech pollard, cut in its youth hundreds of years ago, has developed dozens of thick branches from its spiralling trunk. One in a line of several very old beeches in Sussex woodland that may have marked a boundary or a long forgotten track. Artwork info: Archival Pigment Print, Edition of 8 +2AP This print is unframed but can be mounted on Dibond upon request (price upon application) and further framing options are also available - Please contact us at MMX Gallery for more details or purchase here the unframed print. About the Artist: Born in Birmingham in 1973, Jasper Goodall...

Alexandre Manuel Torii Gate, Japan, 2025 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and fr...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

NICK BRANDT (*1966, England) Elephant Cathedral, Maasai Mara, 2007 Archival Pigment Print Sheet 109,2 x 96,5 cm (43 x 38 in.) Edition of 15 (#12/15) print only Nick Brandt is a cont...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

Barcelona - Signed limited edition archival pigment print , Edition of 5 Photograph realised on the Passeig de Gracia at the heart of Barcelona - Spain This image was captured o...

Alexandre Manuel Dorsoduro, Venice, 2017 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and fr...